Working closely with Fangoria’s experts, including Editor in Chief Anthony Timpone, Adam Lukeman has compiled a must-have guide for casual horror fans and hardcore horror junkies with Fangoria’s 101 Best Horror Films You’ve Never Seen. With a brief synopsis for each of the included films, lists of cast and crew, “Terror Trivia,” and little-known facts about these lesser-known but must-see gems, Fangoria’s 101 Best Horror Films You’ve Never Seen offers a feast of gruesome information. Featured here are flicks that were dumped by their distributors or were initially flops, like Cherry Falls, Manhunter, and Pumpkinhead, foreign winners such as Cronos, The Vanishing, and Funny Games, and straight-to-video sleepers waiting to be discovered, including Shadowbuilder, Jack Be Nimble, and Nomads. There are even surprise entries directed by industry giants—movies like George A. Romero’s Day of the Dead, Brian De Palma’s Sisters, or Dario Argento’s Opera—that are frequently overshadowed by the filmmakers’ other, better-known works but are worthy of further examination. Entertaining and informative, Fangoria’s 101 Best Horror Movies You’ve Never Seen offers more than a hundred reasons to look beyond the often ho-hum Hollywood hype fests . . . when you’re really in the mood to feel your flesh crawl.From the Trade Paperback edition.

    There's no way we're going to sleep, not after the film we just saw. Fear is one of the most primal human emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? It seems almost mad that we would frighten ourselves for fun, and yet there are thousands of books, films, and games designed to do exactly that.As Darryl Jones shows in Sleeping with the Lights On, the horror genre is vast, ranging from vampires, ghosts, and werewolves to mad scientists, Satanists, and deranged serial killers. The cathartic release of scaring ourselves has made its appearance everywhere from Shakespearean tragedies to internet memes. Exploring the key tropes of the genre, including its monsters, its psychological chills, and its love affair with the macabre, Jones explains why horror stories disturb us, and how society responds to literary and film representations of the gruesome and taboo. Should the enjoyment of horror be regarded with suspicion? What kind of a distinction should we make between the commonly reviled carnage of the contemporary horror genre and the culturally acceptable bloodbaths of ancient Greek tragedies?Analyzing how horror has been used throughout history to articulate the fears and taboos of the current generation, Jones considers the continuing evolution of the genre today. As horror is marketed to mainstream society in the form of romantic vampires and blockbuster hits, it maintains its shadowy presence on the edges of respectability, as banned films and violent Internet phenomena push us to question both our own preconceptions and the terrifying capacity of human nature.

     When the Acuña Cartel tunnels under the Rio Grande and into the United States, they tap into a vast cavern that’s home to a once thought mythical species. The massacre that ensues leaves 12 men dead, brings tunnel construction to a standstill. Losing money by the hour, the Cartel pulls Captain Jarrett Taylor out of retirement to lead a band of mercenaries under the Earth to eliminate an animal more savage than any human force they’ve ever faced. The mission quickly goes bad and plunges the team into a desperate battle of survival. “High caliber. Heavy caliber. Whatever you want to call it, when Gayne C. Young’s The Tunnel hits you, you’ll be blown away. The second you open this book, you’re staring down the barrel of one helluva nightmare. You think you got what it takes to make it to the end? You don’t.” -Jake Bible, author Of MEGA and Roak: Galactic Bounty Hunter. “Gayne C. Young has lived high adventure. His latest blockbuster, THE TUNNEL, excels at art imitating life at its very best! Step inside The Tunnel for gritty characters navigating an exciting plot twisted by a savage creature nightmares are made of!” Dane Hatchell, author of THE DINOSAUR BATTLE OF NEW ORLEANS "Hardcore, fast paced, horror action as only Gayne Young can write it." Eric S Brown, author of Bigfoot War

    Hutchins invited the biggest names in podcast fiction — and 7th Son fans across the globe — to contribute to 7th Son: OBSIDIAN, an innovative audio and video fiction anthology set in the 7th Son universe.OBSIDIAN, an innovative “in world” addition to the 7th Son trilogy, tells the tale of the nationwide blackout seen briefly in 7th Son: Destruction. More than 100 authors and fans contributed content to this project. OBSIDIAN was a history-making experience; it was the first time in podcast fiction where the lines between author and audience were fundamentally blurred in this way.While these tales of survival were crafted as stand-alone stories, J.C. Hutchins recommends listening to the 7th Son trilogy in its entirety before experiencing OBSIDIAN.

    Contains CONCRETE JUNGLE, COLD WAR and BIG GAME

    But Tom's demons return with a vengeance as he discovers the baby is possessed by the spirit of another girl, who went missing 10 years ago - the night Tom had his last drug-fuelled blackout.

    From the pages of the best-selling Duck & Cover Adventures comes thirteen stories of those who survived the apocalypse. Some would go on to be heroes, others villains, some were dogs and will stay dogs, but they all must contend with the horrors of the new world and find a way to survive in the wasteland that was America. HOW TO HOST AN INTERVENTION Long before he was a knight in the apocalypse, Tommy was preparing for the end of the world. His friends grew concerned for his well-being and planned to intervene. It wasn’t so much that he was preparing, it was what he was preparing for. GONE TO THE DOGS Fidget and Sasquatch were loyal companions to the end. Now that the end has arrived, they must say goodbye to the only home they’ve ever known. If they can figure out how to open the door. BUNKED UP They took refuge in a homemade bomb shelter when the end of the world began. There they were safe from the bombs and the fallout. But they were never safe from each other. PACK HUNTERS Fidget and Sasquatch are on their own, a situation neither of them are really comfortable with. They decide to join a pack for safety, for food and for friends. Now all they have to do is find one. ANIMAL’S CALLING Before the world ended, Jackson drifted from job to job, never settling on anything that could be called a career path. But with the new world comes new opportunities. This is what he was born to do. LAST BAND OF THE APOCALYPSE Caught between county fair gigs during the apocalypse, the members of a cover band find themselves the last band left in the world. Getting gigs should be easy. Should be. PRISONER’S DILEMMA The Librarian has seen his fair share of “wasteland justice.” Now he’s chained to the floor of a grocery store with a man he must face in court. In a battle to the death. Naturally. ALPHA DOG Sergeant Satan was genetically enhanced to be the world’s best military scout. He was designed to be smarter, faster and more than a match for any dog this side of the apocalypse. Of course, his creators had never met Fidget. THE TRIAL OF HARMEGGEDON They’ve got a new name. They’ve got a new act. And they are ready to rock your face off. Now all the last band in the world needs is a gig. WILLIE AND COY RIDE AGAIN Willie and Coy aren’t the brightest. Or the best looking. Or very likeable. No one would ever accuse them of being hard workers. But the pair have found a way to make an honest living in the apocalypse. If they can get enough people to watch. IN A PERSON PACK Tired of looking for a pack to join, Sasquatch and Fidget reminisce about the joys and delights of life in a people pack. NO QUARTER Deep in the swamp of New Orleans awaits a terror many refuse to believe exists. It’s a monster of myth and rumor so horrible that it could not possibly be real. On the trail of a kidnapped woman, The Librarian must seek out and confront this monster of myth. EVE OF THE APOCALYPSE Man is the true monster. Unless there is a man who is a monster that also makes monsters. Then he’s the truest monster and only a post-apocalyptic nomadic warrior can bring this monster’s monster-making to an end.

    Amadeus Kaine is fêted by royalty, dictators, Hollywood, and the international jetset. An epicurean of sophistication and dark obsessions, he’s devoted his life to locating the perfect food.While treating one of Central Asia’s most depraved despots, Kaine is given a little pie to eat – a delicacy reserved for guests of the president. It’s the most delicious thing that’s ever passed the surgeon’s lips, and one that has seemingly miraculous effects. All of a sudden, Kaine finds that his bald patch is growing over with thick black hair, and that his body is healing itself from the inside out. But, best of all, he realizes that his mental faculties are stimulated in ways he never believed possible. He can write books in a few hours, learn languages in a matter of days, and effortlessly solve problems from world hunger to global warming.The drawback is that the dictator’s little pies are prepared with human eyes, taken from convicts working in the opal mines. Horrified that he’s unwittingly become a cannibal, Amadeus Kaine can’t think of anything but getting his hands on some more of the illicit specialty.Obsessed in particular by green eyes, he begins hunting for victims to satisfy his wayward craving. While perfecting his method, he learns to appreciate the subtleties in taste. As he does so, a terrible affliction strikes – Occulosis.An eye disease that has jumped the species gap from industrialized poultry farming, the virus rips through society, robbing the masses of their sight. The only man who can save the world is the inimitable Dr. Kaine, who is himself on the run.One of the strangest tales of obsession, mania and intrigue ever told, EYE SPY will quite literally change the way you see the world.