Filled from cover to cover with sumptuous full color illustrations by Eun-Kyung Kung, This Little Piggy Went to Prada presents classic nursery rhymes with a thoroughly modern and charmingly ironic spin that will make the most sleepless fashionista mom smile, even when she's knee-deep in diapers.

    Identifying what makes a Christian organization different from other clamoring for attention can get ones message heard.

    These large, colorful works are the capstone of his engagement with nature, not only in England but also in the American Southwest, through the media of painting and photography. This book, the catalog of the first major Hockney museum exhibition in many years, offers a glorious view of the landscape as seen by the artist, and it includes not only his recent paintings but also his iPhone and iPad drawings. Essays by leading art historians—as well as a more literary piece by novelist Margaret Drabble and Hockney’s own reflections on his recent work—explore Hockney’s art from various perspectives.Praise for David Hockney:"Supplemented with numerous essays by art critics and Hockney himself, this is a mesmerizing volume of an established artist who continues to assert his dynamic relevancy." —Publishers Weekly (starred review) "This glorious volume showcases this unique and exhilarating body of work, which celebrates the pulse of life in trees, fields, flowers, and clouds over the great cycle of the seasons . . . The enlightening commentary is merely prelude to a swoon once the reader turns to the 300 resplendent color reproductions." —Booklist, starred review

    A former executive at the WordPerfect Corporation details the company's rise in the computer industry and what compelled him to leave after ten years as a driving force in the company.

    Comments and anecdotes by the artist and the editors, along with testimonials from graphic-art luminaries Dave Stevens, Bruce Timm, and Bernie Wrightson, flesh out this portrait of the artist.

    Especially if you live abroad, where your countrymen aren’t exactly famous for, well, blending in. As his beloved homeland goes Brexit bananas, bestselling humourist Paul Hawkins takes on Britishness - how it looks from the outside, how to be British abroad and what you only learn about home once you leave it. In this self-deprecating (and only mildly treacherous) handbook, he reveals the awkward secrets, cultural blind-spots and private oddness of the people he once shared an island with. (Revenge is a dish best served politely, after all…) Part memoir, part cheat-sheet for decoding a nation of well-meaning misfits, The Bloody British is full of hilarious insights about Britishness gleaned (often begrudgingly) from the author’s own time as another country’s foreigner. Featuring invaluable advice for all Brits, expats, brexpats and visitors to the UK alike, including: · The Brit Abroad Language-Speaking Plan · How to be Rude, Politely (the secret world of passive-aggression) · How to be Mean, Nicely (the unwritten rules of successful banter) · … plus an illustrated Integration Guide for British Refugees in Europe (just in case) For all fans of Very British Problems, Douglas Adams and Bill Bryson, it’s the perfect gift for the socially awkward oddball in your life (especially if that socially awkward oddball is you.) Are you ready to meet The Bloody British?

    He began his career making films for the TV series "Survival," which started wildlife film-making as we know it, and is responsible for numerous groundbreaking documentaries and natural history discoveries -- from being the first person to film hippos and crocodiles underwater and the wildebeest migrating to observing that hyenas hunt. His friends and colleagues have included George and Joy Adamson and David Attenborough; he showed Dian Fossey her first mountain gorilla. His wife and long-term collaborator was Joan Root, who was tragically murdered in 2006 in retaliation for her environmental campaigning in Kenya. In "Ivory, Apes & Peacocks," Alan tells the story of his life's work, from his arrival in Kenya as a young boy (furious at having to leave behind Britain's birds) to his game-changing films, which looked at whole ecosystems (baobab trees, termite mounds) rather than the Big Five animals. Along the way we encounter Sally the pet hippo and Emily the house-proud chimp as well leopard and snake bites, ballooning adventures and amphibious cars. In this extraordinary memoir we look at Africa's wonders through the eyes of a visionary, live through hair-raising adventure and personal tragedy and also bear witness to a natural world now largely lost from view.

    Divided into three parts, this book offers a methodology for artistic and professional work and also offers technical advice for translating this to the web.

    George R. Stewart's love of the surprising story, and his focus not just on language but on how people interact with their environment, make Names on the Land a unique window into the history and sociology of America. From the first European names in what would later be the United States; Ponce de León's flowery Florída, Cortez' semi-mythical isle of California, and the red river Rio Colorado; to New England, New Amsterdam, and New Sweden; the French and the Russians; border ruffians and Boston Brahmins: Names on the Land is no dry dictionary but a fascinating panorama of language in action, bursting at the seams with revealing details. In lively, passionate writing, Stewart explains where Indian names were likely to be kept, and why; the fad that gave rise to dozens of Troys and to Athens, Georgia, as well as suburban Parksides, Brookmonts, and Woodcrest Manors; why "Brooklyn" is Dutch but looks English and why "Arkansas" is Arkansaw, except of course when it isn't. His book has delighted generations of road-trippers, armchair travelers, and anyone who ever wondered how their hometown, or (more likely) the next town over, could be called that. Stewart's answer is always a story; one of the countless stories that lie behind the rich and strange diversity of America.

    Here are the compelling stories of seven islands which mapmakers documented and depicted in the Age of Discovery, but which really arose from sailors' tales and fanciful legends brought back from the uncharted wilderness that was the Atlantic Ocean.Donald S. Johnson reveals each island's dark origins and mysterious cartographic life through an intricate exploration of history and myth. From the Isle of Demons, born of a fable invented by pious Christians, to the elusive Buss Island, the creation of an ambitious explorer, these places of the imagination are a fascinating legacy of a bygone age. Beautifully illustrated with dozens of maps and engravings, Phantom Islands of the Atlantic brings these legendary lands to life for a remarkable odyssey into the human spirit of exploration.

    He brought me 'This is Paris' in 1958 when I when I was publishing in London, and we soon followed up with 'This is London'. Both books were enormously successful, and his simple vision grew to include more than a dozen books. Their amusing verse, coupled with bright and charming illustrations, made for a series unlike any other, and garnered Sasek (as we always called him) the international and popular acclaim he deserved.I was thrilled to learn that 'This is London' will once again find its rightful place on bookshelves. Sasek is no longer with us (and I have lost all contact with his family), but I am sure he would be delighted to know that a whole new generation of wide-eyed readers is being introduced to his whimsical, imaginative, and enchanting world.

    Written by arts educator Steven Aimone, it’s packed with solid, friendly, hands-on instruction, as well as inspiring images, and backed by the trusted AARP name. Aimone teaches an accessible style called expressive drawing that emphasizes line and mark, rather than rendering a specific object, which for many people, can create barriers to self-expression. Exercises start off simple and quick, encouraging readers to work on instinct and feeling, while the later ones focus on detail and refinement. The book features hundreds ofimages of work by well-known artists from Debuffet to Jim Dine—and each chapter includes a profile of someone who came to drawing late in life and achieved recognition.

    In a sweeping history of the development of location technology in the past century, Bray shows how radio signals created to carry telegraph messages were transformed into invisible beacons to guide ships and how a set of rapidly-spinning wheels steered submarines beneath the polar ice cap. But while most of these technologies were developed for and by the military, they are now ubiquitous in our everyday lives. Our phones are now smart enough to pinpoint our presence to within a few feet-and nosy enough to share that information with governments and corporations. Filled with tales of scientists and astronauts, inventors and entrepreneurs, You Are Here tells the story of how humankind ingeniously solved one of its oldest and toughest problems-only to herald a new era in which it's impossible to hide.

    Country musicians and magicians, professional wrestlers and rock stars, all have turned to Nashville's historic Hatch Show Print to create showstopping posters. Established in 1879, Hatch preserves the art of traditional printing that has earned a loyal following to this day (including the likes of Beck, Emmylou Harris, and the Beastie Boys). Hatch Show Print: The History of a Great American Poster Shop is the first fully illustrated tour of this iconic print shop and also chronicles the long life and large cast of employees, entertainers, and American legends whose histories are intertwined with it. Complete with 190 illustrations--as well as a special book jacket that unfolds to reveal an original Hatch poster on the reverse--Hatch Show Print is a dazzling document of this legendary institution.

    Sometimes it's murder, sometimes it's by accident, and sometimes it's because they were so ludicrous they didnt deserve to exist in the first place. Occasionally they explode violently. A few slip away almost unnoticed. Often the cause of death is either 'got too greedy' or 'Napoleon turned up'. Now and then they just hold a referendum and vote themselves out of existence.This is an atlas of 48 nations that fell off the map. The polite way of writing an obituary is: dwell on the good bits, gloss over the embarrassing stuff. This book refuses to do so, because these dead nations are so full of schemers, racists, and con men that it's impossible to skip the embarrassing stuff.Because of this - and because treating nation-states with too much reverence is the entire problem with pretty much everything - these accounts are not concerned with adding to the earnest flag saluting in the world, however nice some of the flags might be.