Content:Always with You • [Polity Universe] • (1996) Blue Holes • [Polity Universe]Dragon in the Flower • [Polity Universe] • (1994)Neal AsherThe Gire & the Bibrat • [Polity Universe] • Walking John & Bird • [Polity Universe] •

    He has a powerful voice, combining the intense rationality of science with the intensely passionate characters that can only be created by a writer who loves humanity. Bear’s novel Moving Mars won the Nebula Award in 1994, and he did it again, in 2000, with Darwin’s Radio. He has been honored with Hugo and Nebula nominations for novel-length work eight more times.But Greg Bear’s short fiction is even more astounding, as this powerful career retrospective demonstrates. This collection contains Bear’s earliest published fiction from the late 1960s and early 1970s as well his remarkable award-winning work from the ‘80s and ‘90s—stories like the Hugo and Nebula Award-winning novella- length version of “Blood Music” and the Hugo and Nebula Award-winner “Tangents.”This Collection is enhanced by brand-new introductions for each story, commentary, and reminiscences by Greg Bear.

    ClubA Washington Post Notable BookAn NPR Great Read of 2013From the author of the novel Swamplandia!—a finalist for the Pulitzer Prize—comes a magical and uniquely daring collection of stories that showcases the author’s gifts at their inimitable best. Within these pages, a community of girls held captive in a Japanese silk factory slowly transmute into human silkworms and plot revolution; a group of boys stumble upon a mutilated scarecrow that bears an uncanny resemblance to a missing classmate that they used to torment; a family’s disastrous quest for land in the American West has grave consequences; and in the marvelous title story, two vampires in a sun-drenched lemon grove try to slake their thirst for blood and come to terms with their immortal relationship.Vampires in the lemon grove --Reeling for the Empire --Seagull army descends on Strong Beach, 1979 --Proving up --Barn at the end of our term --Dougbert Shackleton's rules for Antarctic tailgating --New veterans --Graveless doll of Eric Mutis

    Introduction by Barry N. Malzberg. Dustjacket art by Bob Eggleton.

    Unlike much of the current form, full of blood, monsters and melodrama, Aickman's stories achieve a quieter, more subtle and, in several ways, more lasting sense of disquiet. His lucid, finely tuned prose moves imperceptibly from the small crises and celebrations of ordinary life into another sphere. In these 11 stories, the occasion may be a walking tour of Northern England, a birthday present of a Victorian dollhouse or a stay at a Swedish sanatorium for insomniacs, but it simultaneously traps the characters with dread and opens them up to a new awareness of a greater, deeper and more dangerous world. A remarkable collection by an author who deserves to be better known.Copyright 1988 Reed Business Information, Inc.

    The decaying industrial backdrop of England's midlands provides a working class context that is both uniquely English, but universally accessible.Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

    (1974)The Genius Freaks (1973)Aztecs (1977)

    The picture of the small village dreaming its unselfish life on the mountain-tops, clean, wholesome, simple, searching vigorously for its God, and training hundreds of boys in the grand way, rose up in his mind with all the power of an obsession. He felt once more the old mystical enthusiasm, deeper than the sea and more wonderful than the stars.

    There is a separate entry if you have just the 1938 novella. Also published as 'The Thing and Other Stories'. 'The Thing from Another World' and 'The Thing from Outer Space'. All contained the seven short stories mentioned above.

    But it was in his short stories, written when he was a young man embarking on a literary career, that he first explored the enormous potential of the scientific discoveries of the day. He described his stories as "a miscellany of inventions," yet his enthusiasm for science was tempered by an awareness of its horrifying destructive powers and the threat it could pose to the human race. A consummate storyteller, he made fantastic creatures and machines entirely believable, and by placing ordinary men and women in extraordinary situations, he explored, with humor, what it means to be alive in a century of rapid scientific progress. At the dawn of a new millennium, Wells' singular vision is more compelling than ever.

    E. Modesitt, Jr. He began publishing as a short story writer in the SF magazines in the 1970s, mostly in Analog. Some of the earliest stories are kernels for his early SF novels, others display the wide range of his talents and interests, from satire to military adventure. This collection includes selections of stories from his entire career, as well as three new stories that have never been published before: “Black Ordermage,” set in the world of Modesitt’s bestselling Recluce series; “Beyond the Obvious Wind,” set in his Corean Chronicles universe; and “Always Outside the Lines,” which is related to the Ghosts of Columbia books.

    Robots vs. Fairies is an anthology that pitches genre against genre, science fiction against fantasy, through an epic battle of two icons. On one side, robots continue to be the classic sci-fi phenomenon in literature and media, from Asimov to WALL-E, from Philip K. Dick to Terminator. On the other, fairies are the beloved icons and unquestionable rulers of fantastic fiction, from Tinkerbell to Tam Lin, from True Blood to Once Upon a Time. Both have proven to be infinitely fun, flexible, and challenging. But when you pit them against each other, which side will triumph as the greatest genre symbol of all time?There can only be one…or can there?

    These stories are explorations of the extreme in human behaviour, where the bizarre chills the spine, and few authors can match Grabinski's depiction of seething sexual frenzy. The Dark Domain will introduce to English readers one of Europe's most important authors of literary fantasy.

    These stories (written between 1943 and 1979) combine the mystical and horrific with traditional southern folk tales and legends. At the same time, these stories reveal a post World War 2 modernism that make them much more then pulp romanticism. The paranoia and cynicism of modern weird icons such as the X-files may well have had their genesis in the pulp musings of Manly Wade Wellman. Indeed the intensely driven, idealistic occult investigator John Thunstone could be a pulp/noir stand in for Fox Mulder.This work will be issued in a fine collector's hardcover state, with 24 illustrations. Edited by John Pelan, illustrated by Kenneth Waters.Contents:• Introduction• The Third Cry to Legba• The Golden Goblins• Hoofs• The Letters of Cold Fire• John Thunstone's Inheritance• Sorcery from Thule• The Dead Man's Hand• Thorne of the Threshold• The Shonokins• Blood from a Stone• The Dai Sword• Twice Cursed• Shonokin Town• The Leonard Rondache• The Last Grave of Lill Warren• Rouse Him Not• The Dakwa• The Beasts That Perish• Willow He Walk• A Witch for All Seasons• Chastel

    Love was a luxury she could not afford. The huntress does not love her prey, after all, and Sabella Quey's need to hunt was overpowering.It had been so ever since the day she had wandered into the ruins on Novo Mars and found the strange gem. The thirst for blood had grown in her just as desire grows in most young women. And back then, inexperienced, reckless, she had sated her lust with any of the boys who whistled after her -- boys who were unaware that death awaited them in her arms.As she matured, Sabella became cautious; she did not kill the men who pursued her, but rather allowed them to use her body to satisfy their needs -- all the while satisfying her own. The gem, pale at first, would become deep red as her hunger abated, but the men didn't notice the change. They would faint, ecstatic, and afterward never remember the true nature of Sabella's passion.Yet there were people who understood what Sabella was- people who feared and despised her. And of those, one in particular had found a way to vent her hatred....Kill the Dead. A hush came over the inn's common room when Parl Dro entered. A few in the crowd who recognized him spread the word: he was the Ghost-Killer.Conversation resumed as Dro ordered a meal, and he listened quietly to their nervous sallies.'How do you sleep nights?' someone asked, not really expecting an answer. 'He sleeps all right,' came the reply. 'There'll be plenty with cause to thank him.' 'And plenty who curse him,' another man said.The room was growing quiet again; they wanted to know, yet dared not ask too directly.'Well, you've had a wasted journey to this place, Parl Dro,' someone ventured at last. 'We haven't any deadalive here.'He had been expecting such a comment, and readying himself to say the words none of them wanted to hear.'Oh, but you're wrong,' he told them quietly. And almost against their will, they believed him.