His work has been a huge favorite of lucky insiders like me for years, and now the secret is finally and definitely out." -Dennis Cooper, author of The Marbled Swarm

    . . Carolyn and her eight-year-old son Jason unwittingly step into a maelstrom of horror partially brought about by their unwillingness to allow a long-standing ritual to continue. As family relationships, heritage, neighbors, and deadly forces intersect, evil becomes apparent in not only an unleashed supernatural beast, but in the hearts of men. Rural roots, supernatural horror, Native rituals, and family relationships blend seamlessly to build a nicely-paced drama that comes full circle for elderly Native John Crow, whose new neighbors have now become part of this sacred valley and its long-standing ritual practices, changing their lives forever. Meadowlarks is especially recommended for fans of Tony Hillerman-style intrigue who seek a vifgorous dose of the supernatural added into a mix of mystery and interpersonal struggle. Diane Donovan, Midwest Book Review All Carolyn Potter wanted was a safe haven in which to raise her son, Jason, not to find a night stalker lurking in the forest surrounding their new mountain home. Following the unsolved murder of her husband and a violent attack on her son, Carolyn Potter learns she has inherited a cattle ranch located in a remote valley high in the Sierra Nevada Mountains. She eagerly leaps at the opportunity to escape urban violence, move out of her oppressive mother's home and get away from her hungry eyed, lip licking employer, Tom Kirby. Kirby, buried under gambling debts, is destroying Kirby Publications, a company built by his deceased father. Learning of Carolyn's inheritance compels him to win her favor in order to marry into her newfound wealth but Carolyn chooses Shangri-la, her dead husband's family ranch. Carolyn and Jason love their new home but soon learn of a local ritual being practiced on their land where a bull calf is brutally slaughtered with each cycle of the full moon. Seeking to end this gruesome practice, Carolyn saves the young calf and unleashes a monstrous creature, not realizing this creature is the protector of Shangri-la. After the creature attempts to break into their home, Carolyn calls on Tom Kirby for help. Kirby zooms to the rescue to confront the beast, rescue the girl and inherit her wealth, with which he intends to regain his prowess as a winning gambler. After her complete failure to end the slaughter of both bull calves and her neighbors, Carolyn must now decide whether to move back to civilization, stay and try to defeat her new threat or accept a bloody ritual that keeps the beast at bay.

    The pigs thought they had got off scot-free until Jake took justice into his own hands. This is an extremely sadistic story that should only be read by the seasoned extreme-horror reader.WARNING: This book is extreme and contains filthy, grotesque and brutal torture scenes. It contains GRAPHIC CONTENT, ADULT LANGUAGE & POLITICAL INCORRECTNESS, may be disturbing to sensitive readers, and should only be read by the seasoned extreme-horror reader.

    It’s a nightmare reflection of the society you inhabit, a surreal explosion of pop, punk, and the post-apocalypse. Over the last decade, Bizarro Fiction has changed the definition of avant garde, it’s abolished the traditional prose of yesterday and established a new precedent for awesome. Collected in this anthology is some of the best weird fiction from the past decade. Award-winning writers, cult prodigies and burgeoning talents all collected together in one place. This is what you’ve done with the last ten years of your life.With stories by:D. Harlan Wilson, Alissa Nutting, Joe R. Lansdale, Carlton Mellick III, Kevin L. Donihe, , Ryan Boudinot, Vincent Sakowski, Cody Goodfellow, Amelia Gray, Robert Devereaux, Mykle Hansen, Athena Villaverde, Matthew Revert, Garrett Cook, Roy Kesey, Jeremy Robert Johnson, Aimee Bender, Ian Watson & Roberto Quaglia, Jeremy C. Shipp, Andersen Prunty, Jedediah Berry, Andrea Kneeland, Kurt Dinan, David Agranoff, Ben Loory, Kris Saknussemm, Stephen Graham Jones, Bentley Little, David W. Barbee, and Tom Piccirilli.

    Contributing authors include Julio Cortazar, Jean Muno, Karen Joy Fowler, Caitlin R. Kiernan, Nick Mamatas, Carmen Maria Machado, Nathan Ballingrud, and more. No longer the purview of esoteric readers, weird fiction is enjoying wide popularity. Chiefly derived from early 20th-century pulp fiction, its remit includes ghost stories, the strange and macabre, the supernatural, fantasy, myth, philosophical ontology, ambiguity, and a healthy helping of the outre. At its best, weird fiction is an intersecting of themes and ideas that explore and subvert the Laws of Nature. It is not confined to one genre, but is the most diverse and welcoming of all genres.

    One is the main course of dinner, another the porn star contracted to copulate in space for a reality TV show. They become futuristic ant farms, get knocked up by the star high school quarterback and have secret abortions, use parakeets to reverse amputations, make love to garden gnomes, go into air conditioning ducts to confront their mother’s ghost, and do so in settings that range from Hell to the local white-supremacist bowling alley.

    He’s now got a dead body in his office. Carlton, Greg’s brother, desperately needs a dead body. It’s kind of related to the lion corpse that he found in his basement. This is the normal part of the story. From Jeff Strand, the author of Benjamin’s Parasite, The Sinister Mr. Corpse, and Fangboy, comes a tale that’s weird even by his standards. Facial. It’s not about what you’re thinking. Well, okay, part of it is...

    I highly recommend this book.” Something strange is happening in the town of Everett, Washington and Father Niccolo Paladina is tasked with investigating possible demonic activity. Nothing is as it seems, however, and things quickly begin spiraling out of his control.  When his path crosses with that of an old rival, they discover that things are worse in Everett than either of them could ever have imagined. As his world collapses around him, Niccolo will be left with one terrible question: what is my faith worth?

    She has a first-kiss tree and a broken-arm tree. She has a car-accident tree. There is a tree at the hospital where Jackie’s mother passed away into the long good night. When one of them gets cut down, Jackie doesn’t know what to do but she doesn’t let that stop her. She picks up the biggest rock she can carry and puts it through the window of a car. Smash. She intends to leave before the police arrive, but they’re early. Ann is Jackie’s best friend, but she’s got problems of her own. Her mother is chained up in the basement. How do you bring that up in casual conversation? “Oh, sorry I’ve been so distant, Jackie. My mother has more teeth than she’s supposed to, and she won’t eat anything that’s already dead.” Ann and her sister Margaret don’t have much of a choice here. Their mother needs to be fed. It isn’t easy but this is family. It’s not supposed to be easy. It’ll be okay as long as Margaret and Ann still have each other. Add in a cantankerous old man, his powerfully stupid dog, a headless ghost, a lesbian crush and a few unsettling visits from Jackie’s own dead mother, and you’ll find that One Bloody Thing After Another is a different sort of horror novel from the ones you’re used to. It’s as sad and funny as it is frightening, and it is as much about the way families rely on each other as it is about blood being drooled on the carpet. Though, to be honest, there is a lot of blood being drooled on the carpet.

    Highly sceptical, naturally, the Old Dealmaker negotiates a trial period - a summer holiday in a human body, with all the delights of the flesh.The body, however, turns out to be that of Declan Gunn, a depressed writer living in Clerkenwell, interrupted in his bath mid-suicide. Ever the opportunist, and with his main scheme bubbling in the background, Luce takes the chance to tap out a few thoughts - to straighten the biblical record, to celebrate his favourite achievements, to let us know just what it's like being him. Neither living nor explaining turns out to be as easy as it looks. Beset by distractions, miscalculations and all the natural shocks that flesh is heir to, the Father of Lies slowly begins to learn what it's like being us.

    In his first collection, North American Lake Monsters, Nathan Ballingrud carved out a distinctly singular place in American fiction with his “piercing and merciless” (Toronto Globe and Mail) portrayals of the monsters that haunt our lives—both real and imagined: “What Nathan Ballingrud does in North American Lake Monsters is to reinvigorate the horror tradition” (Los Angeles Review of Books). Now, in Wounds, Ballingrud follows up with an even more confounding, strange, and utterly entrancing collection of six stories, including one new novella. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in “The Visible Filth” to the search for the map of hell in “The Butcher’s Table,” Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.

    You see him at the bus stop, trying to look at you without being seen. Who is he? He is a person. In this debut novel, a person walks around Chicago contemplating the possibility of starving to death on purpose. He has sex with his neighbor. He goes out to look for a job but just buys little plastic dogs from homeless people instead. Who is the person? The person is you. The person is me. The person is sitting in his room shooting an empty pellet gun at his face, feeling the slow exhaustion of a Co2 cartridge. The person sits in a bathtub reading his roommate's yearbook. He wants to create a contract mandating worldwide friendship. Person invents new and splendid ways of not getting along. You will read this book and remember why you mainly read books that have sex in them. You will become . . . a person.

    The harder you struggle, the more you suffer. Your words mean nothing, your actions backfire, and one by one everybody you know is sucked down with you. You are: 1) Nick 2) cursed 3) afraid all the time That's because: a) someone or b) something is after you with a vengeance. Even with the help of other cursed people, you don't stand a chance because you're all, you know, cursed. That means you and everyone you know will: 1) suffer 2) die 3) amuse your tormentor That is, unless you figure out how to manipulate the person behind this and turn their power against them. Check your list a second time because they're probably on it. The only thing left to do is scratch them off.

    When Charles meets Leda, a woman who claims to have escaped from hell, he begins to suspect that the black planet is not at all what it appears to be. After Leda disappears, Charles sets out to find her with help from his stripper ex-girlfriend, the deadhead Jeanine. Along the way he will uncover the truth of the origins of the black planet, and discover the source of the mysterious voice that calls to Leda from the ocean waves.

    She had to see the dark hole in the storage room down the hall. She had to make love to Nicholas beside it, and stare into its secretive, promising depths. Then Nakota began her experiments: First, she put an insect into the hole. Then a mouse...Now from down the hall, the black hole calls out to Nicholas every day and every night. And he will go to it. Because it has already seared his flesh, infected his soul, and started him on a journey of obsession - through its soothing, blank darkness into the blinding core of terror...