Delving deeply into the Mormon ritual of blood sacrifice used in the murders, Rudd, along with his newly discovered half-brother, Lael, becomes swept up in the psychological and atavistic effects of this violent, antique ritual. As the past and the present become an increasingly tangled knot, Rudd is found at the scene of a multiple murder at a remote campsite with minor injuries and few memories. Lyndi, the daughter of the victims, tries to help Rudd recover his memory and, together, they find a strength unique to survivors of terrible tragedies. But Rudd, desperate to protect Lyndi and unable to let the past be still, tries to manipulate their Mormon wedding ceremony to trick the priests (and God) by giving himself and Lyndi new secret names—names that match the killer and the victim in the one hundred-year-old murder. The nightmare has just begun . . .

    With carefully adapted text, new illustrations and language learning exercises, the print edition also includes instructions to access supporting material online.Titles include popular classics, exciting contemporary fiction, and thought-provoking non-fiction, introducing language learners to bestselling authors and compelling content.The eight levels of Penguin Readers follow the Common European Framework of Reference for language learning (CEFR). Exercises at the back of each Reader help language learners to practise grammar, vocabulary, and key exam skills. Before, during and after-reading questions test readers' story comprehension and develop vocabulary.Visit the Penguin Readers websiteExclusively with the print edition, readers can unlock online resources including a digital book, audio edition, lesson plans and answer keys.Winston Smith re-writes history for the Ministry of Truth in Oceania. Big Brother and the Thought Police watch everyone for signs of Thought Crime. But when Winston falls in love with Julia, he begins to have new ideas and hopes. Winston and Julia start to question the world that they live in - but Big Brother does not like independent thought.

               Told with Clive James's trademark dry wit, The      Silver Castle is a tragicomic morality tale for our time. Part Candide, part Oliver Twist, part Huckleberry Finn, The Silver Castle defies its reader to remain aloof from the suffering of the world's swarming poor while it inspires laughter over the human condition generally. It is a novel of wonder despite its unrelenting realism--      indeed, only wonderment is possible in the face of Sanjay's knack for survival and more than occasional good fortune.           In his astonishing odyssey from the gutter to the soundstages and salons of Bollywood, Sanjay meets up with every variant of sinner and would-be savior, and along the way he trades on his "heart-breaking" physical beauty and canny lingual facility to grab at luck wherever it may be had--in the pocket of a tourist, as a guide for the Western news crews who regularly descend on Bombay to update their stock footage of grinding poverty, or in the bed of an older male protector or a past-her-prime cinema princess.           Throughout, Sanjay's spirit is sustained by the movies, and by his first behind-the-scenes glimpse, as a young trespasser on the set of the Silver Castle, of the magical artifice of filmmaking. It is a true vision of an utterly false reality, the source of Sanjay's subsequent triumphs and of his ultimate misfortune. But what happens to Sanjay in the end is not a singular event. As this deeply humane novel convincingly argues, Sanjay's fate is the world's.Back Ad:Perhaps it would have been better for [Sanjay] if he had never seen the Silver Castle, never felt a guiding hand, never blinked at an unstained smile. Then he would not have missed these things. It is just possible, however, that the memory of his first visit to Long Ago sustained him. Imagination and energy are part of each other, and few of us, even though we live in circumstances far more favourable, would ever get to where we are going unless a picture of it, however inaccurate, was already in our minds. If we had to, we too would have to dodge the rain between rubbish dumps, on the long journey back to the taste of a cheese roll, the tang of sparkling water, trumpets that crackle and toe-nails stained with plums. We don't have to, but Sanjay did.

    T. R. Pearson's "A Short History of a Small Place" was hailed as "an absolute stunner" (Jonathan Yardley, "The Washington Post") and its hero, young Louis Benfield, was dubbed "a youth not as wry as Holden Caulfield, but certainly as observant, and with a bigger, even sadder heart" (Fran Schumer, "The New York Times").Now, older but not necessarily wiser, Louis Benfield returns in "Glad News of the Natural World." In order to get a sense of the larger world, he has moved to New York City from his hometown of Neely, North Carolina. Louis is a modern-day Candide, looking for love and experience in all the wrong places. However, when tragedy strikes, he finds the maturity to be more than man enough for the job.Whether catching up with Louis Benfield and the denizens of Neely or meeting them for the first time, readers will find "Glad News of the Natural World" hilarious and heartbreaking, warm and wise.

    In fact, Panning’s last collection of short stories, Super America, was a New York Times Book Review Editor’s Choice. Enter this exciting new novel, the best work yet from a writer whose astute observations of American life are as honest as they are engaging.Butter is a coming of age tale set against the backdrop of small-town Minnesota during the 1970s and told from the perspective of an eleven-year-old girl, Iris, who learns from her parents that she is adopted. The story of Iris’s childhood is at first beguiling and innocent: hers is a world filled with bell-bottoms and Barbie dolls, Shrinky Dinks and Shaun Cassidy records, TV dinners and trips to grandma’s. But as her parents’ marriage starts to unravel, Iris grows more and more observant of disintegration all around her, and the simple cadences of her story quickly attain an unnerving tension as she wavers precariously between girlhood and adolescence. In the end, Iris’s story represents a profound meditation on growing up estranged in small town America—on being an outsider in a world increasingly averse to them. Passionate, lyrical, and disquieting, this intensely moving novel is a rich exploration of a crucial theme in American literature that will confirm Anne Panning’s place as a major figure in the world of contemporary fiction.

    Here, he visits her, erratically, and not always happily. All is soon inexorably overturned when a rich interloper comes between the couple with an indecent proposal-a thousand dollars for a night.

    With incomparable glee, Miller shifts effortlessly from Virgil to venereal disease, from Rabelais to Roquefort. In this seductive technicolor swirl of Paris and New York, he captures like no one else the blending of people and the cities they inhabit.

    Her evangelical father has packed up the family to drive west to California, hoping to save as many souls as possible before the Second Coming. With her long-suffering mother and rebellious (and secretly pregnant) sister, Jess hands out tracts to nonbelievers at every rest stop, Waffle House, and gas station along the way. As Jess’s belief frays, her teenage myopia evolves into awareness about her fracturing family. Selected as a Barnes & Noble Discover pick and an Indie Next pick, Mary Miller’s radiant debut novel reinvigorates the literary road-trip story with wry vulnerability and savage charm.

    Unfolding in much the same way that Hitchcock made Psycho—frame by frame, in pans, zooms, and close-ups—Mun~oz’s re-creation of a vanished era takes the reader into places no camera can go, venturing into the characters’ private thoughts, petty jealousies, and unrealized dreams. The result is a work of stunning originality.

    Mara is an angry and intelligent young woman who undertakes a theology degree to explore her unresolved relationship with her vicar father and deceased sister, who died mysteriously in an extreme religious community.

    

    The novel tries to capture the humanity and heartbreak of one man's struggle to navigate the vicissitudes of life as a working writer in America.

    To open this spirited collection, Irving explains how he became a writer. There follow six scintillating stories written over the last twenty years ending with a homage to Charles Dickens. This irresistible collection cannot fail to delight and charm.The first collection of short pieces--two of them previously unpublished--by the author of The World According to Garp includes memoirs, six short stories, and essays on Charles Dickens and Gu+a5nter Grass. Reprint. Tour.This gem, a delightful collection of shorter works, both fiction and nonfiction, written by one of the country's finest--and funniest--writers, includes a living portrait of Irving's grandmother, a new, never-before-published essay, six scintillating short stories--including the O. Henry Award-winning "Interior Space"--and two essays on Irving's favorite 19th-century novelist, Charles Dickens. Trying to Save Piggy Sneed is John Irving at the top of his form.

    Not even Jackson Pollock’s!Your archenemy taunts you with clandestine bacon frying. Your boss feverishly cyberstalks an aging romance novel cover model. Your husband unexpectedly takes in a wayward foreign national. Your best friend reveals a secret relationship with your longstanding workplace crush.Welcome to the life of Nina Lanning, lone and floundering administrator of a prestigious Midwestern art school. Her colleagues are pioneers of contemporary art movements, inspirational orators, creative virtuosos and the source of constant headaches as they rage against the authority Nina represents. They also happen to be her closest friends.When once-a-century flooding threatens to destroy the art building, and the priceless Jackson Pollock trapped inside, Nina and her ragtag band of faculty members undertake to rescue the early work of the splatter master. Propelled by disasters both natural and personal, Nina must confront her colleagues, her husband, and most importantly, herself. Cate Dicharry’s debut novel is a painfully hysterical examination of what is truly worth saving, and mastering the art of letting go.

    A twenty-seven-year-old college dropout with stalled ambitions, he works at an animal shelter and lives with his bullheaded older brother, Littlefield, in their old family home on Meadow Island, Maine, a house that has fallen into disrepair since their father’s untimely death several years earlier.When a massive blizzard hits the state one Saturday afternoon, Bennie, Littlefield, and a crew of roughneck war-game enthusiasts decide to play paintball at the local granite quarry. Bennie accidentally falls into a gully, landing in the hospital, and wonders if his life can get any worse. But when one of the players disappears during the storm and Littlefield becomes the main suspect in the disappearance, Bennie realizes that the game might have had much higher stakes. Then Littlefield takes off without a word of explanation, forcing Bennie to seriously question his loyalty to his enigmatic brother. With the guidance of his intrepid girlfriend, Helen, and his twin sister, Gwen, Bennie goes looking for answers, embarking on a journey that brings him closer to a truth he may not want to discover. What he finds will change his family and his life forever.Written in prose as arresting and spare as the novel’s rural Maine setting, Lewis Robinson’s Water Dogs is a marvel of modern fiction, a book rich in empathy that follows one man’s path through the uncertainties of youth and loss toward self-discovery.