Best of all, he's packed us in his suitcase. He represents an ever-changing population of those raised elsewhere who find themselves beckoned by the history, mystique, and magic-makers of New York City. These poems inhabit their own contradictions, and exquisitely navigate the many complicated sides of what it means to be alive. About The Author: Jon Sands has been a professional teaching and performing artist since 2007. He's a recipient of the 2009 NYC-LouderARTS fellowship grant, and has represented New York City multiple times at the National Poetry Slam. He is the Director of Poetry and Arts Education Programming at the Positive Health Project, as well as a Youth Mentor with Urban Word-NYC. His work has appeared in decomP magazine, The Millions, Suss, The Literary Bohemian, Danse Macabre, The November 3rd Club, and others. He lives in New York City, where he makes better tuna salad than anyone you know.

    The poems follow an unlikely character named Miss Peach, an unpredictable, cartoonish shapeshifter, who emerges onto the page dragging the myth of the individual, various gender scripts, and the grand tradition of the poetic persona along with her. She becomes an outsider, a hero, an intruder, a rock star. The town around her, Gold River, is also always in flux—part center and part mirage. The Stranger Manual celebrates the fractious nature of self and society in poems that are fabulist, speculative, and alluring.

    As Dovie’s longtime love, Gabe Pearce, and her adoptive son, Elmer Brewer, return home, the family is overjoyed. The happiness of their reunion is cut short when the news that Dovie’s son-in-law, Evalyn’s husband, Robert, is missing in action. Even with Robert MIA, there is a ray of light when the Brewer’s long lost sister, Ellie arrives in their hometown, Knollwood, TX. With little information regarding her troubled past, Dovie takes Ellie home to Quail Crossings without hesitation, hoping to start the healing process for the young girl who now refuses to speak. As Ellie deals with a lifetime of abuse, Elmer adjusts to life off the battlefield, and Evalyn aches for her lost love. Dovie is quickly realizing that the Germans may have surrendered but the battle at home is just beginning.

    With courage and strength, she managed to escape and start over under the care of a kind livery couple. Even though she changed her life for the better, the trauma never left her broken heart. Then Clay Donnelly literally fell off his horse unconscious at her gate and she had to act fast and save his life. Could the man she helped be the one to make her world complete? Or would the scars in her soul stop her from ever finding true love and happiness? Clay Donnelly arrives at a beautiful woman's door after having ridden over the mountains and across the desert to escape pursuit. After a false alarm, he had to abandon his post at the ranch he was working on as a cowboy to help his brother. After realizing that the call for help was a trap, he decided to make a run for it to avoid being blamed and found himself at Jess's door. Can he convince the charming woman who helped mend his wounds that he can be the one to mend hers? Or will her tortured past become an obstacle between them? They both found love when they least expected it, but they have to fight their demons to let it blossom. Can Clay make Jess see that he is the one who deserves her trust? Will Jess let go of her trauma and succumb to this unprecedented feeling?

    This volume includes books 5-8.Book V, The BeretsBook VI, The GeneralsBook VII, The New BreedBook VIII, The Aviators

    His voice and sensibility are distinctive, and the places he goes are ones where not many writers are able or willing to venture. The dark world of his poems, which face many of the hardest truths we must learn to live with, is lit by humor, tenderness, compassion, and honesty. For this edition, the poet has selected from the best of his previous collections, in some cases making substantial revisions, and has added his newest poems. The resulting collection is exciting in its breadth, consistency, depth, and distinction.

    The poet has said of himself and his work: "I am not an experimentalist or an inventor, but a derivative poet, drawing my art from the resources given by a generation of masters––Stein, Williams, Pound; back of that by the generations of poets that have likewise been dreamers of the Cosmos as Creation and Man as Creative Spirit; and by the work of contemporaries: Zukofsky, Olson, Creeley and Denise Levertov."

    Hope can lie dormant in the tiniest of seeds. . .In the blink of an eye, Daniel’s world spirals out of control. He watches helplessly as the bodies of his father and friends are buried in stone. Those he loved would never know the breath of life again. In this overwhelming loss, he despairs. Was this the end of hope? The rest of his family and the others in their small alliance had already fled the destruction of society, headed for the northern wilderness. Can he possibly reach them on his own?Salvation can be found in the most unlikely place . . .If he does, will the wilderness be the sanctuary of which they dream? Are their skills good enough to survive in the wilds on their own? Will it be possible to survive the evils that emanate from the decaying world they left behind? And if they do, is it truly possible for something beautiful to grow from the damaged seeds of society?The heart is the doorway to any dream...Their journey is one filled with beauty and peril. Their dream; to create a better world, one in which future generations will live with peace, love and kindness. of society?

    These poems, many of them award-winning, span a wide range of styles-from plainsong free verse to sestinas to nearly epic works. The characters/speakers in Beers' poems range from the rural working class to mythological characters. These poems look at the world with an honest, unflinching eye. She is one of the up-and-coming poets from Generation X we will be hearing a great deal from in the future.

    The Outernationale locates us "just off the grid," in an emotional and spiritual frontier, where reverie, outrage, history, and vision merge. Thinking and feeling become one in the urgent music of Gizzi's poems. Saturated with luminous detail, these original poems possess, even in their sorrowing moments, a dizzying freedom. This is both a poetry of conscience and the embodiment of a genuinely poetic consciousness. Objects, images, and their histories are caught here in their half-life, their profoundly human after-life. Gizzi has written a brilliant follow-up to Some Values of Landscape and Weather, a book hailed by Robert Creeley as "a breakthrough book in every way: for reader, for writer, and for the art."

    As a novelist and icon, Rushdie has embraced both 'popular' and 'high' culture; reflecting this, the Guide brings together both academic criticism and journalism to investigate the passions and preoccupations of Rushdie's many critics, steering the reader through the inflamed debates and rhetoric surrounding this much admired but controversial author.

    Matty has had to care for her three younger sisters ever since their mother’s death ten years ago. She and the girls’ beloved father have worked hard to keep the family together and now it’s time to celebrate as Matty turns eighteen. But their joy is short-lived when tragedy suddenly strikes and their father disappears on his way to London. The sisters have no way of knowing what has happened to him – only that he hasn’t returned home. With little money left they’re now forced to battle life’s misfortunes alone…

    Asian-American. Mei-mei Berssenbrugge is one of the very few poets writing in the United States today whose voice and writing style are immediately recognizable. In her new collection, NEST, the medium of her poetry continues to be the sentence. To the formalities of syntax and grammar she adds the structures of domestic architecture, isolation, health, desire, play, and family life. Her writing offers a unique poetics of metaphysics and manners. As always the poetry is sensuous and stunning, and Richard Tuttle has once again designed an arresting cover.

    

    In poems including 'Fra Lippo Lippi' and 'Bishop Blugram's Apology', Browning enters the personality and language of his characters, revelling in their unwitting self-revelation. Elsewhere Browning contemplates the relationships between love and the lyric, the poet and the painter, poetry and music.