Compiled by Dave Eggers and students from his San Francisco writing center, it is "both uproarious and illuminating" (Publishers Weekly).

    The first collection of fifteen short stories by the popular tri-media personality.

    The collection boasts great variety from "famous to first-timers, sifted from major magazines and little reviews, grand and little worlds" (St. Louis Post-Dispatch), ensuring yet another rewarding, eduring edition of the oldest and best-selling Best American.The idiot President / Daniel Alarcón --Yurt / Sarah Shun-Lien Bynum --Rubiaux rising / Steve de Jarnatt --Beyond the pale / Joseph Epstein --A shadow table / Alice Fulton --NowTrends / Karl Taro Greenfeld --The farms / Eleanor Henderson --Sagittarius / Greg Hrbek --Hurricanes anonymous / Adam Johnson --The anniversary trip / Victoria Lancelotta --A man like him / Yiyun Li --The briefcase / Rebecca Makkai --Magic words / Jill McCorkle --One dog year / Kevin Moffett --Modulation / Richard Powers --Them old cowboy songs / Annie Proulx --Into the gorge / Ron Rash --Ostracon / Alex Rose --The peripatetic coffin / Ethan Rutherford --Muzungu / Namwali Serpell --Contributors' notes --100 other distinguished stories of 2008 --Editorial addresses of American and Canadian magazines publishing short stories

    With engaging notes from the poets, Wagoner's superb introductory essay, series editor David Lehman's astute foreword about the current state of poetry and criticism, and cover art from the beloved poet John Ashbery, The Best American Poetry 2009 is a memorable and delightful addition to a series dedicated to showcasing the work of poets at their best.

    For each volume, a series editor reads pieces from hundred of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to the twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected -- and most popular -- of its kind. More and more readers are discovering the pleasures of armchair travel through the hugely successful Best American Travel Writing, now in its fourth adventurous year. Journey through the 2003 volume from Route 66 to the Arctic; go deep into Poland's Tatra Mountains and through the wildest jungle in Congo. Selections this year are from equally far-flung sources, including Outside, Food & Wine, National Geographic Adventure, Potpourri, and The New Yorker.Rebecca Barry Peter Canby Christopher Hitchens Kira Salak Andrew Solomon William T. Vollmann

    True Crime: An American Anthology offers the first comprehensive look at the many ways in which American writers have explored crime in a multitude of aspects: the dark motives that spur it, the shock of its impact on society, the effort to make sense of the violent extremes of human behavior. Here is the full spectrum of the true crime genre, including accounts of some of the most notorious criminal cases in American history: the Helen Jewett murder and the once-notorious ?Kentucky tragedy? of the 1830s, the assassination of President Garfield, the Snyder- Gray murder that inspired Double Indemnity, the Lindbergh kidnapping, the Black Dahlia, Leopold and Loeb, and the Manson family. True Crime draws upon the writing of literary figures as diverse as Nathaniel Hawthorne (reporting on a visit to a waxworks exhibit of notorious crimes), Ambrose Bierce, Mark Twain, Theodore Dreiser (offering his views on a 1934 murder that some saw as a 'copycat' version of An American Tragedy), James Thurber, Joseph Mitchell, and Truman Capote and sources as varied as execution sermons, murder ballads, early broadsides and trial reports, and tabloid journalism of many different eras. It also features the influential true crime writing of best-selling contemporary practitioners like James Ellroy, Gay Talese, Dominick Dunne, and Ann Rule.

    From an intimate account of nursing a loved one in the early days of the pandemic, to a masterful portrait of grieving the loss of a husband as the country grieved the loss of George Floyd, this collection brilliantly shapes the grief, hardship, and hope of a singular year.

    Science is about flawed and complicated human beings trying to use whatever tools they've got, along with their minds, to see something strange and new. In that sense, writing about science is just another way of writing about the human condition." -- from the introduction by Richard PrestonThe twenty-eight pieces in The Best American Science and Nature Writing 2007 span a wide range of topics, from the farthest reaches of space to the everyday world around us to the secrets hiddin in our own bodies. Michael Lemonick travels to an extinct volcano in Hawaii, where telescopes at the summit are providing researchers with a glimpse of the most distant galaxy ever seen -- and profound new insights into the creation of the universe. Neil deGrasse Tyson takes a sharp, witty look at Americans' delirium over space travel. And with surgical precision Michael Perry describes how a medical autopsy is performed. Dead men can tell tales.Here we also see examinations of the sometimes harmful impact of science on the natural world. Susan Casey gives an alarming portrait of plastic waste pollution in the world's oceans, including a dead zone in the mid-Pacific that's twice the size of Texas. Michael Shnayerson heads to West Virginia, where the Appalachians are being blasted at the rate of several ridgetops a week, all in the pursuit of ever-elusive coal. And Paul Bennett goes deep beneath Rome's streets, where cutting-edge excavation techniques are revealing newfound treasures in one of the world's oldest cities.A profile of a late, distinguished British ornithologist by John Seabrook reveals that the man's personal collection of bird skins, now in the British Natural History Museum, was largely stolen or bought and intentionally mislabeled. Richard Conniff visits a former Brooklyn social worker turned primatologist who has become a fierce advocate of the lemur. And Patricia Gadsby takes us into the kitchens of Europe's finest chefs to explain how the new field of molecular gastronomy is revolutionizing fine cuisine.

    The result is a celebration of the pleasures of poetry. In his charming and candid introduction Collins explains how he chose seventy-five poems from among the thousands he considered. With insightful comments from the poets illuminating their work, and series editor David Lehman's thought-provoking foreword, The Best American Poetry 2006 is a brilliant addition to a series that links the most noteworthy verse and prose poems of our time to a readership as discerning as it is devoted to the art of poetry.

    Screenwriter, director, and star of the acclaimed film Me and You and Everyone We Know, Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection.

    368 pp. 15,000 print.

    Many readers will jump straight to Ron Rosenbaum's "Sex Week at Yale," an entertaining exposé of how academics can give their audience a headache when they yammer on about sex. Even the most science-wary readers will enjoy Peggy Orenstein's "Where Have All the Lisas Gone?" about trends in naming babies. Bird lovers (and cat haters) will laugh out loud at the Letters to the Bird Brain collected in Michael O'Connor's "Bird Watcher's General Store." And ailurophiles will be stunned by Robert Sapolsky's report ("Bugs in the Brain") on how the pathogen that causes toxoplasmosis alters its carriers' (rodents) brains so they no longer fear their number one predator (cats). Medical buffs will look for Atul Gawande's extended profile of the amazing Francis Moore, a pioneer in treatment of burns, nuclear medicine, hormone replacement therapies and organ transplants. Both Pinker's choice of subjects (linguistics, psychology) as well as sources (The American Conservative, The Cape Codder) range happily beyond the usual suspects; everyone will find something they haven't already read. The collection is recommended for intellectually omnivorous readers in this and all other universes.Introduction / Steven Pinker --Genesis of suicide terrorism / Scott Atran --The battle for your brain / Ronald Bailey --Fearing the worst should anyone produce a cloned baby / Philip M. Boffey --The bittersweet science / Austin Bunn --The new celebrity / Jennet Conant --The mythical threat of genetic determinism / Daniel C. Dennett --We're all gonna die! / Gregg Easterbrook --Far-out television / Garrett G. Fagan --A war on obesity, not the obese / Jeffrey M. Friedman --Desperate measures / Atul Gawande --The stuff of genes / Horace Freeland Judson --The bloody crossroads of grammar and politics / Geoffrey Nunberg --Ask the bird folks / Mike O'Connor --Where have all the lisas gone? / Peggy Orenstein --The design of your life / Virginia Postrel --Caring for your introvert / Jonathan Rauch --All the old sciences have starring roles / Chet Raymo --Sex week at Yale / Ron Rosenbaum --The cousin marriage conundrum / Steve Sailer --Bugs in the brain / Robert Sapolsky --Through the eye of an octopus / Eric Scigliano --Captivated / Meredith F. Small --Parallel universes / Max Tegmark --In click languages, an echo of the tongues of the ancients / Nicholas Wade --A prolific Genghis Khan, it seems, helped people the world / Nicholas Wade

    “Essays are restless literature, trying to find out how things fit together, how we can think about two things at once, how the personal and the public can inform each other, how two overtly dissimilar things share a secret kinship,” contends Rebecca Solnit in her introduction. From lost languages and extinct species to life-affirming cosmologies and literary myths that offer cold comfort, the personal and the public collide in The Best American Essays 2019. This searching, necessary collection grapples with what has preoccupied us in the past year—sexual politics, race, violence, invasive technologies—and yet, in reading for the book, Solnit also found “how discovery can be a deep pleasure.”  The Best American Essays 2019 includes Michelle Alexander, Jabari Asim, Alexander Chee, Masha Gessen, Jean Guerrero, Elizabeth Kolbert, Terese Marie Mailhot, Jia Tolentino, and others.

    Guest editor Rita Dove, a distinguished figure in the poetry world and the second African-American poet ever to win the Pulitzer Prize, brings all of her dynamism and well-honed acumen to bear on this project. Dove used a simple yet exacting method to make her selections: "The final criterion," she writes in her introduction, "was Emily Dickinson's famed description -- if I felt that the top of my head had been taken off, the poem was in." The result is a marvelous collection of consistently high-quality poems diverse in form, tone, style, stance, and subject matter. With comments from the poets themselves illuminating their poems and a foreword by series editor David Lehman, The Best American Poetry 2000 is this year's must-have book for all poetry lovers.

    Joyce Carol Oates has collected a group of works that are both intimate and important, essays that move from personal experience to larger significance without severing the connection between speaker and audience. From Ernest Hemingway covering bullfights in Pamplona to Martin Luther King, Jr.’s “Letter from Birmingham Jail,” these essays fit, in the words of Joyce Carol Oates, “into a kind of mobile mosaic suggest[ing] where we’ve come from, and who we are, and where we are going.” Among those whose work is included are Mark Twain, John Muir, T. S. Eliot, Richard Wright, Vladimir Nabokov, James Baldwin, Tom Wolfe, Susan Sontag, Maya Angelou, Alice Walker, Joan Didion, Cynthia Ozick, Saul Bellow, Stephen Jay Gould, Edward Hoagland, and Annie Dillard.Foreword / by Robert Atwan --Introduction / by Joyce Carol Oates --Corn-pone opinions / Mark Twain --Of the coming of John / W.E.B. Du Bois --Law of acceleration / Henry Adams --Stickeen / John Muir --Moral equivalent of war / William James --Handicapped / Randolph Bourne --Coatesville / John Jay Chapman --Devil baby at Hull-house / Jane Addams --Tradition and the individual talent / T.S. Eliot --Pamplona in July / Ernest Hemingway --Hills of Zion / H.L. Mencken --How it feels to be colored me / Zora Neale Hurston --Old stone house / Edmund Wilson --What are master-pieces and why are there so few of them / Gertrude Stein --Crack-up / F. Scott Fitzgerald --Sex Ex Machina / James Thurber --Ethics of living Jim Crow: an autobiographical sketch / Richard Wright --Knoxville: Summer of 1915 / James Agee --Figure a poem makes / Robert Frost --Once more to the lake / E.B. White --Insert flap "A" and throw away / S.J. Perelman --Bop / Langston Hughes --Future is now / Katherine Anne Porter --Artists in uniform / Mary McCarthy --Marginal world / Rachel Carson --Notes of a native son / James Baldwin --Brown wasps / Loren Eiseley --Sweet devouring / Eudora Welty --Hundred thousand straightened nails / Donald Hall --Letter from Birmingham jail / Martin Luther King, Jr. --Putting daddy on / Tom Wolfe --Notes on "Camp" / Susan Sontag --Perfect past / Vladimir Nabokov --Way to Rainy Mountain / N. Scott Momaday --Apotheosis of Martin Luther King / Elizabeth Hardwick --Illumination rounds / Michael Herr --I know why the caged bird sings / Maya Angelou --Lives of a cell / Lewis Thomas --Search for Marvin Gardens / John McPhee --Doomed in their sinking / William H. Gass --No name woman / Maxine Hong Kingston --Looking for Zora / Alice Walker --Women and honor: some notes on lying / Adrienne Rich --White album / Joan Didion --Aria: a memoir of a bilingual childhood / Richard Rodriguez --Solace of open spaces / Gretel Ehrlich --Total eclipse / Annie Dillard --Drugstore in winter / Cynthia Ozick --Okinawa: the bloodiest battle of all / William Manchester --Heaven and nature / Edward Hoagland --Creation myths of Cooperstown / Stephen Jay Gould --Life with daughters: watching the miss America Pageant / Gerald Early --Disposable rocket / John Updike --hey all just went away / Joyce Carol Oates --Graven images / Saul Bellow --Biographical notes --Appendix: Notable twentieth-century American literary nonfiction