As the sun rose we began to see the sprawl of little Turkish houses clambering the steep slopes, painted in rosy pink, mauve, white, yellow, blue. The white domes of the Greek churches glistened in the fresh morning sunshine. The Long Shadow is compelling historical novel which tells the human story of the Eastern campaign in Salonika and will appeal to readers of The Island and The Thread. Fourteen-year-old Andrew discovers his mother's hidden diary at his grandmother's house during a Christmas holiday. His eyes are opened to a family secret when he reads about her time as a nurse on Salonika during the First World War, and the tragic love affair she had with his father, a Greek officer, who died in battle. Four years later Andrew is compelled to visit his father's country and trace his roots. What - and whom - he meets there will change his life forever. The Long Shadow is filled with descriptions of Greece and its people, dramatic images of battles and the terrible conditions endured by the allied armies fighting around Salonika. The Long Shadow illuminates a period of history not often featured in fiction and is highly topical as we approach the centenary of WW1 in 2014.

    The theme of improvisation, which I introduce here, reflected my own sense, still, that in writing a novel I was on a high wire and ready to fall off, since I didn't consider myself a traditional novelist, and still don't.The TLS asked me to review an Anthology of Armenian Poetry, edited by Diana der Hovanessian. I fell in love with the poetry, and was moved by the tragic history of Armenia. This was one starting point for this novel; the other was Pushkin's 'It sails. Where shall we sail?...' The last line of his poem 'Autumn'.

    . . deeply, intimately, totally violated" by a music community that had fundamentally misinterpreted his work. As a profound admirer of Chopin's "promenade of discoveries," Gide intersperses musical notation throughout the text to illuminate his arguments, but most moving is Gide's own poetic expression for the music he so loved.

    Specifically, it is the story of the Samashki Massacre, a symbol of the Russian brutality that was employed to crush Chechen resistance. Thomas Goltz is a member of the exclusive journalistic cadre of compulsive, danger-addicted voyeurs who court death to get the story. But in addition to providing a tour through the convoluted Soviet and then post-Soviet nationalities policy that led to the bloodbath in Chechnya, "Chechnya Diary" is part of a larger exploration of the role (and impact) of the media in conflict areas. And at its heart, "Chechnya Diary" is the story of Hussein, the leader of the local resistance in the small town that bears the brunt of the massacre as it is drawn into war. This is a deeply personal book, a first person narrative that reads like an adventure but addresses larger theoretical issues ranging from the history of ethnic/nationalities in the USSR and the Russian Federation to journalistic responsibility in crisis zones." Chechnya Diary" is a crossover work that offers both the historical context and a ground-level view of a complex and brutal war.

    As the sun sets on the shore of the Black Sea, all Nora Teodoru can think about is pursuing her dream of becoming an artist and of her love for Gigi, her childhood friend from the Turkish part of town. But storm clouds are gathering as life under dictator Nicolae Ceausescu becomes unbearable.

    The book is important both for the study of linguistic change and for the light it throws on twentieth-century Turkishpolitics and society.

    Their horses were quivering in their every limb, ready to crush the [foreign] countries under their feet...Those who reached my boundary, their seed is not; their heart and soul are finished forever and ever." – An inscription made during the reign of Ramesses III When scholars look at the passage of history, certain epochs and transitions to new periods tend to stand out. The transition from the early modern to the Industrial Age in the late 18th century and the collapse of the Roman Empire are two of the more well known, but the transition from the Bronze to the Iron Age during the late 13th and early 12th centuries BCE arguably changed the structure and course of world history more fundamentally than any period before or since. During this period, numerous wealthy and enduring kingdoms of the eastern Mediterranean Sea region collapsed, and new ones rose in their places. At the center of this period of turmoil was a group of people known today as the Sea Peoples, the English translation of the name given to them by the Egyptians. Despite their prominent role in history, however, the Sea Peoples remain as mysterious as they were influential; while the Egyptians documented their presence and the wars against them, it has never been clear exactly where the Sea Peoples originated from, or what compelled them to invade various parts of the region with massive numbers. Whatever the reason, the Sea Peoples posed an existential threat to the people already living in the region, as noted by an Egyptian inscription: “The foreign countries (i.e. Sea Peoples) made a conspiracy in their islands. All at once the lands were removed and scattered in the fray. No land could stand before their arms: from Hatti, Qode, Carchemish, Arzawa and Alashiya on, being cut off (i.e. destroyed) at one time. A camp was set up in Amurru. They desolated its people, and its land was like that which has never come into being. They were coming forward toward Egypt, while the flame was prepared before them. Their confederation was the Peleset, Tjeker, Shekelesh, Denyen and Weshesh, lands united. They laid their hands upon the land as far as the circuit of the earth, their hearts confident and trusting: 'Our plans will succeed!'" As with any historical matter from the ancient world, the sources can be a problem. The ancient Egyptians recorded their interactions with the Sea Peoples in both written texts and in pictorial reliefs and thus provide the most complete contemporary description of them, but the nature of ancient Egyptian historiography was quite different than the modern concept, so the sources cannot be considered entirely reliable. Later Greek sources, both historiographical and mythological, can help fill in some more details, but those sources are suspect because they were written several centuries after the emergence of the Sea Peoples. Modern archaeology is beneficial in determining how people lived and possibly where they moved, but there are also problems when one relies too much on archaeological data because the dating of material culture is not an exact science. Finally, linguistic evidence is often employed to determine the geographic origins and eventual landing points of many of the Sea Peoples, but confusion often arises if a group’s demonym refers specifically to their place of origin or final home. Naturally, the mystery surrounding the Sea Peoples has led to all kinds of theories aiming to identify them.

     Like System of a Down's platinum-selling second album, Toxicity -- hailed by Rolling Stone as "a bouquet of smart rock and ardent social argument" and by SPIN as "the sound of now" -- Tankian's poetic style is willfully eclectic. Sometimes introspective, sometimes direct and cutting, these poems deal with subjects as wide-ranging as euthanasia and the nature of time itself. Featuring original artwork created by Sako Shahinian, a young Los Angeles­based artist, Cool Gardens is honest, heartfelt, and humorous -- a talented artist at his uncompromising best.

    In the 17th century, a young Italian scholar sailing from Venice to Naples is taken prisoner and delivered to Constantinople. There he falls into the custody of a scholar known as Hoja--"master"--a man who is his exact double. In the years that follow, the slave instructs his master in Western science and technology, from medicine to pyrotechnics. But Hoja wants to know more: why he and his captive are the persons they are and whether, given knowledge of each other's most intimate secrets, they could actually exchange identities. Set in a world of magnificent scholarship and terrifying savagery, The White Castle is a colorful and intricately patterned triumph of the imagination.

    When Anoush Pakradounian steps off a boat and feels Levantine heat on her cheek like a caress, she thinks she knows where she's going: she thinks she knows who's right and who's wrong. Yet nothing about her family's past is black and white. In 1915 one million Armenians were marched into Syria by Turks and killed in the first genocide of the twentieth century. In 1982 Beirut came under siege for three months and 18,000 civilians died, while another 30,000 were wounded. Anoush's quest for answers is interwoven with the memory of ruined cities and vanished empires: Lake Van before the genocide, Beirut in civil war, Ottoman villas and desecrated churches, Palestinian refugee camps and torture chambers turned into nightclubs. Her search to find out the truth about her father, her grandparents and her own place in the story spans four generations and massive upheavals in the Middle East.With echoes of Barbara Kingsolver's THE POISONWOOD BIBLE, Thomas Keneally’s SCHINDLER’S LIST and Geraldine Brooks' THE PEOPLE OF THE BOOK, BONE ASH SKY is a powerful work that examines family, loyalty, love and secrets long-hidden in the horror of war and displacement.

    Join the culture-curious gay couple on their bumpy rite of passage in a Muslim country. Meet the oddballs, VOMITs, vetpats, emigreys, semigreys, debauched waiters and middle England miseries.When bigotry and ignorance emerge from the crude underbelly of Turkey's expat life, Jack and Liam waver. Determined to stay the course, the happy hedonistas hitch up their skirts, move to the heart of liberal Bodrum and fall in love with their intoxicating foster land. Enter Jack's irreverent world for a right royal dose of misery and joy, bigotry and enlightenment, betrayal and loyalty, friendship, love, earthquakes, birth, adoption and a senseless murder. Perking the Pansies will make you laugh out loud one minute and sob into your crumpled tissue the next."Scott pulls no punches. A good read and hopefully the first of many by new boy on the block." Jane Akatay, journalist"An insightful tale of life abroad - with a twist - from the pen of a serial people watcher. Expat Jack lays his characters bare along with his heart and soul, ''Kym Ciftci, On the Ege Magazine, Ontheege.com"Jack and Liam bring a certain je ne sais quoi to the souks and heap a plate of dry British wit to their Ottoman misadventures,"Charles Ayres, author, Impossibly Glamorous Impossiblyglamorous.com..". hilarious, saucy, witty, heartwarming and incredibly moving, Perking the Pansies is chock full of odd characters and odder situations. Jack Scott has a way with words and proves that it is the relationships we surround ourselves with that matter most,"Linda A Janssens, Writer and Co-Author, Turning Points, Adventuresinexpatland.com

    Istanbul, 2001. Maya Duran is a single mother struggling to balance a demanding job at Istanbul University with the challenges of raising a teenage son. Her worries increase when she is tasked with looking after the enigmatic Maximilian Wagner, an elderly German-born Harvard professor visiting the city at the university's invitation. Although he is distant at first, Maya gradually learns of the tragic circumstances that brought him to Istanbul sixty years before, and the dark realities that continue to haunt him. Inspired by the 1942 Struma disaster, in which nearly 800 Jewish refugees perished after the ship carrying them to Palestine was torpedoed off the coast of Turkey, Serenade for Nadia is both a poignant love story and a gripping testament to the power of human connection in crisis.

    A story where our protagonist will fight to find his beloved albatross.

    And at the heart of his palace is the Sultan’s vast Harem, the domain of hundreds of scented, pampered women—some wives, some concubines, some merely slaves. Among them is Gülbehar, the Sultan’s submissive favorite and mother of his heir; Julia, the daughter of an Italian lord, kidnapped when she attempted to flee Venice with her lover; and Hürrem, a Tartar girl from the Russian steppes, sold into slavery.All three women are beautiful, but Hürrem is the most dangerous—ruthless in her desire to rule the Harem and, ultimately, Süleyman himself. Endlessly manipulative and clever, she carefully arranges the downfall of her rivals and endears herself to the Sultan, who places her at the center of the Empire’s power. It is his obsession with Hürrem—not his enemies—that in the end costs Süleyman his allies, his sons, and finally his dynasty.Bestselling author Colin Falconer offers an irresistible glimpse into a world of intrigue, sensuality, and violence, where an empire can be controlled not by the might of its king but by the women hidden behind the Harem walls.

    "They had read the signs, they said: a sea of horses, a conference of birds, the North Star in alignment with the moon. It was a prophecy that their last king had given on his deathwatch." But joy is mixed with tragedy, for Eleonora's mother dies soon after the birth. Raised by her doting father, Yakob, a carpet merchant, and her stern, resentful stepmother, Ruxandra, Eleonora spends her early years daydreaming and doing housework—until the moment she teaches herself to read, and her father recognizes that she is an extraordinarily gifted child, a prodigy. When Yakob sets off by boat for Stamboul on business, eight-year-old Eleonora, unable to bear the separation, stows away in one of his trunks. On the shores of the Bosporus, in the house of her father's business partner, Moncef Bey, a new life awaits. Books, backgammon, beautiful dresses and shoes, markets swarming with color and life—the imperial capital overflows with elegance, and mystery. For in the narrow streets of Stamboul—a city at the crossroads of the world—intrigue and gossip are currency, and people are not always what they seem. Eleonora's tutor, an American minister and educator, may be a spy. The kindly though elusive Moncef Bey has a past history of secret societies and political maneuvering. And what is to be made of the eccentric, charming Sultan Abdulhamid II himself, beleaguered by friend and foe alike as his unwieldy, multiethnic empire crumbles? The Oracle of Stamboul is a marvelously evocative, magical historical novel that will transport readers to another time and place—romantic, exotic, yet remarkably similar to our own.