They are decisive and fearless. Every object, icon, or historical moment has a soul with a voice. In these poems these soulful ones elbow their way to the surface of the page, smartly into the contemporary now.”—Joy Harjo, prize citationfrom “The Piano Speaks”     For an hour I forgot my fat self,     my neurotic innards, my addiction to alignment.     For an hour I forgot my fear of rain.     For an hour I was a salamander     shimmying through the kelp in search of shore,     and under his fingers the notes slid loose     from my belly in a long jellyrope of eggs     that took root in the mud.

    

    Whether it be granting himself immortality, stopping bullets in mid-air, or destroying his enemies with a mere thought, he is often feared as a god on Earth. However, outliving everyone he ever loved whilst losing friends to the limitations of his powers causes a heavy burden upon his shoulders, and in the 21st Century, Clarke is a stoic loner, traveling and living only to kill evil. He has no time for friends or family, but all that changes when he meets a dedicated doctor working in the dark streets of Detroit.In Detroit, Clarke vows to eliminate all gangs terrorizing the city's populace. However, after delivering a junkie with a broken leg to a hospital, Clarke is given a chance to end his decades of rampages, killing criminals and villains. Instead, he is offered a chance to work in the hospital along the idealistic Doctor Chloe Hall. His powers give him an incredible edge in the emergency room and he soon realizes that he could save everyone who comes through the hospital doors. But the gangs are still out there, and Clarke has to make a choice. Should he keep killing, or should he begin saving lives?"That which is destroyed cannot be repaired. That which is mended cannot be maintained."

    Science in the Soul brings together forty-two essays, polemics, and paeans--all written with Dawkins's characteristic erudition, remorseless wit, and unjaded awe of the natural world.Though it spans three decades, this book couldn't be more timely or more urgent. Elected officials have opened the floodgates to prejudices that have for half a century been unacceptable or at least undercover. In a passionate introduction, Dawkins calls on us to insist that reason take center stage and that gut feelings, even when they don't represent the stirred dark waters of xenophobia, misogyny, or other blind prejudice, should stay out of the voting booth. And in the essays themselves, newly annotated by the author, he investigates a number of issues, including the importance of empirical evidence, and decries bad science, religion in the schools, and climate-change deniers.Dawkins has equal ardor for "the sacred truth of nature" and renders here with typical virtuosity the glories and complexities of the natural world. Woven into an exploration of the vastness of geological time, for instance, is the peculiar history of the giant tortoises and the sea turtles--whose journeys between water and land tell us a deeper story about evolution. At this moment, when so many highly placed people still question the fact of evolution, Dawkins asks what Darwin would make of his own legacy--"a mixture of exhilaration and exasperation"--and celebrates science as possessing many of religion's virtues--"explanation, consolation, and uplift"--without its detriments of superstition and prejudice.In a world grown irrational and hostile to facts, Science in the Soul is an essential collection by an indispensable author.Praise for Science in the Soul"Compelling . . . rendered in gloriously spiky and opinionated prose . . . [Dawkins is] one of the great science popularizers of the last half-century."--The Christian Science Monitor "Dawkins is a ferocious polemicist, a defender of reason and enemy of superstition."--John Horgan, Scientific American

    G., I am a fool.What we feel in the solar plexus wrecks us.Halfway squatting on a crate where feeling happened. Caresses."--from "Dear Gonglya,"At once hyper-contemporary and archaic, erotic, indecorous, and extravagant like nobody else, Brenda Shaughnessy seeks outrageous avenues of access to the heart, "This strumpet muscle under your breast describing / you minutely, Volupt, volupt."

    is a collection of poetry stating the importance of remaining soft, even when it seems difficult to do in this hard world.

    

    Swerving to avoid a hitchhiker out in a whiteout storm, Julie’s car ends up wedged in a snow bank. With the inches piling higher on the dark road, she can’t escape a man who makes little sense. Stranded in the freezing cold, the two tell stories to pass the time. From the Midwest to India, Denmark and Canada, they offer visions of lives and loves from young to old, far and wide. But as the hours blur together, and the snow and ice set in, it becomes less clear how their own story will end. A tale of love, craziness and impossibility.

    So, as you will see, you being here will be quite a treat for all of the monsters. While some of the monsters will love your company in their quaint little world, there are others that may not take too kindly to seeing you. The royal guard will see you don’t live long if they catch you. You’ll be faced with countless trials and tasks in the Underground, and just like in the human world, you’ll have choices to make when you face these trials. Do you run, or do you fight? Do you hide in a closet, or do you eat the cheese that you found in your coat pocket from last year?

    She must pull together four choirs that hate each other for her husband, Pastor Myron Jones’ Pastor’s Anniversary Celebration. The Holy Missionary Mass Choir is filled with characters like Shonda, a single mother of six trying to keep her oldest son alive. Then there’s Donnell, the church playboy who is torn between three women. And no one can forget Mother Willie Mae Odell; whose sole mission in life is to take down Lady Deidra and the choir. First Lady Deidra Jones has a Hot Mess on her hands but will God be able to bring them all together or will they crash and burn like fire and brimstone?

    from "The House on the Hill" . . . from out of the fog, a large, welcoming house would emerge made out of invention and surprise. No things without ideas! you'd shout, and the doors would open, and the echoes would cascade down to the valleys and the faraway towns.

    Finney’s poetic voice is defined by an intimacy that holds a soft yet exacting eye on the erotic, on uncanny political and family events, like her mother’s wedding waltz with South Carolina senator Strom Thurmond, and then again on the heartbreaking hilarity of an American president’s final State of the Union address.Artful and intense, Finney’s poems ask us to be mindful of what we fraction, fragment, cut off, dice, dishonor, or throw away, powerfully evoking both the lawless and the sublime.

    Something that's very hard to learn on your own. This is something about putting yourself first because it's okay to love yourself before anyone else. This is something about doing what's best for you, no matter what people say, because only you know what you deserve. This is something about being real, being real to who you are and accepting things as they come and change. This is something about your mistakes, about your flaws, and about how beautiful it is to get up and try again. This is something about being you, about using your voice when you're afraid. About building enough courage when you feel like standing up to something you don't believe in, something that's wrong. This is about you, and every day should be about you, and that's something you should always consider.

    Some of the stories are inspired by true events. Find out which ones inside this scary collection. "The Girl I Married" Jonathan noticed that after marrying Jeanette, she starts acting strange. As if she is not the same girl he dated. Why is she so different and what secrets is she hiding? "I`m Sorry Daddy" After an accident at work, Mr. Williams starts developing unusual symptoms. He is turning into a monster and there is nothing to stop this. "The House Next Door part 2" Jessica decides to find out what happened to her friend Sarah. What new discoveries will she make and will the same fate befall her?

    Whilst she endures hardship, she also found friendship and love.Jonah is the 'modern day' Romeo and enjoys the company of women but when he met Sarah, his whole world changed.Both are from different background and religion but yet their path kept crossing. Is it fate or just coincidence?