A short novel, that may also be viewed as a set of connected mini-narratives, it can also be considered as one of the foremost instances of metafiction in twentieth century Hindi literature. This book talks about the encounter of narrator with 3 different women during his teenage, youth & adulthood.

    For Edwin, it was where hewas going to chase his dreams, but for Charlie, it was just another place tobe with his only friend. However, when he meets Aster, who was silentlywalking through instabilities of her own destiny, he was in for anabsolute unthoughtful phase of profoundness that was going to lastforever.

    She found him not her cup of tea. He was not in a condition to think anything but run away.Very soon, they became close friends. He fell in love with her. But he did never say. She never even thought about him in that way. For her, he was just an average looking boy. She can go for lingerie shopping with him. She doesn't feel odd. He can hold her hand while crossing the road. But they are just friends. Read the book to find out what happens next. Will he ever tell what he feels for her? If he does, will she ever accept him? And also know about the interesting myths about Virgin tree.

    Her mother, the powerful head of a Broadway theater company, has no time for her. She does have one friend-a handsome, comforting, funny man named Michael-but only she can see him. Years later, Jane is in her thirties and just as alone as ever. Then she meets Michael again-as handsome, smart and perfect as she remembers him to be. But not even Michael knows the reason they've really been reunited.SUNDAYS AT TIFFANY'S is a love story with an irresistible twist, a novel about the child inside all of us-and the boundary-crossing power of love.

    Shivaji Sawant's Mrityunjaya is an outstanding instance of such a literary masterpiece in which a contemporary Marathi novelist investigates the meaning of the bewildering skein that is life through the personae of the Mahabharata protagonists. For over two decades since its first publication the vast non- Marathi and non-Hindi readership remained deprived of this remarkable exploration of the human psyche till the publication of this English translation by the Writers workshop – a contribution for which there is much to be grateful for. Mrityunjaya is the autobiography of Karna, and yet it is not just that. With deceptive case, Sawant brings into play an exceptional stylistic innovation by combining six "dramatic soliloquies" to form the nine books of this novel of epic dimensions. Four books are spoken by Karna. These are interspersed with a book each from the lips of his unwed mother Kunti, Duryodhana (who considers Karna his mainstay), Shon (Shatruntapa, his foster-brother, who here-worships him), his wife Vrishali to whom he is like a god and, last of all, Krishna. Sawant depicts an uncanny similarity between Krishna and Karna and hints at a mystic link between them, investing his protagonist with a more-than-human aura to offset the un-heroic and even unmanly acts which mar this tremendously complex and utterly fascinating creating of Vyasa.

    A thought provoking novel, in which the normal and the abnormal, the ordinary and the extraordinary, illusion and reality, resignation and desire rub shoulders.

    It is the story of his life which encompasses love, dedication, eccentricity, friendship and overall his discovery of his true love and also the anguish of losing it due to his obstinacy and self-centeredness. It is a repertoire of moments coated with velvetiness of love and bruised by the thorns of betrayal. It highlights the situations which ultimately turns him into a devil, who wants to annihilate the whole world with his impiety, consequences being the least he cares about; and eventually loses his happiness, identity and even himself in this process.I could neither speak in words, nor could ever write it downThe loneliness, the emptiness your absence left behind....Those moments spent in the warmth of your cuddleStill linger in a cruel heart...... in a guilty mind!!!Whenever I dream, I see you so tranquilCan I trace the reason of my going away and getting back never?If by closing my eyes I see you happy sweetheart,I promise I shall close my eyes FOREVER!

    Damayanthi, along with the bunch of unsuitable prospective husbands her Amma throws at her, a dead-end job as an accountant in a decrepit firm, the oppressiveness of Chennai. When she finally jettisons her job and some of her inhibitions to join a bank in Mumbai, Amma's parting words are: 'Be good. Don't do anything silly.' Translation: 'Stay away from sex and alcohol! ' Soon Damayanthi is negotiating competitive corporate corridors and big-city life. Aided by dubious words of wisdom from the cherub-faced Jimmy, she must impress the intellectual C.G., who has a low opinion of her; battle Sonya Sood, flatmate and size-zero sophisticate, for the TV remote; choose between resisting or giving in to temptation in the form of the seductive Rahul; deal with the moral dilemma of 'stealing' a million-dollar idea for her project. Can a good girl have a really good time? Can the conservative, curd-rice-eating Damayanthi become a cool, corporate babe? Keep the Change is a rollicking, wickedly witty story of every girl's journey to fulfill her dreams and find her own place in the world.

    It is is a story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side.Seven years in the making, Sacred Games is an epic of exceptional richness and power. Vikram Chandra's novel draws the reader deep into the life of Inspector Sartaj Singh—and into the criminal underworld of Ganesh Gaitonde, the most wanted gangster in India. Sartaj, one of the very few Sikhs on the Mumbai police force, is used to being identified by his turban, beard and the sharp cut of his trousers. But "the silky Sikh" is now past forty, his marriage is over and his career prospects are on the slide. When Sartaj gets an anonymous tip-off as to the secret hide-out of the legendary boss of G-Company, he's determined that he'll be the one to collect the prize. Vikram Chandra's keenly anticipated new novel is a magnificent story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side. Drawing inspiration from the classics of nineteenth-century fiction, mystery novels, Bollywood movies and Chandra's own life and research on the streets of Mumbai, Sacred Games evokes with devastating realism the way we live now but resonates with the intelligence and emotional depth of the best of literature.

    If you take away what people feel, you take away anything meaningful. Wanting to diminish the evil in this world is a good cause, one I have fought for the majority of my life, but not like this . . . Cherry has a hidden talent. She can see things other people can't and she decided a long time ago to use this skill to help others. As far as the rest of the town is concerned she's simply the kind-hearted young woman who runs the local bakery, but in private she uses her gift to add something special to her cakes so that after just one mouthful the townspeople start to feel better about their lives. They don't know why they're drawn to Cherry's bakery - they just know that they're safe there and that's how Cherry likes it. She can help them in secret and no one will ever need to know the truth behind her gift.And then Chase arrives in town and threatens to undo all the good Cherry has done. Because it turns out she's not the only one who can see what she sees . . . A story of love, food and a little bit of magic, All That She Can See is an enchanting and beautiful novel that's guaranteed to be the most magical story you'll read all year.

    Still above is Vaikuntha, heaven, abode of God.The doorkeepers of Vaikuntha are the twins, Jaya and Vijaya, both whose names mean 'victory'. One keeps you in Swarga; the other raises you into Vaikuntha.In Vaikuntha there is bliss forever, in Swarga there is pleasure for only as long as you deserve. What is the difference between Jaya and Vijaya? Solve this puzzle and you will solve the mystery of the Mahabharata.In this enthralling retelling of India's greatest epic, the Mahabharata originally known as Jaya, Devdutt Pattanaik seamlessly weaves into a single narrative plots from the Sanskrit classic as well as its many folk and regional variants, including the Pandavani of Chhattisgarh, Gondhal of Maharashtra, Terukkuttu of Tamil Nadu and Yakshagana of Karnataka.Richly illustrated with over 250 line drawings by the author, the 108 chapters abound with little-known details such as the names of the hundred Kauravas, the worship of Draupadi as a goddess in Tamil Nadu, the stories of Astika, Madhavi, Jaimini, Aravan and Barbareek, the Mahabharata version of the Shakuntalam and the Ramayana, and the dating of the war based on astronomical data.With clarity and simplicity, the tales in this elegant volume reveal the eternal relevance of the Mahabharata, the complex and disturbing meditation on the human condition that has shaped Indian thought for over 3000 years.

    With his honour and reputation at stake, Akbar asks his trusted advisor Birbal to solve the mystery. The murder has taken place in a garden, at a spot between two mango trees, and the two guards who are eyewitnesses have conflicting versions of what could have happened. Was it suicide? Was it Akbar himself who ordered the killing or was it the Rajputs who accompanied Sujjamal, his uncles and cousin, who are guilty?Set in a period that has been described as the golden age of the Mughals, the novel draws us into the royal court of Agra, abuzz with political intrigue, personal enmities and hidden rivalries, where everyone is a suspect until proven otherwise.

    The usually venerated characters of this ancient Indian epic are here subjected to a rational enquiry that places them in context, unravels their hopes and fears, and imbues them with wholly human motives, thereby making their stories relevant and astonishing to contemporary readers. Irawati Karve, thus, presents a delightful collection of essays, scientific in spirit, yet appreciative of the literary tradition of the Mahabharata. She challenges the familiar and formulates refreshingly new interpretations, all the while refusing to judge harshly or venerate blindly.

    It is a story of a Kashmiri woman who married a Pakistani Army Officer so as to provide the Indian intelligence with invaluable information during the Indo-Pak War of 1971. Sehmat devised unique ways in her quest to get closer to the top brass in Pakistan. She almost single-handedly torpedoed Pakistans war plans through indefinable courage, wit and determination and was responsible for saving lives of scores of Indian soldiers. The story gives rare insight to the humble yet brave people of Kashmir who not only swear by India but also are willing to sacrifice their very being for the service of our nation.

    This collection engages with the rapid social change and acute religious and identity crises that have emerged in an area extending from Gilgit to Eastern Nepal.