Nonetheless, the artist himself remains tantalisingly an enigma. A notoriously difficult man and an inveterate risk-taker in life and art, Rembrandt's aspirations to a grandiose Amsterdam lifestyle in the heyday of his popularity as a painter of portraits and large-scale historical works bankrupted him and he died in relative poverty. His personal effects and his treasured collection of paintings and natural rarities were sold off and dispersed, leaving the historian with a tantalisingly scant body of fragmentary records around which to build a convincing biography. In Rembrandt's Eyes Simon Schama--the leading historical craftsman of our era, with a career-long commitment to Dutch history--succeeds with consummate skill in bringing the heroic painter of such masterpieces as The Night Watch and Portrait of Jan Six vividly to life again. Returning to the bustling Dutch world with which he first made his reputation in his bestselling The Embarrassment of Riches (1987), Schama recreates Rembrandt's life and times with all the verve and panache of a historical novelist, whilst never for an instant losing his scrupulous grip on recorded fact and detail. The telling surviving fragments of archival information about Rembrandt's personal and professional history are embedded skilfully in a richer and denser tapestry of the commercial whirl and political hurly-burly of the 17th-century Low Countries--a divided territory, split between the Catholic and Protestant faiths and the contested powers of the Spanish Habsburgs and the Dutch Republic--with the tentacles of the tale reaching into the most unexpected shadowy corners of European love and war, aspiration and intrigue.Rembrandt's Eyes is, in fact, two biographies for the price of one. From the outset Schama contrasts the life of Rembrandt with that of his older, equally artistically talented, countryman Peter Paul Rubens, whose meteoric rise and sustained success as a society painter forms a revealing contrast with Rembrandt's unhappier relationship with fame and fortune. The comparison is a telling one. Where Rubens furnishes the wealthy and powerful with glorious reflections of and visual foils for their social and political aspirations and glory, Rembrandt can never resist testing the envelope of taste and stylistic acceptability. His challenge to his clients to rise to embrace the shock of his painterly experiments with technique, texture and composition, ultimately produced his downfall. The Amsterdam Town Council took down his The Oath-swearing of Claudius Civilis, rolled it up and returned his masterpiece to him, to be cut-down in an attempt to sell it to a suitable buyer. This is a gorgeous book to own, too. Rembrandt's Eyes is printed on heavy, high-gloss paper, lavishly illustrated throughout in full colour, with double-page colour spreads of the most memorable of Rembrandt's works, which take one's breath away as one turns the page. But above all, this is narrative history at its very best, a page-turner and an adventure story, which will make the reader laugh and cry by turns, in the time-honoured tradition of masterly writing. --Lisa Jardine

    “A tantalizing whodunit” (Boston Globe) and a “riveting, wonderfully vivid account [that] takes you into the underworld of obsessed art detectives, con men, and thieves” (Jonathan Harr, author of The Lost Painting), The Gardner Heist is true crime history at its most spellbinding.

    Fleming and six other authors will each contribute a story from different points of view: M.T. Anderson, Jennifer Donnelly, Stephanie Hemphill, Deborah Hopkinson, Linda Sue Park, and Lisa Ann Sandell.

    Pieced together, they form a revealing mosaic of the creative mind. It's like viewing an exhibit from the therapist's couch as each entry delves into the mental anguish that afflicts the artist and affects their art.The scope of the artists covered is as varied as their afflictions. Inside, you will find not just the creators of the darkest of dark literature, music, and art. While it does reveal what everyday problem kept Poe's pen to paper and the childhood catastrophe that kept Picasso on edge, it also uncovers surprising secrets of more unexpectedly tormented artists. From Charles Schultz's unrequited love to J.K. Rowling's fear of death, it's amazing the deep-seeded troubles that lie just beneath the surface of our favorite art.As much an appreciation of artistic genius as an accessible study of the creative psyche, Tortured Artists illustrates the fact that inner turmoil fuels the finest work.

    The book showcases many different styles of writing, from fiction to short humor to essays to comedy sketches to poetry. Featured writers include F. Scott Fitzgerald, Conan O'Brien, Lorrie Moore, Paul Feig, Jonathan Franzen, Alice Munro, and many more. Proceeds from the book will go to 826 National, a nonprofit tutoring, writing, and publishing organization with locations in eight cities across the country.

    Un retrato de una artista, sobre todo una artista.(Portrait of an artist, always an artist, above all an artist.)

    The secret marriage between Bess and the Queen’s beloved Sir Walter Ralegh cost both of them their fortunes, their freedom, and very nearly their lives. Yet it was Bess, resilient, passionate, and politically shrewd, who would live to restore their name and reclaim her political influence. In this dazzling biography, Bess Ralegh finally emerges from her husband’s shadow to stand as a complex, commanding figure in her own right.Writing with grace and drama, Anna Beer brings Bess to life as a woman, a wife and mother, an intimate friend of poets and courtiers, and a skilled political infighter in Europe’s most powerful and most dangerous court. The only daughter of an ambitious aristocratic family, Bess was thrust at a tender age into the very epicenter of royal power when her parents secured her the position of Elizabeth’s Gentlewoman of the Privy Chamber. Bess proved to be a natural player on this stage of extravagant mythmaking and covert sexual politics, until she fell in love with the Queen’s Captain of the Guard, the handsome, virile, meteorically rising Ralegh. But their secret marriage, swiftly followed by the birth of their son, would have grave consequences for both of them.Brooking the Queen’s wrath and her husband’s refusal to acknowledge their marriage, Bess brilliantly stage-managed her social and political rehabilitation and emerged from prison as the leader of a brilliant, fast-living aristocratic set. She survived personal tragedy, the ruinous global voyages launched by her husband, and the vicious plots of high-placed enemies. Though Raleigh in the end fell afoul of court intrigue, Bess lived on into the reign of James I as a woman of hard-won wisdom and formidable power.With compelling historical insight, Anna Beer recreates here the vibrant pageant of Elizabethan England—the brilliant wit and vicious betrayals, the new discoveries and old rivalries, the violence and fierce sexuality of life at court. Peopled by poets and princes, spanning the reigns of two monarchs, moving between the palaces of London and the manor house outside the capital, My Just Desire is the portrait of a remarkable woman who lived at the center of an extraordinary time.

    George MacDonald Fraser is the author of the "Flashman" novels.

    their doctors."It was the dog who found me."Such is the stark confession launching the harrowing scene that begins The Asylum for Wayward Victorian Girls as Emilie Autumn, a young musician on the verge of a bright career, attempts suicide by overdosing on the antipsychotics prescribed to treat her bipolar disorder. Upon being discovered, Emilie is revived and immediately incarcerated in a maximum-security psych ward, despite her protestations that she is not crazy, and can provide valid reasons for her actions if someone would only listen.Treated as a criminal, heavily medicated, and stripped of all freedoms, Emilie is denied communication with the outside world, and falls prey to the unwelcome attentions of Dr. Sharp, head of the hospital's psychiatry department. As Dr. Sharp grows more predatory by the day, Emilie begins a secret diary to document her terrifying experience, and to maintain her sanity in this environment that could surely drive anyone mad. But when Emilie opens her notebook to find a desperate letter from a young woman imprisoned within an insane asylum in Victorian England, and bearing her own name and description, a portal to another world is blasted wide open.As these letters from the past continue to appear, Emilie escapes further into this mysterious alternate reality where sisterhoods are formed, romance between female inmates blossoms, striped wallpaper writhes with ghosts, and highly intellectual rats speak the Queen's English.But is it real? Or is Emilie truly as mad as she is constantly told she is?The Asylum for Wayward Victorian Girls blurs harsh reality and magical historical fantasy whilst issuing a scathing critique of society's treatment of women and the mental health care industry's treatment of its patients, showing in the process that little has changed throughout the ages.Welcome to the Asylum. Are you committed?

    A masterpiece in its own right, this novel offers a compelling portrait of Michelangelo’s dangerous, impassioned loves, and the God-driven fury from which he wrested the greatest art the world has ever known.

    From extraordinary highs - patronage by the Medicis, friendship with Galileo and, most importantly of all, beautiful and outstandingly original paintings - to rape by her father's colleague, torture by the Inquisition, life-long struggles for acceptance by the artistic Establishment, and betrayal by the men she loved, Artemisia was a bold and brilliant woman who lived as she wanted, and paid a high price.

    The end of the sixteenth century was marked by the Inquisition and Counter-Reformation, a background of ideological war against which, despite all odds, brilliant feats of art and science were achieved. No artist captured the dark, violent spirit of the time better than Caravaggio, variously known as Marisi, Moriggia, Merigi, and sometimes, simply M. As art critic Robert Hughes has said, "There was art before him and art after him, and they were not the same." Robb's masterful biography "re-creates the mirror Cravaggio held up to nature," as Hilary Spurling wrote in The New York Times Book Review, "with singular delicacy as well as passion and panache."

    Inside, storytellers from around the world share times when, in the face of seemingly impossible situations, they found moments of beauty, wonder, and clarity that shed light on their lives and helped them find a path forward.From a fifteen-year-old saving a life in Chicago to a mother of triplets trekking to the North Pole to a ninety-year-old Russian man recalling his standoff with the KGB, these storytellers attest to the variety and richness of the human experience, and the shared threads that connect us all. With honesty and humor, they stare down their fear, embrace uncertainty, and encourage us all to be more authentic, vulnerable, and alive.

    In this dramatic, compelling fictional memoir Carolly Erickson lets the courageous, spirited Mary Queen of Scots tell her own story—and the result is a novel readers will long remember. Born Queen of Scotland, married as a young girl to the invalid young King of France, Mary took the reins of the unruly kingdom of Scotland as a young widow and fought to keep her throne. A second marriage to her handsome but dissolute cousin Lord Darnley ended in murder and scandal, while a third marriage to the dashing, commanding Lord Bothwell, the love of her life, gave her joy but widened the scandal and surrounded her with enduring ill repute. Unable to rise above the violence and disorder that swirled around her, Mary plucked up her courage and escaped to England—only to find herself a prisoner of her ruthless, merciless cousin Queen Elizabeth. Here, in her own riveting account, is the enchanting woman whose name still evokes excitement and compassion—and whose death under the headsman’s axe still draws forth our sorrow. In The Memoirs of Mary Queen of Scots, Carolly Erickson provides another in her series of mesmerizing historical entertainments, and takes readers deep into the life and heart of the sixteenth century’s most fascinating woman.

    Here, in Raphael, Painter in Rome, Storey tells of its creation as never before: through the eyes of Michelangelo’s fiercest rival—the young, beautiful, brilliant painter of perfection, Raphael. Orphaned at age eleven, Raphael is determined to keep the deathbed promise he made to his father: become the greatest artist in history. But to be the best, he must beat the best, the legendary sculptor of the David, Michelangelo Buonarroti. When Pope Julius II calls both artists down to Rome, they are pitted against each other: Michelangelo painting the Sistine Ceiling, while Raphael decorates the pope's private apartments. As Raphael strives toward perfection in paint, he battles internal demons: his desperate ambition, crippling fear of imperfection, and unshakable loneliness. Along the way, he conspires with cardinals, scrambles through the ruins of ancient Rome, and falls in love with a baker’s-daughter-turned-prostitute who becomes his muse.  With its gorgeous writing, rich settings, endearing characters, and riveting plot, Raphael, Painter in Rome brings to vivid life these two Renaissance masters going head to head in the deadly halls of the Vatican.