Before Vasari’s extraordinary book, art was considered a technical skill rather than an intellectual pursuit, and artists were mere decorators and craftsmen. It was through Vasari’s visionary writings that artists like Raphael, Leonardo, and Michelangelo came to be regarded as great masters of life as well as art, their creative genius celebrated as a divine gift. Their enduring reputations testify to Vasari’s profound yet unspoken influence on western culture.An advisor to kings and pontiffs—and a confidant to Titian, Donatello, and more—Vasari enjoyed an exhilarating career amid the thrilling culture of Renaissance Italy. In The Collector of Lives, Ingrid Rowland and Noah Charney offer a lively and inviting introduction to this pivotal figure in art history, and immerse readers in the world of the Medici of Florence and the popes of Rome. A narrative of intrigue, scandal, and colorful artistic rivalry, this vivid biography shows the great works of western art taking shape under Vasari’s keen eye—and reveals how one Renaissance scholar completely redefined how we look at art.

    Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

    Sabina's life changes drastically when she moves to beautiful Florence, where a new humanistic movement is at its artistic peak. She eventually befriends the powerful and intriguing Lorenzo de’ Medici, and begins to frequent the dazzling Medici court where she not only meets talented artists like Botticelli, but also Massimo Reni, whose charms and devilish good looks are hard to resist. This exciting story covers the most incredible period of Florentine history: from the lavish lifestyle of the Renaissance, to the fanatical rule of Savonarola, and finally the strategic restoration of Medici power via Grand Duke Cosimo I, this carefully researched novel will leave you breathless and wanting more.

    Was she a victim or a champion? A pawn in political schemes or the catalyst for rebellion? In this vivid short story, Lucretia's character is explored to reveal a tender portrait of a young girl misused by men who transforms into a woman with a passion for justice. Dying for Rome: Lucretia's Tale opens Short Tales of Ancient Rome, a new Elisabeth Storrs' short story collection investigating the legends and history of Rome from a fresh perspective. Those who have read Storrs' two novels, The Wedding Shroud and The Golden Dice in the Tales of Ancient Rome series can once again delve into the world of early Rome, while those unfamiliar with her work will enjoy discovering her compelling portrayal of the lives of women of the ancient past.The first book in the Tales of Ancient Rome series, The Wedding Shroud, was judged runner-up in the 2012 international Sharp Writ Book Awards for general fiction, and was a finalist in the 2013 Kindle Book Review Best Kindle Book of the Year in literary fiction. The Golden Dice was named as one of the top memorable reads of 2013 by Sarah Johnson, the reviews editor for Historical Novels Review. The third volume, Call to Juno, is currently being written.

    Lauro Martines, whose decades of scholarship have made him one of the most admired historians of Renaissance Italy, here provides a remarkably fresh perspective on Girolamo Savonarola, the preacher and agitator who flamed like a comet through late fifteenth-century Florence. The Dominican friar has long been portrayed as a dour, puritanical demagogue who urged his followers to burn their worldly goods in the bonfire of the vanities. But as Martines shows, this is a caricature of the truth--the version propagated by the wealthy and powerful who feared the political reforms he represented. In fact, Savonarola emerges as a complex and subtle man: compassionate, wise, a poet and scholar, and even, at critical moments, a force for moderation. The friar, a mesmerizing preacher, set the city afire with his message of Christian charity wedded to republican ideals. It is this reality--of Savonarola as both religious and civic leader--that Martines captures in all its complexity, showing how he inspired an outpouring of political debate in a city newly freed from the tyranny of the Medici. In the end, the volatile passions he unleashed--and the powerful families he threatened--sent the friar to his own fiery death. But the fusion of morality and politics that he represented would leave a lasting mark on Renaissance Florence. For the many readers fascinated by histories of Renaissance Italy--such as Brunelleschi's Dome or Galileo's Daughter, and Martines's acclaimed April Blood--Fire in the City offers a vivid portrait of one of the most memorable characters from that dazzling era.

    As he lay dying, his priest, family, and friends offered him a last chance to confess his mendacity, and Marco, it is said, replied "I have not told the half of what I saw and did." Now Gary Jennings has imagined the half that Marco left unsaid as even more elaborate and adventurous than the tall tales thought to be lies. From the palazzi and back streets of medieval Venice to the sumptuous court of Kublai Khan, from the perfumed sexuality of the Levant to the dangers and rigors of travel along the Silk Road, Marco meets all manner of people, survives all manner of danger, and, insatiably curious, becomes an almost compulsive collector of customs, languages and women.In more than two decades of travel, Marco was variously a merchant, a warrior, a lover, a spy, even a tax collector - but always a journeyer, unflagging in his appetite for new experiences, regretting only what he missed. Here - recreated and reimagined with all the splendor, the love of adventure, the zest for the rare and curious that are Jennings's hallmarks - is the epic account, at once magnificent and delightful, of the greatest real-life adventurer in human history.

    In this landmark work he depicts the Italian city-states of Florence, Venice and Rome as providing the seeds of a new form of society, and traces the rise of the creative individual, from Dante to Michelangelo. A fascinating description of an era of cultural transition, this nineteenth-century masterpiece was to become the most influential interpretation of the Italian Renaissance, and anticipated ideas such as Nietzsche's concept of the 'Ubermensch' in its portrayal of an age of genius.

    An ardent treatise for the Dignity of Man, which elevates Humanism to a truly Christian level, making this writing as pertinent today as it was in the Fifteenth Century.

    His name has become synonymous with cynical scheming and the selfish pursuit of power. Niccolò Machiavelli, Florentine diplomat and civil servant, is the father of political science. His most notorious work, The Prince, is a primer on how to acquire and retain power without regard to scruple or conscience. His other masterpiece, The Discourses, offers a profound analysis of the workings of the civil state and a hardheaded assessment of human nature. Machiavelli’s philosophy was shaped by the tumultuous age in which he lived, an age of towering geniuses and brutal tyrants. He was on intimate terms with Leonardo and Michelangelo. His first political mission was to spy on the fire-and-brimstone preacher Savonarola. As a diplomat, he matched wits with the corrupt and carnal Pope Alexander VI and his son, the notorious Cesare Borgia, whose violent career served as a model for The Prince. His insights were gleaned by closely studying men like Julius II, the “Warrior Pope,” and his successor, the vacillating Clement VII, as well as two kings of France and the Holy Roman Emperor. Analyzing their successes and failures, Machiavelli developed his revolutionary approach to power politics. Machiavelli was, above all, a student of human nature. In The Prince he wrote a practical guide to the aspiring politician that is based on the world as it is, not as it should be. He has been called cold and calculating, cynical and immoral. In reality, argues biographer Miles Unger, he was a deeply humane writer whose controversial theories were a response to the violence and corruption he saw around him. He was a psychologist with acute insight into human nature centuries before Freud. A brilliant and witty writer, he was not only a political theorist but also a poet and the author of La Mandragola, the finest comedy of the Italian Renaissance. He has been called the first modern man, unafraid to contemplate a world without God. Rising from modest beginnings on the strength of his own talents, he was able to see through the pious hypocrisy of the age in which he lived. Miles Unger has relied on original Italian sources as well as his own deep knowledge of Florence in writing this fascinating and authoritative account of a genius whose work remains as relevant today as when he wrote it.

    [captures] the relentless urgency of Lucretius' didacticism, his passionate conviction and proselytizing fervour.' --The Classical Review

    This book is his most experimental work, but a work no less tradition-saturated than Eliot's. As poet, private individual, and "good European", Montale's way of dealing with his difficulties was to seize the occasions offered him by writing poetry in which the lover's passions for his beloved country would convey the truth of both his public and his private situations.

    Italy, the year 1502. Leonardo da Vinci, engineer and possible spy in the court of Cesare Borgia, crosses paths with Niccolo Machiavelli, at that time Florentine ambassador.The two men formed a friendship, and joined together in an attempt to carry out one of Leonardo's most fantastic dreams: to build a system of canals that would make the Arno river navigable from Florence to the sea. While the primary reason for the project was military, da Vinci and Machiavelli also had commerce in mind. They envisioned a day when explorers would be able to sail from the city center to the sea and back, bringing riches from the New World for the greater glory of Florence.

    Italy's most important postwar novelist, Italo Calvino (1923-1985) achieved worldwide fame with such books as Cosmicomics, Invisible Cities, and If on a Winter's Night a Traveler. But he was also an influential literary critic, an important literary editor, and a masterful letter writer whose correspondents included Umberto Eco, Primo Levi, Gore Vidal, Leonardo Sciascia, Natalia Ginzburg, Michelangelo Antonioni, Pier Paolo Pasolini, and Luciano Berio. This book includes a generous selection of about 650 letters, written between World War II and the end of Calvino's life. Selected and introduced by Michael Wood, the letters are expertly rendered into English and annotated by well-known Calvino translator Martin McLaughlin.The letters are filled with insights about Calvino's writing and that of others; about Italian, American, English, and French literature; about literary criticism and literature in general; and about culture and politics. The book also provides a kind of autobiography, documenting Calvino's Communism and his resignation from the party in 1957, his eye-opening trip to the United States in 1959-60, his move to Paris (where he lived from 1967 to 1980), and his trip to his birthplace in Cuba (where he met Che Guevara). Some lengthy letters amount almost to critical essays, while one is an appropriately brief defense of brevity, and there is an even shorter, reassuring note to his parents written on a scrap of paper while he and his brother were in hiding during the antifascist Resistance.This is a book that will fascinate and delight Calvino fans and anyone else interested in a remarkable portrait of a great writer at work.

    Rome is the dazzling heart of a vast empire and Hadrian its most complex and compelling ruler. Faraway Britannia is one of the Romans' most troublesome provinces: here the sun is seldom seen and "the atmosphere in the country is always gloomy."What awaits the traveller to Britannia? How will you get there? What do you need to pack? What language will you speak? How does London compare to Rome? Are there any tourist attractions? And what dangers lurk behind Hadrian's new Wall?         Combining an extensive range of Greek and Latin sources with a sound understanding of archaeology, Bronwen Riley describes an epic journey from Rome to Hadrian’s Wall at the empire's northwestern frontier. In this strikingly original history of Roman Britain, she evokes the smells, sounds, colors, and sensations of life in the second century.

    Enter their world of splendor and depravity, of passion and wickedness... It is Italy's most dazzling and dangerous age, and as Beatrice d'Este and Isabella of Aragon match wits and feminine cunning, it is a dance to the death to decide which one of them will be crowned - Duchess of Milan