Key Features: *Study methods *Introduction to the text *Summaries with critical notes *Themes and techniques *Textual analysis of key passages *Author biography *Historical and literary background *Modern and historical critical approaches *Chronology *Glossary of literary terms

    Darcy, life is never going to be simple… Tess Barker is having a rough time. She enjoys giving tours of the Northland of New Zealand, but her endometriosis makes the long days a challenge, and now she’s gone and insulted one of her best friends by mistake. She’s secretly liked Finn Brennan – the gorgeous Mr. Darcy lookalike – for years, but he’s never made a move on her, and now not only has she hurt his feelings, but they’re both interviewing for the same job – #awkward. Finn likes his position in the Education Department at Waitangi, but recent events have made him restless, and he’s ready for a change. The move to Exhibitions Director at a museum in Christchurch might be just what he’s looking for, but he’s up against the younger, dynamic, beautiful Tess. When she apologizes for upsetting him, a kiss is a natural way to prove there’s no hard feelings. They agree to work together on their presentations for the interview and to let the best man – or woman – win. Time spent together soon reveals a sizzling attraction that turns into deep passion. Things come to a head on their return to the bay, when Finn realizes he can’t escape his past troubles if he stays. But it’s only when Tess falls ill that he has to make the ultimate decision to fight or fly.

    All is uneventful until they meet Scarface Claw, the toughest tom in town, and run for home. The story is told by a brilliant, cumulative rhyming text and terrific pictures.

    She knows little about running a business and depends heavily on loyal cousin Pansy's expertise.In her frantic drive for success Miranda hires a local character to get cracking on the property. Hamilton, her lascivious financial advisor, seizes the opportunity to undermine her. But now with paying guests expected, she must make some serious decisions.So the guests trickle in - hardly the sophisticates Miranda has envisaged.At the brink of despair, she experiences deepening depression and manic behavior. She contrives an outlandish economic solution to the problem. What follow is intrigue and terror, and an emotional and tender unfolding of events in the face of financial ruin."Witty and wicked, scandalous and scary, this is a story to make you laugh and cry."

    . .] leaving surrealist art installations all over the house— a tiny cow in a teapot in a hat on the doorstep, of course! A stuffed crocodile in a silk camisole perched beside a woollen chick in a beanie on the bread-bin, why not!'Just as they are despairing about being able to conceive another child, Jason comes into their family. He arrives under fraught circumstances, but might just make a perfect sibling for Billy. Jason is a ‘ lovely, poor, sad, unfortunate, ordinary, annoying, delightful nuisance of a ratbag of a hoot of a kid ' and the boys grow close over the ensuing years. But after a terrible accident, Billy turns into a bird. He utterly believes it: and as his behaviour becomes increasingly worrying, Liam and Iris must find a way to stop their family flying apart.When extracts of Billy Bird won the NZSA/Philip and Dianne Beatson Fellowship, the judges said the project was ‘inventive, joyful and beautifully written'. Ripe with playfulness, yet also unforgettably poignant, this novel will unstitch — and then mend — your heart several times over.

    People living happy lives, some not-so-happy lives, people in love, hopeless romantics, people dealing with heartbreak, the ones who believe life is better with a bit of whimsy, this book, hopefully, has a little something that resonates with everybody, lets the reader find the silver lining when needed and discover the joie de vivre even when times are hard.

    They throw us off rooftops and say we slipped. They shoot my father and say he was crazy. They put a bullet in my head and say they found me that way."Blending images of street life, drugs, and AIDS against hope and determination, Willie Perdomo is a cutting-edge bard who speaks to the soul of his generation.

    No one can hear her, just us boys. We're the dead Finnegans – Ma, Thomas, Ben and me.Ten-year-old John Finnegan can't leave his garden. Ever since they were murdered he, his brothers and his ma have been stuck there, caught between the worlds of the living and the dead. Unseen and unnoticed, he watches the events after his life unfold – including the actions of his murderer.James Stack is born dirt-poor on an Irish tenant farm and the great famine shadows his childhood. But his clever sister's lace making may save the family – until Aileen is sent to the other side of the world on a convict ship. To save her, James joins the redcoats and follows her across dangerous waters to a hopeful new land. But can he ever leave the death and hunger of his homeland behind?Based on the 1865 Otahuhu murders, Purgatory is a startling, gripping novel from an immensely talented new author.

    Later that day two ashen men stumbled from the entrance. Twenty-nine men remained unaccounted for. Initial probes revealed fatally high methane levels in the mine – conditions deemed unsurvivable for the trapped men. But it was only after a second blast five days later that all hope was extinguished.Tragedy at Pike River Mine is a dramatic, superbly researched and page-turning account of a disaster that should never have happened, of the dramatic political and legal fallout, and the effect on the small West Coast community. It reveals an appalling string of mistakes, from consent being given for the mine in the first place, to lack of proper monitoring equipment, pressure to ignore safety requirements, and effectively only a single exit. It puts a human face on the people who suffered, and provides penetrating insight on who's to blame.This is an essential read for everyone who cares about the future of New Zealand and our values as a nation. Rebecca Macfie's writing on Pike River has been hailed for its veracity, perspicacity and powerful human interest.

    His attempts to understand the turn his life has taken lead him back to the past, to dismaying events on an Amsterdam houseboat in the seventies; returning to New Zealand and meeting Moira, an amateur painter who carried secrets of her own; and to a trip to Europe years later with his family. An unexpected revelation forces Peter to navigate anew his roles as a husband, father, and son. Set in Wellington after the fall of the Twin Towers, and traversing London, Europe, and the Indian subcontinent, The New Ships is a mesmerizing book of blood-ties that stretch across borders. A novel of acute moral choices, it is a rich and compelling meditation on what it means to act, or to fail to act.

    Remarkably, this is the first collection of Ocampo’s poetry to appear in English. From her early sonnets on the native Argentine landscape, to her meditations on love’s travails, to her explorations of the kinship between plant and animal realms, to her clairvoyant inquiries into history and myth and memory, readers will find the full range of Ocampo’s “metaphysical lyricism” (The Independent) represented in this groundbreaking edition.

    This book will equally deepen the awareness of clinicians and enlighten the lay reader. It is a gift to both.' Donald M. Berwick, MD, MPPIn this highly articulate, down-to-earth, generous book, Dr David Galler tells stories of life and death from his position as Intensive Care specialist at Middlemore Hospital. Written lyrically and warmly, these stories are based on real life events describing the everyday dilemmas and challenges that doctors and patients commonly face.It aims to explain and demystify much of the work doctors do, cast light on the workings of the medical establishment and how medicine operates, in the hope that it will encourage patients to seek to be better informed and play a greater role in the decisions that will affect them and their loved ones.It speaks to the resilience of individuals and families and their extraordinary generosity and dignity under the most extreme pressure. This book is about realistic optimism and is a celebration of life.It is also a very personal story about David Galler's life, his family and about his own slow coming of age as a doctor, from the sadness and helplessness he felt about his father's death to at last feeling that he was of some use to his most important patient, his mother.

    Physical remnants or reminders from these conflicts and their aftermath can be found all over the country, whether in central Auckland, Wellington, Dunedin, or in more rural locations such as Te Pōrere or Te Awamutu.

    The rare bird's tragic extinction in the early 1900s represents a shot to the heart of Aotearoa and is a potent metaphor for a country's conflicted history. Using the story of the untimely extinction of the huia, Jay Ruka offers a fresh perspective on the narrative of Aotearoa; a tale of two cultures, warring worldviews, and the things we lost in translation. Revisiting the early missionaries, the transformative message of the gospel and the cultural missteps of the Treaty of Waitangi, Huia Come Home invites us to reconnect with the unique story offered by the indigenous Maori lens. In relearning the history that lies in the soil of Aotearoa, we might just find a shared hope for the future and a recovery of national treasures once thought to be extinct.

    Do Angels Need Haircuts? is an extraordinary snapshot of this turning point in Reed’s career. Gathering poems, photographs and ephemera from this era (including previously unreleased audio of the 1971 St. Mark’s Church reading), and featuring a new foreword by Anne Waldman and an afterword by Laurie Anderson, this book provides a window to a little-known chapter in the life of one of the most singular and uncompromising voices in American popular culture.