'Illiad' Frazer. " Some say it's a cartoon about Open Source; some say it's about the rift between technical and nontechnical staff; others say its about the pain that technical people suffer when dealing with the stubbornly unintelligent; some even say that User Friendly is a cartoon about Internet Workers. User Friendly addresses all those issues, but I don't think that's what it's about, strictly speaking. User Friendly's universe revolves around the simple idea that technology brings out both the best and the worst in people, no matter who they are."User Friendly reads like Dilbert for the Open Source community. With a massive online following, it provides outsiders a light-hearted look at the world of the hard core geek, and allows those who make their living dwelling in this world a chance to laugh at themselves.

    His artistry is in his Zen-like clarity, his simple direct address, and his unique understanding of the essential animal-human continuum. When one experiences MUTTS, one experiences genius." -Alice Sebold, author of The Lovely Bones"Dog-Eared"is exactly what this latest collection from cartoonist Patrick McDonnell is destined to become. The brilliant assortment of simple-yet-complex strips will have readers turning its pages again and again, eager to revisit the charm, truth, and humor found within.McDonnell's strip, highlights the adventures of Earl the dog and Mooch the cat, best buddies who regularly come in contact with Shtinky Puddin', Sourpuss, Guard Dog, and Crabby-as well as an assortment of whimsically rendered humans. This cast is capable of endless antics, interspersed with poignant views on both the animal and human condition. And whether they're raiding garbage cans or basking in full-frontal belly rubs, Mooch and Earl always have a comment to clinch the scene.MUTTS is the kind of strip that comic readers find irresistible. "Dog-Eared" is the same kind of collection. One strip leads to another, and before you know it you've turned page after dog-eared page to satisfy a growing MUTTS addiction.

    From paying taxes and getting up for work to dancing with kittens and starting a band, readers everywhere will relate to the ongoing struggle between Heart and Brain.Heart and Brain: An Awkward Yeti Collection illustrates the relationship between the sensible Brain and its emotionally driven counterpart, the Heart.Boasting more than one million pageviews per month, TheAwkwardYeti.com has become a webcomic staple since its creation in 2012.

    Knights of the Dinner Table is the longest running comic on the subject of games ever! Though B.A., Brian, Bob, Dave and Sara may play different characters in different games, their personalities always shine through. KoDT also features articles for gamers from a gamer's perspective. A hilarious and hysterical slice of (fantasy) life in strips and a wonderful celebration of the gaming culture.

    The 2009 National Cartoonists Award for Best Newspaper Comic Strip, Lio is unique in its pantomime content and drawing style. This treasury includes creator commentary and origins of Lio.It's slightly dark and terribly funny. Lio, the main character, a young boy with an imagination that has no limit, explores everything kid. From bumps in the night to things hiding under the bed, readers get an inside look at different shades of humor but always come out the other end unscathed and laughing."Lio is brilliant!" --Dallas Morning News

    Noted as a "book-lover's cartoonist," Gauld's weekly strips in The Guardian, Britain's most well-regarded newspaper, stitch together the worlds of literary criticism and pop culture to create brilliantly executed, concise comics. Simultaneously silly and serious, Gauld adds an undeniable lightness to traditionally highbrow themes. From sarcastic panels about the health hazards of being a best-selling writer to a list of magical items for fantasy writers (such as the Amulet of Attraction, which summons mainstream acceptance, Hollywood money, and fresh coffee), Gauld's cartoons are timely and droll--his trademark British humour, impeccable timing, and distinctive visual style sets him apart from the rest.Lauded both for his frequent contributions to New Scientist, The Guardian and The New York Times, and his Eisner-nominated graphic novels, Tom Gauld is one of the most celebrated cartoonists working today. In Baking with Kafka, he proves this with one witty, sly, ridiculous comic after another.

    His work has been seen by millions—no, hundreds of millions—in the pages of Playboy, The New Yorker, Punch, The National Lampoon, and many other magazines; there is no telling, really, how many readers he has corrupted or comforted. He is revered for his playfully sinister take on childhood, adulthood, men, women, and monsters. His brand of humor makes you laugh until you cry. And it’s about time that a collection of his cartoons was published that did justice to his vast body of work.When Gahan Wilson walked into Hugh Hefner’s office in 1957, he sat down as Hefner was on the phone, gently rejecting a submission to his new gentlemen’s magazine: “I think it’s very well-written and I liked it very much,” Hefner reportedly said, “but it’s anti-sin. And I’m afraid we’re pro-sin.” Wilson knew, at that moment, that he had found a kindred spirit and a potential home for his cartoons. And indeed he had; Wilson appeared in every issue of Playboy from the December 1957 issue to today. It has been one of the most fruitful, successful, and long-lived relationships between a contributor and a magazine, ever.Gahan Wilson: 50 Years of Playboy Cartoons features not only every cartoon Wilson drew for Playboy, but all his prose fiction that has appeared in that magazine as well, from his first story in the June 1962 issue, “Horror Trio,” to such classics as “Dracula Country” (September 1978). It also includes the text-and-art features he drew for Playboy, such as his look at Madame Tussaud’s Wax Museum, his take on our country’s “pathology of violence,” and his appreciation of “transplant surgery.”Wilson’s notoriously black sense of comedy is on display throughout the book, leaving no sacred cow unturned (an image curiously absent in the book), ridiculing everything from state sponsored executions to the sober precincts of the nouveau rich, from teenage dating to police line-ups, with scalding and hilarious satirical jabs. Although Wilson is known as an artist who relishes the creepy side of modern life, this three-volume set truly demonstrates the depth and breadth of his range—from illustrating private angst we never knew we had (when you eat a steak, just whom are you eating?) to the ironic and deadpan take on horrifying public issues (ecological disaster, nuclear destruction anyone?).Gahan Wilson has been peeling back the troubling layers of modern life with his incongruously playful and unnerving cartoons, assailing our deepest fears and our most inane follies. This three-volume set is a testament to one of the funniest—and wickedly disturbing—cartoonists alive.Nominated for two 2010 Will Eisner Comic Industry Awards (Best Archival Collection/Project: Strips; Best Publication Design).

    With an ever increasing fan base, an expanding number of publications who regularly feature his work, one of the most popular and most visited web-logs (www.thismodernworld.com), the time is now for The Great Big Book of Tomorrow. This massive collection of Tomorrow's greatest hits, unseen gems and obscurities, new material and color section is the so far definitive collection of one of the most popular 'underground' cartoonists ever--a delight to long-time fans and new readers alike.

    The hugely successful blog catvshuman.com receives over 6,000 page views per day, and many of its cartoons have gone viral. 40% new material unpublished on the website.Yasmine Surovec began sketching her clever and sarcastic Cat Versus Human cartoons as a way to relax and unwind. Soon, her popular blog at catversushuman.blogspot.com began receiving as many as 12,000 hits per day, with a number of posts going viral and appearing on popular Web sites such as The Huffington Post and I Can Has Cheezburger. Now, a selection of 100 Cat Versus Human strips--many never previously published--can be found inside this inaugural collection of Cat Versus Human.Proud owners of Felis domesticus will instantly recognize Surovec's keen insights into cat behavior and all of the characteristic intricacies of the cat-human relationship, such as the allure of an empty cardboard box trumping an expensive battery-operated toy or how a cat's favorite nap spot might as easily be inside a litter box, on top of clean laundry, or directly on top of a human face. Cat Versus Human also encourages an affectionate look at your once-was-in-mint-condition midcentury modern sofa that is now being unstuffed one cat claw at a time.

    The New Fighting Technique may have sprung from the crucible of cubicle culture----Rees created the strip while working a deathly boring temp job, harnessing the potential energy of his PowerPoint software, Internet connection, laser printer, and vast expanses of fallow hours into this Unstoppable ass-kicking phenomenon----but the result has less to do with clockwatching than with the explosive energy of freestyling gangsta rap, airborne Bruce Lee maneuvers, and a profane, deadpan sense of humor that just may establish David Rees as the Lenny Bruce of our times. As soon as Rees began faxing MNFTIU comics to friends, those friends were faxing it to friends who were faxing it to more friends. It was the birth of a genuine underground publishing sensation. Soon it was a regular serial, then there was merchandise, then a website that received 25 million hits last year.

    Embrace it.A bear flies through space. A hamster suffers a breakdown. Elsewhere, a garden snake is arrested by animal control and jailed for home invasion, while a child marvels at the wonder of nature as worms emerge from the ground and begin looking for vodka (as they always have). These are common occurrences in the world of Reza Farazmand’s wildly popular webcomic, Poorly Drawn Lines. Traveling from deep space to alternate realities to the bottom of the ocean, this eponymous collection brings together fan favorites with new comics and original essays to share Farazmand’s inimitable take on love, nature, social acceptance, and robots.

    Also included are loads of entertaining behind-the-scenes anecdotes about the comics, their creators, and Archie's unique impact on America's pop culture!Designed for young and old alike, this is both a must-have companion for anyone who has grown up with Archie and a perfect introduction for new readers.

    I have done stand-up, sketches, movies, monologues, awards show introductions, sound bites, blurbs, talk show appearances, and tweets, but the idea of a one-panel image with or without a caption mystified me. I felt like, yeah, sometimes I'm funny, but there are these other weird freaks who are actually funny. You can understand that I was deeply suspicious of these people who are actually funny." So writes the multitalented comedian Steve Martin in his introduction to A Wealth of Pigeons: A Cartoon Collection. In order to venture into this lauded territory of cartooning, he partnered with the heralded New Yorker cartoonist Harry Bliss. Steve shared caption and cartoon ideas, Harry provided impeccable artwork, and together they created this collection of humorous cartoons and comic strips, with amusing commentary about their collaboration throughout. The result: this gorgeous, funny, singular book, perfect to give as a gift or to buy for yourself.

    Originally published by Palliard Press.

    Until he gets a letter from the HR department insisting he use up his accrued vacation time, that is. In this humorous and heartfelt book from beloved illustrator Brian Rea, readers take a peek at Death's journal entries as he documents his mandatory sabbatical in the world of the living. From sky diving to online dating, Death is determined to try it all! Death Wins a Goldfish is an important reminder to the overstressed, overworked, and overwhelmed that everyone—even Death—deserves a break once in a while. If you enjoyed Brian Rea's work in Mary Karr's The Liars' Club: A Memoir or in the New York Times' popular Modern Love column you'll love his delightful illustrations of Death in this funny, heartfelt collection of works.This book is a great gift or self-purchase if you're looking for:Funny BooksFunny ComicsHumor Books