It begins with a beautiful woman dead, murdered—Vassilia Caroline Baird, known to all simply as V. That’s where this extraordinary novel begins. But the story it tells begins years earlier, on a struggling farm in the shadow of the Great Depression and among the brawling "cat skinners" of Southern California, driving graders and bulldozers to tame the American West. And the story that unfolds, in the masterful hands of acclaimed author Oakley Hall, is a lyrical outpouring of hunger and grief, of jealousy and corruption, of raw sexual yearning and the tragedy of the destroyed lives it leaves in its wake. Unpublished for more than half a century, SO MANY DOORS is Hall’s masterpiece, an excoriating vision of human nature at its most brutal, and one of the most powerful books you will ever read.

    She owns a small motor-inn motel on a major highway in South Georgia. The summer heat is still strong in the waning days of October, and she is tired from a long summer season. As the evening progresses, Ginny’s motel begins to fill-up. There is Johnny Benton, a strange motel guest who insists on parking his car behind the motel, a would-be suitor named Don Ferris, a guest that is the catalyst for a long and frightening night, and then there is the dead husband whose long shadow is cast across Ginny’s life like a long heavy rain...

    He exchanges bodies with his look-alike, Martian Sheb Takkor, and is transported millions of years into the past to a Mars peopled with mighty warriors, beautiful women, and fearsome beasts. Sheb Takkor, a great swordsman in his own right, must fight his way across the deserts and jungles of ancient Mars to save the lovely Princess Thane and to defeat his arch-enemy Sel Han -- or die trying! Edgar Rice Burroughs was the first great writer of planetary adventures. His one true rival and equal at writing planet stories was Otis Adelbert Kline. Kline was on the original editorial staff of Weird Tales, and was literary agent to Robert E. Howard of Conan fame.

    The World's Greatest Detective. They can barely stand each other, so how will they possibly deal with the World's Greatest Evil? What legacy can two of the world's most enduring icons of justice leave once they discover an ancient evil has been living inside the world they protect for centuries. Can Batman and the Shadow save the world without destroying it in the process? Writer Steve Orlando (Batman/The Shadow, Justice League of America) and artist by Giovanni Timpano (The Shadow, Transformers) unite to tell an instantly classic tale of noir, mortality and generational heroes and villains.

    In this collection there are tales of Hyperborea, Zothique, Averoigne, Atlantis, Xiccarph, and other vanished worlds of Smith's unparalleled creation. Here are such unforgettable tales as Vulthoom, The Colossus of Ylourgne, The Charnel God, The Black Abbot of Puuthuum, The Weaver in the Vault, and others.None strikes the note of cosmic horror as well as Clark Ashton Smith. In sheer daemonic strangeness and fertility of conception, Smith is perhaps unexcelled by any other writer, dead or living - H.P. LovecraftHe had a monstrously vivid imagination, a keenly ironic sense of humour, and an uninhibited bent for the macabre. - L. Sprague de CampCover illustration by Brice Pennington

    The Dutch uncle in the book is an actual Dutchman whose cocaine and untimely demise set a small swarm of crooks and cops in motion. Harry Healy is the sort-of hero, a likable, small-time criminal, just out of jail, who has a hard time making good decisions. But he's just one player in a memorably quirky cast that includes a dim ex-jock snorting his way through his inheritance; a ditzy babe whose constant nakedness is annoying everyone; a short, chunky detective who struggles with his sensitivity training; and the braces-wearing Latina colleague he might just be made for. Pavia, coauthor of The Other Hollywood, an "oral history" of the porn industry, redraws the hard-boiled boundaries of the Hard Case Crime line a bit to include this offbeat diversion in the style of Leonard, Carl Hiaasen, and Charles Willeford's Hoke Moseley books

    1926. New York. The Roaring Twenties. Jazz. Flappers. Prohibition. Coal-powered cars. A cold war with a British Empire that still covers half of the globe.

    David Young is a lieutenant in the United States Naval Reserve, returning to active duty. On his way to Norfolk Naval Base in the middle of the night, Young hitches a ride with Lawrence Wilson, an ill-tempered man who explains how he was recently fired from the Navy Department for alleged seditious activities. Young is suddenly attacked by the stranger and loses consciousness. When he awakens, he is laying in a hospital bed with his head wrapped in bandages. The nurse calls him "Mr. Wilson" and informs him that he is lucky to be alive after such a horrific car accident. Things get even stranger when his supposed wife -- a brunette bombshell named Elizabeth -- checks the still-sedated Young out of the hospital and takes him home. Without even realizing it, Young becomes the main target of a killer -- or killers -- involved in an intricate Communist plot that threatens the security of the nation. It's a testament to Hamilton's narrative brilliance that Night Walker is just as wildly compelling today as it was when it was originally released in 1954. This timeless pulp classic has it all: down-and-dirty fall guys, sexy damsels in distress, sadistic villains, elaborate conspiracies -- an absolute must-read for any and all discerning connoisseurs of mystery. Paul Goat AllenCover art for Dell First Edition 27 by Carl Bobertz

    Leaving a trail of bodies in his wake, Bill Wayne journeys across the West to discover which one of his former army buddies shot him in the back and left him for dead.

    Westlake novellas, A Travesty and Ordo, one hilarious and one heartbreaking, are both set in the film world.

    Published for the first time in the United States, this gritty novel tells the story of a bar bouncer who needs to pony up $10,000 to buy into a horse racing syndicate and will stop at nothing to get it--not robbery, not even murder.

    In no case do the powers attributed to him exceed those which are claimed for a fully equipped Adept.

    But that ended the day he saw a beautiful Mob wife become a Mob widow. Now Paul is going to break every one of the rules he’s lived by to protect the woman he loves—even if it means he might be left holding the bag..."Personal, hard-hitting, idiosyncratic...Everything was about storytelling, the great yarn."— Quentin Tarantino"One of the great movie directors of the 20th century...most certainly its greatest storyteller."— Wim Wenders In a career that spanned half a century, Samuel Fuller wrote and directed classic movies that inspired filmmakers as varied as Steven Spielberg, Martin Scorsese, Francis Ford Coppola, Jean-Luc Godard, Jim Jarmusch, Wim Wenders, and Quentin Tarantino. He also wrote unforgettable novels such as the noir classic THE DARK PAGE—and this book, his last, which has never previously been published in the English language.

    P. Lovecraft -- victim of a mysterious death that literally makes the skin crawl -- is about to bring these two writers face to face with a peril sprung from the pulps."The Chinatown Death Cloud Peril" is at once a valentine to an old-fashioned genre as well as a modern, meta-literary examination of the classic hero pulp. From the palaces and battlefields of warlord-plagued China to the seedy waterfronts of Providence, Rhode Island; from frozen seas and cursed islands to the dizzying and labyrinthine alleys and tunnels of lower Manhattan, Dent and Gibson, joined by the young pulp writer L. Ron Hubbard and a host of colorful characters, finally step out from behind the shadows of their creations to take part in a heroic journey far greater than any story they have imagined as they race to stop a madman destined to create a new empire born of, and based in, pure, gaseous evil."The Chinatown Death Cloud Peril" is a swashbuckling romantic tale of writersand writing, magic and love, marriage and fatherhood, and ambition and loss that weaves the true lives of its real-life characters into a fictional epic.

    This ingenious twist on a classic noir tale tells the story of Lora King, a schoolteacher, and her brother Bill, a junior investigator with the district attorney's office. Lora's comfortable, suburban life is jarringly disrupted when Bill falls in love with a mysterious young woman named Alice Steele, a Hollywood wardrobe assistant with a murky past. Made sisters by marriage but not by choice, the bond between Lora and Alice is marred by envy and mistrust. Spurred on by inconsistencies in Alice's personal history and possibly jealous of Alice's hold on her brother, Lora finds herself lured into the dark alleys and mean streets of seamy Los Angeles. Assuming the role of amateur detective, she uncovers a shadowy world of drugs, prostitution, and ultimately, murder. Lora's fascination with Alice's "sins" increases in direct proportion to the escalation of her own relationship with Mike Standish, a charmingly amoral press agent who appears to know more about his old friend Alice than he reveals. The deeper Lora digs to uncover Alice's secrets, the more her own life begins to resemble Alice's sinister past -- and present. Steeped in atmospheric suspense and voyeuristic appeal, Die a Little shines as a dark star among Hollywood lights.