Equally visceral, disturbing, and heartbreaking, When You Bleed to Death is an honest, unflinching look at the life of someone with Borderline Personality Disorder.

    But beneath the surface she has a wretched secret. Because, for Emily, life isn't as much fun as it would appear. Her friends are going off her and her parents only seem to care about her troubled brother. Tension, pressure, anxiety, anger and self-hatred - where does it go when no one will listen?

    But there was another Katie, the one she hid from the world, who was having trouble dealing with the mounting pressures of her young life. And it was this Katie who, with no other means of expression available to her, reacted to her overbearing mother, her absent father, her unforgiving schedule, and her oblivious classmates by turning her self-doubt into self-hatred. And into self-mutilation. In his previous novel, The Best Little Girl in the World, Steven Levenkron brought insight, expertise, and sensitivity to the painful subject of anorexia nervosa. Now he applies these same talents to demystifying a condition that is just as heartbreaking, and becoming more common everyday. Through his depiction of Katie's self-mutilating behavior - she is called "a cutter" by her peers - and her triumphant road to recovery, he offers a compelling profile of a young girl in trouble, and much-needed hope to the growing numbers who suffer from this shocking syndrome.

    Never too deep, never enough to die. But enough to feel the pain. Enough to feel the scream inside.Now she's at Sea Pines, a "residential treatment facility" filled with girls struggling with problems of their own. Callie doesn't want to have anything to do with them. She doesn't want to have anything to do with anyone. She won't even speak.But Callie can only stay silent for so long...

    Her father was supposed to be locked up until Meredith turned eighteen. She thought she had time to grow up, get out, and start a new life. But Meredith is only fifteen, and today her father is coming home from prison. Today her time has run out.

    . .Sixteen-year-old Willa is fortunate to have a happy blended family. But a frantic phone call from Pryor, Texas, shatters the calm. Willa’s birth father has murdered his second wife and daughters . . . and the police think he’s on his way east to hunt down Willa and her mother. As this disturbing tragedy inevitably exposes family secrets to Willa and her community, she struggles with her own destructive secret.

    Here she meets a roommate with a secret (and a plastic baby), a doctor who focuses way too much on her weight, and a cute, shy boy who just might like her.But wait! Being trapped in a loony bin isn’t supposed to be about making friends, losing weight, and having a crush, is it? In her fiction debut, Julie Halpern finds humor in the unlikeliest of places, and presents a character whose voice—and heart—will resonate with all of us who have ever felt just a little bit crazy.

    But they never made it--Willow lost control of the car, and both of her parents were killed.Now seventeen, Willow is living with her older brother, who can barely speak to her. She has left behind her old home, friends, and school. But Willow has found a way to survive, to numb the new reality of her life: She is secretly cutting herself.And then she meets Guy, a boy as sensitive and complicated as she is. When Guy discovers Willow's secret, he pulls her out of the solitary world she's created for herself, and into a difficult, intense, and potentially life-changing relationship.Julia Hoban has created an unflinching story about cutting, grieving, and starting anew. But above all, she has written an unforgettable tale of first love.

    Miles is the ultimate unreliable narrator—a teen recovering from a schizophrenic breakdown who believes he is getting better . . . when in reality he is growing worse.   Driven to the point of obsession to find his missing younger brother, Teddy, and wrapped up in a romance that may or may not be the real thing, Miles is forever chasing shadows. As Miles feels his world closing around him, he struggles to keep it open, but what you think you know about his world is actually a blur of gray, and the sharp focus of reality proves startling.  Written by the New York Times bestselling author of Tweak, Schizo is the fascinating, and ultimately quite hopeful, story of one teen's downward spiral into mental illness as he chases the clues to a missing brother. Perfect for fans of Thirteen Reasons Why, The Perks of Being a Wallflower, and It’s Kind of a Funny Story.

    Frightened, Kendra believes someone is always watching and following her, leaving menacing messages only she understands. If she lets her guard down even for a minute, it could cost Kendra her life. To relieve the pressure, Kendra cuts; aside from her brilliantly expressive artwork, it's her only way of coping. Since her own mother is too self-absorbed to hear her cries for help, Kendra finds support in others instead: from her therapist and her art teacher, from Sandy, the close family friend who encourages her artwork, and from Meghan, the classmate who's becoming a friend and maybe more. But the truth about Kendra's abuse is just waiting to explode, with startling unforeseen consequences. Scars is the unforgettable story of one girl's frightening path to the truth.Watch the book trailer here: http://www.youtube.com/watch?v=lF5xEK...

    Skin Game employs clear language and candid reflection to grant general readers as well as students an uncensored profile of a complex and unsettling disorder. "[This] mesmeric memoir examines the obsession with cutting that is believed to afflict somewhere around two million Americans, nearly all of them female," Francine Prose noted in Elle. "[Kettlewell's] language soars and its intensity deepens whenever she is recalling the lost joys and the thrilling sensation of sharp steel against her tender skin."

    Seventeen-year old Clare is the overprotected baby; Peter is the typical, rebellious middle child; and Luke is the oldest, the can’t-do-wrong favorite. To their mother, they are a normal, happy family.To Clare, they are a family on the verge of disaster. Clare: the ambitious striver; Peter: the angry ticking time bomb; and Luke: a drug-addicted convicted felon who has been in and out of jail for as long as Clare can remember—and who has always been bailed out by their parents.Clare loves Luke, but life as his sister hasn’t been easy. And when he comes home (again), she wants to believe this time will be different (again). Yet when the truths behind his arrests begin to surface, everything Clare knows is shaken to its core. And then Luke is arrested. Again.Except this time is different, because Clare’s mom does the unthinkable on Luke’s behalf, and Clare has to decide whether turning her back on family is a selfish act…or the only way to keep from drowning along with them.

    Now, after years in a juvenile ward, he is ready for a fresh start. But the ghosts of his past soon demand justice, and he must reveal his painful secret. How can Kip tell anyone that he really is--or was--a murderer?

    Her latest struggle is balancing her growing feelings in a new relationship with her instinct to keep everyone at arm’s length. And when a former friend confronts Mel with the truth about the way their relationship ended, deeply buried secrets threaten to come out and upend her shaky equilibrium.As the walls of Mel’s compartmentalized world crumble, she fears the worst—that her friends will abandon her if they learn the truth about what she’s been hiding. Can Mel bring herself to risk everything to find out?

    He doesn’t care about his parents. He doesn’t care about his friends. He doesn’t care about school. He just doesn’t care anymore. The only time Brian comes alive is in the few seconds it takes for the razor to slice through his skin. But he never cuts deep enough to cause any real damage. At least, not yet... In The Perfect Cut, Julie Burtinshaw has written an incredibly honest and perceptive novel about cutting, revealing why this dangerous practice has become an increasingly common form of stress relief among young adults. Told from the perspective of the grief-stricken Brian who, in his mind, has run out of options for coping, it’s clear that while he makes some bad choices, he’s not a bad person. The book ends on a grace note, reassuring young readers that even terrible obstacles can be overcome, and that where there’s life, there is hope.