Somebody else made that happen.” Malkin wholeheartedly disagrees. Who Built That is a rousing tribute to the hidden American capitalists who pioneered everyday inventions. They’re the little big things we take for granted: bottle caps and glassware, tissue paper, flashlights, railroad signals, bridge cables, revolutionary plastics, and more. Malkin takes readers on an eclectic journey of American capitalism, from the colonial period to the Industrial Age to the present, spotlighting awe-inspiring and little-known “tinkerpreneurs” who achieved their dreams of doing well by doing good. You’ll learn how famous patent holders Abraham Lincoln and Mark Twain championed the nation’s unique system of intellectual property rights; how glass manufacturing mavericks Edward Libbey and Mike Owens defied naysayers to revolutionize food, beverage, and pharmaceutical packaging; how penniless Croatian immigrant Anthony Maglica started his $400 million Maglite flashlight business in a rented garage; and many more riveting stories that explain our country’s fertile climate for scientific advancement and entrepreneurship. To understand who we are as people, we need to first understand what motivates America’s ordinary and extraordinary makers and risk-takers. Driven by her own experience as a second-generation beneficiary of the American Dream, Malkin skillfully and passionately rebuts collectivist orthodoxy to celebrate the engineers, mechanics, designers, artisans, and relentless tinkerers of all backgrounds who embody our nation’s spirit of self-made entrepreneurialism.

    In his brilliant exploration of this defining yet neglected shoreline, personal essayist Philip Lopate also recovers a part of the city's soul. A native New Yorker, Lopate has embraced Manhattan by walking every inch of its perimeter, telling stories on the way of pirates (Captain Kidd) and power brokers (Robert Moses), the lowly shipworm and Typhoid Mary, public housing in Harlem and the building of the Brooklyn Bridge. He evokes the magic of the once bustling old port from Melville's and Whitman's day to the era of the longshoremen in On the Waterfront, while appraising today's developers and environmental activists, and probing new plans for parks and pleasure domes with river views. Whether escorting us into unfamiliar, hazardous crannies or along a Beaux Arts esplanade, Waterfront is a grand literary ramble and defense of urban life by one of our most perceptive observers.

    17th century to the present. Book was reprinted in 2006

    Today, it is the site of Broadway and Wall Street, the Empire State Building and the Statue of Liberty, and the home of millions of people, who have come from every corner of the nation and the globe.In Gotham, Edwin G. Burrows and Mike Wallace have produced a monumental work of history, one that ranges from the Indian tribes that settled in and around the island of Manna-hata, to the consolidation of the five boroughs into Greater New York in 1898. It is an epic narrative, a story as vast and as varied as the city it chronicles, and it underscores that the history of New York is the story of our nation. Readers will relive the tumultuous early years of New Amsterdam under the Dutch West India Company, Peter Stuyvesant's despotic regime, Indian wars, slave resistance and revolt, the Revolutionary War and the defeat of Washington's army on Brooklyn Heights, the destructive seven years of British occupation, New York as the nation's first capital, the duel between Aaron Burr and Alexander Hamilton, the Erie Canal and the coming of the railroads, the growth of the city as a port and financial center, the infamous draft riots of the Civil War, the great flood of immigrants, the rise of mass entertainment such as vaudeville and Coney Island, the building of the Brooklyn Bridge and the birth of the skyscraper. Here too is a cast of thousands--the rebel Jacob Leisler and the reformer Joanna Bethune; Clement Moore, who saved Greenwich Village from the city's street-grid plan; Herman Melville, who painted disillusioned portraits of city life; and Walt Whitman, who happily celebrated that same life. We meet the rebel Jacob Leisler and the reformer Joanna Bethune; Boss Tweed and his nemesis, cartoonist Thomas Nast; Emma Goldman and Nellie Bly; Jacob Riis and Horace Greeley; police commissioner Theodore Roosevelt; Colonel Waring and his "white angels" (who revolutionized the sanitation department); millionaires John Jacob Astor, Cornelius Vanderbilt, August Belmont, and William Randolph Hearst; and hundreds more who left their mark on this great city.The events and people who crowd these pages guarantee that this is no mere local history. It is in fact a portrait of the heart and soul of America, and a book that will mesmerize everyone interested in the peaks and valleys of American life as found in the greatest city on earth. Gotham is a dazzling read, a fast-paced, brilliant narrative that carries the reader along as it threads hundreds of stories into one great blockbuster of a book.

    She leaves Moscow and returns to her native New York City to house-hunt for the perfect spot while her Dutch husband, John, stays behind in Russia with their dog to pack up their belongings. Intoxicated by West Harlem’s cultural diversity and, more important, its affordability, Judith impulsively buys a stately fixer-upper brownstone in the neighborhood.Little does she know what’s in store. Judith and John discover that their dream house was once a crack den and that “fixer upper” is an understatement. The building is a total wreck: The beams have been chewed to dust by termites, the staircase is separating from the wall, and the windows are smashed thanks to a recent break-in. Plus, the house–crowded with throngs of brazen drug dealers–forms the bustling epicenter of the cocaine trade in the Northeast, and heavily armed police regularly appear outside their door in pursuit of the thugs and crackheads who loiter there. Thus begins Judith and John’s odyssey to win over the neighbors, including Salami, the menacing addict who threatens to take over their house; MacKenzie, the literary homeless man who quotes Latin over morning coffee; Mrs. LaDuke, the salty octogenarian and neighborhood watchdog; and Miguel, the smooth lieutenant of the local drug crew, with whom the couple must negotiate safe passage. It’s a far cry from utopia, but it’s a start, and they do all they can to carve out a comfortable life. And by the time they experience the birth of a son, Judith and John have even come to appreciate the neighborhood’s rough charms.Blending her finely honed reporter’s instincts with superb storytelling, Judith Matloff has crafted a wry, reflective, and hugely entertaining memoir about community, home, and real estate. Home Girl is for anyone who has ever longed to go home, however complicated the journey.Advance Praise for Home Girl“Although I always suspected that renovating a house in New York City would be a slightly more harrowing undertaking than dodging bullets as a foreign correspondent, it took this charming story to convince me it could also be more entertaining. Except for the plumbing. That’s one adventure I couldn't survive.”–Michelle Slatalla, author of The Town on Beaver Creek“After years of covering wars overseas, Judith Matloff takes her boundless courage and inimitable style to the front lines of America’s biggest city. From her vantage point in a former crack house in West Harlem, she brings life to a proud community held hostage by drug dealers and forgotten by policy makers. Matloff’s sense of humor, clear reportage, and zest for adventure never fail. Home Girl is part gritty confessional, part love story, and totally delightful.”–Bob Drogin, author of Curveball“Here the American dream of home ownership takes on the epic dimensions of the modern pioneer in a drug-riddled land. Matloff’s story, which had me crying and laughing, is a portrait of a household and a community, extending far beyond the specifics of West Harlem to the universal–as all well-told stories do.”–Martha McPhee, author of L’AmericaFrom the Hardcover edition.

    Aided by artists, writers, cartographers, and twenty-two gorgeous color maps, each of which illuminates the city and its surroundings as experienced by different inhabitants, Solnit takes us on a tour that will forever change the way we think about place. She explores the area thematically—connecting, for example, Eadweard Muybridge’s foundation of motion-picture technology with Alfred Hitchcock’s filming of Vertigo. Across an urban grid of just seven by seven miles, she finds seemingly unlimited landmarks and treasures—butterfly habitats, queer sites, murders, World War II shipyards, blues clubs, Zen Buddhist centers. She roams the political terrain, both progressive and conservative, and details the cultural geographies of the Mission District, the culture wars of the Fillmore, the South of Market world being devoured by redevelopment, and much, much more. Breathtakingly original, this atlas of the imagination invites us to search out the layers of San Francisco that carry meaning for us—or to discover our own infinite city, be it Cleveland, Toulouse, or Shanghai.CONTRIBUTORS:Cartographers: Ben Pease and Shizue SeigelDesigner: Lia TjandraArtists: Sandow Birk, Mona Caron, Jaime Cortez, Hugh D'Andrade, Robert Dawson, Paz de la Calzada, Jim Herrington, Ira Nowinski, Alison Pebworth, Michael Rauner, Gent Sturgeon, Sunaura TaylorWriters and researchers: Summer Brenner, Adriana Camarena, Chris Carlsson, Lisa Conrad, Guillermo Gómez-Peña, Joshua Jelly-Schapiro, Paul La Farge, Genine Lentine, Stella Lochman, Aaron Shurin, Heather Smith, Richard WalkerAdditional cartography: Darin Jensen; Robin Grossinger and Ruth Askevold, San Francisco Estuary Institute

     Drawing on his uncommon background and global perspective, in Breaking Ground Daniel Libeskind explores ideas about tragedy and hope, and the way in which architecture can memorialize-and reshape-human experience. Born in 1946 to Holocaust survivors in Poland, Daniel Libeskind eventually emigrated to New York City in 1959. A virtuoso musician before studying architecture, Libeskind has designed iconic buildings around the world, including the Jewish Museum Berlin and the Imperial War Museum in Manchester, England. In February 2003, Libeskind was chosen as the Master Plan Architect for the World Trade Center reconstruction. Full of the vitality, humor, and visionary spark that helped win him the Trade Center Commission, Breaking Ground invites readers to see architecture-and the larger world-through new perspectives.

    Mike Davis shows us where the city's money comes from and who controls it while also exposing the brutal ongoing struggle between L.A.'s haves and have-nots.

    The tone has deepened over the years, and he may now be seen as a true maestro in his field. Behind the irresistible air of immediacy and spontaneity lies much erudition and an antic imagination intent on subverting "the dominant paradigm." From his earliest books, including his landmark Coney Island of the Mind, Ferlinghetti has written poetry "in ways that those who see poetry as the province of the few and educated had never imagined. That strength has turned out to be lasting" (Joel Oppenheimer, N. Y. Times Books Review).

    It means more than the arrival of trendy shops, much-maligned hipsters, and expensive lattes. The very future of American cities as vibrant, equitable spaces hangs in the balance.Peter Moskowitz's How to Kill a City takes readers from the kitchen tables of hurting families who can no longer afford their homes to the corporate boardrooms and political backrooms where destructive housing policies are devised. Along the way, Moskowitz uncovers the massive, systemic forces behind gentrification in New Orleans, Detroit, San Francisco, and New York. The deceptively simple question of who can and cannot afford to pay the rent goes to the heart of America's crises of race and inequality. In the fight for economic opportunity and racial justice, nothing could be more important than housing.A vigorous, hard-hitting expose, How to Kill a City reveals who holds power in our cities-and how we can get it back

    Mark Plaster takes readers beyond the ambulance bay doors into the stranger-than-fiction world of the Emergency Department. By turns heart-warming and gut-wrenching, "Night Shift" chronicles the ebb and flow of human life, in all of its unvarnished glory, as it passes through the doors of the ED.

    The Geography of Nowhere tallies up the huge economic, social, and spiritual costs that America is paying for its car-crazed lifestyle. It is also a wake-up call for citizens to reinvent the places where we live and work, to build communities that are once again worthy of our affection. Kunstler proposes that by reviving civic art and civic life, we will rediscover public virtue and a new vision of the common good. "The future will require us to build better places," Kunstler says, "or the future will belong to other people in other societies."The Geography of Nowhere has become a touchstone work in the two decades since its initial publication, its incisive commentary giving language to the feeling of millions of Americans that our nation's suburban environments were ceasing to be credible human habitats. Since that time, the work has inspired city planners, architects, legislators, designers and citizens everywhere. In this special 20th Anniversary edition, dozens of authors and experts in various fields share their perspective on James Howard Kunstler's brave and seminal work.

    High rent is a problem for all of us, extending beyond personal financial strain. High rent drags on our country’s overall rate of economic growth, damages the environment, and promotes long commutes, traffic jams, misery, and smog. Yet instead of a serious focus on the issue, America’s cities feature niche conversations about the availability of “affordable housing” for poor people. Yglesias’s book changes the conversation for the first time, presenting newfound context for the issue and real-time, practical solutions for the problem.

    THE PAINT FAMILY built an American empire on the legendary strength of their character, their wit, and their resolve, but the foreclosures, bank failures, and joblessness of the Great Depression may bring their world down around them. The family’s foundation is further weakened by a rift running through two generations, scarred over by stubbornness and pain. Come Again No More is a uniquely American story about a family navigating a changing world and the tough choices it presents. The indomitable family patriarch, Eli, owns everything as far as the eye can see, but there is an emptiness in his heart. After a dramatic accident leaves him struggling for life, he must reckon with the decisions he made that separated him from the daughter he loved most. A chance for redemption presents itself in his granddaughter Emaline. Eli has faced his own mortality many times, but his pride seems to have a death grip on him. Emaline marries Jake, a womanizing prizefighter who promises to help her realize her dream of making a life on a farm. But Jake’s inner demons and nature itself conspire against Emaline’s fierce determination to make their marriage work. Life sends Emaline many joys when she least expects them, but ultimately, she must make tough decisions about holding on and letting go. Based on the author’s family letters and diaries, Come Again No More is a bittersweet novel, a moving and vivid portrayal of a family’s triumphs and tragedies paralleling the glories and shameful underbelly of a nation struggling through the Great Depression.

    He kept a day-by-day journal of his overland journey. Abbey provides a wealth of information about what it was like to travel overland by wagon in 1850.