And she's determined to inform and educate the ladies of London on the nefarious-and deadly-criminals who are preying on the fairer sex. When her reporting leads to the arrest of a notorious killer, however, Katherine flees to a country house party to escape her newfound notoriety-only to witness a murder on her very first night. And when the lead detective accuses Katherine of inflaming-rather than informing-the public with her column, she vows to prove him wrong.Detective Inspector Andrew Eversham's refusal to compromise his investigations nearly cost him his own career, and he blames Katherine. To avoid bad publicity, his superiors are pressuring him to solve cases quickly rather than correctly. When he discovers she's the key witness in a new crime, he's determined to prevent the beautiful widow from once again wreaking havoc on his case. Yet as Katherine proves surprisingly insightful and Andrew impresses Katherine with his lethal competency, both are forced to admit the fire between them is more flirtatious than furious. But to explore the passion between them, they'll need to catch a killer.

    AN ISOLATED, WINDSWEPT LAND HAUNTED BY WITCH TRIALS AND STEEPED IN THE ANCIENT SAGAS.Betrothed unexpectedly to Jón Eiríksson, Rósa is sent to join her new husband in the remote village of Stykkishólmur. Here, the villagers are wary of outsiders.But Rósa harbours her own suspicions. Her husband buried his first wife alone in the dead of night. He will not talk of it. Instead he gives her a small glass figurine. She does not know what it signifies.The villagers mistrust them both. Dark threats are whispered. There is an evil here - Rósa can feel it. Is it her husband, the villagers - or the land itself?Alone and far from home, Rósa sees the darkness coming. She fears she will be its next victim...

    Everyone else goes to Arrowood.The Afghan War is over and a deal with the Irish appears to have brought an end to sectarian violence, but Britain's position in the world is uncertain and the gap between rich and poor is widening. London is a place where the wealthy party while the underclass are tempted into lives of crime, drugs and prostitution. A serial killer stalks the streets. Politicians are embroiled in financial and sexual scandals. The year is 1895.The police don't have the resources to deal with everything that goes on in the capital. The rich turn to a celebrated private detective when they need help: Sherlock Holmes. But in densely populated south London, where the crimes are sleazier and Holmes rarely visits, people turn to Arrowood, a private investigator who despises Holmes, his wealthy clientele and his showy forensic approach to crime. Arrowood understands people, not clues.

    There's a place for the girls whom no one wants--the troublemakers, the illegitimate, the too smart for their own good. It's called Idlewild Hall. And in the small town where it's located, there are rumors that the boarding school is haunted. Four roommates bond over their whispered fears, their budding friendship blossoming--until one of them mysteriously disappears. . . . Vermont, 2014. As much as she's tried, journalist Fiona Sheridan cannot stop revisiting the events surrounding her older sister's death. Twenty years ago, her body was found lying in the overgrown fields near the ruins of Idlewild Hall. And though her sister's boyfriend was tried and convicted of murder, Fiona can't shake the suspicion that something was never right about the case.When Fiona discovers that Idlewild Hall is being restored by an anonymous benefactor, she decides to write a story about it. But a shocking discovery during the renovations will link the loss of her sister to secrets that were meant to stay hidden in the past--and a voice that won't be silenced. . . .

    Was Victoria really the assassin’s target? Are those closest to the Crown hiding something? And who is the shadowy figure witnesses describe as having lifeless, coal-black eyes?Soon, Field’s investigation exposes a shocking conspiracy in which the publication of Charles Darwin’s controversial On the Origin of Species sets off a string of murders, arson, kidnapping, and the pursuit of a madman named the Chorister. As the investigation takes Field from the dangerous alleyways of London to the hallowed halls of Oxford, the list of possible conspirators grows, and the body count escalates. And as he edges closer to the Chorister, he uncovers dark secrets that were meant to remain forever hidden. Tim Mason has created a rousing page-turner that both Charles Dickens and Sir Arthur Conan Doyle would relish and envy.

    The ghost of murdered Sylvia Whichcote has been sighted prowling the grounds by Frank Oldershaw, a disturbed fellow commoner. When his anxious mother employs John Holdsworth, author of The Anatomy of Ghosts- a stinging account of why ghosts are mere delusion - to investigate the sighting, the uneasy status quo at Jerusalem is rapidly torn apart. Holdsworth grows to realise that the sinister Holy Ghost Club governs the privileged life at Jerusalem with a rigour far more effective than anything the Master, Dr. Carbury, could muster. And when Holdsworth finds himself haunted - not only by the ghost of his dead wife, Maria, but also Elinor, the very-much-alive Master's wife - his fate is sealed. He must unravel the circumstances surrounding Sylvia's death ... or the hauntings will continue.

    Their father had gone to sea the previous Friday, the boys told their neighbours, and their mother was visiting her family in Liverpool. Over the next ten days Robert and Nattie spent extravagantly, pawning their parents' valuables to fund trips to the theatre and the seaside. But as the sun beat down on the Coombes house, a strange smell began to emanate from the building. When the police were finally called to investigate, the discovery they made sent the press into a frenzy of horror and alarm, and Robert and Nattie were swept up in a criminal trial that echoed the outrageous plots of the 'penny dreadful' novels that Robert loved to read. In The Wicked Boy, Kate Summerscale has uncovered a fascinating true story of murder and morality - it is not just a meticulous examination of a shocking Victorian case, but also a compelling account of its aftermath, and of man's capacity to overcome the past.

    But whispers from her past slowly begin to poison her new life and both she and Rebekah are lured into the most sinister of investigations.Hester and Rebekah find themselves crossing every boundary they've ever known in pursuit of truth, redemption and passion. But their trust in each other will be tested as a web of deceit begins to unspool, dragging them into the blackest heart of a city where something more depraved than either of them could ever imagine is lurking . . .

    A young wife and mother has gone missing from her home, leaving behind two small children and a large pool of blood. Just a few miles away, a humble parson's daughters--the Brontë sisters--learn of the crime. Charlotte, Emily, and Anne Brontë are horrified and intrigued by the mysterious disappearance.These three creative, energetic, and resourceful women quickly realize that they have all the skills required to make for excellent "lady detectors." Not yet published novelists, they have well-honed imaginations and are expert readers. And, as Charlotte remarks, "detecting is reading between the lines--it's seeing what is not there."As they investigate, Charlotte, Emily, and Anne are confronted with a society that believes a woman's place is in the home, not scouring the countryside looking for clues. But nothing will stop the sisters from discovering what happened to the vanished bride, even as they find their own lives are in great peril...

    “I have a gift that allows me to see truth where others see the illusion--and there are many illusions. All the world’s a stage, as they say, and I seem to have the only seat in the house with a view behind the curtain.”Newly arrived in New Fiddleham, New England, 1892, and in need of a job, Abigail Rook meets R. F. Jackaby, an investigator of the unexplained with a keen eye for the extraordinary--including the ability to see supernatural beings. Abigail has a gift for noticing ordinary but important details, which makes her perfect for the position of Jackaby’s assistant. On her first day, Abigail finds herself in the midst of a thrilling case: A serial killer is on the loose. The police are convinced it’s an ordinary villain, but Jackaby is certain it’s a nonhuman creature, whose existence the police--with the exception of a handsome young detective named Charlie Cane--deny.Doctor Who meets Sherlock in William Ritter’s debut novel, which features a detective of the paranormal as seen through the eyes of his adventurous and intelligent assistant in a tale brimming with cheeky humor and a dose of the macabre.

    But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family. What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder. Writing to her lawyer from prison, she struggles to explain the unravelling events that led to her incarceration. It wasn’t just the constant surveillance from the cameras installed around the house, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman, Jack Grant. It was everything. She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder. Which means someone else is. Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, The Turn of the Key is an unputdownable thriller from the Agatha Christie of our time.

    Now suspended in an eerie, unsettling twilight zone during the four days of the liner's illustrious maiden voyage, a number of the passengers - including millionaires Madeleine Astor and Benjamin Guggenheim, the maid Annie Hebbley and Mark Fletcher - are convinced that something sinister is going on . . . And then, as the world knows, disaster strikes.Years later and the world is at war. And a survivor of that fateful night, Annie, is working as a nurse on the sixth voyage of the Titanic's sister ship, the Britannic, now refitted as a hospital ship. Plagued by the demons of her doomed first and near fatal journey across the Atlantic, Annie comes across an unconscious soldier she recognises while doing her rounds. It is the young man Mark. And she is convinced that he did not - could not - have survived the sinking of the Titanic . . .

    Scotland Yard refuses to take him seriously and his friends deride him for attempting a profession at all. But when an anonymous writer sends a letter to the paper claiming to have committed the perfect crime--and promising to kill again--Lenox is convinced that this is his chance to prove himself.The writer's first victim is a young woman whose body is found in a naval trunk, caught up in the rushes of a small islets in the middle of the Thames. With few clues to go on, Lenox endeavors to solve the crime before another innocent life is lost. When the killer's sights are turned toward those whom Lenox holds most dear, the stakes are raised and Lenox is trapped in a desperate game of cat and mouse.In the tradition of Sherlock Holmes, this newest mystery in the Charles Lenox series pits the young detective against a maniacal murderer who would give Professor Moriarty a run for his money.

    Inside the peculiar case, he discovers a journal, written by the renowned Robert Louis Stevenson, which divulges ominous particulars about his creation of The Strange Case of Dr. Jekyll and Mr. Hyde. It also promises to reveal a terrible secret—the identity of Jack the Ripper.Unfortunately, the journal—whose macabre tale unfolds in an alternating narrative with Rafe’s—isn’t the only relic in the trunk, and Rafe isn’t the only one to purloin a souvenir. A mysterious flask containing the last drops of the grisly potion that inspired Jekyll and Hyde and spawned London’s most infamous killer has gone missing. And it has definitely fallen into the wrong hands.

    The Black Plague grips the country. In a world ruled by faith and fear, nine desperate strangers, brought together by chance, attempt to outrun the certain death that is running inexorably toward them.Each member of this motley company has a story to tell. From Camelot, the relic-seller who will become the group's leader, to Cygnus, the one-armed storyteller . . . from the strange, silent child called Narigorm to a painter and his pregnant wife, each has a secret. None is what they seem. And one among them conceals the darkest secret of all—propelling these liars to a destiny they never saw coming.Magical, heart-quickening, and raw, Company of Liars is a work of vaulting imagination from a powerful new voice in historical fiction.(Length: 17 hours, 40 minutes)