The editor who discovered the book said, "When I first read Prather's manuscript it was late at night and I was tired, but by the time I finished it, I felt rested and alive. Since then I've reread it many times and it says even more to me now." The book serves as a beginning for the reader's exploration of his or her own life and as a treasury of thoughtful and insightful reminders.

    This unique anthology brings together the results of the poll in a collection of the nation's 100 best loved poems. Among the selection are popular classics such as Tennyson's 'The Lady of Shallott' and Wordsworth's 'The Daffodils' alongside contemporary poetry such as Allan Ahlberg's 'Please Mrs Butler' and Jenny Joseph's 'Warning'. Also included is the poignant 'Do not Stand at my Grave and Weep'.

    She begins with “how to” poems addressing everyday matters such as being hopeful, married, divorced; shearing a sheep; praying to unreliable gods; doing nothing at all; and of course, flying. Next come rafts of poems about making peace (or not) with the complicated bonds of friendship and family, and making peace (or not) with death, in the many ways it finds us. Some poems reflect on the redemptive powers of art and poetry itself; others consider where everything begins.Closing the book are poems that celebrate natural wonders—birdsong and ghost-flowers, ruthless ants, clever shellfish, coral reefs, deadly deserts, and thousand-year-old beech trees—all speaking to the daring project of belonging to an untamed world beyond ourselves.Altogether, these are poems about transcendence: finding breath and lightness in life and the everyday acts of living. It’s all terribly easy and, as the title suggests, not entirely possible. Or at least, it is never quite finished.

    Such a man was John Lathrop, a minister in the King's church, who, at the peril of his life, fought for religious freedom. This is the astounding biographical account of Lathrop's struggle and his ultimate exile to America. Winner of the National Freedom's Foundation Award

    It's an ongoing attitude for daily living in Christ. True repentance puts us in right relationship with the Lord and enables us to walk in the fullness of His Spirit, growing and being used in His purpose for us.Previously published as Repentance and 21st Century Man, in this new edition Jack's widow, Rose Marie, has written an epilogue sharing Jack's own story of living out repentance on a daily basis. The principles learned in the fires of his life form the inspiration for this book.

    Rudy's poems and quotes have been viewed and shared millions of times as he has traveled the country and the world performing for sell-out crowds. Helium is filled with work that is simultaneously personal and political, blending love poems, self-reflection, and biting cultural critique on class, race and gender into an unforgettable whole. Ultimately, Rudy's work rises above the chaos to offer a fresh and positive perspective of shared humanity and beauty.

    OVERVIEWThe most recent Episcopal Book of Common Prayer from 1979 contains two rites for the most common services, the first from traditional language from previous versions, and the second using only contemporary language (some of it newly composed, and some adapted from the older language).This Kindle version of the Book of Common Prayer contains a fully interactive table of contents, index, as well as references and links to the actual pages numbers in the paper version of the Book.CONTENTS:The Book of Common PrayerAdministration of the SacramentsOther RitesCeremonies of the ChurchThe Psalter or Psalms of David

    "To look to God is to look to the realm of consciousness that can deliver us from the pain of living." Illuminata brings prayer into our daily lives, with prayers on topics from releasing anger to finding forgiveness, from finding great love to achieving intimacy. There are prayers for couples, for parents, and for children; prayers to mend broken relationships and prayers to overcome obsessive and compulsive love. There are prayers to heal the soul, prayers to heal the body, and prayers for work and creativity.Williamson also gives us prayers for the healing of America, including two prayers that have had powerful effects on audiences at her lectures: a prayer of amends on behalf of European Americans to African-Americans and one to Native Americans. How, Williamson asks, can we expect anyone to forgive when we have made no formal apology?Another section includes rites of passage, ceremonies of light for the signal events in our lives: blessing of the newborn, coming of age, marriage, and death. There is also a ceremony of the elder, for moving into midlife, and a ceremony of divorce, in which a gentle transition is provided for both the couple and their children."Read my prayers or someone else's," Williamson says. "By all means, create your own." Illuminata is a way to bring prayer into practical use, creating a sweeter, more abundant life for yourself and the people you care for. "No conventional therapy," she says, "can release us from a deep and abiding psychic pain. Through prayer we find what we cannot find elsewhere: a peace that is not of this world."

    Chronicling the complexities, joys, and challenges of this transitional phase of life, Please Don’t Go Before I Get Better is a powerful, deeply affecting work that pierces your heart with its refreshing candor and vulnerability. A poignant exploration of self-image, self-discovery, and self-reflection, this anthology brilliantly captures the universal experience of growing up, and you are bound to find yourself reflected in these glimmering pages.

    Understandable perhaps from the point of view of the poet: readers on the other hand might wish to demur. The poems gathered here and chronologically ordered, thereby tracing the course of the war, are an extraordinary testimony to the almost unimaginable experiences of a combatant in that bitter conflict. Moving from the patriotic optimism of the first few poems (" ... fighting for our freedom, we are free") to the anguish and anger of the later work (where "hope, with furtive eyes and grappling fists / Flounders in mud ... "), there comes a point when the reality of trench-warfare and its aftershocks move beyond comprehension: Sassoon knows this, and it becomes a powerful element in his art. As a book, the images have a cumulative relentlessness that make it almost impossible to read more than a few poems in one sitting. Unlike the avant-garde experiments developing in Europe in the first decades of this century, Sassoon's verse is formally conservative--but this was perhaps necessary, for as one reads the poems, one feels that the form, the classically inflected tropes, the metre and rhyme, apart from ironising the rhetoric of glory and battle were necessary techniques for containing the emotion (and indeed, a tone of barely controlled irony may have been the only means by which these angry observations would have been considered publishable at the time). When Sassoon's line begins to fragment, as it does in several of the later poems, it is under the extreme pressure to express the inexpressible. Compassion and sympathy are omnipresent here, in their full etymological sense of suffering with or alongside others--something the higher echelons of command (those " ... old men who died / Slow, natural deaths--old men with ugly souls") were never able or willing to contemplate. But Sassoon intuited the future of warfare, could sense that this was not "the war to end all wars": the mock-religious invocation of the final poem prefigures the vicious euphemisms of more recent conflicts: "Grant us the power to prove, by poison gases, / The needlessness of shedding human blood." Sassoon's bile-black irony signals a deep-felt pessimism: it was with good reason. --Burhan Tufail

    K. Williams breaks down stereotypes, sexism, relationship roles, and brings awareness to mental health, grief, anxiety, depression, how to move forward, how to love in a healthy way, and, most of all, how to love yourself when it feels impossible.

    Weaving through the book is its presiding spirit, the bee, symbolizing what we have left of grace in the world and what is most precious for us to protect. Winner of the 2011 Costa Poetry Award.

    Heinlein, author of numerous New York Times best sellers. He starred in Heinlein's most popular novels, including Methuselah's Children, Time Enough For Love, The Number Of The Beast, To Sail Beyond The Sunset and others. The oldest living member of the human race due to his unique genes, Long has been a pioneer on eight planets, survived wars and lynch mobs, and explored most of the galaxy. His adventures have given him a breadth of experience distilled through the irony of an immortal viewpoint. But there is nothing pompous about Long's reflections on the human condition. As the noted editor and critic David G. Hartwell has observed, "Lazarus' comments are acute, lively and intelligent." And here they are, compiled in one beautifully designed trade paperback, filled with illuminations and illustrations by renowned Science Fiction artist Stephen Hickman, for the delight of the millions of Heinlein fans around the world.

    Granted, terror is alive and real on the planet…but so are we and the purposes for which we have been placed here.The King of heaven is waiting for women to take their places on the earth …we have a job to do. Proverbs 31:8-9 says it like this…we are to open our mouths for those who can't speak for themselves…open our mouths for those who are left defenseless…we are to judge righteously and administer justice. How can we do this if we are not confidently living our life as God's girl on the earth?In God Chicks, Holly encourages women to embrace their God-given roles, such as the Warrior Chick, the Friend Chick, and the Just b.u. Chick. "We are invaluable," says Holly, "and more women need to see themselves this way. We do not have to strive or force our way…we just have to confidently walk as we were created…daughters of a King."

    On entering the Society of Jesus at the age of 24, he burnt all his poetry and 'resolved to write no more, as not belonging to my profession, unless by the wish of my superiors.' The poems, letters, and journal entries selected for this edition were written in the following twenty years of his life and published posthumously in 1918.His verse is wrought from the creative tensions and paradoxes of a poet-priest who wanted to evoke the spiritual essence of nature sensuously, and to communicate this revelation in natural language and speech-rhythms while using condensed, innovative diction and all the skills of poetic artifice. Intense, vital, and individual, his writing is the 'terrible crystal' through which the soul--the inscape, the nature of things--may be illuminated.