A fierce guardian of justice who uses Cincinnati’s forgotten underground—abandoned since the 1920’s—to wreak havoc on the city's most violent criminals.Now the predators have become his prey... As The White Wolf, JD Ward is pulled back into a world every bit as deadly as the one he'd left behind in the military. He finds himself hunted by a homicidal clan, a street gang, and a federal task force, forcing him to step out of the shadows to save Cincinnati from a cunning plan of revenge and total devastation. And the conspiracy turns out to be more treacherous than JD could have imagined, and more savage than he may be able to survive.

    L. Mencken talked, everyone listened -- like it or not. In the Roaring Twenties, he was the one critic who mattered, the champion of a generation of plain-speaking writers who redefined the American novel, and the ax-swinging scourge of the know-nothing, go-getting middle-class philistines whom he dubbed the "booboisie." Some loved him, others loathed him, but everybody read him. Now Terry Teachout takes on the man Edmund Wilson called "our greatest practicing literary journalist," brilliantly capturing all of Mencken's energy and erudition, passion and paradoxes, in a masterful biography of this iconoclastic figure and the world he shaped.

    Even as the decline of the reading of literature, as argued by the National Endowment for the Arts, proceeds in our culture, Garber ( One of the most powerful women in the academic world "The New York Times") gives us a deep and engaging meditation on the usefulness and uselessness of literature in the digital age. What is literature, anyway? How has it been understood over time, and what is its relevance for us today? Who are its gatekeepers? Is its canonicity fixed? Why has literature been on the defensive since Plato? Does it have any use at all, or does it merely serve as an aristocratic or bourgeois accoutrement attesting to worldly sophistication and refinement of spirit? Is it, as most of us assume, good to read literature, much less study it and what does either mean?"""The Use and Abuse of Literature" is a tour de force about our culture in crisis that is extraordinary for its brio, panache, and erudition (and appreciation of popular culture) lightly carried. Garber s winning aim is to reclaim literature from the margins of our personal, educational, and professional lives and restore it to the center, as a fierce, radical way of thinking."

    It is written as history ought to be, especially for nonspecialist readers."—Richard A. Kauffman, Christian Century In this eloquent introduction to early Christian thought, eminent religious historian Robert Louis Wilken examines the tradition that such figures as St. Augustine, Gregory of Nyssa, and others set in place. These early thinkers constructed a new intellectual and spiritual world, Wilken shows, and they can still be heard as living voices in the modern world. In chapters on topics including early Christian worship, Christian poetry and the spiritual life, the Trinity, Christ, the Bible, and icons, Wilken shows that the energy and vitality of early Christianity arose from within the life of the Church. While early Christian thinkers drew on the philosophical and rhetorical traditions of the ancient world, it was the versatile vocabulary of the Bible that loosened their tongues and minds and allowed them to construct the world anew, intellectually and spiritually. These thinkers were not seeking to invent a world of ideas, Wilken shows, but rather to win the hearts of men and women and to change their lives. Early Christian thinkers set in place a foundation that has endured. Their writings are an irreplaceable inheritance, and Wilken shows that they can still be heard as living voices within contemporary culture.

    They showed that “the modern”need not be at war with the past: constructivists and conservatives could work together, and even the Bauhaus émigré László Moholy-Nagy was beguiled into taking photos for Betjeman’s nostalgic An Oxford University Chest.A rich network of personal and cultural encounters was the backdrop for a modern English renaissance. This great imaginative project was shared by writers, painters, gardeners, architects, critics, and composers. Piper abandoned purist abstracts to make collages on the blustery coast; Virginia Woolf wrote in her last novel about a village pageant on a showery summer day. Evelyn Waugh, Elizabeth Bowen,and the Sitwells are also part of the story, along with Bill Brandt and Graham Sutherland, Eric Ravilious and Cecil Beaton.

    The story of these remarkable sisters — and their central role in shaping the thinking of their day — has never before been fully told. Twenty years in the making, Megan Marshall's monumental biograpy brings the era of creative ferment known as American Romanticism to new life. Elizabeth, the oldest sister, was a mind-on-fire thinker. A powerful influence on the great writers of the era — Emerson, Hawthorne, and Thoreau among them — she also published some of their earliest works. It was Elizabeth who prodded these newly minted Transcendentalists away from Emerson's individualism and toward a greater connection to others. Mary was a determined and passionate reformer who finally found her soul mate in the great educator Horace Mann. The frail Sophia was a painter who won the admiration of the preeminent society artists of the day. She married Nathaniel Hawthorne — but not before Hawthorne threw the delicate dynamics among the sisters into disarray. Marshall focuses on the moment when the Peabody sisters made their indelible mark on history. Her unprecedented research into these lives uncovered thousands of letters never read before as well as other previously unmined original sources. The Peabody Sisters casts new light on a legendary American era. Its publication is destined to become an event in American biography. This book is highly recommended for students and reading groups interested in American history, American literature, and women's studies. It is a wonderful look into 19th-century life.

    By the age of fourteen, she has spent her entire life training as a "Ranger," ready for the day when she will be among the first humans ever to set foot on an alien world & build a new civilization.When Dandelion suffers an emergency toward the end of its journey, Amber & her fellow young rangers are evacuated & land on the planet Newhome years ahead of schedule. While the adults left behind on Dandelion slow the ship & turn it around to come back---in eight years---Amber & her friends must build lives for themselves amid revelations that will change Humankind's destiny forever.Meanwhile, aboard the ship, secrets that were buried over three hundred years ago finally come to light...

    Christine L. Corton tells the story of these epic London fogs, their dangers and beauty, and the lasting effects on our culture and imagination of these urban spectacles.In popular imagination, London is a city of fog. The classic London fogs, the thick yellow “pea-soupers,” were born in the industrial age of the early nineteenth century. The first globally notorious instance of air pollution, they remained a constant feature of cold, windless winter days until clean air legislation in the 1960s brought about their demise. Christine L. Corton tells the story of these epic London fogs, their dangers and beauty, and their lasting effects on our culture and imagination.As the city grew, smoke from millions of domestic fires, combined with industrial emissions and naturally occurring mists, seeped into homes, shops, and public buildings in dark yellow clouds of water droplets, soot, and sulphur dioxide. The fogs were sometimes so thick that people could not see their own feet. By the time London’s fogs lifted in the second half of the twentieth century, they had changed urban life. Fogs had created worlds of anonymity that shaped social relations, providing a cover for crime, and blurring moral and social boundaries. They had been a gift to writers, appearing famously in the works of Charles Dickens, Henry James, Oscar Wilde, Robert Louis Stevenson, Joseph Conrad, and T. S. Eliot. Whistler and Monet painted London fogs with a fascination other artists reserved for the clear light of the Mediterranean.Corton combines historical and literary sensitivity with an eye for visual drama—generously illustrated here—to reveal London fog as one of the great urban spectacles of the industrial age.

    The book studies the relationship between Judaism and Christianity, distinguishing the certain from the improbable, and assessing the historical and religious context of Christ's time. The spread of Christianity is also discussed.

    Howard killed himself on June 11, 1936. He was thirty years of age. Because of his talent and because of the sheer bulk of his writing - achieved in so short a period of time - Howard has attracted a contemporary following that is devoted to his bigger-than-life characters: Conan, Kull, Solomon Kane, Breckinridge Elkins...For the first time, information is available that provides a close observance of the man himself during his final years.Novalyne Price and Robert E. Howard spent hours riding over the central Texas countryside, and Howard talked enthusiastically and at length about the characters he created, his dreams of the future, his interest in history, and his belief that he had lived other lives.Novalyne Price, the one girl whom he dated, kept journals, diaries, and wrote short story-like essays of the conversations she had with Robert E. Howard and other members of the Cross Plains community. When Howard died, she held on to the journals, thinking that someday she would write about him. One Who Walked Alone is the culmination of that dream.Here is an astonishing and remarkable link with the past! Novalyne Price Ellis has written of Robert E. Howard as she knew him. This is not a second hand account.

    Sold-out crowds congregate at Portland’s Arlene Schnitzer Concert Hall to hear these writers discuss their work and their thoughts on the trajectory of contemporary literature and culture. In celebration of Literary Arts’ 30-year anniversary, A Literary Arts Readers collects highlights from the series in a single volume. Whether it’s Wallace Stegner exploring how we use fiction to make sense of life or Ursula K. Le Guin on where ideas come from, Margaret Atwood on the need for complex female characters or Robert Stone on morality and truth in literature, Edward P. Jones on the role of imagination in historical novels or Marilynne Robinson on the nature of beauty, these essays illuminate not just the world of letters but the world at large.

    In a series of sparkling essays, she explores our rich classical heritage - from Greek drama to Roman jokes, introducing some larger-than-life characters of classical history, such as Alexander the Great, Nero and Boudicca. She also invites you into the places where Greeks and Romans lived and died, from the palace at Knossos to Cleopatra's Alexandria - and reveals the often hidden world of slaves. She brings back to life some of the greatest writers of antiquity - including Thucydides, Cicero and Tacitus - and takes a fresh look at both scholarly controversies and popular interpretations of the ancient world, from The Golden Bough to Asterix. The fruit of over thirty years in the world of classical scholarship, Classical Traditions captures the world of antiquity and its modern significance with wit, verve and scholarly expertise.

    From the wealth of poetic prose left behind by the latter-day prophet of the Middle East, Mr. Sheban has selected some of the most meaningful, yet unfamiliar. The volume is prefaced by a biographical study of Gibran, including the women in his life.