But it was months, even years, before the mass graves started to yield up their dead and the process of identification, burial, and mourning could begin. Here we travel through the ravaged postwar landscape in the company of a few survivors (mostly women) as they visit the scenes of their loss: a hall where victims' clothing is displayed; an underground cave littered with pale jumbles of bones; a camp for homeless refugees; a city now abandoned to the ghosts of painful memories; a funeral service where a family can finally say goodbye. These encounters are snapshots and memorials, a feat of powerful reportage told from the viewpoint of people who have lost nearly everything. With the sensibility of Philip Gourevitch or Ryszard Kapuscinski, Tochman captures a painful moment in history, as an entire community comes to terms with its raw and recent past.

    decision-making in Vietnam-to the New York Times and Washington Post. The document set in motion a chain of events that ended not only the Nixon presidency but the Vietnam War. In this remarkable memoir, Ellsberg describes in dramatic detail the two years he spent in Vietnam as a U.S. State Department observer, and how he came to risk his career and freedom to expose the deceptions and delusions that shaped three decades of American foreign policy. The story of one man's exploration of conscience, Secrets is also a portrait of America at a perilous crossroad.

    The recent murder of Anna Politkovskaya is grim evidence of the danger faced by journalists passionately committed to writing the truth about wars and politics.  A longtime critic of the Russian government, particularly with regard to its policies in Chechnya, Politkovskaya was a special correspondent for the liberal Moscow newspaper Novaya gazeta.  Beginning in 1999, Politkovskaya authored numerous articles about the war in Chechnya, and she was the only journalist to have constant access to the region.Politkovskaya's second book on the Chechen War,  A Small Corner of Hell, offers an insider's view of this ongoing conflict.  In this book, Politkovskaya focuses her attention on those caught in the crossfire.  She recounts the everyday horrors of living in the midst of war, examines how the Chechen war has damaged Russian society, and takes a hard look at the ways people on both sides profited from it.  Now available in paperback,  A Small Corner of Hell ensures that Politkovskaya's words will not be erased.         "[A Small Corner of Hell] skips harrowingly from year to year and place to place.  The arch-villains are the Russian death squads, venal and brutal, and the complacent, lying politicians and generals who profit from the illegal trade in booty, oil, and captives.  Her heroes are not the Chechen resistance—a gangsterish and ill-fed lot—but the long-suffering civilian population, whose natural grit and solidarity has gradually dissolved under the relentless brutality of daily life."—Economist         "A personal, unblinking stare at the casualties of war."—Jonathan Kaplan, Los Angeles Times

    Like their counterparts in cities and small towns everywhere, they are firefighters, and like firefighters everywhere, they take enormous pride in their brotherhood and their calling. On December 3, 1999, as the men of Central Street and other Worcester stations lived their daily lives, worked second jobs, and raised their children, they did not know an inferno unlike anything they had ever seen was about to put them to the ultimate test.The fire at Worcester Cold Storage was ignited by two vagrants' Christmas candle. When the first firefighters arrived on the scene, the building-a hulking, abandoned, windowless warehouse-was waiting to explode. As men fought to contain the flames with hoses, they were suddenly surrounded by confusing, suffocating darkness and searing steam. Worcester Cold Storage-with its mazelike layout and rooms so insulated that they prevented men from hearing each other's alarms-was turning into a furious beast, disorienting those inside it, seemingly determined to kill as many men as it could.3000 DEGREES stands with the best works of American reportage. Sean Flynn takes us into the private lives of men heading inexorably into one sudden shared, overwhelming battle. He captures the agony of working wives and mothers hearing the news with mounting terror and a community being hurtled toward unbearable loss. Most of all, he vividly depicts the moments of truth, when ordinary men know that their brothers are going to die, and that to live with themselves, to take another single breath, they too must be prepared to lay down their lives.

    He has seen children murdered for sport in Gaza and petty thugs elevated into war heroes in the Balkans. Hedges, who is also a former divinity student, has seen war at its worst and knows too well that to those who pass through it, war can be exhilarating and even addictive: "It gives us purpose, meaning, a reason for living."Drawing on his own experience and on the literature of combat from Homer to Michael Herr, Hedges shows how war seduces not just those on the front lines but entire societies, corrupting politics, destroying culture, and perverting the most basic human desires. Mixing hard-nosed realism with profound moral and philosophical insight, War Is a Force That Gives Us Meaning is a work of terrible power and redemptive clarity whose truths have never been more necessary.Listening Length: 6 hours and 27 minutes

    The range of motorcycle riding reports cover runs along the Mississippi River to New Orleans for a tin of chicory coffee or flying to Japan to test-ride new Yamahas. In Leanings, Egan's favorite feature articles and columns have been reprinted for the first time, including his trip cross-country on a British twin with his wife and a journey on the abandoned Route 66, plus many more stories about the open road.

    In this fully updated collection, he reveals the secrets and illusions of modern imperialism. Beginning with Indonesia, he shows how General Suharto’s bloody seizure of power in the 1960s was part of a western design to impose a ‘global economy’ on Asia. A million Indonesians dies as the price for being the World Bank’s ‘model pupil’. In a shocking chapter on Iraq, he allows us to understand the true nature of the West’s war against the people of that country. And he dissects, piece by piece, the propaganda of the ‘war on terror’ to expose its Orwellian truth. Finally, he looks behind the picture postcard of his homeland, Australia, to illuminate an enduring legacy of imperialism, the subjugation of the First Australians.

    With this exposé, the Boston Globe presents the single most comprehensive account of the cover-ups, hush money and manipulation used by the Catholic Church to keep its history of sexual abuse secret.

    An inveterate gambler who coined the dictum "if your pictures aren't good enough, you're not close enough," Capa risked his life again and again, most dramatically as the only photographer landing with the first wave on Omaha Beach on D-Day, and he created some of the most enduring images ever made with a camera. But the drama in Capa's life wasn't limited to one side of the lens. Born in Budapest as Andre Freidman, Capa fled political repression and anti-Semitism as a teenager by escaping to Berlin, where he first picked up a Leica and then witnessed the rise of Hitler. By the time his images of D-Day appeared in Life Magazine, he had become a legend, the first photographer to make his calling appear glamorous and sexy, and the model for many of the most intrepid photographers to this day. In 1947, after a decade covering war, he founded a cooperative agency-Magnum-and in the process revolutionized the industry. For the first time, photographers would retain their own copyrights and negatives, and nearly half a century later, Magnum remains the most prestigious agency of its kind. By the time he died, at just forty-one in 1954, Capa was not only the greatest adventurer in photographic history. He had become a colleague and confidant to writers Irwin Shaw, John Steinbeck, and Ernest Hemingway and director John Huston, and a seducer of several of his era's most alluring icons, including Ingrid Bergman. From Budapest in the twenties to Paris in the thirties, from post-war Hollywood to Stalin's Russia, and from New York in the fifties to Indochina, Blood and Champagne is a wonderfully evocative account of Capa's life and times. Based on extensive interviews with Capa's friends and contemporaries, as well as FBI and Soviet files and other previously unpublished materials, Alex Kershaw's biography is every bit as compelling as its charismatic subject.

    American Ground is a tour of this intense, ephemeral world and those who improvised the recovery effort day by day, and in the process reinvented themselves, discovering unknown strengths and weaknesses. In all of its aspects--emotionalism, impulsiveness, opportunism, territoriality, resourcefulness, and fundamental, cacophonous democracy--Langewiesche reveals the unbuilding to be uniquely American and oddly inspiring, a portrait of resilience and ingenuity in the face of disaster.

    His images, published in Life magazine, brought the war home, scorching the consciousness of the public and inspiring much of the anti-war sentiment that convulsed American society in the 1960s. To see these photo essays today, gathered in one volume and augmented by unpublished images from the Burrows archive, is to experience (or to relive), with extraordinary immediacy, both the war itself and the effect and range of Larry Burrows’s gifts—his courage: to shoot “The Air War,” he strapped himself and his camera to the open doorway of a plane . . . his reporter’s instinct: accompanying the mission of the helicopter Yankee Papa 13, he captured the transformation of a young marine crew chief experiencing the death of fellow marines . . . and his compassion: in “Operation Prairie” and “A Degree of Disillusion” he published profoundly affecting images of exhausted, bloodied troops and maimed Vietnamese children, both wounded, physically and psychologically, by the ever-escalating war.The photographs Larry Burrows took in Vietnam, magnificently reproduced in this volume, are brutal, poignant, and utterly truthful, a stunning example of photojournalism that recorded history and achieved the level of great art. Indeed, in retrospect, says David Halberstam in his moving introduction, “Larry Burrows was as much historian as photographer and artist. Because of his work, generations born long after he died will be able to witness and understand and feel the terrible events he recorded. This book is his last testament.”With 150 illustrations, 100 in full color

    Their stories span a decade of America’s involvement in Vietnam, from the earliest days of the conflict until the last U.S. helicopters left Saigon in 1975. They were gutsy risk-takers who saw firsthand what most Americans knew only from their morning newspapers or the evening news. Many had very particular reasons for going to Vietnam—some had to fight and plead to go—but others ended up there by accident. What happened to them was remarkable and important by any standard. Their lives became exciting beyond anything they had ever imagined, and the experience never left them. It was dangerous—one was wounded, and one was captured by the North Vietnamese—but the challenges they faced were uniquely rewarding.They lived at full tilt, making an impact on all the people around them, from the orphan children in the streets to their fellow journalists and photographers to the soldiers they met and lived with in the field. They experienced anguish and heartbreak—and an abundance of friendship and love. These stories not only introduce a remarkable group of individuals but give an entirely new perspective on the most controversial conflict in our history. Vietnam changed their lives forever. Here they tell about it with all the candor, commitment, and energy that characterized their courageous reporting during the war.From the Hardcover edition.

    Together, they seemingly accomplished what all the security guards and soldiers, military pilots and government officials, could not -- they thwarted the terrorists, sacrificing their own lives so that others might live.The culmination of hundreds of interviews with family members and months of investigation, Among the Heroes is the definitive story of the courageous men and women aboard Flight 93, and of the day that forever changed the way Americans view the world and themselves.

    ""This is Berlin"" gathers together two-and-a-half years worth of his daily CBS radio broadcasts that described the menacing steps Germany took toward World War II, just as America and the world heard them. Here is a vivid, compelling, and urgent narrative, one of the great first-hand documents of the Second World War. An introduction by noted historian John Keegan and a preface by Shirer's daughter, Inga Shirer Dean, put Shirer's life and work into context. "It would be almost impossible to overstate the importance of William L. Shirer's broadcasts from Germany . . . Mr. Shirer's descriptions . . . read as well as they were heard 60 years ago." ("Dallas Morning News") "Shirer's broadcasts . . . are models of eloquence and subterfuge . . . any reader will find it hard to put down." ("Publishers Weekly," starred review) "His broadcasts . . . have an enduring freshness." ("Sunday Times")

    L. Mencken (1880-1956). As a journalist, he gained national prominence through his newspaper columns describing the now-famous 1925 Scopes trial, which pitted Fundamentalists against a public school teacher who dared to teach evolution. But both before and after the Scopes trial, Mencken spent much of his career as a columnist and book reviewer lampooning the ignorant piety of gullible Americans.S. T. Joshi has brought together and organized many of Mencken’s writings on religion in this provocative and entertaining collection. The articles here presented demonstrate that Mencken canvassed the entire range of religious phenomena of his time, from evangelists Billy Sunday and Aime Semple McPherson, to Christian Scientists, and theosophists and spiritualists. On a more serious note are his discussions of the philosophy of Friedrich Nietzsche and the scientific worldview as a rival to religious belief. Also included are poignant autobiographical accounts of Mencken’s own upbringing and his core beliefs on religion, ethics, and politics.If anything was sacred to Mencken, it was the right to speak one’s mind freely, and many of his attacks are directed against those true believers who he felt tried to foist their beliefs on others to stifle independent thinking. For everyone who values freethought and sharp intelligence, this collection of articles by America’s premier iconoclast is a must.

    ''Journalistic writing is the most thrilling and finest written narrative prose in Latin America today.''Dario Jaramillo Agudelo This anthology, bedside book for everyone who wishes to understand the boom of narrative journalism, includes texts by established writers such as Juan Villoro, Martin Caparros, Alberto Salcedo Ramos or Leila Guerriero, among others, and unveils an impressive source of talented journalist whose works are true gems.

     Wild Stories collects thirty-two of the best pieces to appear in the magazine, written by its most esteemed contributors, including Jim Harrison, Sebastian Junger, P. J. O’Rourke, Rick Bass, Thomas McGuane, George Plimpton, Hampton Sides, Doug Stanton, Tim Cahill, and Mark Bowden. Each of the four chapters in Wild Stories showcases Men’s Journal’s diversity and taut storytelling power. “The Adventures” is a series of razor-sharp travel narratives, from a road trip across India on the perilous Grand Trunk Road to a search for grizzlies in Romania. “The Sporting Life” is a look into obscure corners of the sports world, where golf’s bush-league wannabes try to make it to the PGA and a group of cyclists out-suffer one another in pursuit of the mythic Hour Record. “Men’s Lives” includes profiles of singular adventurers such as Yvon Chouinard and Ned Gillette, and captures the rewards of such quintessentially male traditions as building a cabin on your own plot of land. And “The Reporting” collects definitive accounts of the most newsworthy disasters, as well as riveting dispatches from war zones in Somalia, Sudan, and Colombia, and from environmental hot spots in Alaska and Montana.Commemorating Men’s Journal’s tenth anniversary, Wild Stories is a diverse and entertaining anthology that explores the magazine’s basic creed: Life is an adventure. From the first page to the last, these are stories you’ll never forget.

    In words, pictures and video, WHAT WE SAW is a unique historical record of the events of September 11th. This unique and moving book records how we learned about this international tragedy and came to understand and survive it. Through still photography, video footage and the accounts of survivors and journalists, the events of that horrific day are brought vividly to life.

    In this volume, ten leading combat photographers relate incidents of horror, humor, bravery, and daring in locations from Vietnam to Haiti, Ramallah to Chechnya, El Salvador to Sarajevo, the World Trade Center to Afghanistan. Here, in their own words, are their stories of life in the combat zone, together with many of the powerful images they risked their lives to obtain. This historical and very human look at the pathos of war also reveals the moral and ethical issues that this elite corps of photographers face, and the decisions they must make in the chaos of conflict. In addition to the works of these talented photographers are iconic images, from the American Civil War to the devastation of the World Trade Center, that tell the story of the development of combat photography and the profound changes in warfare itself that have occurred in the last century and a half.

    Buckley on PBS to his testimony at the Chicago Seven trial to his passionate riffs on Cezanne, Blake, Whitman, and Pound, the interviews collected in Spontaneous Mind, chronologically arranged and in some cases previously unpublished, were conducted throughout Allen Ginsberg's long career. From the late 1950s to the mid-1990s, Ginsberg speaks frankly about his life, his work, and major events, allowing us to hear once again the impassioned voice of one of the most influential literary and cultural figures of our time.

    The story of 'Little B' is riveting, a stunning example of the particular burden racism imposes on black youths. Most astonishing, almost all of the officials involved in bringing him to 'justice' are black.Michael Lewis was officially declared a ward of the state at age eleven, and then systematically ignored until his arrest for murder. Brown wondered how this boy could possibly have aroused so much public resentment, why he was being tried (and roundly condemned, labeled a 'super-predator') in the press. Then she met Michael and began investigating his case on her own. Brown adeptly builds a convincing case that the prosecution railroaded Michael, looking for a quick, symbolic conviction. His innocence is almost incidental to the overwhelming evidence that the case was unfit for trial. Little B was convicted long before he came to court, and effectively sentenced years before, when the 'safety net' allowed him to slip silently down. Brown cites studies and cases from all over America that reveal how much more likely youth of color are to be convicted of crimes and to serve long-even life-sentences, and how deeply the new black middle class is implicated in this devastating reality.

    She discovered why beef waste ends up in chicken, why a single lettuce might be sprayed six times with chemicals before it ends up in our salad, why bread is full of water. And she showed how obesity, the appalling conditions of migrant workers, ravaged fields in Europe and the supermarket on our high street are all intimately connected. Her discoveries would change the way we thought about the UK food industry for ever. And, when the horsemeat scandal hit the headlines in 2013, her book seemed extraordinarily prescient once again. Now, in this new edition of her seminal work, Felicity Lawrence delves deeply into that scandal and uncovers how the great British public ended up eating horses. 'A brave examination of the calamities caused by a policy laughingly called one of 'cheap food'' Jeremy Paxman, Observer 'Book of the Year' 'Challenges each and every one of us to think again about what we buy and eat. It's almost like uncovering a secret state within the state' Andrew Marr, BBC Radio 4's Start The Week 'A thorough, complex and shocking insight into the food we eat in the twenty-first century . . . Perhaps this should be sold as the most effective diet book ever written' Daily Mail Felicity Lawrence is an award-winning journalist and editor who has been writing on food-related issues for over twenty years. She lives in London.

    Soon after starting work as an ITN cameraman, he began to feel strangely at home in the kind of places ordinary people get evacuated from. Before long, he was living for the rush which comes as bullets fly past your head and bombs explode at your feet. Normal life just couldn't compete...In Georgia, Jon filmed on the last flight out of the besieged airport at Sokhumi, as the plane took off in the dead of night, all lights extinguished, going the wrong way down the runway, directly towards the nearby steep and virtually invisible mountain range while Abkhazian soldiers fired off random anti-aircraft shells in their general direction. In Moscow, he filmed in the midst of chaos as armed rebels and Militia fought bloodthirsty, hand-to-hand battles on the streets around him. In Rwanda, he filmed the horrific aftermath to the most brutal massacre of modern times - and his own neck got far too close to the edge of a machete for comfort. In Zaire, he filmed endless fields full of young children deranged by hunger and ravaged by cholera. In Bosnia, Jon realised that he had, in fact, seen and filmed more than he could cope with, and finally spiralled out of control, deep into emotional meltdown.But somehow War Junkie is also an incredibly funny and exhilarating book. The humour is dark but sharp as broken glass. The action comes so thick and fast you can forget to breathe. War Junkie is shocking, hilarious, deeply moving and, ultimately, it packs a powerful psychological punch. It will challenge everything you thought you knew about modern warfare as it shines an unforgiving spotlight into some of the darkest recesses of recent history.

    Immensely well-known and popular among photography students and amateur photographers alike, Abell's signature landscape photography has graced the pages of such magazines as National Geographic and Popular Photography. Sam Abell: The Photographic Life is an unprecedented look at the life and work of this artist's photographic process and reveals much about the relationship between art and life through the teachings that make him so sought after by photography students. This elegant book contains photography by Abell and such ephemera as postcards and invitations-most previously unpublished-that detail the inspiration for and influences on his photography. This a perfect gift book for lovers of photography. This book coincides with a major traveling retrospective that opens in fall 2002 at the Bayly Museum of Art, Charlottesville, the artist's hometown. The exhibit travels to the Toledo Museum of Art and the George Eastman House.

    John G. Morris brought us many of the images that defined our era, from photos of the London air raids and the D-Day landing during World War II to the assassination of Robert Kennedy. He tells us the inside stories behind dozens of famous pictures like these, which are reproduced in this book, and provides intimate and revealing portraits of the men and women who shot them, including Robert Capa, Henri Cartier-Bresson, and W. Eugene Smith. A firm believer in the power of images to educate and persuade, Morris nevertheless warns of the tremendous threats posed to photojournalists today by increasingly chaotic wars and the growing commercialism in publishing, the siren song of money that leads editors to seek pictures that sell copies rather than those that can change the way we see the world.

    Jean Carrol’s “The Cheerleaders” from Spin: the story of how an idyllic town–the model for Bedford Falls in It’s a Wonderful Life–was ravaged by murders, rapes, and suicides; and David McClintick’s “Fatal Bondage” from Vanity Fair: the tale of a grifter with an attraction to sado-masochistic sex and serial killing. Intriguing, entertaining, compelling reading, The Best American Crime Writing is sure to become a much-anticipated annual.

    For the sheer brutality, persistence and widespread nature of the violence, especially against women and children, the complicity of the State, the ghettoization of communities, and the indifference of civil society, Gujarat has surpassed anything we have experienced in recent times. That this happened in one of India's most 'well off' and 'progressive' states, the home of the Mahatma, is all the more alarming. This book is intended to be a permanent public archive of the tragedy that is Gujarat. Drawing upon eyewitness reports from the English, Hindi and regional media, citizens' and official fact-finding commissions - and articles by leading public figures and intellectuals - it provides a chilling account of how and why the state was allowed to burn. With an overview by the editor, the reader covers the circumstances leading up to Godhra and the violence in Ahmedabad, Baroda and rural Gujarat. Separate sections deal with the role of the police, bureaucracy, Sangh Parivar, media and the tribals, the economic and international implications of the violence, the problems of relief and rehabilitation of the victims, and, above all, their quest for justice. The picture that emerges is deeply disturbing, for Gujarat has exposed the ease with which the rights of citizens, and especially minorities, can be violated with official sanction. The lessons of the violence ought to be heeded and acted upon by the public. For, in the absence of this, can another Gujarat be prevented from happening elsewhere?

    On the night of September 16, 1928, a hurricane swung up from Puerto Rico and collided, quite unexpectedly, with Palm Beach. The powerful winds from the storm burst a dike and sent a twenty-foot wall of water through three towns, killing over two thousand people, a third of the area's population. Robert Mykle shows how the residents of the Everglades had believed prematurely that they had tamed nature, how racial attitudes at the time compounded the disaster, and how in the aftermath the cleanup of rapidly decaying corpses was such a horrifying task that some workers went mad. Killer 'Cane is a vivid description of America's second-greatest natural disaster, coming between the financial disasters of the Florida real-estate bust and the onset of the Great Depression.

    

    (IRE), The Investigative Reporter’s Handbook is the best-selling classroom and newsroom classic. Useful as a textbook in advanced journalism courses and as a reference for professional journalists, this book shows students how to use fundamental news reporting and writing skills like gathering sources, tracking information, and interviewing to pursue investigative stories in a variety of beats — from the government and education to healthcare, the environment and real estate. In addition to discussing the latest techniques and challenges in the profession, the fifth edition is now thoroughly streamlined, making it easier to locate the resources that investigative reporters need to get the story.

    Experience Christmas with the Roosevelts, as seen through the eyes of a White House housekeeper. Learn why David McCullough is happy to declare “I love Washington,” while The Washington Post’s Sally Quinn wonders, “Why Do They Hate Washington?” Glimpse David Brinkley’s depiction of the capital during World War II, then experience Henry Kissinger’s thoughts on “Peace at Last,” post-Vietnam. Written by a who’s who of journalists, historians, First Ladies, politicians, and more, these varied works offer a wonderful overview of Katharine Graham’s beloved city.

    After witnessing such monumental acts of destruction and violence, America's children were inundated with new fears. Some of them grieve for lost loved ones, some of them grieve out of sheer confusion and anxiety, and some of them cannot grieve at all, unable to comprehend the enormity of what happened. This book will answer their questions about how and why these acts occurred in

    From East Timor to Waco, he has exposed some of the most egregious cases of political corruption, corporate fraud, and financial manipulation in the US and abroad. His uncanny investigative skills as well as his no-holds-barred style have made him an anathema among magnates on four continents and a living legend among his colleagues and his devoted readership. This excitingcollection, now revised and updated, brings together some of Palast's most powerful writing of the past decade. Included here are his celebrated Washington Post expose on Jeb Bush and Katherine Harris's stealing of the presidential election in Florida, and recent stories on George W. Bush's payoffs to corporate cronies, the payola behind Hillary Clinton, and the faux energy crisis. Also included in this volume are new and previously unpublished material, television transcripts, photographs, and letters.

    Blanning explores the cultural revolution which transformed eighteenth-century Europe. During this period the court culture exemplified by Louis XIV's Versailles was pushed from the center to the margins by the emergence of a new kind of space - the public sphere. The author shows how many of the world's most important cultural institutions developed in this space: the periodical, the newspaper, the novel, the lending library, the coffee house, the voluntary association, the journalist, and the critic.

    The result is groundbreaking photojournalism punctuated with authoratative prose. Culled from both published and previously unpublished material, A Nation Challenged highlights the best work of the paper's award-winning staffers-the work that has made the Times the paper of record for these events.With a foreword, afterword, and original background essays by writers such as Pulitzer Prize winner John Burns, N. R. Kleinfeld, Dan Barry, and Celestine Bohlen, readers will follow the stunning events of September 11th on the national and international stage. Special charts and graphics supply another level of clarity and understanding, while the brilliant photographs provide counterpoint and perspective to carefully chosen text.With 250 full-color photographs, A Nation Challenged is the definitive volume for all who desire a comprehensive visual chronicle of this pivotal time in America's history.

    Beneath all the policy statements and bluster of politicians is a real world of lies, pain, and big money. Down by the River is the true narrative of how a murder led one American family into this world and how it all but destroyed them. It is the story of how one Mexican drug leader outfought and outthought the U.S. government, of how major financial institutions were fattened on the drug industry, and how the governments of the U.S. and Mexico buried everything that happened. All this happens down by the river, where the public fictions finally end and the facts read like fiction. This is a remarkable American story about drugs, money, murder, and family.

    Backstage with Dizzy Gillespie, in the dugout with Jackie Robinson, or on the streets with children of the Hill district, Harris documented every aspect of African-American daily life during and after the Civil Rights movement. Although nicknamed "One Shot" for his habit of snapping just a single frame at any given event, Harris's output -- privately held until recently -- totals more than 80,000 images.Published here in book form for the first time, a select 135 duotones from this astonishing archive offer an indepth look at the black urban experience in mid-20th century America. Accompanying the illustrations is an energetic essay by cultural critic Stanley Crouch, who ties together issues such as baseball, jazz, and black history. Deborah Willis provides a biographical outline of the rediscovered artist, now poised on the threshold of prominence in modern American photography.

    This anomalous ecology mutated into a femicide machine: an apparatus that didn't just create the conditions for the murders of dozens of women and little girls, but developed the institutions that guarantee impunity for those crimes and even legalize them. A lawless city sponsored by a State in crisis. The facts speak for themselves. -- from "The Femicide Machine"Best known to American readers for his cameo appearances as The Journalist in Roberto Bolano's "2666" and as a literary detective in Javier Marias's nove "l Dark Back of Time," Sergio Gonzalez Rodriguez is one of Mexico's most important contemporary writers. He is the author of "Bones in the Desert," the most definitive work on the murders of women and girls in Juarez, Mexico, as well as "The Headless Man," a sharp meditation on the recurrent uses of symbolic violence; "Infectious," a novel; and "Original Evil, " a long essay. The "Femicide Machine" is the first book by Gonzalez Rodriguez to appear in English translation.Written especially for Semiotext(e) Intervention series, "The Femicide Machine" synthesizes Gonzalez Rodriguez's documentation of the Juarez crimes, his analysis of the unique urban conditions in which they take place, and a discussion of the terror techniques of narco-warfare that have spread to both sides of the border. The result is a gripping polemic. " The Femicide Machine" probes the anarchic confluence of global capital with corrupt national politics and displaced, transient labor, and introduces the work of one of Mexico's most eminent writers to American readers.

    With a First from Cambridge and the possibility of working for the Foreign Office, he decided instead to apply to be an apprentice diesel-fitter with London Transport. He was rejected and so turned to a life in politics. He has worked with Margaret Thatcher, Chris Patten, Tony Blair and Michael Portillo, and his observations of political lifeand those who move within it are truly fascinating. This colourful memoir is an account of a young life already well lived.

    Milosevic, a man the world hoped it would never see again, is currently on trial at the Internat'l Criminal Tribunal in The Hague for crimes against humanity. This engrossing biography documents the life of the former Serbian leader, whose policies instigated wars in Slovenia, Croatia, Bosnia & Kosovo as well as the bloody campaigns of ethnic cleansing that destroyed a once sophisticated multinational country. Drawing on his unrivalled access to many of those closest to Milosevic, author-journalist Adam LeBor describes his subject's unhappy childhood, his marriage & his important friendships. He offers details about the ascendancy of crime over politics in the new republic & the secret channels used by Milosevic & Croatian President Franjo Tudjman as they conspired to carve up Bosnia. LeBor recounts the history of the negotiations between Milosevic & the Western diplomats, politicians & businessmen with whom he dealt, & tells the tragic story of the wars. Finally he portrays the unprecedented internat'l operation that brought down the Milosevic regime in 2001 & led to his trial at the Internat'l Criminal Tribunal in The Hague. A gripping account of Europe's 1st rogue leader in the post-cold war period, this book is also a revelatory look at the tragic story of the collapse of a country & the role played by the West.

    Learn from the best, as Will Eisner, Scott Hampton, Mike Wieringo, Walter Simonson, Mike Mignola, Mark Schultz, David Mazzucchelli, Dick Giordano, Brian Stelfreeze, Mike Carlin, Chris Moeller, Mark Chiarello and others share hard-learned lessons about the design of comics, complete with hundreds of illustrated examples. When should you tilt or overlap a panel? How can sound effects enhance the story, and when do they distract from it? What are the best ways to divide up the page to convey motion, time, action, or quiet? If you're serious about creating effective, innovative comics, or just enjoying them from the creator's perspective, this in-depth guide is must-reading!

    Three kinds of people instinctively run toward danger--firefighters, police officers, and journalists. Collected here are dramatic first-person stories of more than 100 reporters and photographers who raced to the scenes of the terrorist attacks at the World Trade Center, the Pentagon, and in rural Pennsylvania. With a moving foreword by NBC News Anchor Tom Brokaw, Running Toward Danger is arranged along a chronological timeline of the day and is illustrated with more than 100 photographs, many of them rarely seen. The book documents how journalists overcame daunting logistical and emotional challenges to report to a shaken world the implications of the new century's most terrifying moment. It includes intimate details about the marathon high-wire work of the network anchors and the harrowing stories of ordinary journalists who put themselves in harm's way to report the story. The book provides an enduring record of a turning point in world history, a book that future generations will rely on for insights about how news was conveyed to a shattered world.

    In Aim for the Heart, he shares the secrets of great storytellers and writers, and helps professional broadcast journalists write clearer, stronger stories.Aim for the Heart offers practical, specific advice on how to: Find a laser-beam story focus Decide whom to interview Select the most memorable soundbites Write tighter copy Find the story lead and open Create memorable charactersAim for the Heart gives reporters, producers and writers page after page of practical advice on how to avoid cliches, passive verbs and "news jargon" that viewers hate. This book goes beyond the story to help reporters and producers find their leadership voices. Tompkins shows journalists how to deal with difficult people in the newsroom, and how to coach others to higher performance, rather than fixing the same frustrating mistakes over and over.Tompkins is the co-author of the Radio and Television News Directors Foundation ethics workbook. In Aim for the Heart, he includes advice for how to make tough ethics calls on deadline. He helps journalists: Think through when it is appropriate to "go live" with a story Draft guidelines on when and how to identitfy juveniles Decide when and how to use confidential sources Cover difficult stories thoughtfully and aggressivelyAl Tompkins is one of America's most honored local broadcast journalists. He is the recipient of the National Emmy, five National Headliner Awards, the Japan Prize, two Iris Awards, the Robert F. Kennedy Award, the National Bar Association Silver Gavel and The Clarion Award. The NationalPress Photographers Association awarded him the Jack Lemon award in 2001 for outstanding service to photojournalism. In his 25 years of working in local broadcast news he has been a photojournalist, reporter, producer, investigative reporter, director of special projects and investigations, assistant news director and news director.

    Written with profound insight and admiration, "Women at War" celebrates the wives, mothers, sisters and daughters who bravely stepped into the breach and explores how their experiences changed lives ever after for both sexes.Heartfelt personal stories and evocative period photography dramatically capture the sacrifices and remarkable achievements of women of rare courage -- for both the allied and axis countries.Among the many unsung heroines of World War II, readers will meet: -- Women at home, coping with air raids, rationing and loneliness, taking in refugees and growing in resourcefulness and independence-- Women in industry, acquiring technical skills and mastering feats of manual labor traditionally performed by men only-- Women in service, both public and military, from fire brigades to catering corps to the privileged ranks of female pilots-- Women in espionage, manning anti-aircraft floodlights, plotting war plans, breaking codes and uncovering the secrets of enemy intelligence

    Mary Losure was there; as a reporter for Minnesota Public Radio she witnessed the neighborhood's transformation from a quiet street to the center of an emotionally charged standoff. Fueled by idealism and anger, a diverse coalition banded together to try to stop the highway expansion. Beginning in 1998, this group sustained protests for more than one year and eventually faced an unprecedented show of force by law enforcement.In Our Way or the Highway Losure offers an inside view of the activist subculture that converged into a makeshift encampment dubbed the "Minnehaha Free State." Here, a retired stenographer befriended EarthFirst! members and appeared in the organization's national journal, fist raised in protest of the destruction of her home. A pipe fitter abandoned his old life to defend what he believed to be the sacred sites of his Dakota ancestors. A dreamy, dreadlocked seeker hitchhiked to Minneapolis and spent days perched in a doomed cottonwood tree. A police lieutenant watched the trees fall and felt surprising sympathy for the activists' beliefs. Engagingly written, Our Way or the Highway reveals the motivations, perceptions, and dynamics of those involved in this conflict of wills and ideals.Among the issues Losure explores are the roles of ecoanarchism and grassroots activism in the age of globalization. This fascinating subculture, brought to the spotlight during protests over the World Trade Organization in Seattle and Genoa, has been largelyundocumented in the mainstream press. With a practiced reporter's eye Mary Losure shows the activists' world and the way the establishment views them, and ultimately she lays bare the power of the existing order and the fragility and absolute necessity of dissent.

    Steven Hill argues our geographic-based, Winner Take All political system is at the root of many of our worst political problems, including poor minority and majority representation, low voter turnout, expensive mudslinging campaigns, congressional gridlock, regional balkanization, and the growing divide between city-dwellers and middle-America.

    In the essay “And the Judges Said...” Kelman outlines some of the influences that led him to create literary art; from the music he heard as a teenager to American and Russian writers, to the lives of the Impressionists. Elsewhere he looks at the role of elitism in literature, the central importance of Chomsky’s work in 20th century thought, and the work of the Caribbean Artists Movement. At the core of the collection is an extended essay on Franz Kafka.

    The editor of the Atlanta Constitution from 1960 through 1968, Patterson wrote directly to his fellow white southerners every day, working to persuade them to change their ways. His words were so inspirational that he was asked by Walter Cronkite to read his most famous column, about the Birmingham church bombing, live on the CBS Evening News. This volume includes over 120 of Patterson's best pieces, selected from some 3,200 columns. These columns offer probing commentary on the crucial issues of race, civil rights, social justice, and desegregation; some reveal examples of political and moral leadership, drawn from every corner of southern culture. Introductory essays, framing Patterson's work as journalism and literature, place it in the context of southern history and the evolution of white southern liberalism. Patterson himself contributes a new essay, reflecting on his life, work, and times. At a time when protest, violence, and confrontation defined race relations and even the South itself, Patterson's wise, sane, humorous, passionate column appeared daily on the Constitution's editorial page, urging white southerners to become "better than we are." Speaking as one who "grew up hard" in small-town Georgia, Patterson could urge change with a conviction and credibility matched by few others. With enlightened leadership and adherence to the rule of law, the sky would not fall, Patterson assured his readers. While black leaders led America toward civil rights and social justice, writers such as Patterson had the courage to appeal to the white southern conscience. Unmistakably engaged with his time and place, Patterson's columns provide a compelling day-to-day look at the civil rights era as it unfolded.

    Robert Anasi took up boxing in his twenties to keep in shape, attract women, and sharpen his knuckles for the odd bar fight. He thought of entering "the Gloves," but put it off. Finally, at age thirty-two-his last year of eligibility-he vowed to fight, although he was an old man in a sport of teenagers and a light man who had to be even lighter (125 pounds) to fight others his size.So begins Anasi's obsessive preparation for the Golden Gloves. He finds Milton, a wily and abusive trainer, and joins Milton's "Supreme Team": a black teenager who used to deal guns in Harlem, a bus driver with five kids, a hard-hitting woman champion who becomes his sparring partner. Meanwhile, he observes the changing world of amateur boxing, in which investment bankers spar with ex-convicts and everyone dreads a fatal blow to the head. With the Supreme Team, he goes to the tournament, whose outcome, it seems, is rigged, like so much in boxing life today. Robert Anasi tells his story not as a journalist on assignment but as a man in the midst of one of the great adventures of his life. The Gloves, his first book, has the feel of a contemporary classic.

    A compilation of never-before-published images by North Vietnamese photographers captures the events of the Vietnam War from a new perspective and documents daily life and battle on the North Vietnamese side.

    Chronicling how the reporters died as well as the eventual execution of a sixth reporter who attempted to investigate their fate, this gripping depiction also documents the personal narratives behind the families of the victims and their heartbreaking struggle for the truth. Contending that the Australian government was always aware of the circumstances of the killings, this argument maintains that their cover-up was a key factor in Indonesia's decision to invade and occupy East Timor. With a striking collection of photographs from its thrilling companion film, this searing recollection is as much an investigation of the Indonesian occupation of East Timor as it is a case study of the Balibo killings.

    Bellows struggled to save major competitors of America's three most powerful newspapers: the New York Times, the Washington Post, and the Los Angeles Times. In doing so, he developed major talent from rough cuts and brought a new generation of writers to the mainstream press.The Last Editor is a unique memoir of a man who loved a fight--highlighted with commentary from his colleagues in letters and sidebars from the biggest names in media. Sidebars from Wolfe, Ben Bradlee, Art Buchwald, Katherine Graham, Mary McGrory, William Safire, just to name a few, and 16 pages of black-and-white photos, provide behind-the-scenes insights to the triumphs and controversies of the man who shaped the industry.

    Drawn from her popular column in The Oregonian, here are Levine's 100 recommendations for the best perennials, grasses, shrubs, and trees. With gorgeous watercolor illustrations of every plant, this book constitutes the ultimate gardener's shopping list! Levine reveals what's so special about her picks, along with advice on how to keep them happy. So whether it is clematis cirrhosa (sounds like feminist mimosa) or ophiopogon (rhymes with sophie showed logan), these plants are the best of the best, served up with a whole lot of attitude.

    For many journalists, the crisis has decisively recast their sense of the world around them. Familiar notions of what it means to be a journalist, how best to practice journalism, and what the public can reasonably expect of journalists in the name of democracy, have been shaken to their foundations. Journalism After September 11 examines how the traumatic attacks of that day continue to transform the nature of journalism, particularly in the United States and Britain.

    Presents the complete text of Gulliver's Travels, along with essays and a critical survey of the novel.

    The addition of 64 pages of colour, tips and techniques for working with Photoshop, and expanded coverage of layout with how-to information for altering images provides the audience with up-to-date tools and techniques they need to produce realistic, effective renderings.

    Courtesy of exclusive interviews, on-set reports and film reviews, Headpress 22 investigates these highly controversial asphyxiation-fetish filmmakers, whose most recent effort -- Duck! The Carbine High Massacre -- resulted in their arrest. Also included are interviews with James Ellroy, gay pornographer Bruce La Bruce, tasteless impersonator Dead Elvis, and porn star-cum-brothel girl Jeannie Rivers.

    Joseph Loewenstein traces the emergence of possessive authorship from the establishment of a printing industry in England to the passage of the 1710 Statute of Anne, which provided the legal underpinnings for modern copyright. Along the way he demonstrates that the culture of books, including the idea of the author, is intimately tied to the practical trade of publishing those books.As Loewenstein shows, copyright is a form of monopoly that developed alongside a range of related protections such as commercial trusts, manufacturing patents, and censorship, and cannot be understood apart from them. The regulation of the press pitted competing interests and rival monopolistic structures against one another—guildmembers and nonprofessionals, printers and booksellers, authors and publishers. These struggles, in turn, crucially shaped the literary and intellectual practices of early modern authors, as well as early capitalist economic organization.With its probing look at the origins of modern copyright, The Author's Due will prove to be a watershed for historians, literary critics, and legal scholars alike.