In an unprecedented (for him) run of promiscuity, Ty has managed to impregnate three women in the span of one week: His ex-girlfriend, his 40-something married next-door neighbor, and his 18 year-old student. In this edgy comedy by playwright Rajiv Joseph, Ty's problems illuminate every triumph and failure of his life, and as the women

    His work is inventive, disciplined and, at the same time, wild and evocative. His ear is splendid and his mind is agile.”—Edward Albee“An original, a maverick wordsmith whose weird, wry dramas gurgle with the grim humor and pain of life. Eno specializes in the connections of the unconnected, the apologetic murmurings of the disengaged.”—GuardianWinner of the 2004 Oppenheimer Award for best New York debut by an American playwright, The Flu Season is a reluctant love story, in spite of itself. Set in a hospital and a theater, it is a play that revels in ambivalence and derives a flailing energy from its doubts whether a love story is ever really a love story.Will Eno has been called “a Samuel Beckett for the Jon Stewart generation” (New York Times)—he is a playwright with an extraordinary voice and a singular theatrical vision. Also included in this volume are Tragedy: A Tragedy and Intermission.Will Eno is the author of Thom Pain (based on nothing), which ran for a year Off-Broadway and was a 2005 Pulitzer Prize finalist. Other works include Oh, the Humanity and other good intentions, The Flu Season, Tragedy: a tragedy, and Intermission.

    He explores the queasy relationships between life and art, love and estrangement, and the bane that is American identity drift, with unsparing but compassionate candor.” –Misha Berson, Seattle Times“Margulies’s remarkable gift of building characterization through realistic dialogue is undiminished. Full of aching ruefulness that underlies the comedy, Brooklyn Boy’s scenes are written with precision and humor. The play isn’t about Brooklyn, nor is it about a boy—it’s about a man without a home.” –Don Shirley, Los Angeles TimesThis new play by the Pulitzer Prize-winning author of Dinner with Friends follows the career of Eric Weiss, a writer whose novel hits the bestseller list the same time his life begins to unravel. His wife is out the door, his father is in the hospital, and his childhood friend thinks he has sold himself to the devil. A funny and emotionally rich look at family, friends and fame.Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of God of Vengeance, his many plays include Collected Stories, The Country House, Sight Unseen, The Model Apartment, The Loman Family Picnic, What’s Wrong with This Picture? and Time Stands Still. Mr. Margulies currently lives with his wife and their son in New Haven, Connecticut, where he teaches playwriting at Yale University.

    The story of two white-collar managers, Chad and Howard, who maliciously plot to jointly romance the lonely, deaf, beautiful office temp Christine before simultaneously dumping her, is cool and compelling in its depiction of the worst sorts of emotional abuse. What begins as a cat-and-mouse game of one-upmanship quickly escalates into full-scale psychological warfare. Only too late does this 'frat boy' prank reveal itself as deadly serious, with a struggle between the two men at the heart of the battle. The woman is only a means to an end, a pawn easily captured and tossed aside in a dark, wicked duel for corporate ascension.

    So when a strange woman turns up with promises of a new life in Liverpool, she is thrilled.Warm-hearted and kind, Phyl is everything she wants in a stepmother. But then Lizzie falls in love with the one man who should have been out of bounds. Should she follow her heart and risk losing it all? From the author of A Sister’s Duty and Lily’s War (Note: previously published as Going Home to Liverpool)

    He has a job he loves, a vivacious, pregnant wife, a young son and a beautiful home in Evergreen, Colorado. Bruce's life is rewarding, full, and his position is seemingly secure. Suddenly, an accident in Reno, Nevada, threatens to snatch away everything he cherishes: his family and his career. Bruce was in command of the ill-fated flight, and the airline and FAA blame him for the catastrophe.Bruce soon finds himself fighting against powerful enemies: the airline's bosses, the government, his wife's wealthy mother, and other unseen but dangerous adversaries. Just when Bruce's situation seems hopeless, help arrives from several sources: David Goldstein, an investigative reporter, reveals that there is much more to the accident than meets the eye. Mike Barrow, a retired Marine colonel and close friend of Bruce's, joins the investigation only to find himself thrust into the corporate intrigue at the highest level. Ava O'Kane, a thirty-eight-year-old executive within the circle of power at the airline, makes a shocking discovery of corruption within the organization and she has to choose between evil and good, love and money.Finally, pushed to the limit, Bruce takes control of his predicament in an unprecedented and decisively violent, though legal manner. It's the only way he can stop the conspiracy. In the process of saving himself, his career and his company, can an airline captain get away with murder?

    This should be a joyous occasion for Mercedes, but with everyone scattered across the world, her relationship with Cortez on the rocks and a crazy chick determined to make Cortez hers lurking in the shadows things couldn't get any worse or could they. Come along as Mercedes steps into the driver's seat to save the most important person in her life, her daughter.

    But when it does, it forebodes something ominous. For Tina, the first bolt of lightning was her Brain Tumor. Before she could recuperate from that, the second bolt sizzles through the air around her. The Other side - a world similar to ours, connected to ours - faces an impending war that can spell the end of more than one world. An ancient clan is back to wreak havoc and reduce everything to naught. As she meets strange men with stranger abilities in treacherous, testing surroundings, where everyone's after her, eager to turn the tide their way, Tina only hopes to have a home to return to.

    Her goal was to become an accountant and work her way up to run her own company. Unfortunately, before her 21st birthday changes had to be made in her life that would cause her to leave everything she once knew behind; including her mother.Caleb was your average bachelor that ran through women like water. The problem was he wanted to settle down but never found anyone good enough to do that with.When Kharis and Caleb finally meet face to face, sparks fly and a flame is ignited in both of them that won't allow either one of them to walk away; no matter what obstacles are placed in front of them. The two of them will take a journey unlike any other showing everyone that it's ok to have that different kind of love.

    Kolkata had frozen to its lowest of -15 degreecelcius. Widespread diseases were common. Sharat was no exception as he was forced to quit his Zamindar lifestyle after his parents died. On the other hand in 2018, there was Niharika, living in the best of times - in a fairly modern society. She loved her life - her group of friends, her family and everything around her. Little did they know that something awaited them far away in a deserted civilisation 6 billion years into the future; in the planet Nocturne which was ravaged by compounds of a rare element called Barrenium. A Year Without Summer is a tale on how lives can intertwine with no restrictions in space time and dimensions.

    Especially when the two men you love are brothers at heart. Gizelle learns that everything that's done in the dark will eventually come to the light, after she catches the love of her life, Moe cheating with one of her friends from the past. However, she didn't expect the rule to apply to her so soon. As her relationship with Waka intensifies, the one she's attempting to build with her unborn child's father is deteriorating to the point where she's almost ready to throw in the towel. The last thing she expected was to get caught up in this love triangle between two men who have played a major part in her life at some point in time. But now that Waka is home, he's ready to claim what he feels, rightfully belongs to him. Old feelings have started to resurface and their bond is becoming stronger than ever. That is, until a secret is revealed and he doesn't want to deal with her anymore. Gizelle and Moe are still working on their relationship for the sake of their unborn child but Gizelle is unaware that he's battling with his own demons and he's still up to his unfaithful ways.

    The first scene of the play is a conversation between two lovers, Tommy and Donna, who broke up some time earlier but who are obviously still attracted to each other. Donna is enraged because Tommy, a would-be artist, is now having an affair with her younger sister, but Tommy, stretched out on his recliner (which, apart from a refrigerator full of beer, comprises the entire furnishings of his spartan apartment), is seemingly unmoved by her harangue. In the second scene Donna visits her father, a once successful artist who stopped painting at the death of his wife, whom he had bullied and betrayed despite his professed love for her. Combative and complex (but also very funny) the father sits and drinks and eventually gives in to his daughter's demand that he force Tommy to marry her or beat him up. Then, in the third and final scene, the father and Tommy confront each other, with results that are sometimes menacing, sometimes antic, with a lively discussion about art and women eventually leading to a sort of tenuous truce—and a grudging recognition of the responsibility that love, in its various guises, imposes.

    In Eyes for Consuela, based on Octavio Paz’s classic story “The Blue Bouquet,” a vacationing American encounters a knife-toting Mexican bandit on a gruesome quest. And in When the World Was Green, cowritten with Joseph Chaikin, a journalist in search of her father interviews an old man who resolved a generations-old vendetta by murdering the wrong man. Together, these plays form a powerful trio from an enduring force in American theater.

     True love is often found when you least expect it. Snow-capped mountains and peaks that appear precarious to folks who prefer the solid comfort of level-ground are like home to me.I am Siddharth. My parents would have probably been okay had I turned to the forests seeking nirvana like the Buddha. But, I have turned to the mountains to seek solace or adventure, depending on how you look at it. The mountains are my home. They are my paradise.My parents wanted me to leave my adventures, marry a girl, and settle down. I'm not sure what that means, but I understand their love. So, I obliged them by getting engaged to a girl of their choice, but I had to do one last thing: climb Everest. It is my last calling.During my mission to climb Everest, fate showed its hand and I fell in love with my Sherpani, the woman who was my guide on the treacherous climb. Fate, however, is not finished playing games with me. It wants me to deal with more, much, much more!I don't know if I will ever climb Everest. I don't know if I will ever win my Sherpani. But, I do know that I MUST, even though life has taken a drastic and unimaginable turn... A touching and true to the heart contemporary romance. Order your copy today.