More than a place to stalk the white-tail, this is a place to get together, chase armadillos, swap campfire stories, listen to quail, make biscuits, and enjoy the antics of ringtails. It's the sort of place where a man is only as good as his dog, where memories last longer, where the hunter's moon is the perfect light for chasing raccoons. Most important, it is a place to recharge the spirit and renew family ties.

    Cahill stumbles from glacier to geyser, encounters wildlife, muses on the microbiology of thermal pools, and sees moonbows arcing across waterfalls at midnight.

    What happens when someone who has learned to observe her external world in such detail decides to examine her internal world with the same care?Beautifully written, honest and very moving, Hidden Nature is also the story of Alys Fowler's emotional journey: above all, this book is about losing and finding, exploring familiar places and discovering unknown horizons.

    To many it is unremarkable; to others it is a doomed place where 18th-century thieves hid out, where the town tip once sat, and where suicides leapt to their deaths. Its brooding form presided over the early years of Ted Hughes, who called Scout Rock 'my spiritual midwife . . . both the curtain and backdrop to existence'.Into this beautiful, dark and complex landscape steps Benjamin Myers, asking: are unremarkable places made remarkable by the minds that map them? Seeking a new life and finding solace in nature's power of renewal, Myers excavates stories both human and elemental. The result is a lyrical and unflinching investigation into nature, literature, history, memory and the meaning of place in modern Britain.UNDER THE ROCK is about badgers, balsam, history, nettles, mythology, moorlands, mosses, poetry, bats, wild swimming, slugs, recession, floods, logging, peacocks, community, apples, asbestos, quarries, geology, industrial music, owls, stone walls, farming, anxiety, relocation, the North, woodpiles, folklore, landslides, ruins, terriers, woodlands, ravens, dales, valleys, walking, animal skulls, trespassing, crows, factories, maps, rain - lots of rain - and a great big rock.'A bone-tingling book' -- Richard Benson, author of The Valley and The Farm“Extraordinary, elemental … never less than compelling: this is a wild, dark grimoire of a book” – The Times Literary Supplement 'The writing is perfectly poised and seductive, luminous, an earthy immersion into the granular dark of place. The prose has an intense, porous quality, inhabiting the reader right from the stunning start with the voices of rock, earth, wood and water. This is a truly elemental read from which I emerged subtly changed. The writing has a shamanic quality; Benjamin Myers is a writer of exceptional talent and originality ... it has all the makings of a classic' -- Miriam Darlington, author of Otter Country and Owl Sense“Compelling … admirable and engrossing. Myers writes of the rain with a poet’s eye worthy of Hughes” – Erica Wagner, New Statesman'One of the many joys of Under the Rock - this absorbing, compelling, moving book - is its language; it trickles like a rivulet, thunders like a cataract, and sticks to you like mud. It is full of crannies and dips and peaks wherein wonders hide; explore it for a lifetime and you will not exhaust its mysteries. Unafraid of blood-drenched history and the darkest of despair, this is nonetheless a defiantly life-praising book; it accompanied me to bed and bar, train and plane, and each situation was enriched and brightened by its presence... . It is utterly vital' -- Niall Griffiths, author of Grits, Sheepshagger and Stump'Richly layered, densely and elegantly structured, discursive, elegiac and beautiful. Under the Rock is a stunning exploration of place, mind and myth' -- Jenn Ashworth, author of Fell and The Friday Gospels“Prodigious, awe-incurring … few are as impressive as the formidable Benjamin Myers, who has developed a voice as pure and authentic as it is stark, honest and resolutely northern … creates an overall sense of dreamy, quiet beauty, born of love for the lie of the land.” – The Big Issue “Compelling … an atmospheric exploration of the landscape and its history” – Irish Times“A visionary work of immense power and subtlety which establishes Myers as one of Britain’s most consistently interesting and gifted writers” – Morning Star 'Place-writing at its most supple: both deeply considered, and deeply felt' -- Melissa Harrison, author of Rain: Four Walks in English Weather“Best known for his bleak and brilliant crime fiction Myers turns his focus to nature writing with absorbing results in this lyrical exploration of Scout Rock in Yorkshire’s Calder Valley” – i-news, Best Books to Take on Holiday 2018“Exceptionally engaging … beguiling … this is a startling, unclassifiable book” – Stuart Kelly, The Scotsman“Thoughtful, engaging and beautifully crafted … the writing is lyrical yet muscular and elemental, transporting the reader to this plaece of rugged beauty and dark secrets” – The Yorkshire Post “[A] beautifully poetic, passionate and elegiac book … Myers’ writing left me with a heart-wrenching desire to be there” – Harry Gallon, Minor Literatures'What distinguishes Under the Rock is Myers' unshakeable commitment. He writes at all times with rock-solid conviction, fashioning a book which is less a work of simple description than a new contribution to the mythology of Elmet' -- Will Ashon, author of Strange Labyrinth, Clear Water and The Heritage'I have become a Benjamin Myers junkie in the last 12 months . . . Myers' place-writing is as good as anything being scrawled in Britain today' - Horatio Clare, author of Down to the Sea in Ships and Orison for a Curlew“Terrific… It’s a book which doesn’t just discuss or describe landscape, but immerses you within it… if this doesn’t put Ben Myers on everyone’s radar then I don’t know what will” – Daniel Carpenter, Bookmunch“An author to adopt as your own, a book to turn others on to ... boy does it rock” – Cally Callomon, Caught by the River“A daring new work … make[s] the unremarkable truly remarkable. It’s a work that is focused on landscape and place and is another step on this special writer cementing himself as more than just a cult favourite” – Narc Magazine“An extraordinary blend of power, poetry and grit … Benjamin Myers has made his rock sing” – Richard Littledale, The Preacher’s Blog“Myers’ prose is outstanding” – Marcel Krueger, Hong Kong Review of Books“Under the Rock is the most beautifully written non-fiction book… There is an extremely powerful sense of place. I was fully immersed in the landscape, the water, the woods, the rock. Lyrical, powerful, engaging, moving and fascinating. Highly recommended” – The Book Corner, Halifax

    The challenging 256-mile route is usually approached from south to north, from Edale in the Peak District to Kirk Yetholm, the other side of the Scottish border. He resolved to tackle it the other way round: through beautiful and bleak terrain, across lonely fells and into the howling wind, he would be walking home, towards the Yorkshire village where he was born. Travelling as a 'modern troubadour' without a penny in his pocket, he stopped along the way to give poetry readings in village halls, churches, pubs and living rooms. His audiences varied from the passionate to the indifferent, and his readings were accompanied by the clacking of pool balls, the drumming of rain and the bleating of sheep. Walking Home describes this extraordinary, yet ordinary, journey. It's a story about Britain's remote and overlooked interior - the wildness of its landscape and the generosity of the locals who sustained him on his journey. It's about facing emotional and physical challenges, and sometimes overcoming them. It's nature writing, but with people at its heart. Contemplative, moving and droll, it is a unique narrative from one of our most beloved writers.

    Using the latest aerial surveillance, state-of-the-art cameras, and high definition technology, the creators of Planet Earth have assembled more than 400 stunning photographs of wondrous natural landscapes from around the globe, including incredible footage of the rarely spotted, almost mythical creatures that live in these habitats. Many of the images reveal inaccessible places that few have seen and record animal behavior that has never been filmed or photographed before. With the help of this highly advanced technology and the world's premier wildlife photographers, the book takes us on a spectacular journey from the world's greatest rivers and impressive gorges, to its mightiest mountains, hidden caves and caverns, and vast deserts. Planet Earth captures breathtaking sequences of predators and their prey, lush vistas of forests viewed from the tops of towering trees, the oceans and their mysterious creatures viewed from beneath the surface, and much more—in a magnificent adventure that brings unknown wonders of the natural world into our living rooms.Copub: BBC Worldwide Americas

    There are countless books on bird behavior, but Heinrich argues that some of the most amazing bird behaviors fall below the radar of what most birds do in aggregate. Heinrich’s “passionate observations [that] superbly mix memoir and science” (New York Times Book Review) lead to fascinating questions — and sometimes startling discoveries. A great crested flycatcher, while bringing food to the young in their nest, is attacked by the other flycatcher nearby. Why? A pair of Northern flickers hammering their nest-hole into the side of Heinrich’s cabin deliver the opportunity to observe the feeding competition between siblings, and to make a related discovery about nest-cleaning. One of a clutch of redstart warbler babies fledges out of the nest from twenty feet above the ground, and lands on the grass below. It can’t fly. What will happen next? Heinrich “looks closely, with his trademark ‘hands-and-knees science’ at its most engaging, [delivering] what can only be called psychological marvels of knowing” (Boston Globe). An eminent biologist shares the joys of bird-watching and how observing the anomalous behaviors of individual birds has guided his research.   Heinrich (Emeritus, Biology/Univ. of Vermont; The Homing Instinct: Meaning and Mystery in Animal Migration, 2014, etc.) smoothly describes how studying the daily lives of birds in their natural environments allows him to experience their world vicariously. Now retired and living in a cabin in the Maine woods, he devotes himself to closely observing “his avian neighbors, visitors, and vagrants, and keep[ing] daily records throughout spring, summer, fall, and winter.” Every year, he welcomes a pair of broad-wing hawks who feast at a vernal pond populated by frogs, spring peepers, and salamanders while refurbishing their old nest. Unusually, they provide a fern cover on the nest, which they update on a daily basis after their chicks hatch. Heinrich also includes anecdotes from an earlier time when he still lived in Vermont. Awakened one morning by the loud drumming of a male woodpecker on a nearby apple tree, the author wondered if perhaps he was seeking to attract a female. Surprisingly, when a female was drawn to the sound, he stopped drumming and flew away. The same behavior was repeated the following day. The author’s observations led him to conclude that the bird's drumming was not part of a mating ritual but rather a noisy advertisement of his nest-building skills. Vireos nesting near his cabin allowed him to observe how they deliberately reduced the number of eggs they were hatching to accommodate the reduced food supply after an unseasonal freeze. Heinrich explains that bird-watching has been an important part of his life since he was a boy on his family's farm. When he was 6, they moved from Germany to Maine. Finding familiar birds nesting “immediately made this place our home,” he writes.   An engaging memoir of the opportunities for doing scientific research without leaving one's own backyard. (Kirkus)

    These fascinating, enigmatic creatures are a key lynchpin in the working of our planet. Without them the landscape, as well as every aisle in our supermarkets would look radically different. And we're not just talking about honey bees. There are more than 20,000 species of bee worldwide and only a handful make honey. Some live in colonies and others are solitary. We can all help protect them - and they desperately need protecting - but you can't save what you don't love. And you can't love what you don't know. The Good Bee is a celebration of this most vital and mysterious of nature's wizards. Here you'll discover the complexities of bee behaviour - as well as the bits that still baffle us - the part they play in the natural world, their relationship with us throughout history, how they are coming under threat and what we can all do about it.Beautifully produced, with hand-made illustrations throughout, it is a story for our times and a book to treasure.

    Each chapter takes a type of hill – whether it be knoll, cap, cliff, tor, bump or even mere hillock – as a starting point.These hills can leads to an exploration of an intimate relationship with a beach, a journey into Cox's past or a lesson from an expert in what goes into the mapping of hills themselves. Because a good walk in the hills is never just about the hills; it will take your mind to many other places.

    From spring and through a year in his home patch in Northern Ireland, Dara spent the seasons writing. These vivid, evocative and moving diary entries about his connection to wildlife and the way he sees the world are raw in their telling. "I was diagnosed with Asperger's/autism aged five ... By age seven I knew I was very different, I had got used to the isolation, my inability to break through into the world of talking about football or Minecraft was not tolerated. Then came the bullying. Nature became so much more than an escape; it became a life-support system." Diary of a Young Naturalist portrays Dara's intense connection to the natural world, and his perspective as a teenager juggling exams and friendships alongside a life of campaigning. "In writing this book," Dara explains, "I have experienced challenges but also felt incredible joy, wonder, curiosity and excitement. In sharing this journey my hope is that people of all generations will not only understand autism a little more but also appreciate a child's eye view on our delicate and changing biosphere."

    A natural history of non-native species of animals currently living and thriving in America focuses on the various experiments, most well-intentioned, that introduced many foreign life forms to the continent.

    Spending nearly half the year in a 7' x 7' tower, 10,000 feet above sea level in remote New Mexico, his tasks were simple: keep watch over one of the most fire-prone forests in the country and sound the alarm at the first sign of smoke.Fire Season is Connors's remarkable reflection on work, our place in the wild, and the charms of solitude. The landscape over which he keeps watch is rugged and roadless — it was the first region in the world to be officially placed off limits to industrial machines — and it typically gets hit by lightning more than 30,000 times per year. Connors recounts his days and nights in this forbidding land, untethered from the comforts of modern life: the eerie pleasure of being alone in his glass-walled perch with only his dog Alice for company; occasional visits from smokejumpers and long-distance hikers; the strange dance of communion and wariness with bears, elk, and other wild creatures; trips to visit the hidden graves of buffalo soldiers slain during the Apache wars of the nineteenth century; and always the majesty and might of lightning storms and untamed fire.Written with narrative verve and startling beauty, and filled with reflections on his literary forebears who also served as lookouts — among them Edward Abbey, Jack Kerouac, Norman Maclean, and Gary Snyder — Fire Season is a book to stand the test of time.

    They are the most secretive yet also the most popular mammals – they are found in every county but are so rarely seen that they have been raised to mythical status.When Simon Cooper bought an abandoned water mill that straddles a small chalkstream in southern England, little did he know that he would come to share the mill with a family of wild otters. Yet move in they did, allowing him to begin to observe them, soon immersing himself in their daily routines and movements. He developed an extraordinary close relationship with the family, which in turn gave him a unique insight into the life of these fascinating creatures.Cooper interweaves the personal story of the female otter, Kuschta, with the natural history of the otter in the British Isles, only recently brought back from the brink of extinction through tireless conservation efforts. Following in the footsteps of Henry Williamson’s classic 1920s tale Tarka the Otter, readers are taken on a journey through the calendar year, learning the most intimate detail of this most beautiful of British mammals. Cooper brings these beloved animals to life in all their wondrous complexity, revealing the previously hidden secrets of their lives in this beautifully told tale of the otter.

    While an illness keeps her bedridden, Bailey watches a wild snail that has taken up residence on her nightstand. As a result, she discovers the solace and sense of wonder that this mysterious creature brings and comes to a greater understanding of her own confined place in the world. Intrigued by the snail’s molluscan anatomy, cryptic defenses, clear decision making, hydraulic locomotion, and mysterious courtship activities, Bailey becomes an astute and amused observer, providing a candid and engaging look into the curious life of this underappreciated small animal.  Told with wit and grace, The Sound of a Wild Snail Eating is a remarkable journey of survival and resilience, showing us how a small part of the natural world illuminates our own human existence and provides an appreciation of what it means to be fully alive.

    Whether satirizing bird snobs or relating the traditions and taboos of the birding culture, each essay is as chock-full of helpful information as it is entertaining.