Wright's short lyrics, in Charles Simic's words, "achieve a level of eloquence where the reader says to himself, if this is not wisdom, I don't know what is" (The New York Review of Books). The poems in Buffalo Yoga are pristine examples of the Tennessee poet's deft, painterly touch-"crows in a caterwaul" are "scored like black notes in the bare oak"-and his oblique, expansive, and profound interrogation of mortality, as in the title sequence, where the soul is "a rhythmical knot. / That form unties. Or reties."

    There's a greater emphasis than usual on Golden Age writers (just the way it came together) -- but we have one original story as well, a posthumous collaboration with H.B. Fyfe, finishing a really terrific but not-quite-done tale he had been working on before his death. It's a bit reminiscent of James Tiptree, Jr.'s best work -- but predates Tiptree by a couple of decades. And we have novels by Robert Silverberg, Frederik Pohl & C.M. Kornbluth, Murray Leinster, E. Everett Evans, and Donald Wollheim...not to mention part 2 of our serialization of Tony Rothman's mammoth 2013 novel, Firebird. And a ton of great short stories. 36 works in all, more than 1900 pages of great reading!ANGELS IN THE JETS, by Jerome BixbyA CODE FOR SAM, by Lester del ReySTAR SHIP, by Poul AndersonTHE WELL-OILED MACHINE, by H.B. FyfeJACK OF NO TRADES, by Evelyn E. SmithTHE GRAVITY BUSINESS, by James E. GunnDOOMSDAY EVE, by Robert Moore WilliamsMASTER OF LIFE AND DEATH, by Robert SilverbergFALCONS OF NARABEDLA, by Marion Zimmer BradleyNEW LAMPS, by Robert Moore WilliamsTHE PIRATES OF ZAN, by Murray LeinsterOUT OF THE IRON WOMB!, by Poul AndersonLATER THAN YOU THINK, by Fritz LeiberTHE PLANET MAPPERS, by E. Everett EvansAFTERGLOW, by H.B. Fyfe and John Gregory BetancourtSHIPPING CLERK, by William MorrisonCONTAGION, by Katherine MacLeanTHE LIGHT ON PRECIPICE PEAK, by Stephen TallTHE LUCKIEST MAN IN DENV, by Simon EisnerON THE FOURTH PLANET, by J.F. BoneBIMMIE SAYS, by Sydney Van ScyocSWEET TOOTH, by Robert F. YoungSEARCH THE SKY, by Frederik Pohl and C. M. KornbluthSTAR, BRIGHT, by Mark CliftonHOT PLANET, by Hal ClementTWO WEEKS IN AUGUST, by Frank M. RobinsonTHE ALIEN, by Raymond F. JonesBODYGUARD, by Christopher GrimmJAYWALKER, by Ross RocklynneSECOND CHILDHOOD, by Clifford D. SimakOF ALL POSSIBLE WORLDS, by William TennPOLLONY UNDIVERTED, by Sydney Van ScyocDELAY IN TRANSIT, by F. L. WallaceA GIFT FROM EARTH, by Manly BanisterONE AGAINST THE MOON, by Donald A. WollheimSpecial Feature: FIREBIRD, by Tony Rothman [Part 2 of 3]If you enjoy this volume of classic stories, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see the 270+ other entries in this series, including science fiction, fantasy, mysteries, adventure, horror, westerns -- and much, much more!

    Always connecting her love of nature with poetry, Nicola Mar attempts to reconcile the nostalgic feeling of peace with our modern day angst. Roses by Moonlight inspires us all to bloom, even in our darkest hours.Roses by Moonlight is Nicola's 3rd collection of poetry. Her poems have been shared on her popular Instagram account, @nicolamar, by celebrities and fans across the globe.

    But with dire consequences.ANGIE by John F.D. Taff - A divorced couple tries to ensure their survival after society collapses. Navigating the treacherous back roads of America, they realize the horror of true devotion.ON THE THRESHOLD by William Meikle - How far is science willing to go to prove we're not alone and possibly find the terrifying dangers that exist beyond the threshold?DOYOSHOTA by Ken Altabef - One by one the residents of a Nevada town are succumbing to the debilitating effects of a strange hum. Many believe it’s a black ops program others are convinced of its far darker origins.THIRD OFFENSE by Gregory L. Norris - In an oppressive society where creativity is banned and advertising is all-pervasive, a factory worker attempts to escape enslavement with horrifying results.METAMORPHOSIS by J. Daniel Stone - Together, a brother and sister discover the unique bond has the ability to affect humanity in the darkest of ways.WE ARE HALE, WE ARE WHOLE by Eric Del Carlo - Global climate change has reshaped the world, and multi-national corporations control every aspect of life. To what horrifying lengths will they go in the struggle to maintain profit?PURE BLOOD AND EVERGREEN by Bracken MacLeod - Victims of ethnic cleansing, two boys share a painful struggle for survival. Their actions start events that leave the lives of everyone they know hanging in a dangerous balance.JOHN, PAUL, XAVIER, IRONSIDE AND GEORGE (BUT NOT VINCENT) by Hugh A.D. Spencer - Earth is under attack by mysterious biomechanical entities. With the end near, one man spends his last days with an enigmatic client who is of great import to those in charge.AND THE HUNTER, HOME FROM THE HILL by Edward Morris - Could it be that accounts of superheroes are actually based in reality? It could be that the old man living down the street is hiding his own dark secrets.BORN BAD by Jonathan Balog - Raised by the church, Lucien harbors a frightening secret that may prove to have dire circumstances for mankind.THE LAST BASTION OF SPACE by Ewan C. Forbes - Privatization has run amok and simple pleasures come at a premium price. For one young couple there is no choice but to turn their minds over to insidious corporate control.EVERY SOUL IS A GRIMOIRE by Allen Griffin - Harvey works for a shadowy government and is responsible for a man with dangerous knowledge. Being near him is blurring his reality and opening the door to terrifying evil.FROM THE EAST by Alice Goldfuss - After global cataclysm, a scientist struggles to determine the cause. Driven by professional convictions, she finds herself in a struggle for the existence of humanity.DECIDING IDENTITY by Paul Williams - Faced with the collision of two worlds, the citizens of each are given the choice to decide who shall live and who shall die.THE LAST ELF by T. Fox Dunham - The fate of humanity rests with a sociopathic concentration camp commander. Having spent a lifetime chasing the enemies of Germany, he finds himself on the verge of his crowning achievement—ultimate extermination.

                Two empty suitcases sit in the corner, if that’s any kind of clue.                                —from “Almost Sixty” Brief, jagged, haiku-like, Jim Moore’s poems in Invisible Strings observe time moving past us moment by moment. In that accrual, line by line, is the anxiety and acceptance of aging, the mounting losses of friends to death or divorce, the accounting of frequent flyer miles and cups of coffee, and the poet’s own process of writing. It is a world of both diminishment and triumphs. Moore has assembled his most emotionally direct and lyrically spare collection, one that amounts to his book of days, seasons, and stark realizations.

    Smith, providing renewed proof that this is “a ‘best’ anthology that really lives up to its title” (Chicago Tribune).Since 1988, The Best American Poetry series has been “one of the mainstays of the poetry publication world” (Academy of American Poets). Each volume presents a choice of the year’s most memorable poems, with comments from the poets themselves lending insight into their work. The guest editor of The Best American Poetry 2021 is Tracy K. Smith, the former United States Poet Laureate, whose own poems are, Toi Derricotte’s words, “beautiful and serene” in their surfaces with an underlying “sense of an unknown vastness.” In The Best American Poetry 2021, Smith has selected a distinguished array of works both vast and beautiful by such important voices as Henri Cole, Billy Collins, Louise Erdrich, Nobel laureate Louise Glück, Terrance Hayes, and Kevin Young.

    Anything can happen, and probably will, and it will affect me in small or large ways that I couldn't have imagined. The precision of their imagery keeps me reeling with delight."—James TateThin Kimono continues Michael Earl Craig's singular breed of brilliant absurdist poetry, utterly and masterfully slanting the realities of daily existence.Michael Earl Craig is the author of two previous collections of poetry: Yes, Master (Fence Books, 2006) and Can You Relax in My House (Fence Books, 2002). He lives in Livingston, Montana, where he is a certified journeyman farrier.

    Cole's most recent poems have a daring sensitivity and imagistic beauty unlike anything on the American scene today. Whether they are exploring pleasure or pain, humor or sorrow, triumph or fear, they reach for an almost shocking intensity. Cole's fourth book, Middle Earth, awakened his audience to him as a poet now writing the poems of his career. Pierce the Skin brings together sixty-six poems from the past twenty-five years, including work from Cole's early, closely observed, virtuosic books, long out of print, as well as his important more recent books, The Visible Man (1998), Middle Earth (2003), and Blackbird and Wolf (2007). The result is a collection reconsecrating Cole's central themes: the desire for connection, the contingencies of selfhood and human love, the dissolution of the body, the sublime renewal found in nature, and the distance of language from experience. "I don't want words to sever me from reality," Cole says, striving in Pierce the Skin to break the barrier even between word and skin. Maureen N. McLane wrote in The New York Times Book Review that Cole is a poet of "self-overcoming, lusting, loathing and beautiful force." This book will have a permanent place with other essential poems of our moment.

    But mercs of all species know that if you head to southwest Houston, near the Starport, there’s a particular run-down strip mall that looks like it’s been abandoned for years. The glass door second from the south end of the strip is plastered over on the inside with blue paper, and the faint golden outline of a rampant lion is the only clue. The door is locked, of course, and beyond the door is nothing but a darkened hallway with a downward slope and a slight curve to it. Once you follow this curve far enough, you are greeted by two very large, very well-armed Lumar. “Welcome to the Lyon’s Den,” the larger of the two says without a translator, and without a trace of an alien accent. “You know the rules?” Welcome back to the Four Horsemen universe, where only a willingness to fight and die for money separates Humans from the majority of the other races. Edited by bestselling authors and universe creators Mark Wandrey and Chris Kennedy, “Tales from the Lyon’s Den” includes eighteen all-new stories in the Four Horsemen universe by a variety of bestselling authors—and some you may not have heard of…yet. Want to know what it’s like to do search and rescue while a battle is going on or what to do with that new manufactory you just won in a card game? Better learn the rules to the Lyon’s Den…and then step inside! Inside, you’ll find: Preface by Chris Kennedy “The Devil in the Pit” by Mark Wandrey “A Job to Do” by Quincy J. Allen “For the Honor of the Flag” by Doug Dandridge “Lucky” by James P. Chandler “Shit Day” by Marisa Wolf “The Charge of the Heavy Brigade” by Chris Kennedy “The Bottom Line” by Michael J. Allen “Midnight Diplomacy” by Tim C. Taylor “Desperta Ferro” by Eric S. Brown & N.X. Sharps “The Deadly Dutchman” by Kevin McLaughlin “The Felix” by RJ Ladon “The Heart of a Lion” by Terry Mixon “What Really Matters” by Chris Winder “Headspace and Timing” by Robert E. Hampson “Return to Sender” by Benjamin Tyler Smith “Grunwald” by David Alan Jones “The Quiet Was Fine” by Jake Bible “A Mother’s Favor” by Kacey Ezell

    Vincent Millay to Edward Lear's whimsical "The Owl and the Pussycat" and James Whitcomb Riley’s homespun "When the Frost Is on the Punkin." Famous poets such as Wordsworth, Tennyson, Whitman, and Frost are well-represented, as are less well-known poets such as John McCrae ("In Flanders Fields") and Ernest Thayer ("Casey at the Bat"). Includes 10 selections from the Common Core State Standards Initiative: "The Owl and the Pussycat," "Casey at the Bat," "Jabberwocky," "O Captain! My Captain!," "Paul Revere's Ride," "Ozymandias," "The Raven," "Because I Could Not Stop for Death," "Mending Wall," and "Ode on a Grecian Urn."

    Clover fuses formal control, a solid grounding in poetic tradition (his allusions range from Shakespeare to Dickinson to John Cale), and sheer visionary exhilaration into a technical, moral, aesthetic, and imaginative lexicon that irradiates each page.The eerie cyberglow of Clover's lines illuminates a pageant of blurred and fragmented desolation: the Bomb, death camps, the Persian Gulf War, the beating of Rodney King, the whole numbing litany of modern horrors. Clover is a master of poetic shorthand, of the stark, unnerving image as immediate as yellow tape at a crime scene.Madonna anno domini is a sacrament for the twilight of the atomic age, a hellish Interzone with "God in abeyance" where dazed speakers search through the vertigo of negation for love and belief. And here. in this utterly convincing vision of a world whose center has long since lost its hold, we see the life on whose brink we, at the end of the millennium, find ourselves poised.

    Since 1988, The Best American Poetry anthology series has been “one of the mainstays of the poetry publication world” (Academy of American Poets). Each volume in the series presents some of the year’s most remarkable poems and poets. Now, the 2020 edition is guest edited by Utah’s Poet Laureate Paisely Rekdal, called “a poet of observation and history...[who] revels in detail but writes vast, moral poems that help us live in a world of contraries” by the Los Angeles Times. In The Best American Poetry 2020, she has selected a fascinating array of work that speaks eloquently to the “contraries” of our present moment in time.

    In Why We Need Love, Simon Van Booy curates an enlightening collection of excerpts, passages, and paintings, presenting works by Geoffrey Chaucer, William Shakespeare, John Donne, William Blake, George Eliot, Emily Dickinson, O. Henry, W. B. Yeats, James Joyce, E. E. Cummings, Anaïs Nin, Marc Chagall, J. Krishnamurti, and others.Provocative and eye-opening, Why We Need Love is one of three slim selections of philosophical texts and excerpts—along with Why We Fight and Why Our Decisions Don’t Matter—introduced and contextualized by acclaimed author Simon Van Booy (Love Begins in Winter, The Secret Lives of People in Love).

    In Taboo he examines the role of blacks in Western history, and how these roles are portrayed in art and literature. In taut, meticulously crafted three-line stanzas, Rubens paints his wife looking longingly at a black servant; Aphra Behn writes Oroonoko "as if she'd rehearsed it/for years in her spleen"; and in Monticello, Thomas Jefferson is "still/at his neo-classical desk/musing, but we know his mind/is brushing aside abstractions/so his hands can touch flesh." Taboo is the powerful first book in a new trilogy by a Pulitzer Prize-winning poet whose work never ceases to challenge and delight his readers.

    Fifty-five acclaimed and emerging writers—including Emma Bolden, Ron Carlson, Kelly Cherry, Stuart Dybek, Blake Kimzey, Roland Leach, Bobbie Ann Mason, Diane Williams, and Hiromi Kawakami—have made the debut of The Best Small Fictions 2015 something significant, something worthwhile, and something necessary. Featuring spotlights on Pleiades journal and Michael Martone, this international volume—with Pulitzer Prize–winning author Robert Olen Butler serving as guest editor and award-winning editor Tara L. Masih as series editor—is a celebration of the diversity and quality captured in fiction forms fewer than 1,000 words. ................................................."Whatever one calls them—flash fictions, microfictions, short shorts—the number of outlets where such pieces are published continue to grow along with the interest of readers and writers in the form. The time is right for a Best of the Year anthology."—Stuart Dybek, author of The Coast of Chicago and Ecstatic Cahoots"These small fictions are small only in length, not in impact. Their minuteness provides a different lens upon life—one that illuminates the telling yet elusive moments that bigger stories often overlook. A different slant on the truth emerges not in spite of their length, but because of it. Short shorts often seem like the quiet stepchild in the fiction family—overshadowed by vociferous novels, not quite dressed in the right attire as conventional short stories. A series celebrating these tiny gems is long overdue."—Grant Faulkner, cofounder of 100 Word Story, author of Fissures"The loud and long message of the seemingly quiet and the definitely short is in ample supply in The Best Small Fictions 2015. From a mother’s fury over misspelled words in Dee Cohen’s ‘By Heart’, to a father’s disintegration in David Mellerick Lynch’s ‘Lunar Deep’, there is pathos, depth, and welcome language-fireworks in these small gems. Chekhov would be proud of how briefly these writers manage to speak on lengthy subjects."—Nuala Ní Chonchúir, author of Miss Emily"The Best Small Fictions 2015 is essential reading for anyone who enjoys not just small fiction, but fiction in general. Don't miss it!"—Robert Swartwood, editor of Hint Fiction:An Anthology of Stories in 25 Words or Fewer