A joke at first; but then he was caught up, terrifyingly, in a vision of suffering, and he sought a way out, turning first here, then there—Art, Sex, Religion. Shrike, the cynical editor, the friend and enemy, compulsively destroyed each of his friend’s gestures toward idealism. Together, in the city’s dim underworld, Shrike and Miss Lonelyhearts turn round and round in a loathsome dance, unresolvable, hating until death…The Day of the LocustTo Hollywood comes Tod Hackett, hoping for a career in scene designing, but he finds the way hard and falls in with others—extras, technicians, old vaudeville hands—who are also in difficulty. Around him he sees the great mass of inland Americans who have retired to California in expectation of health and ease. But boredom consumes them, their own emptiness maddens them; they search out any abnormality in their lust for excitement—drugs, perversion, crime. In the end only blood will serve; unreasoned, undirected violence. The day of the locust is at hand…

    "A terse, polemical and often violent book that follows Mark, a disaffected American everyman, through the trailer parks, bedrooms, dive bars and strip joints of humdrum Youngstown, Ohio during the final two hours leading up to the dawn of America's supposed 'War on Terror.'... America's finest literary pariah? You bet"--Dazed & Confused. "This alarmingly well written book is a new voice that has rankled more than enough people back home in America. This vitriolic stance against Bush, God and War is just the book we should be reading in today's climate"--Scarecrow.

    He can identify every car in town from the sound of its engine, but his world is changing faster then he can fathom. His wife has become an artist, selling sea-glass sculptures to tourists. His daughter is bound for college, while his son has turned angry and lawless. Lucky's own heart is failing him, too. An operation has kept it ticking, but he can't run the boat alone any more. As the spring lobster season opens, the only deckhand Lucky can find to help load his traps is Ronette, the not-quite-divorced wife of the local lobster wholesaler. When the two make it out to the fishing grounds, someone else's buoys are bobbing in his ancestral waters. Before he knows it, Lucky is in a lobster war and has abandoned all the rules: family, health, finance, even the rules of the sea that have guided him throughout his life. As waves of trouble turn into a flood tide, Lucky's pride propels him into an epic confrontation with his enemies and a rogue whale -- a battle his unreliable heart may not survive. The Wooden Nickel is a classic story of a man raging against a changing world, full of pathos and comedy. It is a remarkable novel by a writer with a powerful, distinct, and original voice.

    By the following Passover, however, only one is still alive: Benjamin Israelien; a kindly, innocent, ignorant man-child. As he finds himself transformed into an international superstar, Jewishness becomes all the rage: matzo-ball soup is in every bowl, sidelocks are hip; and the only truly Jewish Jew left is increasingly stigmatized for not being religious. Since his very existence exposes the illegitimacy of the newly converted, Israelien becomes the object of a worldwide hunt . . .Meanwhile, in the not-too-distant future of our own, “real” world, another last Jew—the last living Holocaust survivor—sits alone in a snowbound Manhattan, providing a final melancholy witness to his experiences in the form of the punch lines to half-remembered jokes.

    This play which won the author a Pulitzer Prize and a Tony award presents the lead character, Willy Loman (played over time by Lee J Cobb, George C Scott, Dustin Hoffman, and Brian Dennehy, among others), who has come to represent the middle-class struggle.

    

    It is a celebration of love, art, and the Bohemian life at a time when the world was simpler and slower, and Miller an obscure, penniless young writer in Paris. Whether discussing the early days of his long friendship with Alfred Perles or his escapades at the Club Melody brothel, in Quiet Days in Clichy Miller describes a period that would shape his entire life and oeuvre.

    Told from the points of view of a perceptive young Nazi, a jaded American film producer, and a shy Jewish boy just married to the love of his life, Shaw conveys, as no other novelist has since, the scope, confusion, and complexity of war.

    It is a tale of love and courage, of power abused, and of the terrible choice between family loyalty and justice.

    He vows revenge using letters that promise a fortune to trap the most sanctimonious residents.

    Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminate the destructive power of socially sanctioned violence. Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing "Political opposition...is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence." The Viking Critical Library edition of Arthur Miller's dramatic recreation of the Salem witch trials contains the complete text of The Crucible as well as extensive critical and contextual material about the play and the playwright, including:Selections from Miller's writings on his most frequently performed playEssays on the historical background of The Crucible, including personal narratives by participants in the trials and records of witchcraft in Salem from the original documentsReviews of The Crucible, in production by Brooks Atkinson, Walter Kerr, Eric Bentley, and othersExcerpts from Jean-Paul Sartre's Les Sorcières de Salem, a "spin-off" of Miller's play, and three analogous works by Twain, Shaw, and Budd SchulbergCritical essays on the play, on Miller, and on the play in the context of Miller's oeuvreAn introduction by the editor, a chronology, a list of topics for discussion and papers prepared by Malcolm Cowley, and a bibliography

    But in that dark Depression year, books were hard to sell, and the novel quickly dropped out of sight, as did its twenty-eight-year-old author. Only with its paperback publication in 1964 did the novel receive the recognition it deserves. Call It Sleep was the first paperback ever to be reviewed on the front page of The New York Times Book Review, and it proceeded to sell millions of copies both in the United States and around the world. Call It Sleep is the magnificent story of David Schearl, the “dangerously imaginative” child coming of age in the slums of New York.

    As Fiction. O. Matthiessen pointed out, “in these loosely connected sketches, she has acquired a structure independent of plot. Her scaffolding is simply the unity of her vision.” Her vision was of a gentle and generous people on a rugged and dangerous coast, of New England character and “characters” limned in colors of high summer and blue skies. Here, too, you will meet the people of Dunnet Landing; the women, who are probably the most unforgettable characters of her book; and Elijah Tilley (among the very few men in Jewett’s cast) who, after the death of his wife, learns the skills of husband and wife, of farm and sea. The black-and-white pencil drawings by Douglas Alvord are nothing short of spectacular. Closely observed and carefully rendered, they possess all of the haunting serenity of Jewett’s landscapes. Faithfully reproduced and printed to the highest standards, this is destined to become a standard gift and reading book for everyone fascinated by New England, the rich history of its rockbound coast, and this magical author.

    Released from the social constraints of her traditional Jewish family, and thrown into the glorious, colorful world of theater, Marjorie finds herself entangled in a powerful affair with the man destined to become the greatest-and the most destructive-love of her life.Rich with humor and poignancy, Marjorie Morningstar is a classic love story, one that spans two continents and two decades in the life of its heroine. This unforgettable paean to youthful love and the bittersweet sorrow of a first heartbreak endures as one of Herman Wouk's most beloved creations.

    In New Orleans in 1937, a man and a woman embark on a headlong flight into the wilderness of illicit passion, fleeing her husband and the temptations of respectability. In Mississippi ten years earlier, a convict sets forth across a flooded river, risking his own chance at freedom to rescue a pregnant woman. From these separate stories Faulkner composes a symphony of deliverance and damnation, survival and self-sacrifice, a novel in which elemental danger is juxtaposed wiht fatal injuries of the spirit. The Wild Palms is grandly inventive, heart-stopping in its prose, and suffused on every page with the physical presence of the country that Faulkner made his own.