He’s also an ex-felon, an initiate into the feral, unspoken magic that only prisoners know: how to vanish, how to tell fortunes, how to steal souls. Now the man who put him in prison wants him to return to Railburg State Correctional Facility to help investigate a case.Colin has some allies at Railburg: his mentor Gutierrez, who talks to God, and his friend Noel, the best ink artist in the prison. But another powerful prisoner that Colin helped put away is slowly poisoning the food, and there’s impulsive young Laney to protect from the Aryan Brotherhood. With mysterious forces aiming to incite a riot that will wipe Railburg from the map and from human memory, Colin has bigger problems than the one he went to Railburg to solve...

    No one knows where they are from. Some think it is the start of an alien invasion. Others credit God. When the old and the sick go through these gates, they become young again and their illnesses disappear. But there are several problems! Not everyone makes it through the first time. Some people simply disappear. When you go through a gate, your sex changes -- men become women and women become men. And no one can go back through the gate a second time. Everyone who tries disappears. When Don accidentally falls through a gate and becomes Donna, he and his friends face a life-changing adventure, for THE SEX GATES are more than they seem to be.

    Despite the rumours doing the rounds, young Miss Moorthy feels safe as a secondary school teacher. That is, until her colleague, Evelyn Ngui, is murdered and her free-spirited flatmate, Connie, encounters the murderer in their house. Now sensible Miss Moorthy has no choice. She must investigate. Will she pin down the motivations of The Strangler?. Will she understand his association with the naive Evelyn Ngui? Most importantly, will she come out alive, as she stumbles upon forgotten secrets? Find out, as Miss Moorthy handles school students, anxious parents, a stuffed blue rabbit, and possibly, more than one killer, with aplomb.

    The story revolves around a reporter determined to chase down an explosive story that a renowned geneticist was going to tell, until he vanished.

    A5 size.

    But before she can hit send, her girlfriend reveals that he has always identified as a man and now wants to start living as one.Now Alice must face a question she never thought she'd ask . . . does this mean she's straight?A bittersweet comedy about gender, sexuality and being a long way from home.A programme text edition which was published to coincide with the world premiere at Theatre503, London, on 27 October 2015

    . . ."In this vivid, seductive, gorgeously written memoir, Mandy Sayer recounts the fascinating years she spent performing on the streets of New York and New Orleans with her father. Gerry Sayer was a jazz drummer, a beguiling Irish charmer with a million stories and an insatiable love for jam sessions and all-night parties. Mandy grew up captivated by his outrageous tales even after he left the family for good and her mother descended into the distance of drink. When her siblings failed him by rejecting the bohemian performing life, Mandy saw her chance to become a character in his stories, part of the only life he really loved. So she learned to tap-dance, and they set off together to satisfy their grand ambitions on the toughest stage in the world--New York.Driven by their dream of making it big, Mandy and Gerry arrived in the city with no place to stay and only costumes to their names. They became part of the thrilling, precarious world of street performers--jugglers, magicians, fire-eaters, dancers--who eked out their livings at the mercy of the elements, the cops, complaining neighbors, and lurking thieves. In cinematic detail, Sayer tells of the first exhilarating season in New York City, earning $200 a night on Columbus Avenue; offsetting the physical pain of endless performance with the incomparable rush that accompanied it; the long, difficult winter in New Orleans, surviving on avocados and raw vegetables in unheated apartments; and their final unforgettable return to New York. Entwined with this singular story of a busker's life is the deeper, more intimate story of Mandy's transformation from a girl searching for her father's love into a woman who could invent her own language and find her own voice. For ultimately Dreamtime Alice is a triumphant record of a young woman's discovery that she could create her own story at last.

    In this multifarious underground, Pynchonesque misfits rant and rave, fans eulogize, hobbyists obsess. Together they form a low-tech publishing network of extraordinary richness and variety. Welcome to the realm of zines.In this, the first comprehensive study of zine publishing, Stephen Duncombe describes their origins in early-twentieth-century science fiction cults, their more proximate roots in 60s counter-culture and their rapid proliferation in the wake of punk rock. While Notes from Underground pays full due to the political importance of zines as a vital web of popular culture, it also notes the shortcomings of their utopian and escapist outlook in achieving fundamental social change. Duncombe’s book raises the larger questionof whether it is possible to rebel culturally within a consumer society that eats up cultural rebellion.Packed with extracts and illustrations from a wide array of publications, past and present, Notes from Underground is the first book to explore the full range of zine culture and provides a definitive portrait of the contemporary underground in all its splendor and misery.

    Now she has written down her explanations for all to read in Transgender Explained For Those Who Are Not. Organized by topic into short, easy-to-read chapters, Transgender Explained is perfect for parents, relatives, colleagues, friends, allies and even journalists who want to quickly get up to speed on what it means to be transgender.

    It begins, blossoms, and then falls apart - as she sails solo on the ocean, pictorally speaking. The first Invincible Summer character to use a real name goes from hero to villain in these 5 issues. We're also treated to the usual vegan recipes, priceless moments, friendships, humor, fashion, and heart from this rad Portland lady.

    But their main concern isn’t about paying rent: they’re ravenous vampires, dying to sink their teeth into a fresh, live human! So they can’t believe their luck when Dongha, who grew up isolated from society, eagerly moves in with no idea of what awaits him. To the vampires’ dismay, however, Dongha doesn’t weigh enough for them to suck his blood! As they shower their unsuspecting new housemate with food and attention to fatten him up, have they gotten too attached to their would-be prey? And is there more to sweet, naive Dongha than meets the hungry vampires’ eyes?

    Her daughter, Carly, enthusiastically witnesses the change in her mother. But then a few months into their relationship, Dana tells Allison his secret: he has always been certain that he is a woman born into the wrong skin, and soon he will have a sex-change operation. Allison, is overwhelmed by the depth of her passion, and finds herself unable to leave Dana. By deciding to stay, she finds she must confront questions most people never even consider. Not only will her own life and Carly’s be irrevocably changed, she will have to contend with the outrage of a small Vermont community and come to terms with her lover’s new body–hoping against hope that her love will transcend the physical.

    Also included is Suri’s very best advice and essays on topics ranging from pop culture to politics, accompanied by approximately 100 full-color photos throughout.

    Here, a reprinting of the seminal underground essay by Bob Black.

    The author found discarded, confidential, PhD applicant files for the biology department at an Ivy League university from 1965 to 1975 as he was rooting through the recycling bin for magazines. Photographs of the prospective students were stapled to many of the documents and this book collects these photos and pairs them with accompanying comments from employers and professors. The results are absurdist, confusing, often hilarious, and disturbing. They provide unique insight into outdated, 1970s social attitudes and ephemera yet much of the book’s appeal is found in what the book fails to say: the blank and despondent stares of its subjects, the outdated fashions and hairstyles, and its understated text.