Vignette #2 brings back a very minor character - Simon Gardner, the owner of the local Antique Shoppe. The third vignette takes us to Sweet Beans and an interaction between Sal and Camille. There is always something happening at the coffee shop. Vignette #4 is a little deeper insight into some of the agony that Heath Harvey has faced at the loss of his parents. His life changed drastically and the boy never was given time to deal with it. The final vignette - #5 is a look at our favorite waitress from Joe's Diner. Lucy is a steady, solid presence in the lives of so many people in Bellingwood, but what is her story? This is an opportunity to find out.The Bellingwood books are written from Polly's perspective and every once in a while it's fun to look at what's happening behind the scenes from the viewpoint of other characters. These vignettes were originally published on the nammynools.com website and in the monthly email newsletter to Bellingwood readers.

     Homicide Detective Michael Dobson has seen many things in his long years on the force, but nothing can prepare him for a series of murders linked through the same mysterious chain letter mailed to the victims before their untimely demise. The answers lie in the victims’ pasts, leading Dobson and his rookie partner on a serpentine quest through the dark recesses of vengeance and betrayal. Can he stop the killer in time, or will a brutal fate await all who have made the killer’s list?

    FILTHY One taste was all it took. She's mine. Whether she likes it or not... This is Finn O'Grady's story. FILTHY RICH The bruises on my bride's face stir the monster in me. Someone's touched my property. I'm Irish Mob. We kill to protect our women. We reap nightmares on those who harm them. And I’m the biggest nightmare of them all. This is Eoghan O'Donnelly's story. FILTHY DARK Loving someone means making them hate you to keep them safe, to get them away from the toxicity that is your world. I destroyed us before we even had a chance to begin… Can a near death experience bring both my kid and the woman who owns my heart back to me? This is Declan O'Donnelly's story. Contains never-before-seen bonus chats!!

    It's an insightful artistic philosophy that boils down the many technical principles of composition into a single master rule that's easy to remember and apply: Never make any two intervals the same.You can make every painting more interesting, dynamic and technically sound by varying intervals of distance, length and space, as well as intervals of value and color. The rule also applies to balance, shape and the location of your painting's focal point.Greg Albert illustrates these lessons with eye-opening examples from both beginning and professional artists, including Frank Webb, Tony Couch, Kevin Macpherson, Charles Reid, Tony Van Hasselt and more.You'll discover that the ONE RULE is the only rule of composition you need to immediately improve your work - the moment your brush touches the canvas.

    His career boasts an incredible array of projects from designing cars to drafting architectural renderings, but he is most famous for his work as a concept artist on some of the most visually arresting films in the history of cinema. Since working on Star Trek: The Motion Picture in 1978 as a production illustrator Syd Mead has always aimed to render “reality ahead of schedule,” creating evocative designs that marry believable content with a neofuturistic form. It is this ability to predict technological potential that has helped Mead create such a distinctive and influential aesthetic. From his work with Ridley Scott on Blade Runner, to his striking designs for the light cycles in Tron, to his imposing concept art for the U.S.S. Sulaco in James Cameron’s Aliens, Syd Mead has played a pivotal role in shaping cinema’s vision of the future. The Movie Art of Syd Mead: Visual Futurist represents the most extensive collection of Mead’s visionary work ever printed, compiling hundreds of images, sketches and concept arts from a career spanning almost 40 years, many of which have never been seen in print before. Each entry provides a unique insight into the processes involved in Mead’s practice as well as illuminating the behind-the-scenes work involved in creating a fully realized, cinematic depiction of the future. With such a plethora of images from the many genre-defining films Mead has worked on, this is essential reading for film fans, artists and futurologists alike.

    

    Over 100 additional new images are integrated into Volume I, and appear online as full size digital images with discussions written by the author. These bonus images are complemented by groundbreaking media support for students including video study tools and a robust eBook.

    and Doonesbury. Old favourites Katzenjammer Kids, Mutt and Jeff, Gasoline Alley, Bringing up Father, Mickey Mouse, Little Orphan Annie, Dick Tracy, L'il Abner, Barnaby, Pogo and many more fill this collection of American comic classics.

    It shows exciting ways of using different art materials. Simply follow the step-by-step instructions exactly or use the ideas to create pictures of your own.

    

    

    Not only did she need summer break the way all teachers do, but she also needed to get away from life for a while—and leave the humiliation of her fiancé dumping her a month before the wedding behind. What better way to relax than a month-long stay in Hawaii? Things get off to a rough start when Megan makes a fool of herself at the baggage carousel, but lucky for her, handsome Drake Hanover is there to sweep her off her feet—or rather, get her back on them. And, as fate would have it, they are staying at the same resort, one which Drake intends to buy. While adventure was part of the plan, the two of them, and a few friends, find themselves caught up in the adventure of a lifetime—one that involves shadowy figures, plenty of deception, and a lot of hidden treasure. And what better way to fall in love than over a little bit of danger in paradise? Billionaire Vacation is a steamy alpha billionaire romance. No cliffhanger and has a HEA. Includes 3 free bonus full-length novels for a limited time.

    Civil War pits countrymen against one another and tears a nation asunder. Life and death are held in the balance where everyone is a slave to something. In a time when war brings the South to its knees, two women will forge a friendship in the fires of redemption and thrust Ironwood into a new future – where the battle for freedom has merely begun. Book Two: Heir of HopeA hidden diary. Dreams of the past. And a hope for a new future. Emily Burns grew up an orphan, so she never expected to inherit a southern plantation. When she discovers an old diary hidden in the attic, her life becomes strangely entwined with her Civil War ancestor and she soon begins to wonder how a woman long dead can keep showing up in her dreams.Book Three: Missing MercyThe venture ahead could leave their friendship behind.Made a safe-haven after the Civil War, Ironwood Plantation is a refuge of equality for former slaves. But twenty years and a new generation later, they have become an isolated community with little contact with the rest of the world.In a time where prejudices try to define them, Mercy Carpenter and Faith Harper must push the boundaries of their beliefs and trust in the God who holds the keys to freedom.

    Introducing students to a variety of established theories of art, he presents the traditional sets of criteria of Realism, Expressionism, and Formalism, which are in turn updated by recent sources of Poststructuralism. Barrett applies each of these theories to challenging works of contemporary art, pointing out the strengths and weaknesses of each mode of interpretation. He encourages students to consider many criteria when evaluating an artwork, to critically examine judgments made by others, and to make informed judgments of their own. Ideal for courses in aesthetics, art theory, art criticism, and the philosophy of art, Why Is That Art? is organized chronologically according to the history of aesthetics. It features sixty-seven illustrations (twenty-six in a full-color insert), discusses a wide range of American and European artists, and includes an exceptional overview of postmodern pluralism. This unique book will provide students with a newfound appreciation for contemporary art, scholarship, and reasoned argumentation, giving them the confidence to join the fascinating discourse on contemporary art.

    Tezuka was Walt Disney, Stan Lee, Jack Kirby, Tim Burton, and Carl Sagan all rolled into one incredibly prolific creator, changing the face of Japanese culture forever. Best known for Astro Boy and Kimba the White Lion, Tezuka was instrumental in developing Japanese animation and modern manga comics. The Art of Osamu Tezuka is the first authorized biography celebrating his work and life and featuring over 300 images—many of which have never been seen outside of Japan. With text by respected manga expert Helen McCarthy, The Art of Osamu Tezuka: God of Manga pays tribute to the work of an artist, writer, animator, doctor, entrepreneur, and traveler whose curious mind spawned dozens of animated films, and over 170,000 pages of comics art in one astonishingly creative lifetime.The Art of Osamu Tezuka: God of Manga also includes an exclusive 45-minute DVD documentary covering Tezuka’s prolific career, from his early manga characters to his later animation work. The package is out of the ordinary as well. It is a hardcover with an onlay and a vinyl jacket.