I don't know why she swallowed a shark, but it left no mark! Scholastic's bestselling Old Lady is starring in a brand-new adventure series that will make you laugh AND learn! In this new spin-off, the Old Lady turns into an Old Mermaid, travels down into the ocean, and swallows a shark... and a squid, and a fish, and an eel, and a crab, and a sea star, and a clam... Why? Well, it was fun to cram her mouth with a clam! Two new characters lead the reader through this hilarious adventure while exchanging some awesome facts about the creatures down under for a light take on nonfiction that's perfect for this age. With expanded sea creature back matter and a search-and-find game at the end, this Old Mermaid is making quite a splash!

    People never do....Once, they lived in a big house with spectacular gardens and an army of servants.Once, they had a father and mother who loved them more than the sun and moon.But that was before their father disappeared into the woods and their mother disappeared into sorrow.This is the story of two sisters and the enchanted woods that have been waiting for them to break a set of terrible spells.Bestselling author-illustrator Emily Winfield Martin has created a world that sits on the border of enchantment, with characters who are grounded in real emotions that readers will recognize in themselves.

    And ended with . . . well, if we told you that, it wouldn’t be a mystery! But in between The Scream and The Very Surprising Ending, three friends find themselves on a scavenger hunt set up for a girl they never met, in search of a legendary ring reputed to grant wishes. Are these sleuths in school uniforms modern-day equivalents of Nancy, Harriet, or Scooby? Not really, they’re just three nice girls who decide to help out a weird lady, and end up hiding under tables, tackling word puzzles and geometry equations, and searching rather moldy storage rooms for “the stuff that dreams are made of” (that’s from an old detective movie). Oh, and there’s A Boy, who complicates things. As boys often do.Intrigued? The Red Blazer Girls offers a fun, twisty adventure for those who love mystery, math (c’mon, admit it!), and a modest measure of mayhem.Michael Beil, a New York City high school English teacher, makes his literary debut with this fun and brainy mystery.

    Born a hedgehog from the waist up, he knows what it's like to truly be an outcast. Even his amazing fiddle playing can't help him fit in. So Hans flees to the forest with his herd of loyal pigs and only his music to keep him company. But then a most unusual thing happens: When Hans crosses paths with two kings with two lovely daughters, his luck starts to change. Will this lonely soul find true love after all?This lively and lyrical retelling of the classic Grimm's tale, paired with lush, detailed illustrations, reminds us of the power of music, the importance of belonging, and the transformative effect of love.

    He is always hungry, and living with culinary-inclined Mouse, who makes thirty-five pies in one day, just makes it worse. Fat Cat swallows everything in sight, including the washlady and her washtub, a troop of soldiers and their swords, even a king and his elephant! But when Cat swallows Mouse and her sewing basket, that's the last straw. Tiny Mouse cuts to the heart of ....

    Award-winning cartoonist R. Kikuo Johnson transports young readers to the lush tropical shores of his native Hawaii. Fluent or not, young readers will be thrilled when they experience the transformative powers of a stirring literary work.

    The Zemachs have interpreted the folk tale which the play dramatized, recognizable as a version of the widespread Rumpelstiltskin story. Its main themes are familiar, but the character and details of this picture book are entirely Cornish, as robust and distinctive as the higgledy-piggledy, cliff-hanging villages that dot England's southwestern coast from Penzance to Land's End.The language spoken by the Christmas players was a rich mixture of local English dialect and Old Cornish (similar to Welsh and Gaelic), and something of this flavor is preserved in Harve Zemach's retelling. Margot Zemach's pen-and-wash illustrations combine a refined sense of comedy with telling observation of character, felicitous drawing with decorative richness, to a degree that surpasses her own past accomplishments.Duffy and the Devil is a 1973 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year, a 1974 National Book Award Finalist for Children's Books, and the winner of the 1974 Caldecott Medal.

    The first thing she needs is some magic.Poor Princess Anya. Forced to live with her evil stepmother’s new husband, her evil stepstepfather. Plagued with an unfortunate ability to break curses with a magic-assisted kiss. And forced to go on the run when her stepstepfather decides to make the kingdom entirely his own.Aided by a loyal talking dog, a boy thief trapped in the body of a newt, and some extraordinarily mischievous wizards, Anya sets off on a Quest that, if she plays it right, will ultimately free her land—and teach her a thing or two about the use of power, the effectiveness of a well-placed pucker, and the finding of friends in places both high and low.

    Children meet Bragi, the god of poetry, and the famous Valkyrie maidens, among other gods, goddesses, heroes, and giants. Illustrations throughout depict the wondrous other world of Norse folklore and its fantastical Northern landscape.

    Her aunt is a vet for magical creatures. And her new friend Tomas is allergic to most magical creatures. When things go amok—and they often go amok—Pip consults Jeffrey Higgleston’s Guide to Magical Creatures, a reference work that Pip finds herself constantly amending. Because dealing with magical creatures like unicorns, griffins, and fuzzles doesn’t just require book knowledge—it requires hands-on experience and thinking on your feet. For example, when fuzzles (which have an awful habit of bursting into flame when they’re agitated) invade your town, it’s not enough to know what the fuzzles are—Pip and Tomas also must trace the fuzzles’ agitation to its source, and in doing so, save the whole town.

    And adventure, he has heard, is the key to a happy life. So with his new friend Edward the ant, Avon sets out on a journey to find the excitement his life has been missing. The travelers meet all manner of wise, weird, and intriguing creatures--including a dragon!--and it's not long before their adventures begin. In the tradition of such classics as "The Little Prince," "Alice's Adventures in Wonderland," and "Winnie-the-Pooh," this completely original story--a modern fable for our time--brims with wit, wisdom, and profound insights about the meaning of things . . . great "and" small.

    This sturdy board book edition is not too big, not too small, but just right for toddlers.Accompanied by bold and vibrant colored paintings, Barton's story includes the rhythmic refrain children love to hear.Supports the Common Core State Standards

    Best-selling authors Dave Barry and Ridley Pearson have turned back the clock to reveal the wonderful story that precedes J. M. Barrie’s beloved Peter Pan. Peter and the Starcatchers is brimming with richly developed characters, from the scary but somehow familiar Black Stache and ferocious Mister Grin to the sweet but sophisticated Molly and fearless Peter. Page after page of riveting adventures take readers of all ages on a voyage from a filthy, crime-ridden port in old England across the turbulent sea. Aboard the Neverland is a trunk that hold the “greatest treasure on earth” —but is it gold, jewels, or something far more mysterious and dangerous? Roiling waves and raging storms; skullduggery and pirate treachery provide the backdrop for battles at sea. Bone-crushing breakers eventually land our characters on Mollusk Island—where the action really heats up. This impossible-to-put-down tale leads readers on an unforgettable journey—fraught with danger yet filled with mystical and magical moments.

    "Executed with chromatic splendor--a unique combination of brilliance and restraint".--The Horn Book. Full-color illustrations.

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.