One minute Hal Nellis, former air force fighter pilot, is mowing his lawn; the next, he finds himself drafted to fight interstellar pirates set on sacking Earth and other backwater worlds. When the pirate ships acted independently, the civilian Merchants’ Unity had no trouble keeping them under control. But when the pirates organized to better coordinate their activities, they became an unstoppable force, pushing the underfunded Unity to the brink of collapse and leaving backwater worlds like Earth defenseless. As one of the rare humans with the hypertasking gene, Hal is able to pilot the best the Unity has to offer. With his help, and that of Captain Kalen Jeffries—the son of human slaves, the remaining ships of the Unity plan a last-ditch effort to break the pirate hegemony. Succeed, and the pirate organization is crushed forever; fail, and the people of Earth and countless other worlds are doomed to slavery and death. Prepare for a rollicking adventure full of twists and turns you won’t see coming. It's part “Kidnapped,” part “The Guns of Navarone,” and part “The Great Escape.” For more information about the author and his books, visit his website at: http://MarkTerenceChapman.com Or read his blog at: http://tesserene.blogspot.com

    & if you are froward, you shall see who is stronger, a gentle little girl who doesn't eat enough or a big wild man who has cocaine in his body. In my last severe depression I took coca again & a small dose lifted me to the heights." This lurid encomium to cocaine wasn't penned by an immature drug addict. It was written by Sigmund Freud, father of psychoanalysis, to his fiancee Martha Bernays. He frequently got kicks from cocaine. But as is clear from his newly compiled Cocaine Papers, his interest in the drug was scientific, not sensual. He sought for a miracle drug to benefit patients & make his reputation. He thought he'd found it in cocaine. Freud's study of cocaine has been shrouded in myths, half-truths & speculation. Cocaine Papers sets the facts straight. Annotated by his daughter Anna, it presents the complete authoritative versions of his own writings on the drug, including several pieces never before published, along with the work of other early experimenters. He's revealed as not only a driven &, ultimately, tragic seeker for a panacea, but also as one of the pioneers of psychopharmacology, the science of using drugs to treat mental illness. In 1884, before beginning studies leading to the development of psychoanalysis, Freud was 28, a fledgling physician with a fiancee but without funds to wed. He'd been searching for a way to establish himself & gain the respect of colleagues. A paper by German physician Theodor Aschenbrandt seemed to provide the way. Conquistadores had noted the stimulant effect of coca leaves on Andean Indians. Aschenbrandt tried the drug on Bavarian soldiers & reported that it suppressed their hunger while increasing mental powers & capacity to endure strain. Aschenbrandt's paper triggered Freud's studies. He obtained samples & tried it. It gave him an emotional lift, producing what he described as "normal euphoria." After that he used cocaine frequently with the same results. He coolly summarized his experiences in his notes: "You perceive an increase of self-control, possess more vitality & capacity for work. This result is enjoyed without any of the unpleasant aftermaths which accompany exhilaration thru alcoholic means." Freud continued to study cocaine's effects on himself & patients. He found it not only useful in overcoming depression but effective against some purely physiological complaints. He used it to treat stomach disorders & persistent coughing. He didn't administer it indiscriminately. Tho he initially believed it wasn't habit-forming, he found its effects on patients too unpredictable to justify widespread use. Tho he & some American physicians reported initial successes in treating morphine addicts, fellow physician Adolf Albrecht Erlenmeyer warned that cocaine was itself addictive, the "3rd scourge of mankind"—after morphine & alcohol. Freud realized Erlenmeyer was correct. His friend & patient, Ernst von Fleischl-Marxow, became the 1st morphine addict in Europe to be cured by cocaine. He was also one of the 1st to become dependent on it. This development dampened Freud's interest & helped turn his attention to the psychological theories that eventually won him fame. Freud's studies are considered basic to psychopharmacology. But they didn't lead to the discovery of its most effective clinical use. He abandoned his interest in cocaine just after he suggested that a colleague, Karl "Coca" Roller, experiment with its use in easing the pain of eye surgery. It was Koller & not Freud who invented local anesthesia.--Time (edited)

    For parents helping with their children’s homework, casual theatre-goers who want to enhance their enjoyment of the most popular plays and the general reader who feels they should probably know more about Britain’s most splendid scribe, Shakespeare for Grown-ups covers Shakespeare's time; his personal life; his language; his key themes; his less familiar works and characters; his most famous speeches and quotations; phrases and words that have entered general usage, and much more. With lively in-depth chapters on all the major works including Hamlet, Othello, King Lear, The Tempest, Romeo and Juliet, Much Ado About Nothing, Antony and Cleopatra, Richard II, Henry V, A Midsummer Night's Dream, The Merchant of Venice and Macbeth, Shakespeare for Grown-ups is the only guide you’ll ever need.

    Carefully chosen selections from Frye, Benjamin, Lévi-Strauss, Lukács, Bakhtin, and other prominent theorists explore the historical significance of the novel as a genre, from its early beginnings to its modern variations in the postmodern novel and postcolonial novel.Offering a generous selection of key theoretical texts for students and scholars alike, Theory of the Novel also presents a provocative argument for studying the genre. In his introduction to the volume and in headnotes to each section, McKeon argues that genre theory and history provide the best approach to understanding the novel. All the selections in this anthology date from the twentieth century—most from the last forty years—and represent the attempts of different theorists, and different theoretical schools, to describe the historical stages of the genre's formal development.

    In this new essay collection, Földényi considers the continuing fallout from the collapse of religion, exploring how Enlightenment traditions have not replaced basic elements of previously held religious mythologies—neither their metaphysical completeness nor their comforting purpose. Realizing beautiful writing through empathy, imagination, fascination, and a fierce sense of justice, Földényi covers a wide range of topics including a meditation on the metaphysical unity of a sculpture group and an analysis of fear as a window into our relationship with time.

    The pervasiveness of images of torture, horror, and war has all but demolished the twentieth-century hope that such imagery might shock us into a less alienated state, or aid in the creation of a just social order. What to do now? When to look, when to turn away?Genre-busting author Maggie Nelson brilliantly navigates this contemporary predicament, with an eye to the question of whether or not focusing on representations of cruelty makes us cruel. In a journey through high and low culture (Kafka to reality TV), the visual to the verbal (Paul McCarthy to Brian Evenson), and the apolitical to the political (Francis Bacon to Kara Walker), Nelson offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo, and permissibility.

    It’s about where they go from here, the changes they see in themselves and in other people in their lives and the choices they make. The choices make affects their relationships and shapes their personality.

    Gary Handler has issues. His boss hates him, his mother hounds him, and his cat thinks he’s an idiot. But that’s okay because Gary’s got the perfect solution to all of life’s troubles: a porn site subscription and his right hand.Sadly, all habits grow old, even the fun ones. Gary soon finds himself at the doorstep of a creepy old pawn shop where he buys a used adult novelty toy to spice up his one-man sex life.Pity for him that it’s cursed by the angry spirits of all the “kids” he’s flushed down the toilet. Needless to say, hairy palms are about to become the least of his worries.----------Jack on, jack off ... with the Jacklight in book 2 of Shingles, the horror comedy series that’s not for those with faint hearts or weak bladders.

    The walking wounded. These are the stories of ordinary people.

    Green explores the relationship between 16-year-old Hazel, who trails an oxygen cart, and Augustus, a charismatic boy who lost a leg to bone cancer. The review helps readers place the couple's story in context and explore the nature of transcendent experiences. A great choice for book club discussions, John Green's novel explores classic themes regarding the value of youth and friendship and getting the most out of life. The Fault in Our Stars tells a bittersweet tale of love, and its renowned status and plans for movie adaptation foretell that the book is destined to become a classic for young adults. The comprehensive review & analysis gives buyers and potential buyers a complete synopsis (with spoiler alerts!), analysis of literary themes, information about the author, and an easy-to-read discussion of the questions and issues that the novel raises. AN INSTANT BOOK CLUB PARTY! As the book states, you can find the infinite within a finite period. John Green tells a story of relationships and the things that matter most. Read the review to decide whether to buy the book for yourself, your kids or as a gift. Don't worry about spoiling the surprise. Each Review & Analysis has a spoiler-alert section that you can skip if you prefer. If you liked John Green's Looking for Alaska or Paper Towns, you'll love The Fault in Our Stars. This Book Review & Story Analysis conveniently lays out the hidden gems: plot points you might miss, symbols that only become obvious on a second or third read-through, and themes that affect your understanding of the story. Table of Contents • Book Review • Section about author John Green • Character Reference List • Chapter-by-Chapter Plot Summary & Story Analysis • Major Themes & Symbols • Analysis of Key Characters • Book Club Discussion Questions & Responses It's like discussing the novel with your friends or going to a book club meeting. But you don't need to drive anywhere! Packaged together in a fun and entertaining format, the entire discussion is delivered instantly to your device. If you haven't read The Fault in Our Stars yet, we'll let you know what to expect with savvy analysis and an honest review. If you're already reading the novel, then we'll be your tour guide through every chapter, heightening your enjoyment at every moment of intrigue, suspense, and humor. Regardless, this is your map when you're deep in the intricate sub-plots and fascinating imagery of John Green's novel. You'll see the book in a whole new way.

    In part it is a memoir of the three "Factories" that influenced his development as a human being and as a writer, yet the events depicted within the book are fictionalized and conveyed with the poetic verve and playfulness of form that have made Shklovsky a major figure in twentieth-century world literature. In addition to its fictional and biographical elements, Third Factory includes anecdotes, rants, social satire, literary theory, and anything else that Shklovsky, with an artist's unerring confidence, chooses to include.

    It presents historical perspectives on the development of nursing theory, assessments of concept and theory development and theory evaluation, middle-range theories, and shared theories from other disciplines in the sociologic, behavioral, and biomedical sciences, focusing on the application of theory. Learning features found throughout the text include case studies and end-of-chapter summaries that help to reinforce essential concepts.

    His marriage is over and he is alone, teaching poetry as a visiting professor in Montana and continuing to avoid actually writing himself. He drinks to oblivion every night.At this freezing college, in the dead of winter, Winslow meets Erika, one of his poetry students. What begins with office hours and Jim Beam in paper cups becomes a road trip as they travel through Utah and Arizona. Long haunted by thoughts of death, both Erika and Winslow begin to glimpse the power life can hold if they will only open up to the shame, beauty, and heartbreak of it all.

    Her novels and short stories speak to women and men about their most intense relationships and heartfelt feelings.In this collection of five short stories and a novella, Ms. Godwin is at her best. In the title novella, "Mr. Bedford," a young would-be writer spends time in England under the strange and watchful eye of a rather unusual elderly couple; in "Amanuensis," a charming college student cares for a famous but blocked novelist, with unpredictable results; and in "The Angry Year," a rebellious student is drawn to two different kinds of men until she discovers what she has been running to and from.

    M. Forster's Aspects of the Novel and Milan Kundera's The Art of the Novel, How Fiction Works is a scintillating study of the magic of fiction--an analysis of its main elements and a celebration of its lasting power. Here one of the most prominent and stylish critics of our time looks into the machinery of storytelling to ask some fundamental questions: What do we mean when we say we "know" a fictional character? What constitutes a telling detail? When is a metaphor successful? Is Realism realistic? Why do some literary conventions become dated while others stay fresh?James Wood ranges widely, from Homer to Make Way for Ducklings, from the Bible to John le Carré, and his book is both a study of the techniques of fiction-making and an alternative history of the novel. Playful and profound, How Fiction Works will be enlightening to writers, readers, and anyone else interested in what happens on the page.