In his singular universe, televisions talk (and sometimes sing), animals live in small apartments where their nephews visit from the sea, and men and women and boys and girls fall down wells and fly through space and find love on Ferris wheels. In a voice full of fable, myth, and dream, Stories for Nighttime and Some for the Day draws us into a world of delightfully wicked recognitions, and introduces us to a writer of uncommon talent and imagination.Contains 40 stories, including "The Duck," "The Man and the Moose," and "Death and the Fruits of the Tree," as heard on NPR's This American Life, "The Book," as heard on Selected Shorts, and "The TV," as found in The New Yorker.A selection of the Barnes & Noble Discover Great New Writers Program and the Starbucks Coffee Bookish Reading Club.Winner of the 2011 Nobbie Award for Best Book of the Year."This guy can write!" –Ray Bradbury, author of Fahrenheit 451

    Clara has never known another home. In fact, she's confined to the grand estate due to a mysterious heart condition. But it's a comfortable life, and if it weren't for the creepy squawking birds in the aviary out back, a completely peaceful one too. But once old Mrs. Glendoveer passes away, Clara comes to learn many dark secrets about the family. The Glendoveers suffered a horrific tragedy: their children were kidnapped, then drowned. And their father George Glendoveer, a famous magician and illusionist, stood accused until his death. As Clara digs deeper and deeper into the terrifying events, the five birds in the aviary seem to be trying to tell her something. And Clara comes to wonder: what is their true identity? Clara sets out to solve a decades-old murder mystery—and in doing so, unlocks a secret in her own life, too. Kathleen O'Dell deftly weaves magic, secret identities, evil villians, unlikely heroes, and the wonder of friendship into a mystery adventure with all the charm of an old fashioned classic.

    With eerie illustrations throughout and a beautiful three-piece cloth cover, the books are designed to look like they came straight from the library in the Haunted Mansion. Tales from the Haunted Mansion is a fun, spooky ride, just like the attraction from the Disney Parks. And if readers are familiar with the ride, they'll see elements of it throughout the entire story, from items straight of the Mansion (are those pictures stretching?) to lyrics from the narration that is heard in each Doom Buggy. In this bone-chilling book, you will hear the terrifying tales of the Fearsome Foursome--four kids who look to out-scare each other. But just wait until they hear my spooky stories. Who am I? I am Amicus Arcane, your librarian and host. Your Ghost Host. So read on... if you dare!

    Who will invent a candy more delicious than the Oozing Crunchorama or the Neon Lightning Chew? Logan, the Candymaker's son, who can detect the color of chocolate by touch alone?Miles, the boy who is allergic to merry-go-rounds and the color pink? Daisy, the cheerful girl who can lift a fifty-pound lump of taffy like it's a feather? Or Philip, the suit-and-tie wearing boy who's always scribbling in a secret notebook?This sweet, charming, and cleverly crafted story, told from each contestant's perspective, is filled with mystery, friendship, and juicy revelations.

    Meticulously researched and illustrated with many detailed drawings, this novel offers an exceptionally vivid and personal portrait of Native American life and customs.

    Eleven-year-old Nicholas Vargas only thinks his life has been turned upside down after his developer father remarries and moves his new wife and daughter into the soon-to-be completed Mangrove Hollow. But an "expedition" to a nearby lake turns up a little nixie with a giant problem - the huge, lumbering, fire-breathing variety - and it's up to Nick; his stepsister, Laurie; and his big brother, Julian (plus a familiar face from the original Spiderwick Chronicles) to figure out the best way to stop a host of rampaging giants before all of Florida goes up in smoke.

    Truth requires thorns. Travel to a world of dark bargains struck by moonlight, of haunted towns and hungry woods, of talking beasts and gingerbread golems, where a young mermaid's voice can summon deadly storms and where a river might do a lovestruck boy's bidding but only for a terrible price.Inspired by myth, fairy tale, and folklore, #1 New York Times—bestselling author Leigh Bardugo has crafted a deliciously atmospheric collection of short stories filled with betrayals, revenge, sacrifice, and love.Perfect for new readers and dedicated fans, these tales will transport you to lands both familiar and strange—to a fully realized world of dangerous magic that millions have visited through the novels of the Grishaverse.This collection of six stories includes three brand-new tales, all of them lavishly illustrated with art that changes with each turn of the page, culminating in six stunning full-spread illustrations as rich in detail as the stories themselves.

    There in the depths is a mysterious and beautiful creature with a sharp tongue and a broken heart: a mermaid named Aquamarine who has left her six sisters to search for love on land. Now, as this mythological yet very real being starts to fade in the burning August sun, a rescue is begun.On the edge of growing up, during a summer that is the hottest on record, Hailey and Claire are discovering that life can take an unpredictable course, friendship is forever, and magic can be found in the most unexpected places.

    They're spoken of in stories and superstitions, relics of an unenlightened age, old wives' tales, passed down through generations. And yet, no matter how wary and jaded we have become, as individuals or as a society, a part of us remains vulnerable to them. Werewolves and wendigos, poltergeists and vampires, angry elves and vengeful spirits.In this beautifully illustrated volume, the host of the hit podcast Lore serves as a guide on a fascinating journey through the history of these terrifying creatures, and explores not only the legends but what they tell us about ourselves. Aaron Mahnke invites us to the desolate Pine Barrens of New Jersey, where the notorious winged, red-eyed Jersey Devil dwells. Mahnke delves into harrowing accounts of cannibalism-some officially documented, others the stuff of speculation . . . perhaps. He visits the dimly lit rooms where séances take place, the European villages where gremlins make mischief, and Key West, Florida, home of a haunted doll named Robert.The monsters of folklore have become not only a part of our language but a part of our collective psyche. Whether these beasts and bogeymen are real or just a reflection of our primal fears, we know, on some level, that not every mystery has been explained, and that the unknown still holds the power to strike fear deep in our hearts and souls. As Aaron Mahnke reminds us, sometimes the truth is even scarier than the lore...

    In this collection of mostly nineteenth-century folk and fairy tales, Ethel Johnston Phelps's heroines successfully portray women as being spirited, courageous and smart. This type of heroine is not easily found in most collections; in most traditional folk and fairy tales we encounter women are portrayed as being good, obedient, submissive, and, of course, beautiful. These women—and girls—are resourceful; they take action to solve a problem and use cleverness or shrewd common sense to solve the dilemmas they face.The tales themselves are part of an oral tradition that document a generation according to the values of the time. Phelps has given these older tales a fresh, contemporary retelling for a new generation of readers, young and old. She shapes each story—adding or omitting details—to reflect her sense of a feminist folk or fairy tale. The twenty-one tales collected represent a wide variety of countries; approximately seventeen ethnic cultures from North America to Europe to Asia tell a story in which women play a leading or crucial role in the story.

    I loved these.” ―Kelly Link, author of Get in Trouble“This inventive, enchanting collection reads like the fairy tales of old, hushed stories passed woman to woman, before the Grimms came and wiped away all the blood.” ―Laura Ruby, author of Thirteen Doorways, Wolves Behind Them All“The writing is as spare and precise as poetry, connected to the darker, edgier elements of fairy-tale conventions. Albert’s rich and tightly focused collection forms the core of the mythology created in her novels, and her fans will be thrilled at this further glimpse into that world.” ―Booklist, starred review “Stories fueled by feminist rage, the frustration of being unnderestimated, and the insatiable longing to experience more mark this collection as timely and universal.” ―SLJ

    Then she meets Ivy Vega. At first, Ivy, pale and dressed all in black, looks like Olivia's opposite. Then the girls look beyond the glittery pink blush and thick black eyeliner to discover they're identical--identical twins!Olivia and Ivy are brimming with plans to switch places and pull every twin trick in the book. But Olivia soon discovers that she and Ivy aren't exactly the same. Ivy's a vampire. And she's not the only one in town.

    With this volume, the holy trinity of fairy tales - the Brothers Grimm, Charles Perrault, and Hans Christian Andersen - becomes a quartet. In the 1850s, Franz Xaver von Schönwerth traversed the forests, lowlands, and mountains of northern Bavaria to record fairy tales, gaining the admiration of even the Brothers Grimm. Most of Schönwerth's work was lost - until a few years ago, when thirty boxes of manu­scripts were uncovered in a German municipal archive.Now, for the first time, Schönwerth's lost fairy tales are available in English. Violent, dark, and full of action, and upending the relationship between damsels in distress and their dragon-slaying heroes, these more than seventy stories bring us closer than ever to the unadorned oral tradition in which fairy tales are rooted, revolutionizing our understanding of a hallowed genre.

    Each story focuses on the role of women--both real and fantastic--and their particular strengths, joys and sorrows. Full-color illustrations.

    Writing in the midst of a Europe-wide rebirth of national literature, Anderson broke new ground with his fairy tales in two important ways. First, he composed them in the vernacular, mimicking the language he used in telling them to children aloud. Second, he set his tales in his own land and time, giving rise to his loving descriptions of the Danish countryside. In contrast to such folklorists as the Brothers Grimm, Anderson’s tales are grounded in the real and often focus on the significance of small or overlooked things.Tinderbox --Little Claus and big Claus --Princess on the pea --Thumbelina --Traveling companion --Little mermaid --Emperor's new clothes --Steadfast tin soldier --Wild swans --Flying trunk --Nightingale --Sweethearts --Ugly duckling --Fir tree --Snow queen --Red shoes --Shepherdess and the chimney sweep --Shadow --Old house --Little match girl --Story of a mother --Collar --Bell --Marsh King's daughter --Wind tells of Valdemar Daae and his daughters --Snowman --Ice maiden --Wood nymph --Most incredible thing --Auntie toothache.