But eventually her father's behavior was too disturbing to ignore. He wept when listening to Radio Free Europe, hid pamphlets in sacks of dried beans, and mysteriously buried and reburied a typewriter. When she discovered he was a political dissident she became anxious for him to conform. However, with her mother in the hospital and her sister at boarding school, she was alone, and helpless to stop him from driving off on one last, desperate protest.After her father's subsequent imprisonment, Bugan was shunned by her peers at school and informed on by her neighbors. She candidly struggled with the tensions of loving her "hero" father who caused the family so much pain. When he returned from prison and the family was put under house arrest, the Bugans were forced to chart a new course for the future. A warm and intelligent debut, Burying the Typewriter provides a poignant reminder of a dramatic moment in Eastern European history.

    Her best friend, Dawn, commits suicide after a long struggle with feeling under pressure to achieve. Kite's dad takes her to the Lake District, to give her time and space to grieve. In London Kite is a confident girl, at home in the noisy, bustling city, but in the countryside she feels vulnerable and disorientated. Kite senses Dawn's spirit around her and is consumed by powerful, confusing emotions - anger, guilt, sadness and frustration, all of which are locked inside. It's not until she meets local boy, Garth, that Kite begins to open up - talking to a stranger is easier somehow. Kite deeply misses her friend and would do anything to speak to Dawn just once more, to understand why . . . Otherwise how can she ever say goodbye? A potent story about grief, friendship, acceptance and making your heart whole again.

    Leo would spend the next five years in a coke processing plant, shoveling coal, lugging bricks, mixing mortar, and battling the relentless calculus of hunger that governed the labor colony: one shovel load of coal is worth one gram of bread.In her new novel, Nobel laureate Herta Müller calls upon her unique combination of poetic intensity and dispassionate precision to conjure the distorted world of the labor camp in all its physical and moral absurdity. She has given Leo the language to express the inexpressible, as hunger sharpens his senses into an acuity that is both hallucinatory and profound. In scene after disorienting scene, the most ordinary objects accrue tender poignancy as they acquire new purpose—a gramophone box serves as a suitcase, a handkerchief becomes a talisman, an enormous piece of casing pipe functions as a lovers' trysting place. The heart is reduced to a pump, the breath mechanized to the rhythm of a swinging shovel, and coal, sand, and snow have a will of their own. Hunger becomes an insatiable angel who haunts the camp day and night, but also a bare-knuckled sparring partner, delivering blows that keep Leo feeling the rawest connection to life.Müller has distilled Leo's struggle into words of breathtaking intensity that take us on a journey far beyond the Gulag and into the depths of one man's soul.

    The inimitable John Banville joins the list of distinguished preface writers for Aleksandar Hemon’s series, and A. S. Byatt represents England among a luminous cast of European contributors. Fans of the series will find everything they’ve grown to love, while new readers will discover what they’ve been missing!SLOVAKIA: Balla, Before the BreakupMACEDONIA: Žarko Kujundžiski, When the Glasses Are LostMONTENEGRO: Dragan Radulović, The FaceGEORGIA: Lasha Bugadze, The Sins of the WolfBELGIUM: Paul Emond, Grand FroidARMENIA: Krikor Beledian, The Name under My TongueRUSSIA: Kirill Kobrin, Last Summer in MarienbadMOLDOVA: Vitalie Ciobanu, Orchestra RehearsalIRELAND: Tomás Mac Síomóin, Music in the BoneFINLAND: Tiina Raevaara, My Creator, My CreationHUNGARY: Miklós Vajda, Portrait of a Mother in an American FrameTURKEY: Zehra Çırak, Memory Cultivation SalonPORTUGAL: Dulce Maria Cardoso, Angels on the InsideLATVIA: Gundega Repše, How Important is it to be Ernest?UKRAINE: Tania Malyarchuk, Me and My Sacred CowSPAIN (Castilian): Eloy Tizón, The Mercury in the ThermometersBOSNIA & HERZEGOVINA: Semezdin Mehmedinović, My HeartAUSTRIA: Lydia Mischkulnig, A Protagonist’s NemesisFRANCE: Marie Redonnet, Madame Zabee’s GuesthouseLITHUANIA: Ieva Toleikytė, The Eye of the MaplesBULGARIA: Rumen Balabanov, The RagiadUK, ENGLAND: A.S. Byatt, Dolls’ EyesESTONIA: Kristiina Ehin, The Surrealist’s DaughterPOLAND: Sylwia Chutnik, It’s All Up to YouLIECHTENSTEIN: Daniel Batliner, Malcontent’s MonologueSPAIN (Basque): Bernardo Atxaga, Pirpo and Chanberlan, MurderersSERBIA: Borivoje Adašević, For a Foreign MasterSLOVENIA: Mirana Likar Bajželj, Nada’s TableclothDENMARK: Christina Hesselholdt, Camilla and the HorseROMANIA: Dan Lungu, 7 P.M. WifeSWITZERLAND: Bernard Comment, A SonUK, WALES: Ray French, MigrationIRELAND: Mike McCormack, Of One MindICELAND: Gyrðir Elíasson, The Music ShopNORWAY: Ari Behn, Thunder Snow and When a Dollar Was a Big Deal

    The hijack of a security van would bring the gang thousands, but the job went wrong & Harry & his team were killed. Harry's widow, Dolly, had three options. She could hand over Harry's ledgers to the police. She could hand them over to a bunch of thugs. Or she could take the business over.

    This translation of his 1989 novel Nostalgia, writes Andrei Codrescu, "introduces to English a writer who has always had a place reserved for him in a constellation that includes the Brothers Grimm, Franz Kafka, Jorge Luis Borges, Bruno Schulz, Julio Cortazar, Gabriel Garcia Marquez, Milan Kundera, and Milorad Pavic, to mention just a few." Like most of his literary contemporaries of the avant-garde Eighties Generation, his major work has been translated into several European languages, with the notable exception, until now, of English.Readers opening the pages of Nostalgia should brace themselves for a verbal tidal wave of the imagination that will wash away previous ideas of what a novel is or ought to be. Although each of its five chapters is separate and stands alone, a thematic, even mesmeric harmony finds itself in children's games, the music of the spheres, humankind's primordial myth-making, the origins of the universe, and in the dilapidated tenement blocks of an apocalyptic Bucharest during the years of communist dictatorship.

    In all his writing, Cioran cuts to the heart of the human experience.

    When Sadie Roper moves back to London, she's determined to pick up the pieces of her shattered life. First, she needs to get her daughter settled into a new school-one of the most exclusive in the city. Next, she's going to get back the high-flying criminal barrister career she sacrificed for marriage ten years earlier. But nothing goes quite as planned. The school is not very welcoming newcomers, her daughter hasn't made any friends yet and the other mothers are as fiercely competitive as their children. Sadie immediately finds herself on the outside as she navigates the fraught politics of the school gate. But the tide starts to turn as Sadie begins to work on a scandalous, high-profile case that's the perfect opportunity to prove herself again, even though a dangerous flirtation threatens to cloud her professional judgment. And when Julia, queen of the school moms, befriends Sadie, she draws her into the heart of the world from which she was previously excluded. Soon Sadie and her family start to thrive, but does this close new friendship prevent her from seeing the truth? Sadie may be keeping her friends close, but what she doesn't know is that her enemies are closer still... Dark, addictive and compelling, The Lies You Told is a compulsive psychological thriller from a master storyteller.

    Through their friendship, these three characters experience love, betrayal, hopes, uncertainties and frustrations. In a world beaten by two decades of violence, Theo and Clara dream of a loving and full life, Antonio of a heroic one; yet, their dreams are curtailed by external events and internal fractures.

    A successful photographer, she lives in New York with her husband Sam and their seventeen-year-old daughter, Alice.But something has always been missing…When Elin receives a letter from her childhood friend Fredrik on the Swedish island of Gotland, memories come flooding back: of a past she has tried to forget, and a terrible secret she has shared with nobody - a secret that made her flee the island, and never return.Torn between past and present and afraid the truth will destroy her family, Elin sets out on a journey to another continent, but also to another time and another life.

    New Jersey. 14th March 1954'Albert Einstein speaking.''Who?' asks the girl on the telephone.'I'm sorry,' she says. 'I have the wrong number.''You have the right number,' Albert says.From a wrong number to a friendship that would impact both their lives,Albert Einstein Speaking begins with two unlikely friends - the world's most respected scientist and a schoolgirl from New Jersey. From their first conversation Mimi Beaufort had a profound effect on Einstein and brought him, in his final years, back to life. In turn he let her into his world.Albert Einstein Speaking is the story of an incredible friendship, and of a remarkable life. The son of an electrician in nineteenth-century Germany, Albert Einstein went on to become one of the twentieth century's most influential scientists and the most famous face in the world. This riotous, charming and moving novel spans almost a century of European history and shines a light on the real man behind the myth.

    Here, for the first time, are the complete conversations and shared observations between the actor and the writer; the result is an intimate and revealing look at one of the most accomplished, and private, artists in the world.Pacino grew up sharing a three-room apartment in the Bronx with nine people in what he describes as his "New York Huckleberry Finn" childhood. Raised mostly by his grandparents and his mother, Pacino began drinking at age thirteen. Shortly after he was admitted to the renowned High School for Performing Arts, his classmates nicknamed him "Marlon," after Marlon Brando, even though Pacino didn't know who Brando was. Renowned acting coach Charlie Laughton saw Pacino when he was nineteen in the stairwell of a Bronx tenement, and the first words out of Laughton's mouth were "You are going to be a star." And so began a fabled, lifelong friendship that nurtured Al through years of not knowing where his next meal would come from until finally -- at age twenty-six -- he landed his first salaried acting job.Grobel and Pacino leave few stones unturned, touching on the times when Pacino played piano in jazz clubs until four a.m. before showing up on the set of Scarecrow a few hours later for a full day's work; when he ate Valium like candy at the Academy Awards; and when he realized he had been in a long pattern of work and drink.As the pivotal character in "The Godfather" trilogy and the cult classic "Scarface," Pacino has enshrined himself in film history. He's workedwith most of Hollywood's brightest luminaries such as Francis Ford Coppola, Sidney Lumet, Michael Mann, Norman Jewison, Brian De Palma, Marlon Brando, Robert De Niro, Gene Hackman, Sean Penn, Johnny Depp, Michelle Pfeiffer, Hilary Swank, and Robin Williams, among many others. He was nominated for eight Academy Awards before winning the Oscar for Best Actor for his role in "Scent of a Woman," Pacino still seems to prefer his work onstage to film and, if he's moved by a script or play, is quick to take parts in independent productions."Al Pacino" is an intensely personal window into the life of an artist concerned more with the process of his art than with the fruits of his labor, a creative genius at the peak of his artistic powers who, after all these years, still longs to grow and learn more about his craft. And, for now, it's as close to a memoir as we're likely to get.

    This sequence of events occurs and recurs in remarkably different variations in Vain Art of the Fugue.In one version, the bus driver ignores the traffic signals and is killed in the ensuing crash. In another, the protagonist is thrown off the bus, and as he chases after it, a crowd of strangers joins him in the pursuit.As the book unfolds, the protagonist, his lovers, and the people he meets become increasingly vivid and complex figures in the crowded Bucharest cityscape. Themes, conflicts, and characters interweave and overlap, creating a book that is at once chaotic and perfectly composed.“As you can see, madam, words are getting staler and staler… idiots have used them like so many wheelbarrows… loaded them up with all kinds of idiotic confessions, with all these ideas, each more stupid than the last… in short, with what people call messages.”

    They should be enjoying their golden years in the idyllic English village where they live. But when their two grown daughters, Daisy and Suze, move back into the family home, both mother and father must learn how to deal with the upheaval. Meanwhile, as Daisy and Suze soak in the familiar comforts of home, they soon discover that their mother isn’t quite the same woman she was a few years ago. Sure, she is still kind-hearted and always willing to help, but something about their mom is different, and it’s becoming harder and harder for the family to ignore. For the first time in their lives, Dennis and his daughters find themselves caring for Marigold rather than the other way around.

    The wild places are where no one is looking anymore. Out on the high plains, among Sioux reservations and silent buttes, you can hear the wind. And on the back of the wind is the sound of an old accordion mingling with the lonely thump of a single drum in the nighttime and a far-off warrior's cry. To this, to a town called Salamander, comes Carlisle McMillan, a traveler and carpenter seeking a place of quiet amid the grinding roar of progress. There he finds two very different women: Gally Deveraux, who works at a diner and longs for something more than she is, and Susanna Benteen, beautiful and enigmatic, whom the town has labeled a witch. The women, Carlisle's carpenter's trade, and an old Indian known as Flute Player bring Carlisle a sense of contentment for a while. But his quiet is shattered as bulldozer treads begin to turn and the Yerkes County War commences. Also available as an eBook