Each makes a brilliant marriage that will bring her both happiness and heartbreak. The eldest, Princess Victoria, marries the handsome Prince Louis of Battenberg, the former lover of Lillie Langtry. The next, the exquisite Elisabeth, is swept off to the unbelievable splendor of the Romanov court by Grand Duke Serge, while Irène dazzles Prince Henry of Prussia and takes her place at the court in Berlin. Alix, the youngest, marries the man she has loved since childhood, Tsar Nicholas II of Russia, and becomes the fabled Empress Alexandra.From such exotic locals as Russia, Bulgaria and Ottoman Jerusalem, to the drawing rooms of Sandringham, The Royal Mob is told as an intimate memoir of the eldest sister, Princess Victoria of Hesse, who was the favorite granddaughter of Queen Victoria. Starting in the court of the Queen Empress and ending at the marriage of Victoria’s grandson, Prince Philip, to the future Queen Elizabeth of England, The Royal Mob is the lavish and exciting story of the last royal courts of Europe.

    The characters on the 'Ship of Fools' - a ship that's going nowhere very fast - bicker and struggle for attention: telling tales that bounce off one another to form a compendium of interrelated stories.

    Meanwhile, the confining village of Belmont that Portia calls home is populated by hilarious, brazen and cantan-kerous characters. From Portia to her husband, Raphael, to her vicious-tongued octogenarian granny, Blaize, to her loving aunt, the ex-prostitute Maggie-May, Marina Carr's characters are exquisitely drawn and profoundly human.

    The story of Russia’s transition from Imperial reign to eventual Communist dictatorship is a tale rooted in the ranks of the common people and the men who rose to lead them. Inside you will read about... ✓ Czarist Rule ✓ Karl Marx and Friedrich Engels ✓ Nicholas Romanov ✓ Rasputin ✓ World War ✓ Lenin ✓ October Revolution ✓ Stalin And much more! Dedication to the ideals of socialism remade Russian society. Worker’s Rights, human equality, world war, murder, mysticism, blood and tyranny collide in the heart of Russia to irrevocably alter the culture of this great nation and the world.

    Unfortunately, her imaginary friend Mr. Marmalade doesn't have much time for her. Not to mention he beats up his personal assistant, has a cocaine addic-tion, and a penchant for pornography and very long dildos. Larry, her only real friend, is the youngest suicide attempt in the history of New Jersey. MR. MARMALADE is a savage black comedy about what it takes to grow up in these difficult times.

    Marvin's haunting, passionate poems explore themes of loss, of the vulnerability of womanhood in a world hostile to it, and of the fraught, strangely compelling landscape of adolescence.

    This book is the most engaging, focused and applied HRM text on the market.

    This is a communal effort by the Pushcart Press staff, contributing editors, and hundreds of small presses. For this edition distinguished poets Julie Sheehan and Tom Sleigh served as poetry editors. The result is an introduction to a literary world that few readers have access to, where much of today's important new writing is published, far from the commercial influence of the conglomerates. In reviewing last year's edition, Donna Seaman of Booklist commented: "A brimming, vibrant anthology-the perfect introduction to new writers and adventurous new work by established writers . . . extraordinary in its range of voices and subjects. Here is literature to have and to hold." The Pushcart Prize has been chosen for the Ivan Sandrof Lifetime Achievement recognition by the National Book Critics Circle and the Writers for Writers award from Poets Writers / Barnes Noble.

    history while ensuring a balanced sense of the broad diversity of American women. Modeling for students how historians gather and interpret evidence, DuBois and Dumenil provide a textbook rooted in recent scholarship yet accessible to all introductory students.

    British and American troops were poised to cross the River Rhine in the west, while in the East the vast Soviet war machine was steam-rolling the soldiers of the Third Reich back towards the capital, Berlin. Even in retreat, the German Army was still a force to be reckoned with and vigorously defended every last bridge, castle, town and village against the massive Russian onslaught. Tony Le Tissier has interviewed a wide range of former German Army and SS soldiers to provide ten vivid first-hand accounts of the fighting retreat that, for one soldier, ended in Hitler's Chancellery building in the ruins of Berlin in April 1945. The dramatic descriptions of combat are contrasted with insights into the human dimension of these desperate battles, reminding the reader that many of the German soldiers whose stories we read shared similar values to the average British 'Tommy' or the American GI and were not all crazed Nazis. Illustrated with photographs of the main characters and specially commissioned maps identifying the location and course of the battles, With Our Backs to Berlin is a fascinating read for anyone who is interested in the final days of the Second World War.

    He opens with the beautiful “Elegy for Miss Brooks,” invoking Gwendolyn Brooks, who died in 2000, and who makes a perfect muse for the volume: “What the devil / are we without you?” he asks. “I tuck your voice, laced / tight, in these brown shoes.” In that spirit of intimate community, Young gives us a saucy ballad of Jim Crow, a poem about Lionel Hampton's last concert in Paris, an “African Elegy,” which addresses the tragic loss of a close friend in conjunction with the first anniversary of 9/11, and a series entitled “Americana,” in which we encounter a clutch of mythical southern towns, such as East Jesus (“The South knows ruin & likes it / thataway—the barns becoming / earth again, leaning in—”) and West Hell (“Sin, thy name is this / wait—this place— / a long ways from Here / to There”). For the Confederate Dead finds Young, more than ever before, in a poetic space that is at once public and personal. In the marvelous “Guernica,” Young’s account of a journey through Spain blends with the news of an American lynching, prompting him to ask, “Precious South, / must I save you, / or myself?” In this surprising book, the poet manages to do a bit of both, embracing the contradictions of our “Confederate” legacy and the troubled nation where that legacy still lingers.

    Drawing on a who's who list of expert consultants in all areas of developmental psychology, Santrock once again provides a trusted, comprehensive, readable, and engaging survey of the field. Rich applications and examples from a range of areas such as parenting, health care, and education ensure that students will remain engaged with the material. Significant revisions for the 5th edition include updated discussions of health and well-being as well as expanded coverage of diversity, culture, and gender.

    Svidrigailov simply is the most memorable figure in the book, obscuring Raskolnikov, who after all is the protagonist, a hero-villain, and a kind of surrogate for Dostoevsky himself.

    not necessarily in that order.Keith Hamilton Cobb embarks on a poetic exploration that examines the experience and perspective of black men in America through the metaphor of Shakespeare's character Othello, offering up a host of insights that are by turns introspective and indicting, difficult and deeply moving. American Moor is a play about race in America, but it is also a play about who gets to make art, who gets to play Shakespeare, about whose lives and perspectives matter, about actors and acting, and about the nature of unadulterated love.American Moor has been seen across America, including a successful run off-Broadway in 2019. This edition features an introduction by Professor Kim F. Hall, Barnard College.

    Awake chronicles Laux's coming to terms with a childhood darkened by violence and sexual abuse--a struggle at once to embrace and to forgive the past.