Lilian Jackson Braun's charming Siamese SuSu is the first to smell a rat in a chilling tale of two spinster sister and an eccentric neighbor. Edward D. Hoch's favorite thief, Nick Velvet, accepts a commission to catnap a pampered pet named sparkle and ends up a whisker away from death. Ruth Rendell leads an unwary motorist up the garden path to an elderly cat owner's cottage, giving a sinister twist to the old maxim, "an eye for an eye." These, along with thirteen other purebred stories of felines and felonies, make for spellbinding reading for mystery fans and cat lovers alike!

    Chesterton, Catherine L. Pirkis, Silas K. Hocking, others.Sir Arthur Conan Doyle - The Adventure of the Copper Beeches Arthur Morrison - The Case of the Lost Foreigner Catherine L. Pirkis - The Ghost of Fountain Lane Rudyard Kipling - The Return of Imray Headon Hill - The Divination of the Zagury Capsules Baroness Orczy - The York Mystery George R. Sims - The Haverstock Hill Murder R. Austin Freeman - The Dead Hand L. T. Meade and Robert Eustace - Mr. Bovey’s Unexpected Will Silas K. Hocking - A Perverted Genius G. K. Chesterton - The Eye of Apollo Robert W. Chambers - The Purple Emperor Jacques Futrelle - The Tragedy of the Life Raft E. and H. Heron - The Story of Baelbrow

    McGinnis began his career in 1947 as a cartoonist, and produced his first cover illustrations for 1956 issues of the magazines True Detective and Master Detective. Then in 1958, he painted his first paperback book cover, and from that day forward his work was in demand.   The emergence of the “McGinnis Woman”—long-legged, intelligent, alluring, and enigmatic—established him as the go-to artist for detective novels. His work appeared on Mike Shayne titles and the Perry Mason series, and he produced 100 paintings for the Carter Brown adventures. Yet McGinnis became famous for his work in other genres as well: espionage, romance, historicals, gothics, and Westerns.   McGinnis’s first major magazine assignments were for The Saturday Evening Post, and his work has graced the pages of Cosmopolitan, National Geographic, Good Housekeeping, Guideposts, and others. McGinnis women frequently cropped up in the men’s magazines of the ’60s and ’70s.   His first movie poster was for Breakfast at Tiffany’s, with an iconic rendering of Audrey Hepburn. Almost instantly, his poster artwork could be seen everywhere—in theaters, on billboards, in newspapers, and even on soundtrack albums. His work for Hollywood became a who’s-who, with posters for James Bond, The Odd Couple, Woody Allen, The Private Life of Sherlock Holmes, and many more.   Some of his most ambitious works have been his gallery paintings, often depicting stunning American landscapes, vast Western vistas, and of course, beautiful women. The Art of Robert E. McGinnis collection reveals the full scope and beauty of the work of a true American master—one whose legacy continues today.

    But one fateful day, his past catches up to him...A Japanese assassin, with a cue-ball for an eye, invades the town with an army of two-foot eyeless minions who thirst for human blood. This man has two things on his mind: Where is his purple television? And who is the dead man that stole it from him?The DOOM MAGNETIC Trilogy is a fast-paced sci-fi western, packed plum-full of sex, violence, cosmic voids, coliseum-style combat, genetically-engineered mutants, breathy brain whispers, cigar smoke torture chambers, and a sea of electric television zombies.This is the weirdest book you will ever read.

    "But she was strangled to death. And the murderer had to leave after he had killed. He's not here now. But in some fashion, explain it how you like, he or she or some damnable witch of the low tide managed to leave without a footprint in all that wet sand!"

    When she befriends some Tibetan nomads, her trek quickly evolves from a daredevil adventure to a journey of self-discovery and personal revelation.

    Young, reckless, and catapulted toward uncertain futures, here is the new face of Chinese youth on a quest for every kind of freedom.From a crowded apartment on Mott Street, where an immigrant family raises its first real Americans, to a pair of divers at the Beijing Olympics poised at the edge of success and self-discovery, Wang’s unforgettable characters – with their unusual careers, unconventional sex lives and fantastical technologies – share the bold hope that, no matter where they’ve come from, their lives too can be extraordinary.

    Here are all the phantoms and ghouls of Japanese folklore: 'rokuro-kubi', whose heads separate from their bodies at night; 'jikininki', or flesh-eating goblins; and terrifying faceless 'mujina' who haunt lonely neighbourhoods. Lafcadio Hearn, a master storyteller, drew on traditional Japanese folklore, infused with memories of his own haunted childhood in Ireland, to create these chilling tales. They are today regarded in Japan as classics in their own right.

    Blissed out club kids dying at the speed of sound. The un-dead and the very soon-to-be-dead. They're all here, trying to claw their way free. From the radioactive streets of a war-scarred future, where the nuclear bombs have become self-aware, to the fallow fields of Nebraska where the kids are mainlining lightning bugs, this is a world both alien and intensely human. This is a place where self-discovery involves scalpels and horse tranquilizers; where the doctors are more doped-up than the patients; where obsessive-compulsive acid-freaks have unlocked the gateway to God and can't close the door. This is not a safe place. You can turn back now, or you can head straight into the heart of. the Angel Dust Apocalypse

    It comes over the police radio like any other sad story: a woman found on the sidewalk, killed after plunging from her apartment. But something about the gruesome scene grabs David Corman's attention. A freelance photographer with a defunct marriage and a career on the skids, he fixates on this mysterious death. Though near starvation, the woman had been buying formula to feed to a baby doll. Before she leapt, she tossed the plastic child out the window. David photographs the dead woman and her pretend child; although he's jaded, the strange scene stirs his compassion, and he begins researching her past. He's convinced that his job has shown him the worst the city has to offer. But learning the truth behind this futile suicide will teach David that New York is even uglier than he imagined.

    

    Childhood best friends agree to marry in order to keep their sexuality a secret. A young woman with an anxiety disorder discovers the numbing pleasures of an illicit love affair. A radicalized student's preparations for his sister's wedding involve beating up the groom. An actress is forced to grow up fast on the set of her first major tv show, where the real intrigue takes place off-screen. Every story bears witness to the all-too-universal desire to be loved, and what happens when this longing gets pushed to its limits. Are You Enjoying? is a free-spirited, confident, indelible introduction to a galvanizing new talent.

    Only two clues surface: an old man, overheard talking in a distinctive accent to a young man, and the word “kameda.” Inspector Imanishi leaves his beloved bonsai and his haiku and goes off to investigate—and runs up against a blank wall. Months pass in fruitless questioning, in following up leads, until the case is closed, unsolved.But Imanishi is dissatisfied, and a series of coincidences lead him back to the case. Why did a young woman scatter pieces of white paper out of the window of a train? Why did a bar girl leave for home right after Imanishi spoke to her? Why did an actor, on the verge of telling Imanishi something important, drop dead of a heart attack? What can a group of nouveau young artists possibly have to do with the murder of a quiet and “saintly” provincial old ex-policemen? Inspector Imanishi investigates.

    Now Grove Press is proud to reissue this contemporary classic by one of America's most important living writers, in a new edition of 'A Good Scent from a Strange Mountain' that includes two subsequently published stories -- "Salem" and "Missing" -- that brilliantly complete the collection's narrative journey, returning to the jungles of Vietnam.

    He also liked to write about psychotic and psychopathic killers. This solid anthology, put out by the Horror Writers Association (HWA) and completed after Bloch's death, honors his legacy with 22 tales about murderers and crazies of various stripes. A good many of the stories, most memorably Esther Friesner's "Lonelyhearts," have Blochian twists at the end. The weakest of the bunch have no other flaw than predictability, and the strongest, such as Ed Gorman's powerful "Out There in the Darkness" are classics of traditional storytelling. You'll find excellent stories here by Denise M. Bruchman, Del Stone Jr., Edo van Belkom, Gary A. Braunbeck, and others. Stephen King contributes a little gem of a tale in which the narrator finds himself in an autopsy room: "It fits. It fits everything with a horrid prophylactic snugness. The dark. The rubbery smell.... Dear God, I'm in a body bag." Note: the two previous HWA anthologies are Under the Fang, edited by Robert R. McCammon, and Peter Straub's Ghosts, edited by Peter Straub. --Fiona WebsterContents:Autopsy Room Four by Stephen KingHaunted by Charles GrantOut There in the Darkness by Ed GormanPlease Help Me by Richard Christian MathesonThe Lesser of Two Evils by Denise M. BruchmanPoint of Intersection by Dominick CancillaDoctor, Lawyer, Kansas City Chief by Brent MonahanGrandpa's Head by Lawrence Watt-EvansLonelyhearts by Esther M. FriesnerLighting the Corpses by Del Stone Jr.Echoes by Cindie GeddesLifeline by Yvonne NavarroBlameless by David Niall WilsonDeep Down There by Clark PerryKnacker Man by Richard ParksSo You Wanna Be a Hitman by Gary JonasThe Rug by Edo van BelkomInterview with a Psycho by Billie Sue MosimanIcewall by William D. GaglianiA Southern Night by Jane YolenThe Forgiven by Stephen M. RaineySafe by Gary A. Braunbeck