So why not fuse the two? It’s time to grab your dice, dust off that character sheet, and let your cat or dog (or guinea pig, or iguana, or budgie) accompany you on an epic adventure! It’ll be great! …unless your pets are jerks. Written by comics and videogames writers Andi Ewington (Forty-Five45) and Rhianna Pratchett (Tomb Raider), Campaigns & Companions is edited by Alex de Campi (Madi) and beautifully illustrated by Calum Alexander Watt (The Rise of Skywalker).

    Gumball thinks he’s the coolest kid on the block, but his little sister Anais begs to differ, and Darwin just wants to keep them all out of trouble.

    . . and how is it even possible? Prepare yourself for a Simpsons saga filled with Futurama! A Futurama fable suffused with the Simpsons! Featuring a plethora of pleasing plot devices including: evil brain spawn, lactose-intolerant space aliens, a giant ball of yarn, flying cars, mistaken identities, world domination, the brittle fabric of reality torn asunder, a comic book-collecting sentient planet, the Dewey Decimal system, self-eating watermelons, slave labor, space pirates, power-crazed vampires, super hero battles, unflattering underwear, mad science run amok, and much, much more! This is the epic story that you've been waiting for . . . a story so big, so ambitious, so sweeping that it can only be told in a 208-page, large format, slip-cased edition, complete with new material, supplemental stories, preliminary sketches, character designs, and a pin-up gallery featuring the talents of comics industry luminaries Alex Ross, Sergio Aragonés, Geof Darrow, Kyle Baker, Peter Kuper, and Bernie Wrightson, among others. It's a comic convergence on a reality ripping, time altering, space traveling, intergalactic scale! It's The Simpsons Futurama Crossover CrisisUncut and all comedy! First published in 2002 and 2005 as two two-part, comic book mini-series (Futurama/Simpsons Infinitely Secret Crossover Crisis and The Simpsons/Futurama Crossover Crisis II), these four hard-to-find comics are collected together for the first time in a hardcover collection, encased in a die-cut slipcase, and packaged with a reprint of the very first Eisner Award-winning issue of Simpsons Comics from 1993. “Abrams’ initial release is a beautifully designed package, a glossy hardcover in a glossier slipcover, as bright and colorful as a grab-bag bin in a candy-store.”—The Onion AV ClubFrom Publishers Weekly Two classic animated series are brought together in a comic that offers many surprises, including how well it all works when transported to a new medium. Although both sources are the creation of cartoonist Matt Groening, the broadcast runs of each series referred to the other as works of fiction within their own universes, perhaps seeking to avoid the temptation of an attention grabbing crossover. And yet somehow this assemblage ably accomplishes just such a task while remaining faithful to the source materials. When Futurama's crew from the Planet Express delivery service become trapped in the fictional world of a Simpsons comic book, they must escape from Springfield. But shortly afterward they open a rift that brings the Simpsons characters into the Planet Express world, where the fictional characters must be rescued and returned to the pages of their comic book. Boothby's writing excels at letting each universe and the characters in them maintain their subtly distinct identities even when they blend. The overarching story for the book is designed to easily allow opportunities for affectionate references to comics, to science fiction, and to notable works of fiction. While the Simpsons comics included in the collection are not as strong, the crossover story takes what could have been a simple throwaway gag and instead crafts a funny, intricately detailed story. (Apr.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

    Not only did he smuggle his pieces into four of New York City's major art museums, he's also "hung" his work at London's Tate Gallery and adorned Israel's West Bank barrier with satirical images. Banksy's identity remains unknown, but his work is unmistakable with prints selling for as much as $45,000.

    *An active Table of Contents has been added by the publisher for a better customer experience. *This book has been checked and corrected for spelling errors. This Publication Contains 34 of P. G. Wodehouse's All Time Greatest Works. A Fully Interactive Table of Contents Has Been Added For Easy Navigation. Table of Contents P. G. Wodehouse Biography Early Life and Career Reluctant Banker; Budding Writer: 1900–08 Psmith, Blandings, Wooster and Jeeves: 1908–15 Broadway: 1915–19 1920s Hollywood: 1929–31 Best-seller: 1930s Second World War: Internment and Broadcasts Aftermath: Reactions and Investigation American exile: 1946–75 Works Included: A Damsel in Distress A MAN OF MEANS A Prefect's Uncle THE ADVENTURES OF SALLY INDISCRETIONS OF ARCHIE JILL THE RECKLESS LOVE AMONG THE CHICKENS Man with Two Left Feet and Other Stories MIKE Mike and Psmith MY MAN JEEVES Not George Washington Piccadilly Jim Psmith in the City Psmith Journalist SOMETHING NEW Tales of St. Austin's THE GIRL ON THE BOAT THE GOLD BAT THE WHITE FEATHER The Clicking of Cuthbert The Coming of Bill The Gem Collector The Head of Kay's The Intrusion of Jimmy The Little Nugget The Little Warrior The Man Upstairs The Pothunters The Prince and Betty The Swoop! Or, How Clarence Saved England Three Men and a Maid Uneasy Money William Tell Told Again

    Parents themselves, Borgman and Scott have learned a thing or two along the way in their creative and family lives. The result is A Zits Guide to Living with Your Teenager.A combination of select Zits comic strips depicting the relationship between teenager Jeremy Duncan and his parents, Walt and Connie, and witty, knowing, and dead-on commentary from Borgman and Scott, A Zits Guide to Living with Your Teenager is an indispensable and entertaining manual for parents on the verge of having a teenager.Zits has twice been honored with the award for Best Newspaper Comic Strip by the National Cartoonists Society and received the "Max and Moritz" award for Best International Comic Strip in 2000.

    Seuss was drawing biting cartoons for adults that expressed his fierce opposition to anti-Semitism and fascism. An editorial cartoonist from 1941 to 1943 for PM magazine, a left-wing daily New York newspaper, Dr. Seuss launched a battle against dictatorial rule abroad and America First (an isolationist organization that argued against U.S. entry into World War II) with more than 400 cartoons urging the United States to fight against Adolf Hitler and his cohorts in fascism, Benito Mussolini, Pierre Laval, and Japan (he never depicted General Tojo Hideki, the wartime prime minister, or Togo Shigenori, the foreign minister). Dr. Seuss Goes to War, by Richard H. Minear, includes 200 of these cartoons, demonstrating the active role Dr. Seuss played in shaping and reflecting how America responded to World War II as events unfolded.As one of America's leading historians of Japan during World War II, Minear also offers insightful commentary on the historical and political significance of this immense body of work that, until now, has not been seriously considered as part of Dr. Seuss's extraordinary legacy.Born to a German-American family in Springfield, Massachusetts, in 1904, Theodor Geisel began his cartooning career at Dartmouth College, where he contributed to the humor magazine. After a run-in with college authorities for bootlegging liquor, he had to use a pseudonym to get his work published, choosing his middle name, Seuss, and adding "Dr." several years later when he dropped out of graduate school at Oxford University in England. He had never planned on setting poison political pen to paper until he realized his deep hatred of Italian fascism. The first editorial cartoon he drew depicts the editor of the fascist paper Il Giornale d'Italia wearing a fez (part of Italy's fascist uniform) and banging away at a giant steam typewriter while a winged Mussolini holds up the free end of the banner of paper emerging from the roll. He submitted it to a friend at PM, an outspoken political magazine that was "against people who push other people around," and began his two-year career with the magazine before joining the U.S. Army as a documentary filmmaker in 1943.Dr. Seuss's first caricature of Hitler appears in the May 1941 cartoon, "The head eats, the rest gets milked," portraying the dictator as the proprietor of "Consolidated World Dairy," merging 11 conquered nations into one cow. Hitler went on to become one of the main caricatures in Seuss's work for the next two years, depicted alone, among his generals and other Germans, and with his allies Benito Mussolini and Pierre Laval. He is also drawn alongside "Japan," which Dr. Seuss portrays quite offensively, with slanted, bespectacled eyes and a sneering grin. While Dr. Seuss was outspoken against antiblack racism in the United States, he held a virulent disdain for the Japanese and rendered sinister and, at times, slanderous caricatures of their wartime actions even before the bombing of Pearl Harbor. But Dr. Seuss's aggression wasn't solely reserved for the fascists abroad. He was also loudly critical of America's initial apathy toward the war, skewering isolationists like America First advocate Charles Lindbergh, the Chicago Tribune's Colonel Robert McCormick, Eleanor Medill Patterson of the Washington Times-Herald, and Joseph Patterson of the New York Daily News, whom he considered as evil as Hitler. He encouraged Americans to buy war savings bonds and stamps and to do everything they could to ensure victory over fascism.Minear provides historical background in Dr. Seuss Goes to War that not only serves to contextualize these cartoons but also deftly explains the highly problematic anti-Japanese and anticommunist stances held by both Dr. Seuss and PM magazine, which contradicted the leftist sentiments to which they both eagerly adhered. As Minear notes, Dr. Seuss eventually softened his feelings toward communism as Russia and the United States were united on the Allied front, but his stereotypical portrayals of Japanese and Japanese-Americans grew increasingly and undeniably racist as the war raged on, reflecting the troubling public opinion of American citizens. Minear does not attempt to ignore or redeem Dr. Seuss's hypocrisy; rather, he shows how these cartoons evoke the mood and the issues of the era. After Dr. Seuss left PM magazine, he never drew another editorial cartoon, though we find in these cartoons the genesis of his later characters Yertle the dictating turtle and the Cat in the Hat, who bears a striking resemblance to Uncle Sam. Dr. Seuss Goes to War is an astonishing collection of work that many of his devoted fans have not been able to see until now. But this book is also a comprehensive, thoughtfully researched, and exciting history lesson of the Second World War, by a writer who loves Dr. Seuss as much as those who grow up with his books do.

    256 pages."Finally, a Dinosaur Comics book, unabridged and in full colour, AND with all three secret texts for each comic included! And it's so pretty, you guys. So pretty.Featuring an introduction by Randall Munroe of XKCD and an all-new index written by Ryan that includes, among other things, the 11 different types of makeouts referenced by T-Rex, this book is great. It gets greater: there's also an interview with the author AND a photo of Michael "Worf" Dorn. You know that you've always wanted these extras collected in one book, maybe with hundreds of Dinosaur Comics in the book too. THAT DREAM HAS NOW COME TRUE, and it's called "Dinosaur Comics: Dudes Already Know About Chickens".

    by Evan Dorkin The first-ever collection from the acclaimed humor anthology Dork, "Who's Laughing Now?" features 112 pages of densely-packed comic book craziness from Dork #1-5, all wrapped up in a sweet little package co-designed by Dorkin and his partner-in-crime, Sarah Dyer!

    and Mr. Doris Haggis-On-Whey. A world-renowned and much feared expert on everything, Dr. Doris Haggis-On-Whey has seventeen degrees from eighteen institutions of higher learning. With her husband, Benny, she has traveled the world many times over, has learned about all aspects of life, including outer space and food, first hand.When is the last time you actually sat down and had a conversation with a giraffe? That's what I thought. You are hopelessly clueless on giraffe culture, their likes/dislikes and voting patterns -- most giraffes are probably libertarian. "GIRAFFES? GIRAFFES " is the authoritative text on the biology, history and overall nature of giraffes.You are so behind on giraffes that it's rather embarrassing and you obviously need this book more than health insurance. Things you probably don't know about giraffes -- and can only be found in this book -- include giraffes' preferred mode of transportation (conveyor belt), what their bodies are made of (paper mache, a clock, fruit juices and a super-strong lightweight titanium alloy), where most giraffes live (Terra Haute, Indiana -- known for many things, including buildings made of wood and ground made of dirt), and basic giraffe history (in 50,000 B.C giraffes began to hang out with primitive man, they found him to be likeable and helped him paint buffaloes in caves).Cheat Sheet onGiraffes (good for slumber parties and barroom brawls):- Giraffes invented plastic. "No, not plastic--latex. My bad. Still, though isn't that amazing?"- Frequently Asked Question: "Why do we call giraffes "giraffes?"" Answer: Because when they came to Earth they asked us to.- Rarely Asked Question: "How fast can giraffes run?" The giraffes have tried to phase out running from their lives but if they had to, they could still run much faster than you. Let's say, for the sake of argument, that they can run 780 mph.With the wit and irreverent sense of humor for which Dave Eggers and McSweeney's is known, comes the first volume in the revolutionary Haggis-On-Whey World of Unbelievable Brilliance books. More than just entertaining and informative, "GIRAFFES? GIRAFFES " will help you appear smarter, more in touch with your sensitive side and whiten your teeth. And much, much more that will likely sicken you.

    Containing many unseen pieces of art and comics from the creator who has brought us THB, Heavy Liquid and 100%.

    In reality, mythology is more screwed up than a schizophrenic shaman doing hits of unidentified. Wait, it all makes sense now. In Zeus Grants Stupid Wishes, Cory O’Brien, creator of Myths RETOLD!, sets the stories straight. These are rude, crude, totally sacred texts told the way they were meant to be told: loudly, and with lots of four-letter words. Skeptical? Here are just a few gems to consider: � Zeus once stuffed an unborn fetus inside his thigh to save its life after he exploded its mother by being too good in bed. � The entire Egyptian universe was saved because Sekhmet just got too hammered to keep murdering everyone. � The Hindu universe is run by a married couple who only stop murdering in order to throw sweet dance parties…on the corpses of their enemies. � The Norse goddess Freyja once consented to a four-dwarf gangbang in exchange for one shiny necklace. And there’s more dysfunctional goodness where that came from.

    A tiger whose idea of adventure is to lie on his back by the fire and have his stomach rubbed. In six short years this unlikely duo has captured the hearts, the minds, and, most of all, the funny bones of America. They are the most phenomenal success story in syndication - and publishing - history. In only six years, they appear in more than 2,100 newspapers worldwide, and Calvin and Hobbes wins as many readership polls as Calvin has excesses. All seven of Bill Watterson's collections have sold a million copies within a year of publication.This treasury collection contains a never-before-published full-color section, as well as the cartoons appearing in The Revenge of the Baby-Sat and Scientific Progress Goes "Boink." All Sunday cartoons are presented full-page and full-color.

    Readers will relate to Crewe’s ache at missing her mom, her nostalgia for her childhood, her frustrations at raising teenagers, and her impatience for terrible parking lot etiquette in equal measure. The book spans sixteen years’ worth of columns for The Cape Bretoner Magazine, Cahoots Magazine, and The Chronicle Herald.Are You Kidding Me?! is a side-splitting, heartwarming, Cape Breton–flavoured celebration of the little things.

    Join Susan as she recounts her lighthearted ramble of discovery through the historical homes and gardens of art and literary heroes, along ancient footpaths, through wildflower meadows and fields of lambs, into tea rooms, pubs and antique stores. This lovely hard-cover book includes hundreds of photographs and a red ribbon sewn-in book mark. A Fine Romance is a work of art, part love story, part travel guide and all dream come true.