Featuring Joyce Carol Oates, Josh Malerman, Paul Tremblay, Richard Kadrey, Stephen Graham Jones, Elizabeth Hand and more. A collection of new and exclusive short stories inspired by, and in tribute to, Shirley Jackson. Shirley Jackson is a seminal writer of horror and mystery fiction, whose legacy resonates globally today. Chilling, human, poignant and strange, her stories have inspired a generation of writers and readers. This anthology, edited by legendary horror editor Ellen Datlow, will bring together today’s leading horror writers to offer their own personal tribute to the work of Shirley Jackson. Featuring Joyce Carol Oates, Josh Malerman, Paul Tremblay, Richard Kadrey, Stephen Graham Jones, Elizabeth Hand, Cassandra Khaw, Karen Heuler, Benjamin Percy, John Langan, Laird Barron, M. Rickert, Seanan McGuire, and Genevieve Valentine.

    This is my legacy. This is my curse…”BLOOD ON THE PAGE is the first book in a series collecting all of Keene’s short fiction. Included in this volume are such critically-acclaimed and fan favorite stories as “Burying Betsy”, “Dust”, “The Resurrection and The Life”, “I Am An Exit”, “Fast Zombies Suck”, “Bunnies In August”, “I Sing A New Psalm”, and many more.These are stories of love and hate. Trust and betrayal. Happiness and heartbreak. Truth and lies. Innocence and paranoia. Flying and falling. Unhappy endings and conspiracies of one. These are stories about zombies, ghosts, serial killers, and the most horrific monsters of all—ourselves. BLOOD ON THE PAGE – the only thing we have to fear is… everything.

    Here, in one volume, are his masterpieces of mystery, terror, humor, and adventure, including stories such as The Tell-Tale Heart, The Cask of Amontillado, The Black Cat, The Masque of the Red Death, The Murders in the Rue Morgue, The Purloined Letter, and The Pit and the Pendulum, to name just a few, that defined American romanticism and secured Poe as one of the most enduring literary voices of the nineteenth century.

    Melding supernatural horror with hardboiled noir, espionage, and a scientific backbone, Barron’s stories have garnered critical acclaim and have been reprinted in numerous year’s best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards.Barron returns with his third collection, The Beautiful Thing That Awaits Us All. Collecting interlinking tales of sublime cosmic horror, including “Blackwood’s Baby”, “The Carrion Gods in Their Heaven”, and “The Men from Porlock”, The Beautiful Thing That Awaits Us All delivers enough spine-chilling horror to satisfy even the most jaded reader.

    Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    A disused London Underground lift goes way beyond the bottom floor.A psychic boy discovers what terrors are buried in the fallow field.A handshake seals a midnight fate in an old farming dispute.A corpse must be buried by dawn.BLACK GATE TALES: Fourteen short stories of dread, hope, death and wonder.

    Dive into the second collection of Behind Dark Doors, filled with stories of suspense, horror, paranormal and supernatural, from the dark mind of short story award-winning author Susan May.SCENIC ROUTEWhen a young family stop overnight at a quaint country bed-and-breakfast what they don’t know is that something is wrong in Broken Springs, population 402.HIDE-AND-SEEKHenry doesn't like playing hide-and-seek because his siblings don’t play nicely. Until the day he discovers there are worse things than being found. Not being found.HARASSMENT DAYDammit, thinks Edwin, when he sees those people have followed him onto the train and they’ve even gotten off at his station. What can he do to be rid of them for good?THE MONSTER RULESWhen Harry’s best friend shares the Monster Rules he learns how to stay safe at night until he's awoken by strange, scratching noises. Luckily, he knows what to do.WHERE WE ONCE WERETamara dreamed of visiting her distant ancestors' 1897-time line for her PhD research paper. What she discovers is a family secret two hundred years in the making.DESPERATETwo agitated women run into freeway traffic. Both are horrifically injured and should be dead, but they’re determined to get to the other side. What awaits them there?⭐⭐⭐⭐⭐ "Short stories at their best"⭐⭐⭐⭐⭐ "5.0 out of 5 stars It totally lived up to the hype!"⭐⭐⭐⭐⭐ "I absolutely loved this collection!"

    . . or not.Joining these haunting works are stories linked to Tremblay’s previous novels. The tour de force metafictional novella Notes from the Dog Walkers deconstructs horror and publishing, possibly bringing in a character from A Head Full of Ghosts, all while serving as a prequel to Disappearance at Devil’s Rock. “The Thirteenth Temple” follows another character from A Head Full of Ghosts—Merry, who has published a tell-all memoir written years after the events of the novel. And the title story, Growing Things, a shivery tale loosely shared between the sisters in A Head Full of Ghosts, is told here in full.From global catastrophe to the demons inside our heads, Tremblay illuminates our primal fears and darkest dreams in startlingly original fiction that leaves us unmoored. As he lowers the sky and yanks the ground from beneath our feet, we are compelled to contemplate the darkness inside our own hearts and minds.Growing things --Swim wants to know if it's as bad as swim thinks --Something about birds --The getaway --Nineteen snapshots of Dennisport --Where we all will be --The teacher --Notes for "The Barn in the Wild" --_______ --Our town's monster --A haunted house is a wheel upon which some are broken --It won't go away --Notes from the dog walkers --Further questions for the somnambulist --The ice tower --The society of the monsterhood --Her red right hand --It's against the law to feed the ducks --The thirteenth temple --Notes --Acknowledgments --Credits

    In this strange place, only a select few people ever leave the city limits and even then, they leave reluctantly. This is what fifteen and a half year old Benjamin Granault faces as, through a string of amazing events, he finds himself living in a town where he can never talk about modern technology or current events, a place where being an outsider can cost a person his life and being part of the community may very well cost more. Follow the adventures of Benjamin Granault in ‘50sVille, the strangest town Indiana has ever been unaware of.

    In one narrative, a man wakes up one morning to find the odor of dead fish won't go away, but no one else can smell it. In another, a couple's visit with friends to watch the Academy Awards has the protagonist envying his friends' lawn and lifestyle. In these and eleven other stories, Christopher Meeks balances tragedy and wit. As novelist David Scott Milton explains, "In this collection, Christopher Meeks examines the small heartbreaks of quiet despair that are so much a part of all our lives. He does it in language that is resonant, poetic, and precise.... If you like Raymond Carver, you'll love Meeks. He may be as good--or better."

    After leaving her friend's house, she decides she's going to prove to her brother that "The Lady on the Road " urban legend is just that...

    Check in for the night with New York Times bestselling author Lisa Unger.Eve has a fake ID, a .38, and a violent lover receding in the rearview mirror. He’ll never find her at the isolated motel, and its kindly manager is happy to ease her fears. But if Eve is the only guest, whom does she keep hearing on the other side of the wall? Eve won’t get a good night’s rest until she finds out.Lisa Unger’s The Sleep Tight Motel is part of Dark Corners, a collection of seven heart-stopping short stories by bestselling authors who give you so many new reasons to be afraid. Each story can be read in a single sitting. Or, if you have the nerve, you can listen all by yourself in the dark.

    Showcasing this cutting-edge talent, Poe’s Children now brings the best of the genre’s stories to a wider audience. Featuring tales from such writers as Neil Gaiman and Jonathan Carroll, Poe’s Children is Peter Straub’s tribute to the imaginative power of storytelling. Each previously published story has been selected by Straub to represent what he thinks is the most interesting development in our literature during the last two decades.Selections range from the early Stephen King psychological thriller “The Ballad of the Flexible Bullet,” in which an editor confronts an author’s belief that his typewriter is inhabited by supernatural creatures, to “The Man on the Ceiling,” Melanie and Steve Rasnic Tem’s award-winning surreal tale of night terrors, woven with daylight fears that haunt a family. Other selections include National Book Award finalist Dan Chaon’s “The Bees”; Peter Straub’s “Little Red’s Tango,” the legend of a music aficionado whose past is as mysterious as the ghostly visitors to his Manhattan apartment; Elizabeth Hand’s visionary and shocking “Cleopatra Brimstone”; Thomas Ligotti’s brilliant, mind-stretching “Notes on the Writing of Horror: A Story”; and “Body,” Brian Evenson’s disturbing twist on correctional facilities.Crossing boundaries and packed with imaginative chills, Poe’s Children bears all the telltale signs of fearless, addictive fiction.

    The Corn Maiden is the gut-wrenching story of Marissa, a beautiful and sweet eleven-year-old girl with hair the color of corn silk. Taken by an older girl from her school who has told two friends in her thrall of the Indian legend of the Corn Maiden, in which a girl is sacrificed to ensure a good crop, Marissa is kept in a secluded basement and convinced that the world has ended. Marissa s seemingly inevitable fate becomes ever more terrifying as the older girl relishes her power, giving the tale unbearable tension with a shocking conclusion. In Helping Hands, published here for the first time, a lonely woman meets a man in the unlikely clutter of a dingy charity shop and extends friendship. She has no idea what kinds of doors she may be opening. The powerful stories in this extraordinary collection further enhance Joyce Carol Oates s standing as one of the world s greatest writers of suspense."

     A photographer reluctantly agrees to take images of an abandoned manor house on the Dorset cliff tops only to find the building is not completely empty. . .