With bold strokes on a large canvas, Stanley West has drawn an entire village of curious and outlandish characters who have been cast so vividly that one can see them, hear them, laugh with them, feel with them - people as real as relatives.When Sam Pickett comes to the quiet little village to hide from the violence and madness that have shattered his life, he discovers buried and shadowed stories fraught with aching regret, human wreckage, and heartrending bravery - people silently bearing their broken dreams and unbearable sorrows. Can they be aroused by the most unexpected and least likely source in their midst? encouraged and uplifted to embrace life for all its worth? Out of these utterly ordinary lives, West brings forth a startling glimpse into the hidden places of the human heart and characters who will stay with you like old friends long after you've turned the last page.

    . . . It's 2 A.M. on a Saturday night in the spring of 2001, and twenty-eight-year-old Cecily Gardner sits alone in a dive bar in New York's East Village, questioning her life. Feeling lonesome and homesick for the Midwest, she wonders if she'll ever make it as a reporter in the big city--and whether she made a terrible mistake in breaking up with her longtime boyfriend, Matthew.As Cecily reaches for the phone to call him, she hears a guy on the barstool next to her say, "Don't do it--you'll regret it." Something tells her to listen, and over the next several hours--and shots of tequila--the two forge an unlikely connection. That should be it, they both decide the next morning, as Cecily reminds herself of the perils of a rebound relationship. Moreover, their timing couldn't be worse--Grant is preparing to quit his job and move overseas. Yet despite all their obstacles, they can't seem to say goodbye, and for the first time in her carefully constructed life, Cecily follows her heart instead of her head.Then Grant disappears in the chaos of 9/11. Fearing the worst, Cecily spots his face on a missing-person poster, and realizes she is not the only one searching for him. Her investigative reporting instincts kick into action as she vows to discover the truth. But the questions pile up fast: How well did she really know Grant? Did he ever really love her? And is it possible to love a man who wasn't who he seemed to be?The Lies That Bind is a mesmerizing and emotionally resonant exploration of the never-ending search for love and truth--in our relationships, our careers, and deep within our own hearts.

    While Ty manages their herd of dairy cows, Betsy busies herself with the farm’s day-to-day operations and tries to forget her dream of motherhood. But when her free-spirited sister, Jenna, drops off her two young daughters for “just two weeks,” Betsy’s carefully constructed wall of self-protection begins to crumble.As the two weeks stretch deeper into the Alabama summer, Betsy and Ty learn to navigate the new additions in their world—and revel in the laughter that now fills their home. Meanwhile, record temperatures promise to usher in the most active hurricane season in decades.Attending an art retreat four hundred miles away, Jenna is fighting her own battles. She finally has time and energy to focus on her photography, a lifelong ambition. But she wonders how her rediscovered passion can fit in with the life she’s made back home as a single mom.When Hurricane Ingrid aims a steady eye at the Alabama coast, Jenna must make a decision that will change her family’s future, even as Betsy and Ty try to protect their beloved farm and their hearts. Hurricane Season is the story of one family’s unconventional journey to healing—and the relationships that must be mended along the way.“A story both powerful and enchanting: a don’t-miss novel in the greatest Southern traditions of storytelling.” —Patti Callahan Henry, New York Times bestselling author for The Hideaway

    Soon he finds himself looking for his wife as well in a netherworld that lies beneath the placid surface of Tokyo. As these searches intersect, Okada encounters a bizarre group of allies and antagonists: a psychic prostitute; a malevolent yet mediagenic politician; a cheerfully morbid sixteen-year-old-girl; and an aging war veteran who has been permanently changed by the hideous things he witnessed during Japan's forgotten campaign in Manchuria.Gripping, prophetic, suffused with comedy and menace, The Wind-Up Bird Chronicle is a tour de force equal in scope to the masterpieces of Mishima and Pynchon.Three books in one volume: The Thieving Magpie, Bird as Prophet, The Birdcatcher. This translation by Jay Rubin is in collaboration with the author.

    But Hildy isn't one for self-pity and instead meets the world with a wry smile, a dark wit and a glass or two of Pinot Noir. When her two earnest grown-up children stage 'an intervention' and pack Hildy off to an addiction centre, she thinks all this fuss is ridiculous. After all, why shouldn't Hildy enjoy a drink now and then?But as the story progresses, we start to see another side to Hildy Good, and to her life's greatest passion - the lies and self deceptions needed to support her drinking, and the damage she causes to those she loves. When a cluster of secrets become dangerously entwined, the reckless behaviour of one threatens to expose the other, with devastating consequences.

    It’s an unlikely friendship which comes under suspicion when a distant relative, claims embezzlement. One million dollars is missing and only Abigail knows the truth of what happened – but, she’ll never get the chance to tell. The Twelfth Child , a novel rich with emotion, humor and tenderness, explores the splintered relationships of a Shenandoah Valley family and their willful daughter’s struggle to survive America’s Great Depression and overcome the past.

    It lends to milk cartons the associative richness of Marcel Proust's madeleines. It names the eight most significant advances in a human life -- beginning with shoe-tying. It asks whether the hot air blowers in bathrooms really are more sanitary than towels. And it casts a dazzling light on our relations with the objects and people we usually take for granted.

    Shantaram is narrated by Lin, an escaped convict with a false passport who flees maximum security prison in Australia for the teeming streets of a city where he can disappear.Accompanied by his guide and faithful friend, Prabaker, the two enter Bombay's hidden society of beggars and gangsters, prostitutes and holy men, soldiers and actors, and Indians and exiles from other countries, who seek in this remarkable place what they cannot find elsewhere.As a hunted man without a home, family, or identity, Lin searches for love and meaning while running a clinic in one of the city's poorest slums, and serving his apprenticeship in the dark arts of the Bombay mafia. The search leads him to war, prison torture, murder, and a series of enigmatic and bloody betrayals. The keys to unlock the mysteries and intrigues that bind Lin are held by two people. The first is Khader Khan: mafia godfather, criminal-philosopher-saint, and mentor to Lin in the underworld of the Golden City. The second is Karla: elusive, dangerous, and beautiful, whose passions are driven by secrets that torment her and yet give her a terrible power.Burning slums and five-star hotels, romantic love and prison agonies, criminal wars and Bollywood films, spiritual gurus and mujaheddin guerrillas—this huge novel has the world of human experience in its reach, and a passionate love for India at its heart. Based on the life of the author, it is by any measure the debut of an extraordinary voice in literature.

     With his critically acclaimed first novel Dear American Airlines, Jonathan Miles was widely praised as a comic genius “after something bigger” (David Ulin, Los Angeles Times) whose fiction was “not just philosophically but emotionally rewarding” (Richard Russo, New York Times Book Review, front cover). Now, in his much anticipated second novel, Want Not, Miles takes a giant leap forward with this highly inventive and corrosively funny story of our times, a three-pronged tale of human excess that sifts through the detritus of several disparate lives—lost loves, blown chances, countless words and deeds misdirected or misunderstood—all conjoined in their come-hell-or-high-water search for fulfillment.As the novel opens on Thanksgiving Day, readers are telescoped into three different worlds in various states of disrepair—a young freegan couple living off the grid in New York City; a once-prominent linguist, sacked at midlife by the dissolution of his marriage and his father’s losing battle with Alzheimer’s; and a self-made debt-collecting magnate, whose brute talent for squeezing money out of unlikely places has yielded him a royal existence, trophy wife included.Want and desire propel these characters forward toward something, anything, more, until their worlds collide, briefly, randomly, yet irrevocably, in a shattering ending that will haunt readers long after the last page is turned.With a satirist’s eye and a romantic’s heart, Miles captures the morass and comedy of contemporary life in all its excess. Bold, unblinking, unforgettable in its irony and pathos, Want Not is a wicked, bighearted literary novel that confirms the arrival of a major voice in American fiction.

    She decides to pay her former cleaner, Mary Tendo, a surprise visit. But Mary, now the Executive Housekeeper of the Sheraton Hotel in Kampala, has secretly borrowed Vanessa's ex-husband Trevor, a plumber, and taken him to her home village to help build a well. Vanessa decides instead to take a trip into Bwindi Impenetrable Forest to see the mountain gorillas. But she manages to insult her driver so much that he leaves her in the lurch, and as war threatens Bwindi from the Congo side of the border, it's up to Trevor and Mary to come to her aid. A comedy of cultural errors.

    Overflowing with a zany and spirited cast of characters, it revels in the miracle of second chances as an extended family searches for true contentment.

    Introducing Ashley Keller, career girl turned stay-at-home mom who's trying to navigate the world of Pinterest-perfect, Facebook-fantastic and Instagram-impressive mommies but failing miserably. When Ashley gets the opportunity to participate in the Motherhood Better boot camp run by the mommy-blog-empire maven she idolizes, she jumps at the chance to become the perfect mom she's always wanted to be. But will she fly high or flop? With her razor-sharp wit and knack for finding the funny in everything, Bunmi Laditan creates a character as flawed and lovable as Bridget Jones or Becky Bloomwood while hilariously lambasting the societal pressures placed upon every new mother. At its heart, Ashley's story reminds moms that there's no way to be perfect, but many ways to be great.

    From brutal brothel-keeper Mrs Castaway, she ascends in society. Affections of self-involved perfume magnate William Rackham soon smells like love. Her social rise attracts preening socialites, drunken journalists, untrustworthy servants, vile guttersnipes, and whores of all kinds.

    By 2016, their four radically different daughters are each in a state of unrest: Wendy, widowed young, soothes herself with booze and younger men; Violet, a litigator-turned-stay-at-home-mom, battles anxiety and self-doubt when the darkest part of her past resurfaces; Liza, a neurotic and newly tenured professor, finds herself pregnant with a baby she's not sure she wants by a man she's not sure she loves; and Grace, the dawdling youngest daughter, begins living a lie that no one in her family even suspects. Above it all, the daughters share the lingering fear that they will never find a love quite like their parents'.As the novel moves through the tumultuous year following the arrival of Jonah Bendt--given up by one of the daughters in a closed adoption fifteen years before--we are shown the rich and varied tapestry of the Sorensons' past: years marred by adolescence, infidelity, and resentment, but also the transcendent moments of joy that make everything else worthwhile.

     But when she returned to her daughter's room... Whatever happened to Melissa's daughter is anyone's guess. The police seal the hospital doors; a search proceeds but the four-year-old is nowhere to be found The girl is gone, vanished without a ransom note, without a body being found, without a trace. The detectives believe she has most likely been sold into human trafficking. No matter, Melissa is determined. She is also very, very bright, a woman who refuses to give up, a woman who knows what motherhood means. She journeys to Mexico in search of her missing child. She confronts the Tijuana Cartel. Do they have her daughter? Twelve years have passed by and she no longer has any idea what the little girl even looks like. Then...two unmistakable eyes peer out at her from a passing van. But was it Melissa's daughter? Watch one desperate woman and one lost child try to reach across time and connect. A story to please you to the very end. A psychological thriller you'll want to read in one sitting...