Told from the point of view of Guinevere, this epic romance chronicles the life and loves of the queen of the Round Table. From being torn away from her native Breton to wed Arthur, being held captive by his enemies to her affair with Lancelot and the subsequent fall of Arthur’s kingdom, every dramatic event is explored in a rich, compelling narrative.With acute attention to the existing literature and historical studies, Medievalist scholar Lavinia Collins brings the world of dashing knights, week-long banquets and cruel wars to light for a contemporary audience eager to get an insider view of life at Arthur’s court. While this book will make fans of Arthurian literature ecstatic, it will also bring delight to any reader of quality contemporary fiction.Guinevere – A medieval romance was previously published as three volumes: The Warrior Queen, A Champion’s Duty and The Day of Destiny.

    Wonder at Medusa's potent venom, Circe's fierce sorcery and Athena rising up over Olympus, as Nikita Gill majestically explores the untold stories of the life bringers, warriors, creators, survivors and destroyers that shook the world - the great Greek Goddesses.Vividly re-imagined and beautifully illustrated, step into an ancient world transformed by modern feminist magic.'I watch Girl become Goddessand the metamorphosis is moremagnificent than anythingI have ever known.'

    The Dragon and the Unicorn begins before the beginning of Time, as light first cools to matter, bearing within it the electron glow of lost Heaven. Attanasio's epic tale of a quest for immortality spans all history, human and demihuman, from the dung fires on the steppes to the snows of Himalayas, from the mudhut cities on the Euphrates to the glass and steel towers of tomorrow, from the hunt for the Unicorn's horn to the ceaseless wars of elf and dragon, Celt and Roman. It is a quest that end -- and begins -- in a legend-heavy place at the edge of the Western Sea, with the first cry of a King new born. A place called Tint gel. A King, the Heir Pendragon, called Eagle of Thor, or...Arthor.One of today's boldest, most imaginative, and most inventive authors, A. A. Attanasio unites all the legends of creation and redemption into a dream song as old as the druid chants, and as timeless as the quantum hum at creation's shinning heart.And so a new departure in epic fantasy takes flight.

    T. Anderson turns to Arthurian lore, with captivating art by Andrea Offermann bringing the classic legend to life.Eager for glory and heedless of others, Sir Yvain sets out from King Arthur’s court and defeats a local lord in battle, unknowingly intertwining his future with the lives of two compelling women: Lady Laudine, the beautiful widow of the fallen lord, and her sly maid Lunette. In a stunning visual interpretation of a 12th century epic poem by Chrétien de Troyes, readers are — at first glance — transported into a classic Arthurian romance complete with errant knights, plundering giants, and fire-breathing dragons. A closer look, however, reveals a world rich with unspoken emotion. Striking, evocative art by Andrea Offermann sheds light upon the inner lives of medieval women and the consequences Yvain’s oblivious actions have upon Laudine and Lunette. Renowned author M. T. Anderson embraces a new form with a sophisticated graphic novel that challenges Yvain’s role as hero, delves into the honesty and anguish of love, and asks just how fundamentally the true self can really change.

    Examining heroic myths in the light of modern psychology, it considers not only the patterns and stages of mythology but also its relevance to our lives today--and to the life of any person seeking a fully realized existence.Myth, according to Campbell, is the projection of a culture's dreams onto a large screen; Campbell's book, like Star Wars, the film it helped inspire, is an exploration of the big-picture moments from the stage that is our world. It is a must-have resource for both experienced students of mythology and the explorer just beginning to approach myth as a source of knowledge.

    Perilous quests, true love, and animals that talk. The traditional stories of Ireland, Scotland, Brittany, and Wales transport us to the fantastical world of Celtic folklore. These timeless tales brim with wit and magic, and each on is brought to life with elegant silhouette art in this special illustrated edition.

    The Weird and the Eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with Horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The Weird and the Eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling. Perhaps a proper understanding of the human condition requires examination of liminal concepts such as the weird and the eerie. These two modes will be analysed with reference to the work of authors such as H.P. Lovecraft, H.G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Nigel Kneale, Daphne Du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christoper Nolan.

    They give a crucial new impetus to the story of the Grail by establishing a provenance for the sacred vessel - and for the Round Table itself - in the Biblical past; and through the controlling figure of Merlin they link the story of Joseph of Arimathea with the mythical British history of Vortigern and Utherpendragon, the birth of Arthur, and the sword in the stone, and then with the knightly adventures of Perceval's Grail quest and the betrayal and death of Arthur, creating the very first Arthurian cycle. Ambitious, original and complete in its conception, this trilogy - translated here for the first time - is a finely paced, vigorous piece of storytelling that provides an outstanding example of the essentially oral nature of early prose. NIGEL BRYANT is head of drama at Marlborough College. He has also provided editions in English of the anonymous thirteenth-century romance Perlesvaus, published as The High Book of the Grail, and Chretien's Perceval: The Story of the Grail.

    They have attempted to explain the mysteries and allay the fears in the same way - through the worship of gods. Deities have been identified with the human psyche for at least 60,000 years. Encyclopedia of Gods offers concise information on more than 2,500 of these deities, from the most ancient gods of polytheistic societies - Hittite, Sumerian, Mesopotamian - to the most contemporary gods of the major monotheistic religions - Allah, God, Yahweh. Among the cultures included are African peoples, Albanian, Pre-Islamic Arabian, Aztec, Babylonian, Buddhist, Canaanite, Celtic, Egyptian, Native American, Etruscan, Germanic, Greek, Roman, Hindu, Persian, Polynesian, and Shinto. The Encyclopedia includes not only the most significant gods of each culture but minor deities as well. Here you will find information not only on Zeus, Thor and Astarte but also on Tozi, the Aztec goddess of healing, Annamurti, the Hindu patron deity of the kitchen, and Nyakaya, the Shilluk crocodile goddess. Each entry provides details on what culture worshiped the god, the role of the god, and the characteristics and symbols used in identification. In the case of the more important personalities, references in art and literature and known dates of worship are also provided. Indexes by civilization and role of the god enable the researcher to compare gods across cultures or to find information on specific topics of interest. Encyclopedia of Gods will be indispensable to students and researchers in religions, anthropology, history and archaeology. It will also provide endless information for thereader interested in mythology and legend.

    Beginning at the time of Alexander the Great, the monsters come fast and furious--Behemoth and Leviathan, Gog and Magog, Satan and his demons, Grendel and Frankenstein, circus freaks and headless children, right up to the serial killers and terrorists of today and the post-human cyborgs oftomorrow. Monsters embody our deepest anxieties and vulnerabilities, Asma argues, but they also symbolize the mysterious and incoherent territory beyond the safe enclosures of rational thought. Exploring sources as diverse as philosophical treatises, scientific notebooks, and novels, Asma unravelstraditional monster stories for the clues they offer about the inner logic of an era's fears and fascinations. In doing so, he illuminates the many ways monsters have become repositories for those human qualities that must be repudiated, externalized, and defeated.

    Passages translated from Old Norse bring this legendary world to life, from the myths of creation to ragnarök, the prophesied end of the world at the hands of Loki’s army of monsters and giants, and everything that comes in between: the long and problematic relationship between the gods and the giants, the (mis)adventures of human heroes and heroines, with their family feuds, revenges, marriages, and murders; and the interaction between the gods and mortals.Photographs and drawings show a range of Norse sites, objects, and characters, from Viking ship burials to dragons on runestones. Dr. Carolyne Larrington describes the Norse myths’ origins in pre-Christian Scandinavia and Iceland, and their survival in archaeological artifacts and written sources, from Old Norse sagas and poems to the less-approving accounts of medieval Christian writers. She traces their influences into the work of Wagner, William Morris, and J. R. R. Tolkien, and even Game of Thrones in the resurrection of the Fimbulvetr, or “Mighty Winter."

    Tolkien's creativity and the sources of his inspiration. Shippey shows in detail how Tolkien's professional background led him to write "The Hobbit" and how he created a timeless charm for millions of readers.

    Definitive and lively articles focus on the great tales and traditions of the age and includes information on daily and nightly customs andactivities; religious beliefs of the pagan, Christian, Muslim, and Jew; key works of oral and written literature; traditional music and art; holidays and feasts; food and drink; and plants and animals, both real and fantastical.While most books on medieval folklore focus primarily on the West, this unique volume brings together an eclectic range of experts to treat the subject from a global perspective. Especially remarkable are the surveys of the major medieval traditions including Arab-Islamic, Baltic, English, Finno-Ugric, French, Hispanic, Hungarian, Irish, Italian, Jewish, Scandinavian, Scottish, Slavic, and Welsh.For anyone who has ever wanted a path through the tangle of Arthurian legends, or the real lowdown on St. Patrick, or the last word on wolf lore--this is the place to look.The contributors:Ulrich Marzolph -- Arab-IslamicThomas A. DuBois -- BalticJohn McNamara & Carl Lindahl -- EnglishThomas A. DuBois -- Finno-UgricFrancesca Canad� Sautman -- FrenchSamuel G. Armistead -- Hispanic�va P�cs -- HungarianJoseph Falaky Nagy -- IrishGiuseppe C. Di Scipio -- ItalianEli Yassif -- JewishStephen A. Mitchell -- ScandinavianJohn McNamara -- ScottishEve Levin -- SlavicElissa R. Henken & Brynley F. Roberts -- Welsh

    Here are Icarus flying too close to the sun, mighty Hercules, Achilles and that darn heel, the Trojans and their wooden horse, brave Perseus and beautiful Andromeda, wandering Odysseus and steadfast Penelope. Their stories and the stories of the powerful gods and goddesses who punish and reward, who fall in love with and are enraged by the humans they have created, are set forth simply but movingly, in language that retains the power and drama of the original works by Aeschylus, Sophocles, Euripides, and Homer. In Gustav Schwab’s masterful retelling, they are made accessible to readers of all ages.Part of the Pantheon Fairy Tale and Folklore Library

    Included are popular myths and legends from all six Celtic cultures of Western Europe-Irish, Scots, Manx, Welsh, Cornish, and Breton. Here for the modern reader are the rediscovered tales of cattle raids, tribal invasions, druids, duels, and doomed love that have been incorporated into, and sometimes distorted by, European mythology and even Christian figures. For example, there is the story of Lugh of the Long Hand, one of the greatest gods in the Celtic pantheon, who was later transformed into the faerie craftsman Lugh-Chromain, and finally demoted to the lowly Leprechaun. Celtic Myths and Legends also retells the story of the classic tragic love story of Tristan and Iseult (probably of Cornish origin-there was a real King Mark and a real Tristan in Cornwall) and the original tale of King Arthur, a Welsh leader who fought against the invading Anglo-Saxons. In the hands of Peter Berresford Ellis, the myths sung by long-dead Celtic bards come alive to enchant the modern reader. "The casual reader will be best entertained by ... the legends themselves ...colored with plenty of swordplay, ... quests, shape-shiftings, and druidic sorcery."-Publishers Weekly