Divided into four sections: love, loss, acceptance, and growth- the content serves the purpose of making you feel and finding the light at the end of the tunnel.

    That Wagner is in love with the world and its transactions--perceptions, superficial and otherwise; childbearing, painful and otherwise; gains, financial and otherwise--allows for a poetry that is full of song yet brazenly topical.

    But his resilient voice and consistent perspective is neither blaming nor didactic, and ultimately enlightening. From the shadowed corners into which we dare not look clearly, Hicok makes us witness and hero of The Legend of Light.

    Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Sappho (c.630-570 BCE). Sappho's Stung with Love is available in Penguin Classics.

    For one of these adventurers, the trip will hold consequences that may well shape the rest of her life. Allison Stern, an executive with a New York financial firm, finds her world turned upside down, when her manager puts her in charge of a character-building adventure, and things go terribly wrong. Cynthia Brooks, a ranger with the forestry service finds herself thrown in with Allison, as she attempts a rescue. Allison is floundering in a loveless marriage and Cynthia wants nothing to do with any sort of relationship, having left her heart on a mountainside in Colorado, years before. Can a city girl with an affinity for nature, find love with a devout mountain girl with a broken heart? Read Eagle Ridge, and find out if opposites really do attract.(Author's note: 2nd Edition of this book contains various corrections of grammatical and ease of reading problems that had been brought to my attention following the publication of the original manuscript.)

    

    No Art is an exhilarating argument both with America and with poetry itself, in which online slang is juxtaposed with academic idiom, philosophy collides with advertising, and the language of medicine and the military is overlaid with echoes of Whitman and Keats. Here, clichés are cracked open and made new, made strange, and formal experiments disclose new possibilities of thought and feeling. No Art confirms Ben Lerner as one of the most searching and ambitious poets working today.

    This is the poetry of a beautiful life.

    Channeling "the primal vision of Hart Crane" (Harold Bloom), Adam Fitzgerald helped welcome the modernist aethetic into the twenty-first century. Part Technicolor, part nitrous oxide, Fitzgerald's chimerical poems confront "a surging ocean of sound and language" (Maureen McLane). In these forty-eight poems, he conducts a madcap symphony of language, memory, and fantasy with the "exhilarating assurance of nonstop invention" (Timothy Donnelly).

    Heartbreaking and humorous, Atlantis is a journey about picking up the pieces from the ruins of a life they said would be good for you.

    It is a coming out journey, an exploration of sexuality, femininity, loving, and being loved.

    H. Auden, and James Merrill. Their poems of love are among the most perceptive, the most passionate, the wittiest, and the most moving we have. From Michelangelo’s “Love Misinterpreted” to Noël Coward’s “Mad About the Boy,” from May Swenson’s “Symmetrical Companion” to Muriel Rukeyser’s “Looking at Each Other,” these poems take on both desire and its higher power: love in all its tender or taunting variety.

    Starting there, this extended poem—part art criticism, part history—considers the phenomenon of glass, revealing the strength and fragility of our age in the minimalist style that has won Cole Swensen such acclaim.

    So when she gets a call from her unpredictable Aunt Rose and her wife, Mel, with a proposition to use her building and design skills in their sleepy little town of Carrick, South Carolina, she can’t say no—maybe she should have. Claire Ramsey loves her life. After being away for years, she followed her heart and returned to her hometown, even though nothing ever happens in Carrick. That is until she meets Rose’s reticent niece. Their meeting is that of legends, or court jesters. No matter. Claire is quickly smitten with the younger Quinlan. There’s no getting around it. One way or another, Claire is determined to be part of the craziness with the ladies on Carrick Road.