A member of the prestigious Magnum agency since 1954, he has photographed all over the world and his images have been the subject of many books and exhibitions.Containing over 500 pictures, over half of which have never been published before, Elliott Erwitt Snaps is a unique and comprehensive survey of his work. From famous images such as Nikita Khrushchev and Richard Nixon arguing in Moscow in 1959 and Marilyn Monroe with the cast of the movie The Misfits, to his many more personal images of places, things, people and animals, Erwitt's unmistakable, often witty, style gives us a snapshot of the famous and the ordinary, the strange and the mundane over a period of more than half a century, through the lens of one of the period's finest image-makers.The book is arranged in nine chapters, each with a one-word title: Look, Move, Play, Read, Rest, Touch, Tell, Point, Stand. For Erwitt, whose photography is a study and celebration of life, these are the basic actions of life - the things people do. The photographs are not intended to illustrate the words, but the words act as a means of grouping and organizing, making broad connections and also playing with pun and ambiguity, in keeping with the visual games Erwitt plays.

    Earth’s evolving primate was selected by the Gods to be transformed into a being of their own design. There was no clear reason as to why this was occurring, but it would profoundly influence mankind into the present day. Over the past decade, it had become increasingly apparent to me that we are not alone as a single intelligent species in the cosmic ocean. But it has also become apparent that our Earth and overall humanity have attracted the attention of non-terrestrial entities over many millennia. Our history is intertwined with extraterrestrial beings. I truly believe that humans are a genetic extension of otherworldly races. I also believe that most of the alien entities that people encounter are biologically enhanced and evolved humans from our past and future. But we must always keep in mind; they do have an agenda. I believe that agenda is eventual technological and biological singularity. Human experiencers are providing us with actual accounts of alien abduction and close encounters. Their stories are important; giving us a real sense of this global phenomenon. My premise may become more understandable as you read this book. The experiences described in the accounts are brutally forthright. Some readers may be shocked by the details. But then again, I don’t believe that you would want me to present the information in any manner that isn’t consistent with the experiencers' actual encounters.

    The effect of the pill once digested, however, depends upon the viewer. This large, lavishly produced hardcover serves as the catalog for Camille Rose Garcia's first solo museum show outside of Los Angeles. Tragic Kingdom surveys her work with an emphasis on her most recent creations, showcasing paintings, drawings, sketchbooks, prints, and more.

    

    But those that aren't, those that purport to document or comment on such phenomena in what passes for "real life" vary across such a wide range of quality, credulity & comprehensibility that it's tempting to dismiss them all as pure badly-written hokum. Of course, as in any genre, no matter how microscopic, there are classics. Charles Fort's Book of the Damned is surely in the forefront. But once you get past the looming shadow of Charles Fort, matters become far murkier. Patrick Harpur's Daimonic Reality is a work that would surely make the top ten lists of many Fortean scholars. Subtitled A Field Guide to the Otherworld, Daimonic Reality synthesizes the reports of many different phenomena into a single Unified Field Theory of the Strange. It's an audacious attempt that largely succeeds. Harpur has a low key writing style that makes this work easy to read. His comprehensive knowledge of a wide variety of inexplicable events is impressive & entertaining. Most importantly, he has drawn together these disparate elements with a rather interesting philosophical take that looks to Jung, Fort, Blake, Yeats & beyond. There are enough elements in this stew to make it a really tasty treat for the hungry mind. Daimonic Reality is divided into three sections thru which Harpur journeys ever deeper into the mind behind the perceptions. But he's careful not to shortchange the perceptions & events themselves. Part One: Apparitions covers apparitions of all kinds, from UFOs to lights in the sky, from aliens & fairies to sightings of Black Dogs & Big Cats. Harpur's economical coverage of these subjects makes it easy for any level of Fortean reader to enjoy the individuality of each experience. But this treatment also enables the reader to step back & see the bigger picture, to move towards the idea of the otherworld. The individual reports are carefully chosen & beautifully written. Harpur takes a more substantial step towards the otherworld in Part Two: Vision. Starting with a discussion of "seeing things", he moves on to visions of Ladies, which are dominated by (but not exclusively) visions of the Blessed Virgin Mary. He discusses the evidence that these encounters leave behind, from fairy shoes to crop circles. (Coming soon to a theater near you.) He talked about the part that Imagination plays in the otherworld & finally reaches the mythic land itself. In Part Three: Otherworld Journeys, Harpur gives both practical & philosophical advice for otherworld journeys. He discusses the variety of journeys that one can have, from missing time to alien encounters, from a trip to fairyland to an out-of-body experience. When Harpur sticks to the practical, he has practically no peer in writing compelling prose about otherworldly experiences. His philosophical thoughts aren't quite as page-turning, but they're pithy, fascinating & pertinent. Harpur isn't content to merely provoke thought. He wants to invoke internal debate in the reader, & does so with some formal philosophical discussion that is difficult to pull off with the authority that Harpur achieves. He's a remarkably intelligent writer & his work requires a reader of nearly equal intelligence. You don't have to be a philosopher to read Harpur's work, but it certainly helps to be philosophically inclined. This isn't mere reportage of events, but a reasoned analysis, with conclusions that go well beyond 'Is it real or are they all just a bunch of crazy yahoos?' That there is an audience for this sort of thinking is shown by the eternal sales of the works of writers such as Carlos Castenada, not to mention the immense & increasing popularity of Fortean fiction, horror, science fiction & fantasy. That's because Harpur is looking to snatch something from the center of creation, something that is partly in the human mind & partly in the otherworld. Daimonic Reality does an excellent job grasping at the ineffable & getting it in print. As of 2/2003, this title is back in print by Pine Winds Press/Idyll Arbor. They've chosen an equally nice cover print, & are publishing the book as a sturdy US hardcover. Better yet, they're a small press, so you can buy directly from them. Since Harpur has managed to wrestle the ineffable into print, we've got to thank Pine Winds Press for keeping it in print.--Rick Kleffel

    Rebecca Litchfield is one who couldn t resist the haunting allure of the ruins of the Soviet Union. Time and again she risked radiation exposure, experienced arrest and interrogation, and was accused of espionage while collecting the stunning photography in Soviet Ghosts. Join her on an adventure through the ruins of soviet bloc, never before seen by western eyes. The emotional affect of this poetic collection will keep you coming back for more, while a series of expert articles offer in-depth analysis of the historical context. Contemplate the uncanny and disturbing emotional power of the imagery. Discover the story of the rise and fall of the USSR, the empire whose ghost continues to haunt Europe even today... Features A breathtaking collection of images from Pripyat, Chernobyl Stunning imagery of a vast, ruined Bulgarian communist monument. A road trip through the ruined abandonment in East Germany, Ukraine, Bulgaria, Hungary, Czech Republic, Slovakia, Latvia, Estonia, Lithuania, Croatia and Russia featuring decaying hospitals, military barracks, prisons, spy stations and sports halls and more. Photographer Rebecca Litchfield captures many abandoned locations, which were either part of the Soviet Union or occupied satellite states during this period of history, including forgotten towns, factories, prisons, schools, monuments, hospitals, theatres, military complexes, asylums & death camps across the former communist states. These photographs deliver a compelling narrative of both moral bankruptcy and flawed ideology. Featuring stunning imagery throughout, this compelling road-trip through the old USSR, breathes new life into these forgotten places, finding both beauty and meaning in their post-apocalyptic decay. Extended essays by Tristi Brownett, Neill Cockwill and Professor Owen Evans, offer considerable contextual depth to the locations imbuing them with a wealth of connection and wonder. By virtue of its holistic approach, the book also explores how and why these once thriving communities became abandoned, whether by natural disaster, man-made catastrophe or simply through the march of time."

    Many people believe that we are alone in the universe; we are not alone. Many people want proof of extraterrestrial visitation and why not. However, those who have been taken or visited by extraterrestrial beings are not given proof; all they have is their own unique experiences. Most will not share their experiences with others fearing job loss or other humiliations that take place when telling others of such extraordinary and bizarre experiences. Human abductions by extraterrestrial beings happen— believe it or not.

    Here, Mary Street Alinder--who collaborated with Adams on his memoir and was his assistant in later life--is not reticent about the major emotional episodes in Adams's life, including his marriage and extramarital affairs, and his not-altogether-successful fatherhood. She explores the major artistic influences on his work and gives in-depth profiles of the significant figures in his circle. She also explains the technique and style Adams developed to obtain his unique vision, as well as his uneasiness at becoming a commodity. Ansel Adams: A Biography is an intimate and provocative portrait of the world's most famous photographer.

    Her 1,700-mile solo journey across the Australian outback was a cover story in National Geographic, and her account of her trek has become a worldwide bestseller. Now the photographer who originally took the pictures for the NG story combines Davidson's text with his award winning photos, most never before published.

    This beautifully produced catalogue, designed by the renowned Danish graphic designer Michael Jensen, features deluxe tritone printing and varnish on premium paper. It includes 125 reproductions of Avedon's greatest work from the entire range of his oeuvre--including fashion photographs, reportage and portraits--and spans from his early Italian subjects of the 1940s to his 2004 portrait of the Icelandic pop star Bjork. It also features a small number of color images, including what must be one of the most famous photographic portraits of the twentieth century, -Nastassja Kinski and the Serpent- (1981). Texts by Jeffrey Fraenkel, Judith Thurman, Geoff Dyer, Christoph Ribbat, Rune Gade and curator Helle Crenzien offer a sophisticated and thorough composite view of Avedon's career.

    Each volume is dedicated to the work of one key photographer who, through a series of bite-sized lessons and ideas, tells you everything you always wanted to know about their approach to taking photographs. From their influences, ideas and experiences, to tech tips and best shots. The series begins with Joel Meyerowitz, who will teach you, among other essentials: How to use a camera to reclaim the streets as your own, why you need to watch the world always with a sense of possibility, how to set your subjects at ease, and the importance of being playful and of finding a lens that suits your personality.

    From Ouija and demons to visits from angels. Encounters with ghosts, shadow people, skin walkers, aliens and UFO sightings. Warning: This book contains explicit language and is not suitable for children or anyone who is easily offended.

    Throughout, gorgeous photographs of rooms with rare collections, floor-to-ceiling shelves, and stacks upon stacks of books inspire readers to live better with their own collections.Praise for Bibliostyle"Featuring enviable private libraries and packed floor-to-ceiling shelves, this beautiful volume makes a compelling case for books as d�cor."--New York"Freudenberger spotlights the splendid, enviable personal libraries of literary figures whose owners obviously care about their book collections and have actually read them, too."--The Boston Globe"This is a coffee table book that makes you think as well as admire and desire."--Sydney Herald"Offers a look into the fabulous homes of book lovers the world over, showcasing how their interior design is built around the tomes they love most."--CN"The photographs of rooms with rare collections, floor-to-ceiling shelves, and stacks upon stacks of books will inspire readers to live better with their own collections."--Publishers Weekly "Nina Freudenberger teams with Sadie Stein of The New Yorker and photographer Shade Degges of Architectural Digest to showcase beautiful photographs of the private libraries of book lovers from all over the world."--BookRiot

    Marilyn Monroe: A Life in Pictures is the only book to bring together all of the most iconic images of the legendary bombshell. Glamorous shots by celebrity photographers mix with casual snapshots and childhood portraits to span Marilyn's luminous but too-short life. Hundreds of evocative images, both lush and poignant, are interwoven with quotations by and about Marilyn to create an elegant collective portrait like no other. Aesthetically arresting throughout, this volume illuminates the life of a legend, both onscreen and off.

    Some of the 50 flower images in this collection, all in colour, date from the early 1980s, but many of them from the months leading to his death in 1989.