The fifteen stories featured, many of them set in her native New Zealand, vary in length and tone from the opening story, "At the Bay, " a vivid impressionistic evocation of family life, to the short, sharp sketch "Mrs. Brill, " in which a lonely woman's precarious sense of self is brutally destroyed when she overhears two young lovers mocking her. Sensitive revelations of human behaviour, these stories reveal Mansfield's supreme talent as an innovator who freed the story from its conventions and gave it a new strength and prestige.

    In four novels and fifty-six short stories, Holmes with his trusted friend Dr. Watson, steps from his comfortable quarters at 221B Baker Street into the swirling fog of London. Combining detailed observation with brilliant deduction, Holmes rescues the innocent, confounds the guilty, and solves the most perplexing puzzles crime has to offer.Volume I of The Complete Sherlock Holmes begins with Holmes's first appearance, A Study in Scarlet, a chilling murder novel complete with bloodstained walls and cryptic clues. This is followed by the baffling The Sign of Four, which introduces Holmes's cocaine problem and Watson's future wife. Volume I also includes the story collections The Adventures of Sherlock Holmes and The Memoirs of Sherlock Holmes, and concludes with the tale "The Final Problem," in which Conan Doyle, tired of writing Holmes stories, kills off his famed sleuth.(back cover)

    Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire—though he sometimes succumbs to the charms of the local girls. When Tom is banished to make his own fortune and Sophia follows him to London to escape an arranged marriage, the adventure begins. A vivid Hogarthian panorama of eighteenth-century life, spiced with danger and intrigue, bawdy exuberance and good-natured authorial interjections, Tom Jones is one of the greatest and most ambitious comic novels in English literature.   • Includes a chronology, suggestions for further reading, notes, glossary, and an appendix of Fielding's revisions   • Introduction discusses narrative tecniques and themes, the context of eighteenth-century fiction and satire, and the historical and political background of the Jacobite revolutionFor more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    M. Forster about social conventions, codes of conduct and relationships in turn-of-the-century England. A strong-willed and intelligent woman refuses to allow the pretensions of her husband's smug English family to ruin her life. Howards End is considered by some to be Forster's masterpiece.

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.

    Edgar Award-winning editor Otto Penzler collects sixty of his all-time favorite holiday crime stories--many of which are difficult or nearly impossible to find anywhere else. From classic Victorian tales by Arthur Conan Doyle, Robert Louis Stevenson, and Thomas Hardy, to contemporary stories by Sara Paretsky and Ed McBain, this collection touches on all aspects of the holiday season, and all types of mysteries. They are suspenseful, funny, frightening, and poignant. Included are puzzles by Mary Higgins Clark, Isaac Asimov, and Ngaio Marsh; uncanny tales in the tradition of A Christmas Carol by Peter Lovesey and Max Allan Collins; O. Henry-like stories by Stanley Ellin and Joseph Shearing, stories by pulp icons John D. MacDonald and Damon Runyon; comic gems from Donald E. Westlake and John Mortimer; and many, many more. Almost any kind of mystery you’re in the mood for--suspense, pure detection, humor, cozy, private eye, or police procedural—can be found in these pages.  FEATURING:-        Unscrupulous Santas-        Crimes of Christmases Past and Present-        Festive felonies-        Deadly puddings-        Misdemeanors under the mistletoe-        Christmas cases for classic characters including Sherlock Holmes, Brother Cadfael, Miss Marple, Hercule Poirot, Ellery Queen, Rumpole of the Bailey, Inspector Morse, Inspector Ghote, A.J. Raffles, and Nero Wolfe.

    Over the years, she’s sacrificed her personal life to climb the corporate ladder at a prestigious Boston advertising agency. Now she just needs to land a coveted Christmas toy company account to make partner. But first, her boss, Larry, thinks she needs a holiday attitude adjustment, so he ships her off to a Christmas Camp at Holly Peak Inn to help her find her Christmas spirit.Arriving at the charming mountainside inn, Haley meets the owner’s handsome son, Jeff, and feels an instant spark, but resists the attraction, refusing to be distracted from her goal of doing all the required Christmas tasks as fast as possible so she can get back to work.At first Haley struggles with all the traditional Christmas Camp activities. It’s not until she finally allows herself to slow down, live in the moment, and let Christmas back into her heart, that she begins to grow closer to Jeff. But when he finds out Haley’s come up with a plan to help his dad save the struggling inn while he’s been trying to convince his dad to sell it, their relationship takes a serious holiday hit.  Now it will take the magic of the season to bring these two hearts together.

    This story of three closely related Oxfordshire communities - a hamlet, the nearby village and a small market town - is based on the author's experiences during childhood and youth. It chronicles May Day celebrations and forgotten children's games, the daily lives of farmworkers and craftsmen, friends and relations - all painted with a gaiety and freshness of observation that make this trilogy an evocative and sensitive memorial to Victorian rural England.With a new introduction by Richard Mabey

    This irresistible version is illustrated, and has an introduction by, Chris Riddell.This is a luxury edition with both black and white and colour artwork, ribbon marker and metallic blue sprayed edges.It was first published by Macmillan in 1876.

    Dashiell Sutherland, a former army intelligence officer, has a job interview in Seattle and must arrive by December 23. Though frantic to book a last-minute flight out of San Francisco, both are out of luck: Every flight is full, and there’s only one rental car available. Ashley and Dash reluctantly decide to share the car, but neither anticipates the wild ride ahead.At first they drive in silence, but forced into close quarters Ashley and Dash can’t help but open up. Not only do they find they have a lot in common, but there’s even a spark of romance in the air. Their feelings catch them off guard—never before has either been so excited about a first meeting. But the two are in for more twists and turns along the way as they rescue a lost puppy, run into petty thieves, and even get caught up in a case of mistaken identity. Though Ashley and Dash may never reach Seattle in time for Christmas, the season is still full of surprises—and their greatest wishes may yet come true.

    On the way their ship is set upon by pirates, and the children are accidentally transferred to the pirate vessel. Jonsen, the well-meaning pirate captain, doesn't know how to dispose of his new cargo, while the children adjust with surprising ease to their new life. As this strange company drifts around the Caribbean, events turn more frightening and the pirates find themselves increasingly incriminated by the children's fates. The most shocking betrayal, however, will take place only after the return to civilization.The swift, almost hallucinatory action of Hughes's novel, together with its provocative insight into the psychology of children, made it a best seller when it was first published in 1929 and has since established it as a classic of twentieth-century literature - an unequaled exploration of the nature, and limits, of innocence.

    "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" -- "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor. O'Connor had a shrewd insight to the darker side of man's nature and a mild appearance to go with it--and together those came together to become Chesterton's unassuming Father Brown. Chesterton loved the character, and the magazines he wrote for loved the stories. The Innocence of Father Brown was the first collection of them, and it's a great lot of fun.

    For the Fourth Edition, the editor has collated the 1847 text with several modern editions and has corrected a number of variants, including accidentals. The text is accompanied by entirely new explanatory annotations.New to the fourth Edition are twelve of Emily Bronte's letters regarding the publication of the 1847 edition of Wuthering Heights as well as the evolution of the 1850 edition, prose and poetry selections by the author, four reviews of the novel, and poetry selections by the author, four reviews of the novel, and Edward Chitham's insightful and informative chronology of the creative process behind the beloved work.Five major critical interpretations of Wuthering Heights are included, three of them new to the Fourth Edition. A Stuart Daley considers the importance of chronology in the novel. J. Hillis Miller examines Wuthering Heights's problems of genre and critical reputation. Sandra M. Gilbert assesses the role of Victorian Christianity plays in the novel, while Martha Nussbaum traces the novel's romanticism. Finally, Lin Haire-Sargeant scrutinizes the role of Heathcliff in film adaptations of Wuthering Heights. A Chronology and updated Selected Bibliography are also included.

    His novel is at once a major social document and a story that draws us irresistibly into the twilit world of Edwin Reardon, a struggling novelist, and his friends and acquaintances in Grub Street including Jasper Milvain, an ambitious journalist, and Alfred Yule, an embittered critic. Here Gissing brings to life the bitter battles (fought out in obscure garrets or in the Reading Room of the British Museum) between integrity and the dictates of the market place, the miseries of genteel poverty and the damage that failure and hardship do to human personality and relationships.

    One house. A year that changes everything.  Twenty-nine-year-old Jess is following her dream and moving to London. It’s December, and she’s taking a room in a crumbling, but grand, Notting Hill house-share with four virtual strangers. On her first night, Jess meets Alex, the guy sharing her floor, at a Christmas dinner hosted by her landlord. They don’t kiss, but as far as Jess is concerned the connection is clear. She starts planning how they will knock down the wall between them to spend more time together.But when Jess returns from a two-week Christmas holiday, she finds Alex has started dating someone else—beautiful Emma, who lives on the floor above them. Now Jess faces a year of bumping into (hell, sharing a bathroom with) the man of her dreams…and the woman of his.