. . Cambridge on the morning of a day in April, the year of Our Lord 1569.And Christopher Radcliff, Doctor of Civil Laws at Pembroke Hall and recruiter of clever young men to the service of the Earl of Leicester, is amongst a crowd of excited townsfolk and university scholars gathered on a field to watch a game of foot ball. It is to be played between the apprentices of the town and pupils of the colleges and it is hoped it will reconcile differences between town and gown. Bets are placed, wagers made. On the field long-standing animosities surface and violence breaks out but not before the college team is victorious, thanks to the skill of a Pembroke Hall man, John Groom.Later that day, Radcliff is summoned to the senior tutor’s rooms. It transpires that John Groom has been locked up on a serious charge of assault – he’d nearly caused a cobbler’s apprentice to drown. If found guilty, Groom would be expelled from college and face imprisonment. But Christopher smells a rat. He believes the charge to be the fabrication of someone with a serious grudge against the young man, and yet it does seem as if Groom is hiding something. Enlisting the help of his friend Edward Allington and his wife Katherine, Dr Radcliff knows the truth lies somewhere within the infamous den that is Slegge’s gaming house…

    Editors Elissa Washuta and Theresa Warburton ground this anthology of essays by Native writers in the formal art of basket weaving. Using weaving techniques such as coiling and plaiting as organizing themes, the editors have curated an exciting collection of imaginative, world-making lyric essays by twenty-seven contemporary Native writers from tribal nations across Turtle Island into a well-crafted basket.Shapes of Native Nonfiction features a dynamic combination of established and emerging Native writers, including Stephen Graham Jones, Deborah Miranda, Terese Marie Mailhot, Billy-Ray Belcourt, Eden Robinson, and Kim TallBear. Their ambitious, creative, and visionary work with genre and form demonstrate the slippery, shape-changing possibilities of Native stories. Considered together, they offer responses to broader questions of materiality, orality, spatiality, and temporality that continue to animate the study and practice of distinct Native literary traditions in North America.

    The Mystery of the Poisoned Tomb2. The Mystery of the Faceless Bride3. The Case of the Cracked Mirror4. A Strange Affair with the Woman on the Tracks5. The Curse of a Native6. The Case of the missing Mayan Codices7. Murders on the Voyage to India8. The Heist9. The Game of Cat and Mouse10. Death in the Tropics of an English Explorer11. Double Trouble in York12. NOT SO MERRY IN GOOD OL’ SCOTLAND13. Bumbling Caper on the Swiss Alps14. Dirty Laundry in Paradise15. The Castle Orphans16. Watson to the Rescue17. The Uncanny Disappearance of Miss Ellis18. Mysterious Murders Surround the Whistling Tavern19. The Hex of a Gypsy Woman20. The Perilous JesterThese are the first twenty crime mysteries together in one large collection taken from a string of new short stories set in the late 19th century. No fictional character is more renowned for his powers of thought and observation than Sherlock Holmes and his faithful companion Dr. John Watson.

    Marshall’s thoughtful, illuminating account of how the spiritual beliefs of the Lakota people can help us all lead more meaningful, ethical lives.Rich with storytelling, history, and folklore, The Lakota Way expresses the heart of Native American philosophy and reveals the path to a fulfilling and meaningful life. Joseph Marshall is a member of the Sicunga Lakota Sioux and has dedicated his entire life to the wisdom he learned from his elders. Here he focuses on the twelve core qualities that are crucial to the Lakota way of life--bravery, fortitude, generosity, wisdom, respect, honor, perseverance, love, humility, sacrifice, truth, and compassion. Whether teaching a lesson on respect imparted by the mythical Deer Woman or the humility embodied by the legendary Lakota leader Crazy Horse, The Lakota Way offers a fresh outlook on spirituality and ethical living.

    Originally published in The Strand magazine from 1918 to 1922 and later collected as The Inimitable Jeeves, these ten tales by comedic master P. G. Wodehouse abound in sparkling wit. "Scoring off Jeeves" recounts a lunch with Aunt Agatha ("A pretty frightful ordeal … Practically the nearest thing to being disemboweled."), who insists that Bertie propose to Honaria Glossop ("simply nothing more nor less than a pot of poison"), necessitating Jeeves' rescue of the perennial bachelor ("and according to my nearest and dearest, practically a half-witted bachelor at that"). Other stories include "The Delayed Exit of Claude and Eustace," featuring Bertie's frolicsome cousins ("as innocuous as a pair of sprightly young tarantulas"); "Aunt Agatha Takes the Count," involving our hero's formidable relative and her intrusion upon his vacation in the south of France; and "Comrade Bingo," in which Bertie's school chum masquerades as a Bolshevist and Jeeves comes very near to being rattled.

    She hates the burnout, futureless kids surrounding her and dreams that she and her unreliable new boyfriend can move far beyond the bright lights of Denver that float on the horizon before the daily suffocation of teen pregnancy eats her alive.

    The story focuses on an Indian baseball team but brings a new understanding of the term "America's favorite pastime." For tribes in Indian Territory, baseball was an extension of a sport they'd been playing for centuries before their forced removal to Indian Territory.The story centers on the lives of Hope Little Leader, a Choctaw pitcher for the Miko Kings, and Ezol Day, a postal clerk in Indian Territory who travels forward in time to tell stories to our present-day narrator. With Day’s help, the narrator pulls us into Indian boarding schools, such as the historical Hampton Normal School for Blacks and Indians in Virginia, where the novel’s legendary love story between Justina Maurepas—a character modeled after an influential Black educator—and Hope Little Leader, begins.Though a lively and humorous work of fiction, the narrative draws heavily on LeAnne Howe’s careful historical research. She weaves original and fictive documents into the text, such as newspaper clippings, photographs, typewritten letters, and handwritten journal entries."LeAnne Howe's Miko Kings is an incredible act of recovery: baseball, a sport jealously guarded by mainstream Anglo culture, is also rooted in Native American history and territory...[Howe's] compelling stories and narratives...expose the political games of the 20th century that Native Americans learned to play for resistance and survival."—Rigoberto González, author (So Often the Pitcher Goes to Water Until It Breaks and Butterfly Boy)

    The captain of the ship, Xiala, is a disgraced Teek whose song can calm the waters around her as easily as it can warp a man’s mind. Her ship carries one passenger. Described as harmless, the passenger, Serapio, is a young man, blind, scarred, and cloaked in destiny. As Xiala well knows, when a man is described as harmless, he usually ends up being a villain.

    She wanted this old Victorian for herself. The rumors the house was haunted didn’t bother Jennifer, who is a skeptic by nature. But her skepticism turns to intrigue when she finds a letter dated 1909 in the attic tucked into the folds of a wedding dress. The letter mentions a murder, but no name of the victim and is signed with only initials. Jennifer's challenge is to track down the identity of the victim, as well as the killer. However, her research brings forth two spirits, one of which is evil.

    Her younger son Lester finds romance on the soon-to-be-demolished train, The Hiawatha, while his older brother Simon takes a dangerous job scaling skyscrapers. Their fates collide, and result in a tale of crime, punishment, and redemption.An elegy to the American dream, and to the sometimes tragic experience of the Native Americans who helped to build it, The Hiawatha is a powerful novel that confirms David Treuer's status as a young writer of rare talent.

    In a novel that “retains the complexity, immediacy, and indirection of a poem,” Glancy brings to life the Cherokees’ 900-mile forced removal to Oklahoma in 1838 and gives us “a powerful witness to one of the most shameful episodes in american history” (Los Angeles Times).

    The collection includes seminal authors such as Gerald Vizenor, historically important contributions often categorized as "magical realism" by authors like Leslie Marmon Silko and Sherman Alexie, and authors more recognizable to science fiction fans like William Sanders and Stephen Graham Jones. Dillon's engaging introduction situates the pieces in the larger context of science fiction and its conventions.Organized by sub-genre, the book starts with Native slipstream, stories infused with time travel, alternate realities and alternative history like Vizenor's "Custer on the Slipstream." Next up are stories about contact with other beings featuring, among others, an excerpt from Gerry William's The Black Ship. Dillon includes stories that highlight Indigenous science like a piece from Archie Weller's Land of the Golden Clouds, asserting that one of the roles of Native science fiction is to disentangle that science from notions of "primitive" knowledge and myth. The fourth section calls out stories of apocalypse like William Sanders' "When This World Is All on Fire" and a piece from Zainab Amadahy's The Moons of Palmares. The anthology closes with examples of biskaabiiyang, or "returning to ourselves," bringing together stories like Eden Robinson's "Terminal Avenue" and a piece from Robert Sullivan's Star Waka.An essential book for readers and students of both Native literature and science fiction, Walking the Clouds is an invaluable collection. It brings together not only great examples of Native science fiction from an internationally-known cast of authors, but Dillon's insightful scholarship sheds new light on the traditions of imagining an Indigenous future.

    Simply waiting for a bus why should Anne ever dream of dying? He was an opportunist driven by lust, needing to climax while looking into her eyes as she died. Found two months later she will be like all the others - frozen in time. Hunting the killer down is Detective Inspector Jack Gilbert, a dinosaur of the old school, a fish out of water in the swinging sixties, but with a reputation second to none. What is Jack’s sad secret? What does the future hold for him? Read the ICE MAIDEN and there’s a link at the end allowing you to download for FREE, number one in the Jack Gilbert Series – THE CHOCOLATE KILLER. For you, chocolate will never taste the same again!

    When Kelli heads west on the orphan train as a helper, she expects to return to the orphanage and live her life there as an old maid, but once she sees the town of Emporia, she desires to stay.After overhearing a cowboy telling the general store owner that he is looking for a mail order bride, Kelli rushes forward to offer herself.Will Carter accept her as his wife? Will he adopt the small boy who is left over on the train? and what is the underlying reason that Carter wants a wife? Is it for love?and when a natural catastrophy takes place, will Kelli and Carter's rocky relationship be able to endure?Please leave a positive Review if you enjoy this story.If you enjoyed this story, your kids might like Orphan Train Riders Danny's New Life, and Orphan Train Riders Kathleen's Vision.If you enjoyed this, see other novella's and novels published by Lovely Christian Romance such as, Orphan Train Bride, Christmas Village Miracle, Sheriff Bride, Lucky in Shamrock Texas, Where's the Dickens, Christmas Rayne, Gambled Away, Mamma's Bells and Her Christmas Cowboywww.lovelychristianromance.com Lovely Christian Romance

    Widely regarded as one of the country's most important Native American poets, Ortiz has led a thirty-year career marked by a fascination with language—and by a love of his people. This omnibus of three previous works offers old and new readers an appreciation of the fruits of his dedication.Going for the Rain (1976) expresses closeness to a specific Native American way of life and its philosophy and is structured in the narrative form of a journey on the road of life. A Good Journey (1977), an evocation of Ortiz's constant awareness of his heritage, draws on the oral tradition of his Pueblo culture. Fight Back: For the Sake of the People, For the Sake of the Land (1980)—revised for this volume—has its origins in his work as a laborer in the uranium industry and is intended as a political observation and statement about that industry's effects on Native American lands and lives. In an introduction written for this volume, Ortiz tells of his boyhood in Acoma Pueblo, his early love for language, his education, and his exposure to the wider world. He traces his development as a writer, recalling his attraction to the Beats and his growing political awareness, especially a consciousness of his and other people's social struggle. "Native American writers must have an individual and communally unified commitment to their art and its relationship to their indigenous culture and people," writes Ortiz. "Through our poetry, prose, and other written works that evoke love, respect, and responsibility, Native Americans may be able to help the United States of America to go beyond survival."