Long may he reign."Everyday MUTTS marks the 11th book of the award-winning MUTTS strip. It is the follow-up to Patrick McDonnell's successful collection Who Let the Cat Out? as well as his first storybook, The Gift of Nothing, which reached the New York Times Best-Seller List for Children's Picture Books in January 2006. McDonnell's classic cartooning style not only delivers consistent laughs but often a message that reminds us to take care of our furry friends. With its expressive art and clever, often philosophical pet banter, MUTTS has built a large and loyal fan base among readers and cartoonists alike. McDonnell is a past winner of the National Cartoonists Society's Reuben Award, and MUTTS won the coveted Comic Strip of the Year Award in 1996. This unique collection includes 16 pages of full-color bonus material, including watercolors, other artwork, and items personally selected from the creator's sketchbook to accompany the black-and-white dailies and McDonnell's Sunday pages with his signature title panels. As always, the tales-and tails-of this especially close dog-kitty friendship can be counted on for charming adventures and gentle laughs, reminding us that there is more than it seems to the Everyday MUTTS we meet on the street.

    With an ever increasing fan base, an expanding number of publications who regularly feature his work, one of the most popular and most visited web-logs (www.thismodernworld.com), the time is now for The Great Big Book of Tomorrow. This massive collection of Tomorrow's greatest hits, unseen gems and obscurities, new material and color section is the so far definitive collection of one of the most popular 'underground' cartoonists ever--a delight to long-time fans and new readers alike.

    Brilliantly drawn and bitterly funny, these cartoons thoroughly demonstrate better living through plywood, reaffirm that what's good for business is good for America-even if Your Government in Action has taken to the streets-the Madonna is out of order and Yoga has been made silly. 122,000 copies in print.

    A Far Side retrospective, celebrating its tenth anniversary.

    Completely recolored in the style of the 1930s and 1940s Disney animated cartoons. Illustrated.

    The Get Fuzzy gang is back! Bucky the arrogant cat, Satchel the clueless pooch, and Rob the exasperated human make up one crazy and hilariously entertaining household. Collecting the cartoons from The Birth of Canis and The Fuzzy Bunch, this treasury is a rollicking read full of Bucky's signature bullying of Satchel and Rob's inability to keep the peace.

    It's an acknowledged bit of wisdom that authors all learn at one time or another: Don't let your publisher write the promotional material. Words like "countless millions," "knee-slapping hilarious," and "cult following" are found peppering one's sacred book jacket like pigeon droppings on a statue of the Virgin Mary...which naturally is how I think of my work.The truth is that the only "cult following" my comic strip had when this book appeared consisted of my mother. Bless her heart, she still reads it daily. She'll hand the funny page to me, point to it, scrunch her eyes together and say, "Honey, what were you trying to say here?" If opus spits watermelon seeds at Milo, she'll say to me, "So this is a sort of comment on the watermelon industry?" So you see, to my publisher and to my mother, I remain a victim of unrealistic expectations.In the meantime, please accept my apologies for the way Opus is drawn within this volume. I had no experience drawing birds in 1982 and you will notice that his beak tends to randomly shrink or expand. To this day, my mother thinks it symbolically represented the changing fortunes of my bachelor love life. Maybe it did, Mom, and maybe it didn't.Berke BreathedAugust 1987

    The lead character in most is Bitchy Bitch, the perma-nently PMS'd and PO'd embodiment of the female id, who also stars in her own series of cartoon shorts on the Oxygen Network's X-Chromosome animated series.The raunchiest collection, focusing on Bitchy's sexual excapades.

    Cul de Sacis noted not only for its humour and intelligence, but also for creator Richard Thompson's fun, imaginative watercolour artwork. Cul de Sacis brought to life through manhole-dancing Alice Otterloop, a curious four-year-old who discovers life's ups and downs in suburbia. Along with her Blisshaven Preschool classmates, Alice charms fans of all ages with her escapades. From crafting projects in a cloud of glitter and glue or just trying to comprehend a completely incomprehensible world, Alice is a creature of pure and indomitable will, an irresistible force. Alice describes her father's car as a "Honda-Tonka Cuisinart" and talks to the class guinea pig, Mr. Danders. Alice is joined by her family: her older brother Petey who is intent on being the King of the Picky Eaters; her dad, who's the Assistant Director of Pamphlets at the U.S. Department of Consumption, Office of Consumer Complaints; and her mom, who is capable of doing a million things simultaneously, about five of them well. This library of cartoons and art will both delight long-time fans and provide a fantastic introduction to new readers.

    A tiger whose idea of adventure is to lie on his back by the fire and have his stomach rubbed. In six short years this unlikely duo has captured the hearts, the minds, and, most of all, the funny bones of America. They are the most phenomenal success story in syndication - and publishing - history. In only six years, they appear in more than 2,100 newspapers worldwide, and Calvin and Hobbes wins as many readership polls as Calvin has excesses. All seven of Bill Watterson's collections have sold a million copies within a year of publication.This treasury collection contains a never-before-published full-color section, as well as the cartoons appearing in The Revenge of the Baby-Sat and Scientific Progress Goes "Boink." All Sunday cartoons are presented full-page and full-color.

    (Among other things, three major cast members—Schroeder, Lucy, and Linus—initially show up as infants and only "grow" into their final "mature" selves as the months go by. Even Snoopy debuts as a puppy!) Thus The Complete Peanuts offers a unique chance to see a master of the art form refine his skills and solidify his universe, day by day, week by week, month by month.This volume is rounded out with Garrison Keillor's introduction, a biographical essay by David Michaelis (Schulz and Peanuts) and an in-depth interview with Schulz conducted in 1987 by Gary Groth and Rick Marschall, all wrapped in a gorgeous design by award-winning cartoonist Seth.

    With over 500 daily strips and 80 full-color Sunday pages, this is satire, and Doonesbury, at its best.

    Travel back to the wacky Fifties in this comic compilation of the best of MAD's early years! From the Cold War and Richard Nixon (the first time around) to Howdy Doody and Mickey Mouse, this one's got it all...and then some!

    This new hardcover edition reprints every single “Nuts” story from the Lampoon (rescuing over two dozen pages from oblivion) and reinstitutes the color in the “Christmas” and “Halloween” episodes, and for that matter the 3-D in the 3-D episode (“I wish to God I’d never seen all this space.”)If you don’t remember what it was like being a child, this book will bring it all back… for good or for ill!

    Sikoryak, Michael Kupperman, and Kate Beaton.”—NPR, Best Books of 2013A new collection from the Guardian and New York Times Magazine cartoonistThe New York Times Magazine cartoonist Tom Gauld follows up his widely praised graphic novel Goliath with You’re All Just Jealous of My Jetpack, a collection of cartoons made for The Guardian. Over the past eight years, Gauld has produced a weekly cartoon for the Saturday Review section of Britain’s best-regarded newspaper. Only a handful of comics from this huge and hilarious body of work have ever been printed in North America—and these have been available exclusively within the pages of the prestigious Believer magazine.      You’re All Just Jealous of My Jetpack distills perfectly Gauld’s dark humor, impeccable timing, and distinctive style. Arrests by the fiction police and imaginary towns designed by Tom Waits intermingle hilariously with piercing observations about human behavior and whimsical imaginings of the future. Again and again, Gauld reaffirms his position as a first-rank cartoonist, creating work infused with a deep understanding of both literary and cartoon history.