Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.

    Emerging out oa a life in shich, the poet's words, "each day was the only day", Menasches work has a mysterious simplicity, a religious intensity, and a lingering emotional force.

    Now, on the anniversary of that ominous night, a girl-child ripens into the heritage of lost power. But before she can even comprehend her terrible new gift, the Dark Lord dispatches his winged monsters to capture her and bring him the embryonic magic she embodies.Fleeing the minions of darkness, Elena is swept toward certain doom-and into the company of unexpected allies. Aided by a one-armed warrior and a strange seer, she forms a band of the hunted and the cursed, the outcasts and the outlaws, to battle the unstoppable forces of evil and rescue a once-glorious empire...

    The misunderstandings caused by language recur throughout the book: contemplating what "yes" means in different cultures; watching Nickelodeon's "Nick at Nite" with a husband who grew up in the Philippines and never saw The Patty Duke Show; misreading another poet's title "The Difference Between Pepsi and Coke" as "The Difference Between Pepsi and Pope" and concluding that "Pepsi is all for premarital sex. / The Pope won't stain your teeth." Misunderstandings also abound as characters mingle with others from different classes. In "Cockroaches," a father-in-law refers to budget-minded American college students backpacking in Europe as cockroaches, not realizing his daughter-in-law was once, not so long ago, such a student/roach herself.With welcome levity and refreshing irreverence, The Star-Spangled Banner addresses issues of ethnicity, class, and gender in America.

    Rogue & Kat Savage.

    

    "The Himalayas Within Him" finds Heart worrying about the sound of his own heartbeat, wondering why it doesn't "blare like a quartet of trombones" as it reflects his "ardent complexity." In "Goodbye to the Hands That Have Touched Him" Heart, after suffering many sleepless nights, decides "that love exists at the root of his problems. Without love his path would be as smooth as a plate of glass and he'd sleep like a kitten." Dividing the Heart poems is the long "Oh, Immobility, Death's Vast Associate, " a jazzy disquisition on human isolation and inaction in the midst of a planet full of people feeling similarly. Throughout Pallbearers Envying the One Who Rides Dobyns has painstakingly sculpted straight-forward language into a distinct sound, creating an unforgettable collection of poems that offers readers unexpected revelations about the complexities of the heart.

    The wit and wisdom of the West, as documented by Dalton Wilcox, poet laureate of the West.

    Don Marquis' creations have been constantly in print since 1934.

    Instead of attending house parties, dating boys, and enjoying her teen years, she is forced to take care of her little sister Kay. With the help of her best friend Bobby, she turns to the streets and began to sell drugs as her source of income. Being Bobby's right hand man means that she has to bottle all the feeling she has for him and watch him love another woman the way she wished to be love. Zoe was the man on the block when his father Gustave ran the East. When Gustave is murdered by Bobby's uncle, Zoe is deported back to his parent's country, Haiti, to serve a prison sentence for drug and trafficking. Five years later, Zoe returns to the East to claim territory that is rightfully his. In the midst of running his father's empire, Diamond steals his heart. There is only one problem, she is affiliated with the enemy. In this modern day Romeo and Juliet hood love story, will love conquer all, or will it cause a war?

    Including such subjects as "I Heart Unending Paranoia," "Because You Know You're Avoiding Going Somewhere But Don't Even Know Where Yet," and "I'm Not Going To Change My Clothes Today," Pink's collection is bizarre, funny, and original.

    The book teaches that a person's softness is their biggest strength and that having a big heart is not always a bad thing and that a glimmer of light can be found in the darkest places.A Handful of Stars is raw and unapologetic, soft and kind, reflective and inspirational all at the same time. Some of Ruby's most loved poems are shared within the pages of this book, in hope that they will have the same effect on readers the second time as they did the first.

    The Weary Blues announced the arrival of a rare voice in American poetry. A literary descendant of Walt Whitman ("I, too, sing America," Hughes wrote), he chanted the joys and sorrows of black America in unprecedented language. A gifted lyricist, he offered rhythms and cadences that epitomized the particularities of African American creativity, especially jazz and the blues. His second volume, steeped in the blues and controversial because of its frankness, confirmed Hughes as a poet of uncompromising integrity. Then in the 1930s came Dear Lovely Death (1931) and the radical A New Song (1938). Poems such as "Good Morning Revolution" and "Let America Be America Again" made his pen one of the most forceful in America during the Great Depression.

    Free, for the time being, from the power of the gods and the ceaseless weight of the rock, he struggles to navigate twenty-first-century America. In language by turns mordant and tender, often elegiac, Dunn illuminates the quotidian burdens of his all-too-human hero, as well as the abrasions of ambivalence and choice, finally concluding that "here / and there, though mostly here, even fate is reversible / with struggle or luck."In a second sequence of poems, nineteenth-century novelists become "local visitors" to the author's South Jersey towns. "Chekhov in Port Republic," "Jane Austen in Egg Harbor," "Dostoyevsky in Wildwood": these inventions and others give Dunn provocative new latitudes. As in his previous books, "he balances the casual and the vivid as he plumbs the ambiguity and mystery of human relations" (New York Times Book Review).

    Fueled by her crooked grandfather s blood and her gold-digging grandmother s teachings, Kyla mastered the arts of manipulation and seduction at an early age. While other girls were learning simple addition and subtraction, Kyla was being trained to divide men from boys in hopes of multiplying her funds. As she propels through adolescence and into her teenaged years, Kyla s heartbreaking beauty and notorious sex appeal become her trademarks. The more attention she receives, the more she craves; and she seizes every opportunity to increase her status in her urban St. Louis community. Kyla truly believes that the world and everything in it is at her disposal. That is, until she meets Shard Phaylon, a suave and powerful young kingpin in the illegal drug trade. From the beginning, the mysterious Shard presents an alluring challenge that spoiled Kyla has never before had to face. In an effort to live up to her family name, she blindly and tirelessly pursues him and his many assets. Kyla s misguided affection quickly blossoms into complete devotion; and she soon finds herself acting as a witness and eventually, an accomplice in Shard s immoral and dangerous schemes. Her newfound love for him begins to eclipse her lifelong love for the Brown family, and she becomes completely torn between the two. Just when Kyla believes that she has her life all mapped out, though, she suddenly begins to unearth bizarre and unsettling clues about Shard s past and present. It is only after Shard commits the ultimate act of betrayal that Kyla discovers the disturbing truth about him and learns an even more disturbing truth about herself.