He develops a particular fondness for La Reina de Corazones - or rather, its landlady, Michelle. David does not approve, and neither does Lydia, for she and the Black Circle have plans for Underwood that definitely do not include Michelle – plans that involve Underwood granting them the vampiric gift of eternal life. And if Underwood won't grant that gift by choice, they'll take it by force.Bonded in Blood, the second of the Underwood and Flinch Chronicles, continues events started in Resurrection. It also reveals how, in the early 18th Century, Underwood became a vampire and how he and the Flinch family became forever Bonded in Blood.Winner of the Polidori Award for Best Vampire Novel 2010 and 2011.Finalist in the 2010 Parsec Awards and Winner in 2012.

    He was an authority on rock & roll, blues, jazz, punk, avant-garde, and world music -- often discovering new artists and trends years (even decades) before they hit the mainstream. Now, noted music writer Anthony DeCurtis has compiled the best pieces from Palmer's oeuvre and presents them here, in one compelling volume.A member of the elite group of the defining rock critics who emerged in the 1960s and 1970s, Palmer possessed a vision so complete that, as DeCurtis writes, "it's almost as if, if you read Bob, you didn't need to read anyone else." Blues & Chaos features some of his most memorable pieces, including gripping stories about John Lennon, Led Zeppelin, Moroccan trance music, Miles Davis, Jerry Lee Lewis, Philip Glass, and Muddy Waters.Wonderfully entertaining, infused with passion, and deeply inspiring, Blues & Chaos is a must for music fans everywhere.Flirtations with chaos / by Anthony DeCurtis --The big picture : "The opinions expressed are dangerously subjective." --The blues : "A post-Heisenberg-uncertainty-principle mojo hand" --Jazz : "A kinetic kaleidoscope" --The originators : "Where the hell did this man come from?" --Soul and R&B : "It had to come from somewhere, and the church is where it all came from" --Classic rock : "Musically, we weren't afraid to go in any direction whatsoever" --John Lennon and Yoko Ono : "Now the music's coming through me again" --Punk rock and beyond : "Fear and nothing" --World music : "The world is changing and so is our music" --Morocco : "We fell through each other, weightless, into the sky" --On the edge : "Listen, as if a new world had suddenly opened up" --Sonic guitar maelstrom : "All hail the overdriven amp."

    This book contains the complete novels of Jane Austen.- Lady Susan- Sense and Sensibility- Pride and Prejudice- Mansfield Park- Emma- Persuasion- Northanger Abbey- Love And Friendship And Other Early Works

    Sprawling across 2200 miles, this shadow side of Los Angeles is in the high Mojave Desert. Known as the Antelope Valley, it's a terrain of savage dignity, a vast amphitheatre of startling wonders that put on a show as the megalopolis burrows northward into the region's last frontier. Ranchers, cowboys, dreamers, dropouts, bikers, hikers, and felons have settled here - those who have chosen solitude over the trappings of contemporary life or simply have nowhere else to go. But in recent years their lives have been encroached upon by the creeping spread of subdivisions, funded by the once easy money of subprime America. McMansions - many empty now - gradually replaced Joshua trees; the desert - America's escape hatch - began to vanish as it became home to a latter-day exodus of pilgrims.It is against the backdrop of these two competing visions of land and space that Donald Kueck - a desert hermit who loved animals and hated civilization - took his last stand, gunning down beloved deputy sheriff Steven Sorensen when he approached his trailer at high noon on a scorching summer day. As the sound of rifle fire echoed across the Mojave, Kueck took off into the desert he knew so well, kicking off the biggest manhunt in modern California history until he was finally killed in a Wagnerian firestorm under a full moon as nuns at a nearby convent watched and prayed.This manhunt was the subject of a widely praised article by Deanne Stillman, first published in Rolling Stone, a finalist for a PEN Center USA journalism award, and included in the anthology Best American Crime Writing 2006. In Desert Reckoning she continues her desert beat and uses Kueck’s story as a point of departure to further explore our relationship to place and the wars that are playing out on our homeland. In addition, Stillman also delves into the hidden history of Los Angeles County, and traces the paths of two men on a collision course that could only end in the modern Wild West. Why did a brilliant, self-taught rocket scientist who just wanted to be left alone go off the rails when a cop showed up? What role did the California prison system play in this drama? What happens to people when the American dream is stripped away? And what is it like for the men who are sworn to protect and serve?

    Examining California's formative years, this innovative study seeks to discover the origins of the California dream and the social, psychological, and symbolic impact it has had not only on Californians but also on the rest of the country.

    It was a fertile era for new genres, from alt-rock to Afropop, hip hop to techno. Rock critic Robert Christgau's obsessive ear and authoritative pen have covered it all-over 3,800 albums graded and classified, from A+s to his celebrated turkeys and duds. A rich appendix section ensures that nothing's been left out-from "subjects for further research" to "everything rocks but nothing ever dies." Christgau's Consumer Guide is essential reading and reference for any dedicated listener.

    Not since Terry McMillan's Breaking Ice have so many African-American writers been brought together in one volume. A stellar collection of works from more than fifty hot names in fiction, Gumbo represents remarkable synergy. Edited by bestselling luminaries Marita Golden and E. Lynn Harris, this collection spans new and previously published tales of love and luck, inspiration and violation, hip new worlds and hallowed heritage from voices such as: Edwidge Danticat , Eric Jerome Dickey, Kenji Jasper, John Edgar Wideman, Terry McMillan, David Anthony Durham, Bertice Berry, and many, many more. Also featuring original stories by Golden and Harris themselves, Gumbo heralds the debut of the Hurston / Wright Legacy Awards for Published Black Writers (scheduled for October 2002), and all advances and royalties from the book will support the Hurston/ Wright Foundation. Combining authors with a variety of flavorful writing, Gumbo will have readers clamoring for second helpings.

    From back-alley gyms and smoke-filled arenas to star-studded casinos and exotic locales, they have chronicled unforgettable stories about determination and dissipation, great champions and punch-drunk has-beens, colorful entourages and outrageous promoters, and, inevitably along the way, have written incisively about race, class, and spectacle in America. Like baseball, boxing has a vivid culture and language all its own, one that has proven irresistible to career sportswriters and literary essayists alike.This gritty and glittering anthology gathers a century of the very best writing about the fights. Here are Jack London on the immortal Jack Johnson; H. L. Mencken and Irvin S. Cobb on Jack Dempsey vs. Georges Carpentier, the first “Fight of the Century” that captivated the world in the 1920s; Richard Wright on Joe Louis’s historic first-round knockout of Max Schmeling; A. J. Liebling’s brilliantly comic portrait of a manager who really identifies with his fighter; Jimmy Cannon on Archie Moore, the greatest fighter of the 1950s; James Baldwin and Gay Talese on Floyd Patterson’s epic tilt with Sonny Liston; George Plimpton on Muhammad Ali and Malcolm X; Norman Mailer on the Rumble in the Jungle; Mark Kram on the Thrilla in Manila; Pete Hamill on legendary trainer and manager Cus D’Amato; Mark Kriegel on Oscar De la Hoya; and David Remnick and Joyce Carol Oates on Mike Tyson. National Book Award–winning novelist Colum McCann (Let the Great World Spin) offers a foreword.

    Or was his mind playing tricks? Shane's lover, Alexa Hamilton, herself a lauded LAPD officer, happens to think so. But Shane knows what he saw. And for a rogue cop with nothing left to lose, the search for Dean has become more than an investigation. It's become an obsession.The first clue to Dean's secret lifeand suspicious deathis murder. The victim is Dean's former commanding officer. The connection taps into a corrupt, high-level conspiracy among L.A.'s finest that will put Shane and everyone he loves in harm's way. It will cut deep into the heart of betrayal and the meaning of friendship. And it will dare one cop already on the brink of madness to take on step further into darkness...

    A Hole in the Flag is both a chronicle of the changes that have taken place in Romania over the past year, and a personal portrait of a man and his emotional attachment to his mother country--a poetic look at joy and disappointment.

    Millions grew up listening to Paul Harvey News and Comment and The Rest of the Story, and trusted the great man who spoke for the little guy. Good Day! by Paul J. Batura follows the remarkable life of one of the founding fathers of the news media. Paul Harvey started his career during the Great Depression and narrated America's story day by day, through wars and peace, the threat of communism and the crumbling of old colonial powers, consumer booms and eventual busts. In Good Day!, you'll follow,* How he became "Paul Harvey"* The remarkable adversity he confronted in his early years* How he revolutionized the radio industry with his wife, Evelyn* How a president wanted to "roast" him "good"* How he was nearly jailed for pursuing a scoop Paul J. Batura's Good Day! is a colorful biography of the radio pioneer-turned-legend whose guiding light saw the country through dark times. Whether he was covering racial tensions, terrorist attacks, or which vitamins to take, Paul Harvey articulated the American experience for average people making their way in a world too large for quick comprehension. Harvey brought them that world "in dime store words," with a sense of optimism and faith, and with a deep love for America. Here is Harvey's story, the rest of the story, as he would tell it himself.

    All stories can be read on their own. This collection contains the following A Real Man books: Blacksmith, Brutal, and Kilt Me. BLACKSMITH: Steel isn’t the only thing that’s hard. MADDIE Deacon was older than me, but I wanted him regardless. He had this raw edge to him, this primal aura surrounding him that made me feel wholly feminine. He was the epitome of a man…a real man. Even his profession was masculine: a blacksmith. I had no doubt he knew how to work for his hands over a woman, how to use them to make her feel the soft and hard sides of him. What I wanted was for him to be my first…my only. DEACON She thought I didn’t see her watching me, that I didn’t know she wanted me. I knew, and I wanted her with a fierceness that rivaled anything else. What Maddie didn’t know was I’d already claimed her. There was no other woman for me but her. I was a possessive bastard, territorial when it came to her. The time had finally come to make her mine. I’d show her how primal I really was, how rough I liked it, how much I wanted to make her scream my name. I’d show her how a man took care of his woman in all the ways that counted. She’d be mine. Only mine. BRUTAL: He’s loved her his entire life. AXEL She’s my best friend, my everything. She’s been the girl I’ve loved since I knew what that meant. I box—fight bloody—for a living, and at every fight she’s there, cheering me on, being mine whether she knows it or not. I’ve never been with a woman because for me she’s it. Roxie is the only one I’ll ever want. Enough time has passed. It’s time I told Roxie how I feel, because there’s no way I can hold in my feelings any longer. ROXIE I want to think the looks, the possessiveness that comes from him means he wants me the same way I want him. He’s been in my life for longer than I can remember, and I never want that to change. I’ll be with him until the end. My love for him runs so deep, so strong I can’t breathe at times. I watch as he pushes other girls away, his gaze locked on mine as if he’s trying to tell me there isn’t anyone else for him. But I’m afraid to turn our relationship from friends to lovers. I’m afraid of crossing that line that could ruin what we have. KILT ME: He’ll show her exactly what’s under his kilt. MOLLY The first time I saw Mr. McGowan, he was walking into our class wearing a kilt. Our substitute professor, was big and brooding, masculine, and had a sexy Scottish brogue going on. Maybe I didn’t need that extra tutoring, but I sure as hell wanted it. ALASTAIR I noticed Molly the moment I stepped into the classroom. She was the wee lass with the fire-colored hair, the intense green eyes, and a body that had me burning alive. I didn’t want to look away from her because I knew she was mine. Maybe there was a rule about staff not fraternizing with students. But given that I’m just the substitute professor, and that I wanted her like a fiend, I was about to cross some lines and break some rules.

    And  a grouping of four stories at the end follows a divorced psychiatrist in an arc that constitutes a short novel.   Included are: “His Women,”  “Great Sex,”  “Old Love Affairs,” and  “The Drinking Club,”  “Patients, “The Wrong Mexico, “ and “Earthquake Damage.”

    Authors John Doe and Tom DeSavia have woven together an enthralling story of the legendary west coast scene from 1977-1982 by enlisting the voices of people who were there. The book shares chapter-length tales from the authors along with personal essays from famous (and infamous) players in the scene. Additional authors include: Exene Cervenka (X), Henry Rollins (Black Flag), Mike Watt (The Minutemen), Jane Wiedlin and Charlotte Caffey (The Go-Go’s), Dave Alvin (The Blasters), Jack Grisham (TSOL), Teresa Covarrubias (The Brat), Robert Lopez (The Zeros, El Vez), as well as scencesters and journalists Pleasant Gehman, Kristine McKenna, and Chris Morris. Through interstitial commentary, John Doe “narrates” this journey through the land of film noir sunshine, Hollywood back alleys, and suburban sprawl—the place where he met his artistic counterparts Exene, DJ Bonebrake, and Billy Zoom—and formed X, the band that became synonymous with, and in many ways defined, L.A. punk.Under the Big Black Sun shares stories of friendship and love, ambition and feuds, grandiose dreams and cultural rage, all combined with the tattered, glossy sheen of pop culture weirdness that epitomized the operations of Hollywood’s underbelly. Readers will travel to the clubs that defined the scene, as well as to the street corners, empty lots, apartment complexes, and squats that served as de facto salons for the musicians, artists, and fringe players that hashed out what would become punk rock in Los Angeles.

    It's a perfect example of the wry humour that permeates the mind-set of Service personnel, and it resonates throughout this book. Whether the tale is set in the air or on the ground, it offers a glimpse of what life was, and probably still is, really like in the RAF.Over a period of two years, three ex-military pilots, who joined the RAF on the same day and have been life-long friends, collected the stories. Sometimes terrifying, occasionally outrageous, and frequently funny, they show that the business of flying military aircraft sporadically throws up challenges that even the most capable of aviators struggle to meet. Without exception, the stories are related with a refreshing candour that acknowledges the failures as well as the triumphs on each author's part. Equally importantly, they are presented in a way that anyone can enjoy, regardless of whether or not they have any knowledge of flying or military life.Many of the events recounted here happened during the Cold War, when the surreal world of potential nuclear conflict was the backdrop to day-to-day operations, and nearly all the stories appear in print for the first time. Indeed, it is true to say that, from an aviation perspective, they are frequently more remarkable for the fact that the protagonist got away with it rather than demonstrated great flying skill.Amount going to charity £3.32/$5.43 (at current rate)