They do not speak--and are all the more terrifying for their silence.Merridale's dead have returned. All hell is about to break loose.

    Ghostly narratives of the Edwardian era, lurid classics from the pulp heyday, and modern-day masterpieces are included in these collections.

    A treasured source used by almost all the significant writers in the American pulp tradition — H. P. Lovecraft, A. Merritt, Robert E. Howard, and many others — it endures as a work of remarkable power and one of the most chillingly original books in the genre.This collection reprints all the supernatural stories from The King in Yellow, including the grisly "Yellow Sign," the disquieting "Repairer of Reputations," the tender "Demoiselle d'Ys," and others. Robert W. Chambers' finest stories from other sources have also been added, such as the thrilling "Maker of Moons" and "The Messenger." In addition, an unusual pleasure awaits those who know Chambers only by his horror stories: three of his finest early biological science-fiction fantasies from In Search of the Unknown appear here as well.

    Melding supernatural horror with hardboiled noir, espionage, and a scientific backbone, Barron’s stories have garnered critical acclaim and have been reprinted in numerous year’s best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards.Barron returns with his third collection, The Beautiful Thing That Awaits Us All. Collecting interlinking tales of sublime cosmic horror, including “Blackwood’s Baby”, “The Carrion Gods in Their Heaven”, and “The Men from Porlock”, The Beautiful Thing That Awaits Us All delivers enough spine-chilling horror to satisfy even the most jaded reader.

    Datlow has produced a collection filled with some of the most powerful voices in the field: Pat Cadigan, Terry Dowling, Jeffrey Ford, Christopher Fowler, Glen Hirshberg, K. W. Jeter, Joyce Carol Oates, and Lucius Shepard, to name a few. Each author approaches fear in a different way, but all of the stories' characters toil within their own hell. An aptly titled anthology, Inferno will scare the pants off readers and further secure Ellen Datlow's standing as a preeminent editor of modern horror.

    From dark fantasy and pure suspense to classic horror tales of vampires and zombies, 999 showcases the extraordinary scope of fantastical fright fiction. The stories in this anthology are a relentless tour de force of fear, which will haunt you, terrify you, and keep the adrenaline rushing all through the night.Amerikanski dead at the Moscow morgue / Kim Newman --The ruins of contracoeur / Joyce Carol Oates --The owl and the pussycat / Thomas M. Disch --The road virus heads north / Stephen King --Keepsakes and treasures: a love story / Neil Gaiman --Growing things / T.E.D. Klein --Good Friday / F. Paul Wilson --Excerpts from the records of the New Zodiac and the diaries of Henry Watson Fairfax / Chet Williamson --An exaltation of termagants / Eric Von Lustbader --Itinerary / Tim Powers --Catfish gal blues / Nancy A. Collins --The entertainment / Ramsey Campell --ICU / Edward Lee --The shadow, the darkness / Thomas Ligotti --Rio Grande Gothic / David Morrell --Des Saucisses, Sans doute / Peter Schneider --Angie / Ed Gorman --The ropy thing / Al Sarrantonio --The tree is my hat / Gene Wolfe --Styx and bones / Edward Bryant --Hemophage / Steven Spurill --The book of irrational numbers / Michael Marshall Smith --Mad dog summer / Joe R. Lansdale --The Theater / Bentley Little --Rehearsals / Thomas F. Monteleone --Darkness / Dennis L. McKiernan --Elsewhere / William Peter Blatty

    In addition to works by Edgar Allan Poe, Arthur Conan Doyle, Bram Stoker, Wilkie Collins!, and other well-known writers, it features several sensationalized retellings of famous folk legends and accounts of notorious highwaymen. The book includes two full-length novels: the original 1818 text of Frankenstein, which was considered more shocking before Mary Shelley toned down its gruesomeness for the better-known 1831 edition, and Sweeney Todd: The Demon Barber of Fleet Street, a genuine penny dreadful that has served as the foundation for all accounts of Sweeney Todd written since. The book will appeal to readers who are currently enjoying the literary horror mash-ups featured on the hit Sky Atlantic series Penny Dreadful.Includes: - Aurelia, or, The Tale of a Ghoul by E.T.A. Hoffman

     And yet, there is an attraction, undeniable, to the vampire archetype, whether the pale European count, impeccably dressed and coldly masculine, yet strangely ambiguous, ready to sink his sharp teeth deep into his victims' necks, draining or converting them, or the vamp, the count's feminine counterpart, villain and victim in one, using her wiles and icy sexuality to corrupt man and woman alike... Edited and introduced by acclaimed anthologist John Joseph Adams (Wastelands, The Living Dead), By Blood We Live gathers together the best vampire literature from the preceding three decades, authored by many of today's most renowned writers of fantasy, speculative fiction, and horror. Contents: (Author, title (type, year of first publication, beginning page in print edition))01 - Neil Gaiman, Snow, Glass, Apples (short story, 1995, p3)02 - Anne Rice, The Master of Rampling Gate (novelette, 1984, p13)03 - Harry Turtledove, Under St. Peter's (novelette, 2007, p33)04 - Tad Williams, Child of an Ancient City (novelette, 1988, p43)05 - Michael A. Burstein, Lifeblood (novelette, 2003, p75)06 - Barbara Roden, Endless Night (short story, 2008, p88)07 - Garth Nix, Infestation (novelette, 2008, p106)08 - Carrie Vaughn, Life Is the Teacher (short story, 2008, p120)09 - Nancy Kilpatrick, The Vechi Barbat (short story, 2007, p134)10 - Kristine Kathryn Rusch, The Beautiful, The Damned (short story, 1995, p148) 11 - David Wellington, Pinecones (short story, 2006, p161)12 - Norman Partridge, Do Not Hasten to Bid Me Adieu (novelette, 1994, p165)13 - Sergei Lukyanenko, Foxtrot at High Noon (short story, 2008, p180)14 - Michael Marshall Smith, This Is Now (short story, 2004, p189)15 - Nancy Holder, Blood Gothic (short story, 1985, p199)16 - Jane Yolen, Mama Gone (short story, 1991, p204)17 - Joe Hill, Abraham's Boys (short story, 2004, p209)18 - Tanith Lee, Nunc Dimittis (novelette, 1983, p224)19 - Gabriela Lee, Hunger (short story, 2007, p240)20 - Caitlín R. Kiernan, Ode to Edvard Munch (short story, 2006, p250)21 - L.A. Banks, Finders Keepers (short story, 2008, p256)22 - Brian Stableford, After the Stone Age (short story, 2004, p275)23 - Kevin J. Anderson, Much at Stake (short story, 1991, p286)24 - Elizabeth Bear, House of the Rising Sun (short story, 2005, p297)25 - Lilith Saintcrow, A Stand-Up Dame (short story, 2008, p302)26 - Kelley Armstrong, Twilight (novelette, 2007, p316)27 - Eric Van Lustbader, In Darkness, Angels (novelette, 1983, p333)28 - Barbara Hambly, Sunrise on Running Water (novelette, 2007, p355)29 - Bruce McAllister, Hit (short story, 2008, p372)30 - Ken MacLeod, Undead Again (short story, 2005, p385)31 - Robert J. Sawyer, Peking Man (short story, 1996, p388)32 - Ben Lumley, Necros (short story, 1986, p396)33 - Catherynne M. Valente, Exsanguinations: A Handbook for the Educated Vampire by Anna S. Oppenhagen-Petrescu (short story, 2005, p409)34 - Charles Coleman Finlay, Lucy, In Her Splendor (short story, 2003, p415)35 - John Langan, The Wide, Carnivorous Sky (short story, 2009, p426)36 - Stephen King, One for the Road (short story, 1977, p464)37 - Ross E. Lockhart, For Further Reading (By Blood We Live) (essay, 2008, p477)

    Each story begins with the setup of someone walking into a workplace with a gun. From there each author takes the tale wherever his twisted imagination leads him. Original.

    'Red' seems to me to be a masterwork. 'Vampire' is a breathtaking work of virtuosity."—Dennis Etchison, from his Introduction"An impressive debut. These stories are all beautifully written and very, very disturbing."—Fangoria"Richard Christian Matheson's prose is elegant, yet spare. He is undoubtedly the master of the contemporary horror short story. His potent, subtle horror sneaks up on the reader and its echoes linger long after the story has ended."—Ellen Datlow, fiction editor, Omni

    At the time it seems like the perfect place to do it, so quiet, so secluded. But they have no way of knowing that they've moved into what was once a sacred site of an old religion. And that the old god is not dead--only waiting. Already the god's dark power has begun to spread, changing and polluting all that it touches. A hideous evil pervades the small town. Soon the dead no longer stay dead. When the power awakens the rotting crew of a ship that sank decades earlier, a nightmare of bloodshed and violence begins for the Stainforths, a nightmare that can end only with the ultimate sacrifice--death.

    But as he prepares to even the score with those responsible for his demise, he unwittingly finds an ally in a dark and malevolent force that grants him supernatural powers. Frank takes his revenge in the most ghastly ways imaginable - but there will be a terrible price to pay once his work is done.Destined to be a cult classic, this tale of corporate horror and demonic retribution will strike a chord with anyone who has ever been disgruntled at work. Also contains the stories "I Have A Special Plan For This World" and "The Nightmare Network".

    Contents:Mana (1937)Jay Score (1941)Homo Saps (1941)Metamorphosite (1946)Hobbyist (1947)Late Night Final (1948)Dear Devil (1950)Fast Falls the Eventide (1952)I Am Nothing (1952)Weak Spot (1954)Allamagoosa (1955)Into Your Tent I'll Creep (1957)Study in Still Life (1959)

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

    Charles Dickens' A Christmas Carol is filled with scenes that are unsettling. Marley untying the bandage that holds his jaws together. The hideous children--Want and Ignorance--beneath the robe of the Ghost of Christmas Yet to Come. The heavy ledgers Marley drags by his chains. In the finest versions of this story, the best parts are the terrifying parts. Bestselling author and editor Christopher Golden shares his love for Christmas horror stories with this anthology of all-new short fiction from some of the most talented and original writers of horror today.Absinthe & angels by Kelley Armstrong --Christmas in Barcelona by Scott Smith --Fresh as the new-fallen snow by Seanan McGuire --Love me by Thomas E. Sniegoski --Not just for Christmas by Sarah Lotz --Tenets by Josh Malerman --Good deeds by Jeff Strand --It's a wonderful knife by Christopher Golden --Mistletoe and holly by James A. Moore --Snake's tail by Sarah Langan --The second floor of the Christmas hotel by Joe R. Lansdale --Farrow Street by Elizabeth Hand --Doctor Velocity: a story of the fire zone by Jonathan Maberry --Yankee swap by John M. McIlveen --Honor thy mother by Angela Slatter --Home by Tim Lebbon --Hiking through by Michael Koryta --The hangman's bride by Sarah Pinborough