The book is in two sections, the first a focused collection of wildly inventive lyrics that take as launch pad such far flung subjects as allergenesis, the contents and significance of swamps, a revised notion of marriage, and ancestors—both actual and dreamed. The eponymous second section is a cogent series, or long poem, based on a persona named "the eater," who, along with the poems themselves, storms voraciously through tablefuls of Chinese delicacies (each poem in the series takes its titles from an actual Chinese dish), as well as through doubts and confident proclamations from regions of an exploratory self. Hymn for the Black Terrific has Falstaffian panache; it is a book of pure astonishment.Kiki Petrosino is the author of Fort Red Border (Sarabande, 2009) and the co-editor of Transom, an independent on-line poetry journal. She holds graduate degrees from the University of Chicago and the Iowa Writer's Workshop. Her poems have appeared in Tin House, FENCE, Jubilat, Gulf Coast, and The New York Times. Petrosino teaches creative writing at the University of Louisville.

    A title guaranteed to generate "No, wait, read this one!" responses, "The Armpit of Doom" is more mayhem from one of the masters. (J. Patrick Lewis, US Children's Poet Laureate, author of "Please Bury Me in the Library")Kenn Nesbitt wrote a book of poems A funny one I think. And though it's colored black and white Watch it tickle you PINK! (Douglas Florian, author and illustrator of "Comets, Stars, the Moon, and Mars: Space Poems and Paintings")Kenn Nesbitt's brain is the clown car of children's poetry. I don't know how they all fit in there, but they keep tumbling out, one after another, each one funnier than the one before it. (Eric Ode, poet and songwriter. Author of "When You're a Pirate Dog and Other Pirate Poems")I liked "Armpit" (the book) a lot. Armpits aren't my favorite body part. (Bruce Lansky, author of "If Pigs Could Fly... And Other Deep Thoughts" and "My Dog Ate My Homework")Despite the many warnings ("Please Don't Read This Poem!") kids cannot escape the odorous allure of Nesbitt's THE ARMPIT OF DOOM! No problem. They won't want to! Instead they will find "There's only one solution. Here's what you'll have to do: Tell all your friends and family they shouldn't read it too!" (Charles Ghigna, AKA "Father Goose," author of "Score! 50 Poems to Motivate and Inspire")What makes this collection most special are the contemporary details sprinkled throughout (the iPod, XBox, and Kindle, Red Bull, J.K. Rowling, scrunchies, computer woes). Kids will really love the clever nonsense in poems like "On the Thirty-Third of Januaugust" and "It's Fun to Leave the Spaces Out." Teachers, beware: theirsentencesmightlooklikethisforafewdaysafterreadingthisbook!" (Janet Wong, author of "You Have to Write")Fans of Kenn Nesbitt will gobble up this new offering, which combines his infallible command of rhyme scheme with the hilarious--yet oddly contemplative--wisdom of a child pondering the world. (Joyce Sidman, author of "Swirl by Swirl: Spirals in Nature")

    Edited by Cid Corman. The section headings in this book of poems are all vintage Niedecker, but they stake out the poems in three large masses. The earlier work-apprentice to Zukofsky but finding her voice; the central work--when she discovers her range and depth; the final work--much of it known posthumously--showing how she was probing other voices into a larger plenum. One's first impulse, after awe, on reading THE GRANITE PAIL is a double dose of shame: shame at not being more familiar with her work; shame at ever having complained of the narrowness of one's life--Carolyn Kizer.

    Because I always stutter politely. Because there's always the chatter before the kiss. --from "In Need of Subtitles"In this award-winning debut, Sjohnna McCray movingly recounts a life born out of wartime to a Korean mother and an American father serving during the Vietnam War. Their troubled histories, and McCray's own, are told with lyric passion and the mythic undercurrents of discovering one's own identity, one's own desires. What emerges is a self- and family portrait of grief and celebration, one that insists on our lives as anything, please, but singular. Rapture is an extraordinary first collection, with poems of rare grace and feeling.

    In it, we encounter several poems that feature his typically striking yet somber exactitude, a style of perception and depiction always unclouded by sentiment. Other poems find Hughes returning to the Yorkshire landscape of his childhood, recounting the tragic effects of World War I, or revisiting the dire plight of that region's coal miners and textile workers. Wolfwatching is an unflinching book about the struggles of this world, struggles both physical and spiritual, both in and out of nature.

    Thinking about the ways in which economic policy, racism, and militarized policing combine to shape the city, Lake Michigan's poems continue exploring the themes from Borzutzky's Performance of Becoming Human, winner of the National Book Award for Poetry. But while the influences in this book (Césaire, Vallejo, Neruda) are international, the focus here is local as the book takes a hard look at neoliberal urbanism in the historic city of Chicago.  Named a 2018 Best Book of the Year by the New York Public Library.

    Spahr is attentive to specifics and she draws from documentary poetics in these five interconnected poems that move between lyricism, rhythmic repetition, and explanatory prose. Conceptually provocative and yet moving at the same time, Fuck You-Aloha-I Love You demands reading and re-reading.

    The book teaches that a person's softness is their biggest strength and that having a big heart is not always a bad thing and that a glimmer of light can be found in the darkest places.A Handful of Stars is raw and unapologetic, soft and kind, reflective and inspirational all at the same time. Some of Ruby's most loved poems are shared within the pages of this book, in hope that they will have the same effect on readers the second time as they did the first.

    I can think of just about no contemporary poets who publish such consistently great work.” —Corduroy Books “Bob Hicok's poetry is a fleeting comfort, a temporary solace from the chaos of the world. Smart, honest, powerfully inventive, his writing asks the biggest questions while acknowledging that there are no answers beyond the imposed structure of the page.” —Los Angeles Times on This Clumsy Living “The most potent ingredient in virtually every one of Bob Hicok's compact, well-turned poems is a laughter as old as humanity itself, a sweet waggery that suggests there's almost no problem that can't be solved by this poet's gentle humor.” —New York Times Book Review on Insomnia Diary

    In these poems, William Brewer demonstrates an immersive, devastating empathy for both the lost and the bereaved, the enabled and the enabler, the addict who knocks late at night and the brother who closes the door. He shows us the high, at once numbing and transcendent: "this warm moment when I forget which part of me / I blamed." He shows us the overdose, when "the poppies on my arms / bruised red petals." And he shows us the mourner, attending his high school reunion: "I guess we were underdressed: / me in my surf shoes / you in an urn." Underneath and among this multiplicity of voices runs the Appalachian landscape--a location, like the experience of drug addiction itself, of stark contrasts: beauty and ruin, nature and industry, love and despair.Uncanny, heartbreaking, and often surreal, I Know Your Kind is an unforgettable elegy for the people and places that have been lost to opioids.

    Prabhat Prakashan has a glorious history of fifty years of publishing quality books on almost all streams of literature, viz. children books, fiction, science, quiz, humanities, personality development, health, dictionaries, encyclopedias, etc. For the last fifteen years, Prabhat Prakashan has been continuously winning accolades for excellence in book publication.

    And here we cross over into a landscape where beauty interrogates, and we encounter a voice that refuses to let us off the hook."—Yusef KomunyakaaIn this stunning debut, we follow one woman's profoundly personal account of sexual violence against the backdrop of cultural conflict deftly illustrated through her parents' experiences of the Vietnam War, immigration, and its aftermath. By looking closely at landscape and psyche, Split explores what happens when deep trauma occurs and seeks to understand what it means to finally become whole.From "The German word for dream is traume.":When my mother whispered,Has anyone touched you there?I had to pick.Alan, I said.I was seven.The training wheelswere coming off.Between the couchand wall, the ceiling was whitewith popcorn bits. The boys stoodand watched. I lay there,my eyes open like a doll's.Someone said, Let me try.He rode on topthen abruptly stopped.The boys laughed,and then, they stood me up.Cathy Linh Che is a Vietnamese American poet from Los Angeles, CA. She has received awards from The Asian American Literary Review, The Center for Book Arts, The Fine Arts Work Center at Provincetown, Hedgebrook, Kundiman, The Lower Manhattan Cultural Council's Workspace Residency, and Poets & Writers. She is a founding editor of Paperbag.

    The book is a compilation of the series of episodes published in tamil magazine 'Chaavi'

    In six long poems, Schnackenberg's rhyme-rich blank verse, with its densely packed images, shifts effortlessly between the lyric and the epic, setting passion to a verbal music that is recognizably her own.An exceptional and moving new collection from one of the most talented American poets of our time, Heavenly Questions is a work of intellectual, aesthetic, and technical innovation—and, more than that, a deeply compassionate and strikingly personal work.

    Wily, witty and weird, often haunting, sometimes heartbreaking, [Frey's] poems…dive deep, for all their individual brevity.