This is the definitive edition of his poetry, including all 135 poems, published and unpublished during his lifetime, as well as a substantial introduction by Joseph Katz.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Moments of grace, eros, and beauty are braided with shudders of terror and threats of ecological destruction, as Sze moves nimbly through intersections of the disparate and divergent. Using formal disruption, legible erasure, and a diversity of voices—lichen on a ceiling, salt on the table, a man behind on his rent—each page transmutes simplicity into simultaneity, and chaos into compelling song. Sze is a Pulitzer finalist and a widely-revered poet, whose exquisite craft continues to expand our view: there are “so many / worlds to this world.”

    You never mourned loudly, in the streets. You never stopped (couldn’t stop) to wonder if drowning parts ofyourself was a mistake. You never kissed them goodbye.Why didn’t you kiss them goodbye?Was it too hard?Were you ashamed?Of them, or of you?Don’t tell me to be quiet.You need to hear this. Christina Hart, bestselling author of Empty Hotel Rooms Meant for Us, Letting Go Is an Acquired Taste, and There Is Beauty In the Bleeding releases her new poetry chapbook, written in second person POV, which focuses on love, loss, and hope.

    Divided into three sections—"Braid," "Fray," and "Nub" (one referent Mackey notes in his stellar Introduction: "the imperial, flailing republic of Nub the United States has become, the shrunken place the earth has become, planet Nub")—Splay Anthem weaves together two ongoing serial poems Mackey has been writing for over twenty years, "Song of the Andoumboulou" and "Mu" (though "Mu no more itself / than Andoumboulou").In the cosmology of the Dogon of West Africa, the Andoumboulou are progenitor spirits, and the song of the Andoumboulou is a song addressed to the spirits, a funeral song, a song of rebirth. "Mu," too, splays with meaning: muni bird, Greek muthos, a Sun Ra tune, a continent once thought to have existed in the Pacific. With the vibrancy of a Mira painting, Mackey's poems trace the lost tribe of "we" through waking and dreamtime, through a multitude of geographies, cultures, histories, and musical traditions, as poetry here serves as the intersection of everything, myth's music, spirit lift.

    It has the richness variety and compactness of true poetry. It is a book to read and remembered. Sexton is an accomplished lyricist. She can combine the straightforwardness of playing on his speech with the saddle with the control, tight formal structure, and brilliantly effective imagery. But she makes her singular claim on our attention by the fact that she has important things to tell us and tells them dramatically.

    In The Mecca was nominated for the National Book Award for poetry.

    

    He attended Harvard University where he published his first poems in magazines such as Harvard's Wake and Cid Corman's Origin. During the 1950s, after dropping out of Harvard, he taught at Black Mountain College in North Carolina and was an editor of its innovative literary journal, the Black Mountain Review. He received his B.A. from Black Mountain College in 1955. Robert Creeley was one of the originators of the "Black Mountain" school of poetry, along with Charles Olsen, Robert Duncan, and Denise Levertov. In 1962, he received his first widespread recognition with For Love: Poems 1950-1960 and he went on to teach at several universities across the country. In 1978 he was named David Gray Professor of Poetry and Letters at the State University of New York, and presently he is their Samuel P. Capen Professor of Poetry and the Humanities. Creeley has received many awards for his work including the Levinson prize, two Guggenheim fellowships, the Shelley Memorial Award and the Robert Frost Medal, both from the Poetry Society of America, and The American Awards for Echoes. He was elected to the American Academy and Institute of Arts and Letters in 1987 and received a Distinguished Fulbright Fellowship to serve as the Bicentennial chair in American Studies at the University of Helsinki, Finland, for 1988-89, and another Fulbright for the University of Auckland, New Zealand, in 1995. He served as New York State Poet from 1989-1991. In 1995 he was a winner of the Lila Wallace-Reader's Digest Writers' Award. His most recent poetry books are Memory Gardens (1986), Windows (1990), Echoes (1994), So There: Poems 1976-83 (1998), and Life & Death (1998), all published by New Directions.

    #Charles Baudelaire, poete maudit, the self-styled "Satanic man" whose collection THE FLOWERS OF EVIL (Les Fleurs du Mal) is marked by paeans to sexual degradation such as "The Litanies Of Satan" and "Metamorphosis Of The Vampire." Baudelaire himself revelled in a life of filth, and kept as his poetic muse a diseased mulatto prostitute. THE FLOWERS OF EVIL is now presented in a brand new translation that vividly brings Baudelaire's masterpiece to life for the new millennium. This volume also includes key texts from Baudelaire's ARTIFICIAL PARADISE, his notorious examination of the effects of intoxication by alcohol and psychotropic drugs. In "On Wine And Hashish" and "The Poem Of Hashish," Baudelaire brilliantly evokes the agony and ecstasy of addiction. With an introductory essay by Guillaume Apollinaire, published for the first time in English. Cover illustration by Odilon Redon. Solar Nocturnal presents classic texts by key forerunners of modernism.#One of the founders of Modernism, an early champion of Cubism, and inventor of the term "Surrealist." Critic, poet, novelist, theorist, pornographer. #Russell Dent lives in Brighton, UK, and has previously translated he works of Maurice Rollinat.

    were written within earshot of David Kirby's Old World masters, Shakespeare and Dante. From the former, Kirby takes the compositional method of organizing not only the whole book but also each separate section as a dream; from the latter, a three-part scheme that gives the book rough symmetry. Long-lined and often laugh-out-loud funny, Kirby's poems are ample steamer trunks into which the poet seems to be able to put just about anything--the heated restlessness of youth, the mixed blessings of self-imposed exile, the settled pleasures of home. As the poet Philip Levine says, "The world that Kirby takes into his imagination and the one that arises from it merge to become a creation like no other, something like the world we inhabit but funnier and more full of wonder and terror. He has evolved a poetic vision that seems able to include anything, and when he lets it sweep him across the face of Europe and America, the results are astonishing."

    The poems - together with introductory paragraphs - have a link to the date on which they appear. Shakespeare celebrates midsummer night, Maya Angelou International Women's Day and Lewis Carroll April Fool's day.Perfect for reading aloud and sharing with all the family, it contains a full spectrum of poetry from familiar favourites to exciting contemporary voices. Alfred, Lord Tennyson, W. B. Yeats, A. A. Milne and Christina Rossetti sit alongside Roger McGough, Carol Ann Duffy and Benjamin Zephaniah.

    "Walcott's virutes as a poet are extraordinary," James Dickey wrote in The New York Times Book Review. "He could turn his attention on anything at all and make it live with a reality beyond its own; through his fearless language it becomes not only its acquired life, but the real one, the one that lasts . . . Walcott is spontaneous, headlong, and inventive beyond the limits of most other poets now writing."

    Translated by renowned Rumi expert Nader Khalili, over 120 poems about love from the Persian mystic poet and Sufi master have been carefully collected and curated in this beautifully illustrated edition. For more than eight centuries, Jalaluddin Muhammad Balkhi Rumi—commonly referred to simply as Rumi—has enchanted and enthralled readers from every faith and background with his universal themes of love, friendship, and spirituality, which he seamlessly wove into resplendent poetry.The verses herein perfectly express and are centered on the theme of love, along with the quest, desire, and deeper meanings of love for not only ourselves, but also of our fellow humankind.With intricately designed and richly colored covers that mirror the beauty of the words within, the Timeless Rumi series presents themed collections of poems from the great Sufi mystic Jalaluddin Muhammad Balkhi Rumi that serve as cherished tools for self-reflection.

    A full introduction discusses his development as a poet, and how the poems relate to the plays, and detailed notes explain the language and allusions. While accessibly written, the edition takes account of the most recent scholarship and criticism.