There's a funny smell coming from one of Jim's storage units. And Kate's losing it after spending all day with the police. There's no going back after what they've seen.Breathing Corpses was first performed at the Royal Court Jerwood Theatre Upstairs in February 2005.

    For each, the chaos of what has come before brings with it a painful legacy.“I have Stayed. I have Stayed – I have Stayed for as long as I possibly can.”

    The lawyer is married to a beautiful, well-to-do girl in the midwest whose family sets the pace in local society and intends to run his marriage and his career as well. He has rebelled, come to New York, and taken up residence with this intriguing young woman. He is lonely and in need of consolation; she is one of those rare women whose only purpose seems to be making others happy. Their briefly fulfilling relationship is unhappily destined to failure: he is a cultured gentile with a wife and painful memories while she is a plain Jewish girl with little education and a horrible Bronx accent. They share happy and humorous moments together, but they both see with sadness the utter hopelessness of the affair."It's a whale of a hit, a bittersweet joy ride." - The New York Mirror ."An absorbing, affectionate, and funny delight." - The New York Daily News

    Louise wakes up to find herself trapped with Mark, who has saved her life. Mark is always prepared for the worst and has everything he thinks they will need to survive; tinned chilli, Dungeons and Dragons and a knife - now all they need to do is to wait until it's safe to go outside. Can they survive the attack? Can they survive each other?After The End received its world premiere at The Traverse Theatre in August 2005.

    The Globe and Mail describes THE MEMORY OF WATER as "both gloriously funny and deeply felt Indeed, THE MEMORY OF WATER is so funny that it appears at first to be pure black comedy, with the newly bereaved sisters indulging wildly in witty bickering and dope-induced dress-ups Their quarrels over the fu-neral arrangements, their well-worn family roles, their unsatisfactory men and their mixed memories of a highly feminine working-class mother are hilarious In THE MEMORY OF WATER, [Shelagh Stephenson] skillfully charts the joyous and painful territory of family relationships with insight and compassion."

    Four boats. One Grand Canyon. MEN ON BOATS is the true(ish) history of an 1869 expedition, when a one-armed captain and a crew of insane yet loyal volunteers set out to chart the course of the Colorado River.

    The key witness is a woman whose life seems a world away from theirs. At home, their own lives begin to unravel as every version of the truth is challenged.Consent, Nina Raine’s powerful, painful, funny play, sifts the evidence from every side and puts Justice herself in the dock. It premiered as a co-production between the National Theatre and Out of Joint, directed by Roger Michell at the National Theatre in 2017.

    Three candidates. This would be a really bad time to have a stain on your shirt...A savage, acid-tongued new play by Mike Bartlett, one of the UK's most exciting and inventive young writers, and the author of the off-Broadway smash hit Cock. Razor sharp and blackly comic, Bull is a savage and insightful play about office politics or playground bullying, depending which side you're on. Genuinely thrilling, daring and inventive, acclaimed playwright Bartlett probes the dark side of the modern workplace.Bull enjoyed its US premiere in spring 2013 at 59E59 Theaters's "Brits Off-Broadway" festival.

    Tired of writing cheap comedy gags for "Chipper the Chipmunk," a children's television star, Murray finds himself unemployed with plenty of free time with which to pursue his...pursuits. Lectured by his conventional brother Arnold and hounded by "the system," Murray is paid a visit by bickering, uptight social workers, Sandra and Albert, and finds himself solving their problems as well as most of his own."Would be a standout comedy in any season. Filled with laughter and warmth and sweetness and inspired daffiness. One of the quintessential New York comedies."-New York Daily News "An extraordinarily funny play with some brilliantly offbeat lines."-The New York Post

    Let's take check: Finn Bar, slightly ruffled but still in fighting form. Maggie, could do with a full night's sleep but otherwise all in order... Stay here. Don't answer the door. I'll go out and get some proper food.In a new flat, three children play hide and seek. Eliot wears a crown, little Finn, King of the Wild Thing's, draws on the walls. Maggie climbs them. Hiding from the world, needing to be found, their one shared focus a mobile phone. Will it ring? Who will call? And what are they waiting for?Tusk Tusk is a tale of family loyalty as an uncertain future circles. Polly Stenham's second play premiered at the Royal Court Theatre, London, in March 2009.

    Booklet bought for a college class. No internal marking. Looks "like new". Please ask if questions.

    This play, translated from the original Marathi, is one of his most gripping, socially relevant ones.

    As victims of political action, powerless to initiate change, what can they do? How do they live and survive?Frank McGuinness explores the daily crisis endured by hostages whose strength comes from communication, both subtle and mundane, from humour, wit and faith.Someone Who'll Watch Over Me premiered at the Hampstead Theatre, London, in 1992 before transferring to the West End. On Broadway, it was awarded the New York Drama Critics' Circle Award for Best Foreign Play and nominated for the Tony Award for Best Play in 1993.

    And there is Oshoosi, fresh out of prison, who always takes the wrong track. When his ex-cell mate Elegba gives him a clapped-out car, true freedom seems just around the corner... The Brothers Size is the European debut of an amazing young writer who plants Nigerian myth in the fertile soil of Louisiana. The play premiered at Drum, Plymouth, in October 2007, before touring and transferring to the Young Vic, London.

     Here the first three books in the series are presented together. The Illegal Gardener Driven by a need for some control in her life, Juliet sells up on impulse and buys a dilapidated farmhouse in a tiny Greek village, leaving her English life behind. The house is livable by local standards, but the job of restoring the garden is too big. It requires strength. Juliet cannot bring it to life on her own. Around the olive tree, hidden beneath the covering of bindweeds, are mattresses, broken chairs, shepherds' crooks, and old goat bells, the remains of past lives intertwined in a slow decay. The beauty of the garden is lost with the years of neglect and no one to appreciate it. Juliet reluctantly enlists casual labour. She has no desire to share her world with anyone. The boys have grown, Mick has gone. This is her time now. Aaman has travelled to Greece from Pakistan illegally. His task is to find work and raise money for the harvester his village desperately needs to deliver them out of poverty. Poverty that is sending the younger generation to the cities, dividing families, and slowly destroying his community. What he imagined would be a heroic journey in reality is fraught with danger and corruption. He finds himself in Greece and follows the work, a little here, a little there. As time passes, he loses his sense of self. He is now an immigrant worker, illegal, displaced, unwanted, with no value. Some days he does not have enough money to feed himself, let alone to return home to Pakistan. In the village square, he waits for work, dawn not even broken. Juliet hires Aaman. Neither is entirely comfortable with their role. Juliet the Westerner, who has money and a valid passport, resents the intrusion even though she wants her garden cleared. Aaman needs the work and money but resents the humiliation. As the summer progresses, even though they are from vastly different backgrounds, cultures apart, they discover they have something in common, an event that has defined how they interact and even how they view themselves. Pieces of their lives they have kept hidden even from themselves are exposed. They are each other's catalysts to facing their own ghosts... ) Although the island looks harmless, Marina knows it harbours ghosts from the past. Nothing would induce her to visit there again - except to protect her daughter. Sara Alexi's second book is a romp packed with a troupe of colourful characters intertwining in a gripping story. By turn uproariously funny, touching or sad this book is the stuff of which all families are made. Hopes, fears, secrets and misunderstandings beset relationships. Discovery and acceptance bridge a divide. The Explosive Nature of Friendship Do you like books about people? Then you'll love this intimate portrait of a man searching for meaning... Set in an idyllic Greek village, with a backdrop of sea and sun, this book will transport you... Mitsos has spent the last twenty years trying to comes to terms with the events of a single day and all that led up to it. In his twilight years a surprising turn of events gives him a chance to rectify his biggest wrong and give himself the peace he is seeking. But is what he has wanted for the last twenty years what he still wants now and is he the man he thought he was? Set against a backdrop of a small Greek farming village, comedy and tragedy are present in equal measures.Sara transports you to a land of sea and sun as she explores what it means to be human, and fallible.The book examines the nature of friendship, and how our choices and our perceptions of our place in society can define us.