The lyrical passages and poetic images, the wry humor, the tall-tale extravagance, and the homely realism of the 'Kalevala' come through with extraordinary effectiveness.

    Honoured for their gifts and feared for their wrath, the fairies remind us to respect both the world we live in and forces we cannot see.In Meeting the Other Crowd, Eddie Lenihan presents a book about a hidden Ireland, a land of mysterious taboos, dangers, other worldly abductions, enchantments and much more. It is a world which most Irish people acknowledge exists, but which few of them, except the very oldest or professional folklorists, know much more about.Eddie Lenihan opens our eyes to this invisible world with the passion and bluntness of a great storyteller. In doing so he provides one of the finest collections of Irish folklore in modern times.

    But the isle of immortals calls him on a quest as a warrior of the Light...and seals his destiny as the hero of King Arthur's Britain. Framed by historical realism, Gillian Bradshaw expertly weaves convincing magical elements into her fantastic tale of Gwalchmai, the Hawk of May.

    

    The story is told by Branwen, cousin and companion to Esseilte, daughter of the High King of Eriu (Ireland). The two young women save the life of a badly wounded harper, later discovered to be Drustan, who had killed Esseilte's beloved uncle and Branwen's father, Morholt, in battle. Drustan seeks Esseilte's hand for his uncle, Marc'h, King of Kernow (Cornwall), an alliance arranged for political reasons.On the way to Cornwall, Esseilte tries to poison Drustan, but the potion they both drink turns out to be a love filtre prepared for Esseilte and Marc'h. Thus the tale is set in motion, with passion and hate binding the lovers together. With Branwen's aid, they are able to deceive Marc'h on the wedding night: Branwen, close in appearance to the queen, sleeps with the king and falls in love with him. For a while Esseilte and Drustan escape detection, but eventually they are caught in circumstances that cannot be ignored, leading to the tragic denouement. This is a complex tale, interweaving the political and religious conflicts of the sixth century, when the ancient Druid religion still had a strong hold. Paxson ( The Paradise Tree , White Mare, Red Stallion ) breathes life and wonder into one of the most romantic of the Celtic Germanic legends.

    A comprehensive study of Celtic mythology, legend, and poetry provides background information on the Celts, Ancient Britons, and Druids, and includes the tales of such noted figures as Cuchulain, Blodeuweek, Branwen, and Fenn.

    From the revelation of fire to mediaeval quests for the legendary Philosopher’s Stone, the alchemical path has attracted many great minds.Packed with recipes for herbal elixirs, soothing balms, heady scents, rich pigments, and potent solvents, The Alchemist’s Kitchen will appeal to anyone fascinated by the past and the occult world.From the legendary Emerald Tablet of Hermes Trismegistus and Paracelsus’s spagyric medicine, to the ancient science of the four elements and the symbolic associations of mediaeval pigment recipes, this book—illustrated with old engravings and original art—takes you inside mediaeval laboratories and kitchens to explore the sacred secrets of matter.

    The tale seems to begin with buried treasure and then turns into an unprecedented historical detective story - a modern Grail quest leading back through cryptically coded parchments, secret societies, the Knights Templar, the Cathar heretics of the twelfth and thirteenth centuries and a dynasty of obscure French kings deposed more than 1,300 years ago. The author's conclusions are persuasive: at the core is not material riches but a secret - a secret of explosive and controversial proportions, which radiates out from the little Pyrenees village all the way to contemporary politics and the entire edifice of the Christian faith. It involves nothing less than... the Holy Grail.

    He recounts the perilous journey of the world’s birds to the faraway peaks of Mount Qaf in search of the mysterious Simorgh, their king. Attar’s beguiling anecdotes and humor intermingle the sublime with the mundane, the spiritual with the worldly, while his poem models the soul’s escape from the mind’s rational embrace.Sholeh Wolpé re-creates for modern readers the beauty and timeless wisdom of the original Persian, in contemporary English verse and poetic prose.

    Celtic Spirituality offers translations of numerous texts from the Celtic tradition from the 6th through the 13th centuries, in a cross-section of genres and forms, including saints' lives, monastic texts, poetry, devotional texts, liturgical texts, apocrypha, exegetical texts, and theological treatises. Davies has written a helpful introduction, which covers the origins and characteristics of Celtic Christianity and the different genres included in body of the work. He provides readers with insight into the style, form, and character of the texts, including explanation of the Celtic emphasis on orality, the importance of place, emphasis on the environment and animals, and the role of the imagination. With its wide diversity of texts and emphasis on a current of spirituality that is both popular, historical, and inspirational, this volume will be important for scholars of spirituality and Celtic history as well as persons of Celtic descent. +

    

    Centuries ago, it was proclaimed of the Mahabharata: "What is not in it, is nowhere." But even now, we can use the same words about it. He who knows it not, knows not the heights and depths of the soul; he misses the trials and tragedy and the beauty and grandeur of life. The Mahabharata is not a mere epic; it is a romance telling the tale of heroic men and women, and of some who were divine. It is a whole literature in itself, containing a code of life, a philosophy of social and ethical relations, and speculative thought on human problems that is hard to rival.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Portable and reader-friendly, it makes an ideal companion for both lovers of Old Norse mythology and those new to the wisdom of this central Eddic poem wherever they may find themselves.

    Powys thought Porius his masterpiece, but because of the paper shortage after World War II and the novel's lengthiness, he could not find a publisher for it. Only after he cut one-third from it was it accepted. This new edition not only brings Porius back into print, but makes the original book at last available to readers. Set in the geographic confines of Powys's own homeland of Northern Wales, Porius takes place in the course of a mere eight October days in 499 A.D., when King Arthur - a key character in the novel, along with Myrddin Wyllt, or Merlin - was attempting to persuade the people of Britian to repel the barbaric Saxon invaders. Porius, the only child of Prince Einion of Edeyrnion, is the main character who is sent on a journey that is both historical melodrama and satirical allegory. A complex novel, Porius is a mixture of mystery and philosophy on a huge narrative scale, as if Nabokov or Pynchon tried to compress Dostoevsky into a Ulyssean mold. Writing in The New Yorker, George Steiner has said of the abridged Porius that it "combines [a] Shakespearean-epic sweep of historicity with a Jamesian finesse of psychological detail and acuity. Faulkner's Absalom, Absalom!, which I believe to be the American masterpiece after Melville, is a smaller thing by comparison." This new, and first complete, edition of the novel substantiates both Steiner's judgement and Powys's claim for Porius as his masterpiece.