His natural gift for entertaining and his penchant for hobnobbing with the very rich earned him entry to the powerful circle of the New York and Newport social elite, where Harry clowned his way to a position of prominence. One of his admirers and patrons, Mrs. Stuyvesant Fish, introduced him to a young widow, Elizabeth Wharton Drexel. Elizabeth was smitten with young Harry, his elegant dress, and outrageous behavior. They were soon married. But King Lehr had a secret-he was not what he seemed. (He was very gay). On their wedding night he dictated to his new bride the rules of their "special" alliance. For twenty-three years, Mrs. Lehr protected his secret and remained in a sexless marriage. But Harry gave her a lot of fun. After Harry's death, Elizabeth remarried, to the Baron Decies. Lady Decies wrote down her secret story in 1938, incorporating Harry's most intimate diaries, and told all in this scandalous tale of power, desire, and deception.

    Hype and Glory--his critically praised, controversial insider's look at both Cannes and the Miss America Pageant--promises to be an even more potent seller.

    The ISBN for the set is 9780307595577.On Stieg Larsson, a previously unpublished collection of essays about and correspondence with the author.

    The most fucked up memoir you’ll ever read.A foul-mouthed memoir about a dysfunctional life.Each chapter recounts a key moment in the author’s life through the books she was reading at the time including:• Howard’s End, the only text she had read whilst engaging in sexual intercourse.• The Secret Diary of Adrian Mole, which she had in her bag while on holiday in Tangier when a market trader offered her to buy her from her mother for 30 camels.• Angela’s Ashes, her chosen reading material during her breast reduction surgery.• Wild Swans, the book she read the day she decided to have nothing more to do with her mother.It is funny, it is shocking, it is heartbreaking, it is very rude and it is totally unforgettable.

    

    Among his papers was found a series of sheets in a special cover with the inscription: "Themes, thoughts, notes, and fragments." Madame L.O. Knipper-Chekhov, Chekhov's wife, also possesses his note-book, in which he entered separate themes for his future work, quotations which he liked, etc. If he used any material, he used to strike it out in the note-book. The significance which Chekhov attributed to this material may be judged from the fact that he recopied most of it into a special copy book."

    The apprehensive scribe's quest is to capture on paper the fiercest of all literary beasts -- Moby Dick -- in the form of a workable screenplay so the great director can begin filming.But from the moment he sets foot on Irish soil, the author embarks on an unexpected odyssey. Meet congenial IRA terrorists, tippling men of the cloth impish playwrights, and the boyos at Heeber Finn's pub. In a land where myth is reality, poetry is plentiful, and life's misfortunes are always cause for celebration, Green Shadows, White Whale is the grandest tour of Ireland you'll ever experience -- with the irrepressible Ray Bradbury as your enthusiastic guide.

    It has been translated into sixteen languages, made into a prize-winning motion picture, and staged as a play at high schools all over the United States; its very title has become part of the American idiom.Never before has a novel so compellingly laid bare the inner workings of a metropolitan high school. Up the Down Staircase is the funny and touching story of a committed, idealistic teacher whose clash with school bureaucracy is a timeless lesson for students, teachers, parents--anyone concerned about public education. Bel Kaufman lets her characters speak for themselves through memos, letters, directives from the principal, comments by students, notes between teachers, and papers from desk drawers and wastebaskets, evoking a vivid picture of teachers fighting the good fight against all that stands in the way of good teaching.

    Hunter S. Thompson, filmmaker Alex Gibney and archivist Don Fleming were given permission by Thompson's widow to explore boxes of tapes stored in the basement of his Owl Farm home in Woody Creek, Colorado. Recorded by Thompson between 1965 and 1975, these audio notes capture his thoughts and descriptions both as they're happening and during the writing process, from his travels with Terry the Tramp and the rest of the Hell's Angels, through the infamous Las Vegas trips, to Thompson's trek across Southeast Asia during the fall of South Vietnam. Fleming—former front man of the band Velvet Monkeys and now a music producer for the likes of Sonic Youth and Alice Cooper—transferred the tapes and cassettes to digital files for use in the film, but also realized their tremendous value as a direct window into Thompson's thoughts and methods. Here Fleming presents these recordings in a 5-CD set, boxed in a 6 x 12-inch coffee-table format with a booklet full of never-before published images from Thompson's estate, as well as photos and an introduction from Gibney, and an essay by Thompson's fellow correspondent Loren Jenkins.- Daedalus Books Online

    "I am always satisfied with the best." In this superlative collection of quotations by the great Irish playwright and wit, readers will find the very best of Wilde's scintillating comments on art, human nature, morals, society, politics, history, and numerous other subjects. Epigrams, aphorisms, and other bon mots gleaned from Wilde's enduringly popular plays, essays, and conversation offer amusing, thought-provoking observations that resonate with truth and profundity beneath their comic surface.Widely acknowledged as the most brilliant talker of his age, Wilde once explained to André Gide, "I put all my genius into my life; I put only my talent into my works." This fine collection of nearly 400 quotes, organized by category, contains quotations from both his works and his conversation, including gems from his personal life with which even devotees may be unfamiliar. The result is a splendid introduction to Wilde's mind and personality, embodied in a feast of the English language's most brilliant and perceptive witticisms.

    In his letters the author of The Prophet,The Broken Wings, The Voice of the Master & other 20th-century classics bared his soul completely, & their strange magic inspired in his correspondents a like self-revelation. The letters in this book span 1904 to 1930, & truly constitute a self-portrait of the poet in the time of his greatest productivity. These are Gibran's Boston & New York years, with an interlude in Paris, during which he studied under the sculptor Auguste Rodin. There are touching letters here to his sister Miriana & other members of his family; there are thoughtful letters to such influential men as Ameen Guraieb, rhe editor who introduced the Arabic-American public; & above all, there are impassioned letters to May Ziadeh, the Lebanese writer with whom Gibran had formed an extraordinary "literary & love relationship" entirely through correspondence.

    A gathering of twenty-two interviews with Atwood by other writers, including Graeme Gibson, Joyce Carol Oates, Geoff Hancock.

    The Jesus Incident-A sentient Ship with godlike powers (and aspirations) delivers the last survivors of humanity to a horrific, poisonous planet, Pandora-rife with deadly Nerve-Runners, Hooded Dashers, airborne jellyfish, and intelligent kelp. Chaplain/Psychiatrist Raja Lon Flattery is brought back out of hybernation to witness Ship's machinations as well as the schemes of human scientists manipulating the genetic structure of humanity. Book 1 in Herbert & Ransom's Pandora Sequence. The Lazarus Effect-In The Jesus Incident Herbert and Ransom introduced Ship, an artificial intelligence that believed it was God, abandoning its unworthy human cargo on the all-sea world of Pandora. Now centuries have passed. The descendants of humanity, split into Mermen and Islanders, must reunite ... because Pandora's original owner is returning to life! Book 2 in Herbert & Ransom's Pandora Sequence. The Ascension Factor-Pandora's humans have been recovering land from its raging seas at an accelerated pace since The Lazarus Effect. The great kelp of the seas, sentient but electronically manipulated by humans, buffers Pandora's wild currents to restore land and facilitate the booming sea trade. New settlements rise overnight, but children starve in their shadows. An orbiting assembly station is near completion of Project Voidship, which is the hope of many for finding a better world. Pandora is under the fist of an ambitious clone from hibernation called The Director, who rules with a sadistic security force led by the assassin Spider Nevi. Small resistance groups, like the one led by Twisp Queets and Ben Ozette, have had little effect on his absolute power. The Director controls the transportation of foodstuffs; uprisings are punished with starvation. The resistance fighters' main hope is Crista Galli, a woman believed by some to be the child of God. Crista pools her talents with Dwarf MacIntosh, Beatriz Tatoosh, and Rico LaPush to transcend the barriers between the different species and overthrow The Director and the sinister cabal with which he rules. Book 3 in Herbert & Ransom's Pandora Sequence.

    Their delicious letters, most never before published (for fear of speaking ill of the living), provide colorful glimpses of both lives, of an enduring but thorny friendship, and of the literary and social circles of London and Paris at midcentury. Waugh and Mitford came out of the group of London socialites known as the Bright Young Things; they both found best-selling success in the 1940s, Waugh with Brideshead Revisited, Mitford with The Pursuit of Love. In their letters they sharpened their wits at the expense of friends and enemies alike and eagerly dissected their friends, including Harold Acton, Graham Greene, the Sitwells, Duff and Diana Cooper, Randolph Churchill, and their favorite butt, Cyril Connolly. Waugh's pessimistic brand of Roman Catholicism clashed with Mitford's cheerful iconoclasm; her francophilia only fueled he

    The other masterly essays in this collection include classics such as "My Country Right or Left", "How the Poor Die" and "Such, Such were the Joys", his memoir of the horrors of public school, as well as discussions of Shakespeare, sleeping rough, boys' weeklies, and a spirited defence of English cooking. Opinionated, uncompromising, provocative, and hugely entertaining, all show Orwell's unique ability to get to the heart of any subject.